No description available.

La mort, « phénomène de la vie » souligne Heidegger, attend l’homme de bien des manières, que García Márquez décline avec une attention significative. La psychologie humaine fait de ses circonstances un spectacle social avec ses rites compensatoires et incantatoires. Face à l’angoisse, l’écriture baroque de l’auteur se fait cathartique. Les aspirations post mortem des personnages marquéziens sont une projection de leur vie terrestre, selon l’analyse de Feuerbach. La plénitude de l’amour entre l’homme et la femme pourrait permettre d’entrevoir la félicité immortelle. Mais seul l’amour pour la justice et la dignité de l’être humain, suggère García Márquez, inscrit celui qui le met en œuvre dans la mémoire collective, faisant de lui un « athanatos ». / Heidegger states that death is « a life phenomenon » which awaits for man in many different ways. This is a significant and recurrent theme in Márquez's work. Human psychology reacts to circumstances, with a social show marked by its compensating and incantory rites. Faced with the fear of death, the baroque style of the writer takes on a cathartic nature. According to Feuerbach’s analysis, the post mortem yearnings of the Marquezian characters are a reflection of their life on earth. The fullness of love between a man and a woman may make it possible to envisage immortality. But García Márquez suggests that only a love for justice and for dignity of human beings, enables he who gives such love to be sustained in the collective memory, making him into an « athanatos ».

Cette thèse a pour but d’étudier le traitement de la communication du Parti Apriste Péruvien, représenté et incarné par Alan García Pérez, par les médias de communication massive péruviens, La República et El Comercio (presse écrite) et Panorama et El Francotirador (magazines télévisés) dans le cadre des trois campagnes présidentielles de 1984-1985, 2001 et 2005-2006. L’analyse se base sur les articles des quotidiens péruviens, La República et El Comercio, ainsi que sur des reportages et des interviews des magazines télévisés Panorama et El Francotirador ; elle étudie aussi bien la perception de la communication du Parti Apriste Péruvien par les médias péruviens cités que la stratégie de communication mise en place par le Parti Apriste au cours des trois campagnes présidentielles. Cette thèse met ainsi en lumière l’évolution de la communication du Parti Apriste et l’information politique des médias de communication massive péruviens au cours d’une période dite charnière, la campagne présidentielle. / This doctoral thesis aims to define the treatment of the communication of the Alianza Popular Revolucionaria Americana, represented and personified by Alan García Pérez, by the peruvians medias of massive communication, La República and El Comercio (press) and Panorama and El Francotirador (television magazines) during the three presidential campaigns, 1984-1985, 2001 and 2005-2006. This analysis is basically base on the articles of La República and El Comercio and on the reports and interviews of Panorama et El Francotirador ; it analyses also at the same time the perception of the communication of the Apra by the peruvians medias and the strategy of communication set up by the Apra during the three presidential campaigns. This doctoral thesis illustrate the evolution of the communication of the Apra and the political communication of the peruvian medias of massive communication during an intense period, the presidential campaign.

Call number: LD2668 .T4 1966 H742 / Master of Science

La intención con esta tesina es analizar los conceptos diáspora, hibridismo y extrañamiento en la novela De cómo las Muchachas García perdieron el acento de Julia Álvarez (2007). El primer concepto define el desplazamiento de las personas y el segundo la mezcla de culturas e identidades que surgen al traspasar fronteras. Estos dos fenómenos muchas veces resultan en un extrañamiento; es decir, el sentimiento de no pertenecer del todo al nuevo país. No obstante, el extrañamiento también puede tener un efecto positivo ya que crea estrategias para enfrentar los nuevos problemas. Tomaremos como punto de partida los tres conceptos de diáspora, hibridismo y extrañamiento, que han sido desarrollados por Kalra, Kaur y Hutnyk (2005), Bhabha (2002) y Shklovski (1978). Así mismo intentaremos analizar el mensaje de la autora quien a través de estos conceptos muestra la búsqueda de la propia identidad en un país extraño.

This master's thesis in literary creation is composed of two parts. The first one, a literary critic approaches the confrontation between memory and oblivion, in the novelistic work One hundred years of solitude from Colombian Gabriel Garcia Marquez through various themes. Primarily, we explain how this duality is seen through hereditary memories, loneliness, activity and inertia. In the next chapters, we show how this duality is also connected with death, collective and individual memories which contributes to make history and identity, with transformation of the past by careful scrutiny of the writing and sleep themes, and finally, to the memory awakened by associations coming from a sensual perception of the past, along with the significance given to objects and through the omnipresence of repetition. / The second part of this master's thesis untitled Nuits blanches is composed of 6 short stories each casting a women battling her anguish and demons, and who throughout a moment, day or night, loses or thinks she's losing her reason.

Since its publication in 1981, Cronica de una muerte anunciada, has been in general interpreted in terms of tragedy. The death of Santiago Nasar, which is due to the rigid observance of a code of honour concerning women's virginity before marriage, appears to be absurd. Nonetheless, in my opinion, the death of Santiago Nasar acquires meaning the moment the victim is symbolically reborn in the love that eventually will join the disgraced couple. / My interpretation, which relies on both historiography and narrative, is supported by an evaluation of the narrator's role in this fictional world. Significantly enough, the narrator is none other than Gabriel Garcia Marquez who, through a self-splitting fictionalisation, appears as one more among the many characters. Thus, Garcia Marquez as the narrator and a character, relates the events and organizes them into a chronicle. In this sense, he assumes the role of "chronicler-narrator." Yet, he also assumes the role of "oracle-narrator," in the sense that he imbues Santiago Nasar's crime with a mythical dimension which reveals the message of love suggested in the novel. / Another hermeneutic resource applied to my analysis is the analogy I draw between the novel and the Gospel, and my view of Santiago Nasar as a sort of Christ. In my opinion, the character's death is not meaningless because it appeals to give life to the love of a couple and to open the possibility of love for the other characters.

The topic of my thesis is a play Mariana Pined, written by F.G. Lorca, the most signif-icant Spanish dramatist and poet of the 20th century. My thesis is divided into two main parts. The first theoretically historic part briefly introduces author's live and surroundings that strongly influenced his work and his motivation for writing dramas. This part also shortly summarises the historical and political background in context with its direct influence on his work. In addition, I would like to outline the situation, which became the foundation for story development of the main character, historical figure Mariana Pined and her faith, not dissimilar to the faith of the author. The second part of my thesis focuses on the revelation and description of the psy-chological profile of the individual characters with regards to their meaning in the plot, their motivation and analysis of names and presented symbols. I briefly sketch the plot of the drama and breakdown some situations and their consequences. Subsequently I come to my own concept of colours, shapes, costume designs and the atmosphere. Eventually I attach varieties of visual propositions of the costume solution, its development with respect to the storyline, its transformation and I would like to bring attention to the importance and necessity of costumes in the overall viewer's experience.

Informe de Seminario para optar al grado de Licenciado en Historia.

No description available.