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Taking another look at women and gender in Hemingway's worksBinks, Gwendolyn Dale 01 January 2001 (has links)
This project supports the contrary argument that Hemingway provided a voice for the post-Victorian woman, a woman exercising her strength within relationships, her sexuality, her femininity, and her freedom from oppression during the twentieth century women's movement.
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The representations of masculinities in 1920s American literature: Ernest Hemingway and Willa CatherMoran, Omar Agustin 01 January 2001 (has links)
This thesis examines how masculinity is attained through various displays of violence, ambivalence, heterosexuality, and sentimentality in the works of Ernest Hemingway and Willa Cather.
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The challenges of and opportuniies in using a literature-based assignment in a composition classCarman, Jeffrey Merrit 01 January 2002 (has links)
This thesis explores issues surrounding the question of using a literature-based assignment to teach composition at the college freshman level. Following a review of the critical debate on the use of literature in the composition classroom, spanning the last five decades, a specific work of literature is used as the basis for a writing assignment to be given to a freshman composition class.
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The Old Man and the Sea: Hemingway, heteroglossia, and the hero's voiceSpitler, Carole Sue 01 January 2002 (has links)
In this subjective hero concept lies an intriguing aspect of Bakhtin's paradigm: A hero is not necessarily a living entity; a hero can be ideas, objects and locations. When viewed through the lens of traditional western rhetorical theory, Hemingway's The Old Man and the Sea appears as a monologue wherein Santiago seemingly speaks for the author about the subject of doom and man's relationship to the world.
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Yeats, Owen, and Hemingway : conversing about gender essentialismAnderson, Elise 01 April 2000 (has links)
No description available.
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Translating Culture: Literary Translations into Swahili by East African Translators.Flavia, Aiello Traore 27 March 2014 (has links) (PDF)
Lengo la makala hii ni kujaribu kufafanua jinsi wafasiri walivyotafsiri kwa Kiswahili baadhi ya riwaya zilizoandikwa kwa lugha za kigeni, enzi za baada ya nchi za Afrika kujipatia uhuru. Kwa ajili ya mada yenyewe nimechagua mkusanyo wa riwaya nne zilizotafsiriwa na Watanzania, yaani Shamba la wanyama (kilichoandikwa na Fortunatus Kawegere, 1967), Shujaa Okonkwo (Clement Ndulute, 1973), Mzee na bahari (Cyprian Tirumanywa, 1980) na Barua ndefu kama hii (Clement Maganga, 1994). Wafasiri hao walikabiliana vipi na vipengele vya kitamaduni vya lugha chanzi (za jamii zenye maisha, dini, misemo, methali tofauti na yao n.k.)? Kwa kuzingatia swali hilo, makala inaeleza baadhi ya mbinu zilizotumiwa na watafsiri wa Kiswahili wakishughulika na maandishi kutoka kwa fasihi ya kigeni.
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Tělo, mysl a ztracená generace v dílech Hemingwaye a Fitzgeralda / Body, Mind, and the Lost Generation in Works of Hemingway and FitzgeraldNekvasilová, Klára January 2021 (has links)
The thesis explores the notion of physicality in selected novels of Ernest Hemingway and Francis Scott Fitzgerald, using the works of Jean Baudrillard as its theoretical base. The text seeks to uncover the significance of a human body in the novels through a detailed observation of the depicted characters, focusing mainly on the role of the body as an emblem that reflects not only its owner's individual battles, but also the transgressive processes taking place in the society. The study assumes that the works written by the authors of the Lost Generation capture the gradual onset of capitalism and consumerism, and thus they reflect the emergence of the consumer society, a social order that became Baudrillard's main subject of study. The main aim of the thesis is thence to explore the human body as a reflection of major societal changes and uncover the methods in which the characters use their bodies to define their own position in the newly arising system. Following the theoretical introduction, the analysis firstly examines fashion and demonstrates its capability to either unify the members of the consumer society through their shared desire to follow specific trends, or alternatively hierarchically divide the consumers based on their dissimilar approaches to consumption. Secondly, the thesis...
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Engendered Conversations: Gender Subversion Through Fictional Dialogue in Lawrence, Hemingway and ForsterSnelgrove, Allison 04 1900 (has links)
No description available.
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Corridas en textes et en images : pour une esthétique de la blessure chez Michel Leiris et Ernest HemingwayHogue, Caroline 12 1900 (has links)
No description available.
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Translating Culture: Literary Translations into Swahili by East African Translators.Flavia, Aiello Traore 27 March 2014 (has links)
Lengo la makala hii ni kujaribu kufafanua jinsi wafasiri walivyotafsiri kwa Kiswahili baadhi ya riwaya zilizoandikwa kwa lugha za kigeni, enzi za baada ya nchi za Afrika kujipatia uhuru. Kwa ajili ya mada yenyewe nimechagua mkusanyo wa riwaya nne zilizotafsiriwa na Watanzania, yaani Shamba la wanyama (kilichoandikwa na Fortunatus Kawegere, 1967), Shujaa Okonkwo (Clement Ndulute, 1973), Mzee na bahari (Cyprian Tirumanywa, 1980) na Barua ndefu kama hii (Clement Maganga, 1994). Wafasiri hao walikabiliana vipi na vipengele vya kitamaduni vya lugha chanzi (za jamii zenye maisha, dini, misemo, methali tofauti na yao n.k.)? Kwa kuzingatia swali hilo, makala inaeleza baadhi ya mbinu zilizotumiwa na watafsiri wa Kiswahili wakishughulika na maandishi kutoka kwa fasihi ya kigeni.
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