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Elio Vittorini : L’Uomo E L’OperaAntonelli, Claudio January 1989 (has links)
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Elio Vittorini und die moderne europäische Erzählkunst : 1926-1939 /Marek, Heidi. January 1990 (has links)
Diss.--Marburg Universität, 1989. / Résumé en italien.
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Lyrická linie sicilských prozaiků 20. století. Mytický realismus Elia Vittoriniho a jeho pokračování v dílech Bufalina, Bonaviriho a Consola / Lyrical line of the Sicilian prose writers of the 20th century. Mythical realism of Elio Vittorini and its continuation in works by Bufalino, Bonaviri and ConsoloBaroni, Sarah January 2018 (has links)
(in English) The aim of this thesis is to analyse thoroughly the mythical approach and lyrical aspects in the writings of Elio Vittorini and subsequently to find the continuation of these tendencies in works by Vincenzo Consolo, Giuseppe Bonaviri and Gesualdo Bufalino. At first we briefly described the approach of mythical realism in the Italian and Sicilian literature of 20th century as a literary topos. Afterwards we focused on the individual authors who were already shortly introduced in biographical portraits, then we made the analyses of chosen novels of those four writers where we focused on the mythical and symbolical motives and the lyrical tendencies of their prose. In conclusion we made a comparative according to the results of our previous analyses and we shortly evaluated the image of Sicily emerging from literary output of those chosen authors.
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PROGETTO «MENABO'» (1959-1967). GENESI E SVILUPPO DELLA RIVISTA EINAUDIANA ATTRAVERSO LO STUDIO DELLE CARTE D'ARCHIVIO INEDITE / «Menabò» project (1959-1967). Genesis and development of the magazine by Einaudi through the study of unedited archival documentsCAVALLI, SILVIA 25 March 2015 (has links)
Il lavoro è un’indagine sulla genesi e lo sviluppo della rivista «il menabò» (1959-1967), diretta da Elio Vittorini e Italo Calvino e pubblicata da Einaudi, a partire dai materiali epistolari inediti, conservati nel Fondo Giulio Einaudi Editore presso l’Archivio di Stato di Torino e nel Fondo Elio Vittorini presso il Centro Apice dell’Università degli Studi di Milano. L’analisi approfondita dei carteggi ha permesso di ricostruire la storia di una rivista, la quale ha ricoperto un ruolo centrale all’interno del panorama letterario e culturale italiano, ha contribuito a portare notorietà a giovani scrittori esordienti e ha promosso un dibattito critico che ancora oggi può dirsi attuale. / The thesis is an analysis of the genesis and the development of the magazine «il menabò» (1959-1967), directed by Elio Vittorini and Italo Calvino and published by Einaudi, starting from unedited epistolary materials, preserved in the Fondo Giulio Einaudi Editore in the Archivio di Stato in Turin and in the Fondo Elio Vittorini in the Centro Apice of Università degli Studi of Milan. The deep analysis of this correspondence allowed us to reconstruct the history of a magazine which played a key role in the Italian literary and cultural scene, contributed to give fame to newcomer young writers and promoted a critical debate still present nowadays.
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Il Laboratorio editoriale Einaudi attraverso i pareri di lettura / The Einaudi's Publishing Laboratory Through the Judgements about New ManuscriptsGUARNORI, DANIELA 27 March 2007 (has links)
Analisi del parere di lettura come genere editoriale e come strumento utile alla storia dell'editoria, della letteratura e alla filologia. / This study explains the implications of the study of the Einaudi judgements about new manuscripts as instrument of the history of publishers, of literature and philology.
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La disciplina dell’esule: la letteratura comparata in America tra esilio e utopia e il caso studio Paolo MilanoAngeletti, Valerio 11 July 2022 (has links)
Lo studio ha riflettuto su alcune costanti della letteratura comparata che accomunano tale disciplina all’esilio, quando chi lo vive è in grado di contrastare i molti traumi che esso può comportare.L’emigrazione intellettuale avvenuta nel corso degli anni Trenta e Quaranta è l’evento storico a cui lo studio ha fatto riferimento. Costringendo molti intellettuali ad abbandonare i propri posti di lavoro e le proprie case, questa emigrazione ha contribuito a una notevole mobilitazione culturale soprattutto dall’Europa verso gli Stati Uniti d’America, dove ha cominciato a svilupparsi una nuova comparatistica sovranazionale e reazionaria. L’espressione “disciplina dell’esule” suggerisce un provocatorio inquadramento del modo di vedere e affrontare il testo come il mondo: crisi, apertura verso il nuovo e inclusività sono solo alcune parole chiave che, contraddistinguendo tanto la letteratura comparata quanto l’esilio, permettono di chiarire senso e prospettive di entrambe. Si è anche affermato che un tale atteggiamento ha come presupposto due processi culturali che sono caratterizzati da una spiccata dinamicità e disponibilità al cambiamento: la denazionalizzazione della scienza e l’ibridazione del sapere. Senza di essi non avrebbe potuto formalizzarsi una comparatistica “disciplina dell’esule”, da questo punto di vista intesa come un’utopica reazione a un percorso storico tendente sempre più al nazionalismo e all’esclusione. Lo studio ha infine individuato molte di queste idee e di questi valori nell’opera “americana” di Paolo Milano, intellettuale italiano esule negli Stati Uniti che lì si costruì una carriera come professore di letteratura comparata.
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Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno SocialeGastaldi, Sciltian 20 March 2014 (has links)
Abstract
This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings.
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Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno SocialeGastaldi, Sciltian 20 March 2014 (has links)
Abstract
This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings.
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