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21	Challenging the conservative exceptionalism : theme of change in the conservative canon Ozsel, Dogancan January 2011 (has links) The thesis focuses on the conservative canon and analyses the validity of exceptionalist claims of conservative thinking through a deconstructive reading of conservatism. The comparison of classical and radical conservatisms provides the grounds for this analysis. After the introductory chapter, the second chapter of this thesis focuses on the general characteristics of the conservative ideology. It consists of three sub-sections. The first of these presents the characteristics of classical conservatism, while the second turns to consider radical conservatism. Then, in the third sub-section, a discussion of the similarities and differences between these two conservatisms leads to a proposed definition of a core of the conservative canon. Here, it is argued that the epistemological and ontological imperfection of individuals can be regarded as the definitive core, or as the precept which the justification of conservative policies relies upon. The third chapter then focuses on the views of a number of significant figures in the development of political thought on ideology, which is used by these thinkers as a critical tool. A narrative of the historical developments in the analyses of ideology and ideologies is presented in this chapter. In the last part of the chapter, Derridian thinking is introduced. The fourth chapter problematises conservative exceptionalism, or the belief that there is a fundamental difference between conservatism and other ideologies. This chapter is founded upon the analyses of the previous two chapters, using the Derridian reading and referring to the characteristics and commonalities of the conservative canon presented. In this chapter, radicalism is argued to be a persistent theme in conservative thinking, and conservatism is claimed to be founded upon its impossibility. 320.52
22	H.P. Lovecraft's Literary "Supernatural Horror" in Visual Culture Wallace, Nathaniel R. January 2014 (has links) No description available. Literature Art History Film Studies HP Lovecraft Visual Culture Weird Fiction At the Mountains of Madness The Call of Cthulhu Adaptation First Person Perspective Edmund Burke Speculative Realism The Outsider Pickmans Model Polyocularity
23	Vampires in the sunburnt country : adapting vampire Gothic to the Australian landscape Nahrung, Jason January 2007 (has links) I first became enamoured with vampire Gothic after reading Bram Stoker's Dracula in high school, but gradually became dissatisfied with the Australian adaptations of the sub-genre. In looking for examples of Australian vampire Gothic, a survey of more than 50 short stories, 23 novels and five movies made by Australians reveals fewer than half were set in an identifiably Australian setting. Even fewer make use of three key, landscape-related tropes of vampire Gothic - darkness, earth and ruins. Why are so few Australian vampire stories set in Australia? In what ways can the metaphorical elements of vampire Gothic be applied to the Sunburnt Country? This paper seeks to answer these questions by examining examples of Australian vampire narratives, including film. Particular attention is given to Mudrooroo's Master of the Ghost Dreaming series which, more than any other Australian novel, succeeds in manipulating and subverting the tropes of vampire Gothic. The process of adaptation of vampire Gothic to the Australian environment, both natural and man-made, is also a core concern of my own novel, Vampires' Bane, which uses earth, darkness and a modern permutation of ruins to explore its metaphorical intentions. Through examining previous works and through my own creative process, Vampires' Bane, I argue that Australia's growing urbanisation can be juxtaposed against the vampire-hostile natural environment to enhance the tropes of vampire Gothic, and make Australia a suitable home for narratives that explore the ongoing evolution of Count Dracula and his many-faceted descendants. vampire Gothic fiction Bram Stoker Dracula Mudrooroo Master of the Ghost Dreaming Australian fiction horror Dani Cavallaro Ken Gelder Gina Wisker David Stevens Edmund Burke darkness earth blood ruins Milissa Deitz Tracy Ryan Jackie French Keri Arthur Outback Vampires Thirst Bloodlust
24	A Neoconservative Theory of International Politics? Mahabir, Lakshana 14 May 2018 (has links) Neoconservatism has long had a tenuous relationship with International Relations theory. Despite an abundance of explanatory material and its influence in US foreign policy, few works in IR have attempted to build a stand-alone theory out of it. Furthermore, previous work on the topic has resulted in an under-developed and poor understanding of the movement’s core ideas. The thesis redefines neoconservatism as a trifecta of i) a set of explanatory ideas on world politics, ii) an approach to foreign policy, and iii) an ideology that stems from the European Enlightenment, all the way to the present day. Using this expanded conceptualization, the thesis builds a theory out of what can broadly be considered an ideology. The theory takes the form of an ideal-type construct and emphasizes hegemony in the international system. It offers an explanation for the causes of alliances, as well as regional and systemic conflicts. The theory also adopts a prescriptive function and offers an account of foreign policy analysis. It is highly recommended that the assumptions of the theory that are laid out here be tested in future work. neoconservatism international relations neo-conservatism international relations theory US foreign policy ideology theory of international politics hegemony liberalism conservatism Leo Strauss Edmund Burke Allan Bloom Irving Kristol Bill Kristol Robert Kagan Paul Wolfowitz Jeane Kirkpatrick Bret Stephens Daniel Patrick Moynahan
25	Понятие «империя» в интеллектуальном наследии Эдмунда Бёрка : магистерская диссертация / The Concept of Empire in the Intellectual Heritage of Edmund Burke Гаврилин, Б. А., Gavrilin, B. A. January 2022 (has links) Исследование посвящено изучение роли понятия империя в исторических работах Эдмунда Бёрка. В ходе изучения темы была применена методология Кембриджской истории по помещению текста в интеллектуальный контекст времени. Источниками для работы стали ряд публицистических произведений британского публициста, а также его эпистолярное наследие. Результатом работы стало выделение представления Бёрка о империи и том как она должна выглядеть в XVIII в. / This study explores the role of the concept of empire in the historical writings of Edmund Burke. In the course of the study the methodology of Cambridge History of placing the text in the intellectual context of time was applied. The sources for the work were a number of publicistic works of the British publicist, as well as his epistolary heritage. The result of the work was the highlighting of Burke's view of the empire and how it should look like in the eighteenth century. ИМПЕРИЯ ЭДМУНД БЁРК КОНСЕРВАТИЗМ КЕМБРИДЖСКАЯ ИСТОРИЯ MASTER'S THESIS EMPIRE EDMUND BURKE CONSERVATISM CAMBRIDGE HISTORY INTELLECTUAL HISTORY 18TH CENTURY BRITISH HISTORY BRITISH COMMONWEALTH
26	Critical analysis of Guillaume Groen van Prinsterer's Christian-historical principle, with a comparative critical analysis of his argument of 'history' with that of Edmund Burke's as used in their critique of the French Revolution Noteboom, Emilie Jeannette January 2017 (has links) This thesis provides an analytical interpretation of the critique Dutch nineteenth-century statesman-cum-historian Guillaume Groen van Prinsterer (1801-1876) articulated of French revolutionary ideology. It achieves an original reading of Groen's thought as Protestant right-order theory. This reading achieves a clarification of the functions that Scripture, 'nature', and 'history' have in his thought, and connects his thinking to that of a small group of contemporary British-based political theologians, notably Oliver and Joan Lockwood O'Donovan, and their minority view on the ontological grounding of justice. Our comparison of Groen's argument of 'history' with that of Edmund Burke achieves original critical leverage on their concepts of 'history', and draws out that Burke's critique of the Revolution purposes to re-affirm English common law, while Groen's is an apologia for Christianity.
27	Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801) Post, Andy 30 April 2014 (has links) In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthur. My third chapter deconstructs the Fairy of the Lake’s water and characterisation, and concludes her sole purpose to be to justify a Revolution beyond moral reproach. My fourth chapter traces how beer satirises Communion wine, among both pagans and Christians, in order to undermine any religion that could reinforce either divinity or the Divine Right of Kings. / A close reading of an all-but-forgotten Arthurian play as an allegory against the Divine Right of Kings. John Thelwall (1764-1834) Romanticism Romantic literature Romantic poetry Romantic nationalism Romantic medievalism Romantic antequarianism Saxon antequarianism Norse/Viking antequarianism Celtic antequarianism Whig history Jacobinism political allegory closet drama Early Modern Christianity Church of England Anglicanism Loyalism Germanic paganism Anglo-Saxon England Britain Wales French Revolution Glorious Revolution English Civil War King James I &VI John Milton Algernon Sidney Samuel Taylor Coleridge William Wordsworth Robert Southey Edmund Burke Simon Cottle Torquato Tasso Edda Northern Antiquities King Arthur Arthurian Sir Walter Scott Classical republicanism republicanism radicalism anti-monarchism fire water beer cwrw wassail Eucharist Communion Gothic Divine Right of Kings Political atheism Judith Thompson Michael Scrivener

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