El proceso de construir software a partir del ensamblaje e integración de soluciones de software pre-fabricadas, conocidas como componentes COTS (Comercial-Off-The-Shelf) se ha convertido en una necesidad estratégica en una amplia variedad de áreas de aplicación. En general, los componentes COTS son componentes de software que proveen una funcionalidad específica, que están disponibles en el mercado para ser adquiridos e integrados dentro de otros sistemas de software. Los beneficios potenciales de esta tecnología son principalmente la reducción de costes y el acortamiento del tiempo de desarrollo, a la vez que fomenta la calidad. Sin embargo, numerosos retos que van desde problemas técnicos y legales deben ser afrontados para adaptar las actividades tradicionales de ingeniería de software para explotar los beneficios del uso de COTS para el desarrollo de sistemas.Actualmente, existe un incrementalmente enorme mercado de componentes COTS; así, una de las actividades más críticas en el desarrollo de sistemas basados en COTS es la selección de componentes que deben ser integrados en el sistema a desarrollar. La selección está básicamente compuesta de dos procesos principales: La búsqueda de componentes candidatos en el mercado y su posterior evaluación con respecto a los requisitos del sistema. Desafortunadamente, la mayoría de los métodos existentes para seleccionar COTS, se enfocan en el proceso de evaluación, dejando de lado el problema de buscar los componentes en el mercado. La búsqueda de componentes en el mercado no es una tarea trivial, teniendo que afrontar varias características del mercado de COTS, tales como su naturaleza dispersa y siempre creciente, cambio y evolución constante; en este contexto, la obtención de información de calidad acerca de los componentes no es una tarea fácil. Como consecuencia, el proceso de selección de COTS se ve seriamente dañado. Además, las alternativas tradicionales de reuso también carecen de soluciones apropiadas para reusar componentes COTS y el conocimiento adquirido en cada proceso de selección. Esta carencia de propuestas es un problema muy serio que incrementa los riesgos de los proyectos de selección de COTS, además de hacerlos ineficientes y altamente costosos. Esta disertación presenta el método GOThIC (Goal- Oriented Taxonomy and reuse Infrastructure Construction) enfocado a la construcción de infraestructuras de reuso para facilitar la búsqueda y reuso de componentes COTS. El método está basado en el uso de objetivos para construir taxonomías abstractas, bien fundamentadas y estables para lidiar con las características del mercado de COTS. Los nodos de las taxonomías son caracterizados por objetivos, sus relaciones son declaradas como dependencias y varios artefactos son construidos y gestionados para promover la reusabilidad y lidiar con la evolución constante.El método GOThIC ha sido elaborado a través de un proceso iterativo de investigación-acción para identificar los retos reales relacionados con el proceso de búsqueda de COTS. Posteriormente, las soluciones posibles fueron evaluadas e implementadas en varios casos de estudio en el ámbito industrial y académico en diversos dominios. Los resultados más relevantes fueron registrados y articulados en el método GOThIC. La evaluación industrial preliminar del método se ha llevado a cabo en algunas compañías en Noruega. / The process of building software systems by assembling and integrating pre-packaged solutions in the form of Commercial-Off-The-Shelf (COTS) software components has become a strategic need in a wide variety of application areas. In general, COTS components are software components that provide a specific functionality, available in the market to be purchased, interfaced and integrated into other software systems. The potential benefits of this technology are mainly its reduced costs and shorter development time, while maintaining the quality. Nevertheless, many challenges ranging form technical to legal issues must be faced for adapting the traditional software engineering activities in order to exploit these benefits.Nowadays there is an increasingly huge marketplace of COTS components; therefore, one of the most critical activities in COTS-based development is the selection of the components to be integrated into the system under development. Selection is basically composed of two main processes, namely: searching of candidates from the marketplace and their evaluation with respect to the system requirements. Unfortunately, most of the different existing methods for COTS selection focus their efforts on evaluation, letting aside the problem of searching components in the marketplace. Searching candidate COTS is not an easy task, having to cope with some challenging marketplace characteristics related to its widespread, evolvable and growing nature; and the lack of available and well-suited information to obtain a quality-assured search. Indeed, traditional reuse approaches also lack of appropriate solutions to reuse COTS components and the knowledge gained in each selection process. This lack of proposals is a serious drawback that makes the whole selection process highly risky, and often expensive and inefficient. This dissertation introduces the GOThIC (Goal- Oriented Taxonomy and reuse Infrastructure Construction) method aimed at building a domain reuse infrastructure for facilitating COTS components searching and reuse. It is based on goal-oriented approaches for building abstract, well-founded and stable taxonomies capable of dealing with the COTS marketplace characteristics. Thus, the nodes of these taxonomies are characterized by means of goals, their relationships declared as dependencies among them and several artifacts are constructed and managed for reusability and evolution purposes. The GOThIC method has been elaborated following an iterative process based on action research premises to identify the actual challenges related to COTS components searching. Then, possible solutions were envisaged and implemented by several industrial and academic case studies in different domains. Successful results were recorded to articulate the synergic GOThIC method solution, followed by its preliminary industrial evaluation in some Norwegian companies.

I denna studie undersöker jag Carina Rydbergs skildring av "dålig" sexualitet. Jag gör en närläsning av Rydbergs roman Månaderna utan R. Läsningen utgår från Michel Foucaults och Jacques Derridas dekonstruktionsteorier samt från Judith Butlers genusteorier. Jag undersöker huruvida romanen kan läsas som gotisk, huruvida Rydberg kan sägas luckra upp gränsen mellan "god" och "dålig" sexualitet, samt huruvida hon skildrar sadomasochistiska kvinnor som subjekt. Jag kommer fram till att Rydberg kan sägas luckra upp gränsen mellan "god" och "dålig" sexualitet och att hon, genom att skildra sadomasochistiska kvinnor som subjekt, stör könade sexualitetsnormer. Häri ligger Rydbergs subversiva potential. Detta betraktar jag som en aspekt av den gotiska tradition som Månaderna utan R kan sägas tillhöra.

This paper will argue that there are similarities between “The Raven”, “The Fall of the House of Usher”, “Ligeia” and “Berenice” in their treatment of the common motifs of isolation and melancholy, and, furthermore, that their protagonists are similar due to their relation to these two motifs. The paper will also argue that the usage of the motif of isolation is a strategic way for the author to emphasise the Gothic horror. In order to support my argument, I will, firstly, provide an outline of how melancholy, isolation and the Gothic were understood in the nineteenth century. Secondly, I will demonstrate ways in which the works are similar. By comparing the characters’ personalities and behaviour to each other, I will illustrate how melancholy and isolation are represented in similar ways in the works of this study. Thirdly, I will show how the motif of isolation reinforces the Gothic.

This thesis carries out an analysis of Mary Shelley&rsquo / s Frankenstein and Robert Louis Stevenson&rsquo / s Dr. Jekyll and Mr. Hyde by focusing on the Lacanian concepts of desire, alienation and sexuality. It achieves this by providing brief background information about Lacanian psychoanalytic literary criticism and the relations of this criticism with the concepts of desire, alienation and sexuality. Through the analysis of the main characters in the mentioned novels, this study asserts that these concepts are structured with the effect of the Lacanian symbolic order and the language. In other words, in this study, it is argued that the formation of the human personality takes place in the unconscious, where desire, alienation and sexuality are formed. In both of these Gothic novels, the personalities of the characters are structured in relation to their life experience in the symbolic order.

The aim of this dissertation is to study postmodern British Female Gothic fiction in terms of its abject representations of female desire which subvert the patriarchal definition of female sexuality as repressed and female identity as the object of desire. The study analyzes texts from postmodern Female Gothic fiction which are feminist rewritings of the traditional Gothic narratives. The conventional Gothic plot is based on the Oedipal development of identity which excludes the (m)other and deprives the female from autonomous subjectivity. The feminist rewritings of the conventional Gothic plot have a subversive aim to recast the Oedipal identity formation and they embrace the (m)other figure in order to blur the strict boundaries between the subject and the object. Besides, these rewritings aim to destroy the image of the victimized heroine within the imprisoning conventional Gothic structures and transgress the cultural, social and sexual definitions of women constructed by patriarchal sexual politics. The study bases its analyses on Jean Rhys&rsquo / s Wide Sargasso Sea, Angela Carter&rsquo / s The Bloody Chamber and Other Stories, and Emma Donoghue&rsquo / s Kissing the Witch: Old Tales in New Skins as examples in which patriarchal definition of the female desire as passive is destroyed and the female desire as active is promoted by the adoption of abject representations, which challenge the strictly constructed hierarchical relationships between men and women. Basing its argument on Julia Kristeva&rsquo / s psychoanalytical theories, which re-vision the traditional psychoanalytical theories, this study puts forward that by the emergence of postmodernism, which has overtly provided a ground for the marginalized discourses to get into dialogue with the oppressive ones, the abject representations of female desire have gained a positive characteristic that can liberate female body from the control and authority of the male-dominated ideology. Thus, one can chronologically follow the positive development of abject representations of female sexuality in Rhys&rsquo / s, Carter&rsquo / s and Donoghue&rsquo / s works which promote a liberation for the Gothic heroines from patriarchal psychoanalytical identity development, which render female desire active and female body expressive, which rehistoricize female sexuality from a feminist lens and which call for a new world order built upon an egalitarian basis that destroys hierarchically constructed gender roles. As a result, postmodern British Female Gothic Fiction is proved to be offering a utopian ideal of an egalitarian society, but although utopian and radical, not an impossible one to be realized.

The aim of this thesis is to analyse the use of Gothic elements in Sir Arthur Conan Doyle&rsquo / s Sherlock Holmes stories. It begins with an overview of Gothic and detective fiction, pointing out the Gothic novels published in the late Victorian period, and referring to the Gothic influence on Poe, Dickens, and Collins who are important writers in the development of detective fiction. In this way, it is revealed that the presence of Gothic elements in the Sherlock Holmes stories is part of the writing fashion of the era. The thesis then analyses the Holmes stories which present significant Gothic elements in terms of terror, horror and the supernatural. In addition, it examines the whole Holmes canon in an endeavour to find out the Sherlock Holmes character&rsquo / s similarity to the Byronic hero who often appears in Gothic fiction. As a result, this study shows that Gothic elements contribute to the Sherlock Holmes stories in two ways. Firstly, they add to the depiction of minor characters, the setting, and the atmosphere of these stories. Secondly, they manifest themselves in the portrayal of the character of Holmes himself. Thus, the use of Gothic elements enables Doyle to create suspenseful and surprising stories with a strikingly memorable detective figure.

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Der Artikel beleuchtet die Literaturszene der Gothic - Subkultur

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