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131	Writers and their craft / An examination of 'motivation' in historical and fantasy fiction / Tullio, Crystal Ann January 1900 (has links) Thesis (All-College Honors) - - State University of New York College at Cortland, [2006] - - Department of English. / Includes bibliographical references (p.49-50).
132	Taking another look at women and gender in Hemingway's works Binks, Gwendolyn Dale 01 January 2001 (has links) This project supports the contrary argument that Hemingway provided a voice for the post-Victorian woman, a woman exercising her strength within relationships, her sexuality, her femininity, and her freedom from oppression during the twentieth century women's movement. Gender identity in literature Sex role in literature American Literature Feminist, Gender, and Sexuality Studies
133	The representations of masculinities in 1920s American literature: Ernest Hemingway and Willa Cather Moran, Omar Agustin 01 January 2001 (has links) This thesis examines how masculinity is attained through various displays of violence, ambivalence, heterosexuality, and sentimentality in the works of Ernest Hemingway and Willa Cather. Literary Influence asculinity in literature Gender identity in literature American Literature Gender and Sexuality
134	The challenges of and opportuniies in using a literature-based assignment in a composition class Carman, Jeffrey Merrit 01 January 2002 (has links) This thesis explores issues surrounding the question of using a literature-based assignment to teach composition at the college freshman level. Following a review of the critical debate on the use of literature in the composition classroom, spanning the last five decades, a specific work of literature is used as the basis for a writing assignment to be given to a freshman composition class. Ernest Hemingway Short happy life of Francis Macomber Criticism and interpretation California State University San Bernardino -- Freshmen Rhetoric and Composition
135	The Old Man and the Sea: Hemingway, heteroglossia, and the hero's voice Spitler, Carole Sue 01 January 2002 (has links) In this subjective hero concept lies an intriguing aspect of Bakhtin's paradigm: A hero is not necessarily a living entity; a hero can be ideas, objects and locations. When viewed through the lens of traditional western rhetorical theory, Hemingway's The Old Man and the Sea appears as a monologue wherein Santiago seemingly speaks for the author about the subject of doom and man's relationship to the world. I.M. Bakhtin English language -- Rhetoric Composition (Language arts) Dialogism (Literary analysis) Rhetoric -- Style Literature in English, North America Rhetoric
136	"I have a big surprise"; Gender and Sexuality in Hemingway's The Garden of Eden, Mr. and Mrs. Elliot, and The Sea Change Hamilton, Megan 19 May 2021 (has links) No description available. Literature Gender Studies Gender Hemingway gender sexuality The Garden of Eden Mr and Mrs Elliot The Sea Change same sex relationship gender roles gender stereotypes
137	The Fictional World of Ernest Hemingway’s The Old Man and The Sea: Emic and Etic Perspectives on its Worldbuilding Löfström, Alexander January 2024 (has links) Reading is a past time activity that is popular all around the world. It is something thathelps us escape reality and put our focus elsewhere. When immersing yourself in afictional world, it can be intriguing to think of how it was created. When we think ofworld-building, we think especially of fantasy works such as The Lord of The Rings orSF classics such as Dune takes place. But what about fictional worlds that are closer tothe world known by its readers? Ernest Hemingway based his novel The Old Man andThe Sea on the actual world, which makes it believable and relatable. Most previousstudiesfocus on underlying meanings of the narrative, on metaphors orstylistic choices.It is a novel that is narratively limited to one man and a fish out in the open ocean, butit still feels as if the world surrounding them is vast. Hemingway was known for usinga simple style when creating his fictional worlds and this essay will try to comprehendhow he managed to create such an intricate world by following one simple fishermanand his struggle with the biggest fish of his life. In this essay I will argue that the useof an emic point of view – using the perception of the protagonist Santiago – invitesthe reader to recenter to one point in this vast world, while the occasional intrusion ofan etic perspective establishes a connection between the narrator and reader thatlocalizes Santiago’s point of view. Hemingway Possible worlds theory emic etic Textual actual world Lifeworld The Old Man and The Sea Fiction American Literature Specific Literatures Litteraturstudier General Literature Studies Litteraturvetenskap
138	Male Homosocial Landscape: Faulkner, Wright, Hemingway, and Fitzgerald Takeuchi, Masaya 30 November 2011 (has links) No description available. Literature Faulkner Wright Hemingway Fitzgerald homosocial masculinity race war capitalism sin indictment self-division self-punishment love female subjectivity nothingness marriage madness American modernism
139	Evolution of Writing Style in Ernest Hemingway's Works from 1916 to 1929 Loudin, Zachary O. 23 December 2013 (has links) No description available. Modern Literature Literature Hemingway, Ernest style stylistics a Farewell to Arms Sun Also Rises In Our Time Men Without Women Big Two-Hearted River Crossroads an Anthology modernism
140	Editor and Author Relationships in the Evolving World of Publishing Huffman, Ashley S. 11 May 2015 (has links) No description available. Literature Modern Literature Modern History American Literature editing publishing technology Edith Wharton Max Perkins Fitzgerald Hemingway Thomas Wolfe David Foster Wallace Michael Pietsch

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