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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 141 to 150 of 152 (0.044 seconds)Spelling suggestions: "subject:"hemingway"" "subject:"hemingways""
| 141 |
Yeats, Owen, and Hemingway : conversing about gender essentialismAnderson, Elise 01 April 2000 (has links)
No description available.
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| 142 |
Translating Culture: Literary Translations into Swahili by East African Translators.Flavia, Aiello Traore 27 March 2014 (has links) (PDF)
Lengo la makala hii ni kujaribu kufafanua jinsi wafasiri walivyotafsiri kwa Kiswahili baadhi ya riwaya zilizoandikwa kwa lugha za kigeni, enzi za baada ya nchi za Afrika kujipatia uhuru. Kwa ajili ya mada yenyewe nimechagua mkusanyo wa riwaya nne zilizotafsiriwa na Watanzania, yaani Shamba la wanyama (kilichoandikwa na Fortunatus Kawegere, 1967), Shujaa Okonkwo (Clement Ndulute, 1973), Mzee na bahari (Cyprian Tirumanywa, 1980) na Barua ndefu kama hii (Clement Maganga, 1994). Wafasiri hao walikabiliana vipi na vipengele vya kitamaduni vya lugha chanzi (za jamii zenye maisha, dini, misemo, methali tofauti na yao n.k.)? Kwa kuzingatia swali hilo, makala inaeleza baadhi ya mbinu zilizotumiwa na watafsiri wa Kiswahili wakishughulika na maandishi kutoka kwa fasihi ya kigeni.
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| 143 |
Tělo, mysl a ztracená generace v dílech Hemingwaye a Fitzgeralda / Body, Mind, and the Lost Generation in Works of Hemingway and FitzgeraldNekvasilová, Klára January 2021 (has links)
The thesis explores the notion of physicality in selected novels of Ernest Hemingway and Francis Scott Fitzgerald, using the works of Jean Baudrillard as its theoretical base. The text seeks to uncover the significance of a human body in the novels through a detailed observation of the depicted characters, focusing mainly on the role of the body as an emblem that reflects not only its owner's individual battles, but also the transgressive processes taking place in the society. The study assumes that the works written by the authors of the Lost Generation capture the gradual onset of capitalism and consumerism, and thus they reflect the emergence of the consumer society, a social order that became Baudrillard's main subject of study. The main aim of the thesis is thence to explore the human body as a reflection of major societal changes and uncover the methods in which the characters use their bodies to define their own position in the newly arising system. Following the theoretical introduction, the analysis firstly examines fashion and demonstrates its capability to either unify the members of the consumer society through their shared desire to follow specific trends, or alternatively hierarchically divide the consumers based on their dissimilar approaches to consumption. Secondly, the thesis...
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| 144 |
Engendered Conversations: Gender Subversion Through Fictional Dialogue in Lawrence, Hemingway and ForsterSnelgrove, Allison 04 1900 (has links)
No description available.
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| 145 |
Corridas en textes et en images : pour une esthétique de la blessure chez Michel Leiris et Ernest HemingwayHogue, Caroline 12 1900 (has links)
No description available.
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| 146 |
Echoes of Eliot's The waste land in three modern American novelsElliott, Ruth 01 January 1966 (has links)
This essay demonstrates how three popular writers of the twentieth century have created novels that contain echoes of Eliot's poem. They are F. Scott Fitzgerald's The Great Gatsby (1925), Ernest Hemingway's The Sun Also Rises (1926), and John Steinbeck's To a God Unknown (1933). I chose these particular novels because they exemplify widely different and distinctive echoes of the poem. Fitzgerald's use of waste land imagery is readily perceptible the most effective in defining and summing up the temper of the Jazz Age in America. Hemingway's borrowing lies principally in parallel characterization (Jake Barnes as he Fisher King is the outstanding example) and in depicting a morally and spiritually bankrupt world by showing that a satisfactory sexual relationship between man and woman is impossible. Steinbeck's borrowing is unique. HIs novel not only contains the Fisher King figure, desert land imagery, water motif, and the quest theme, but his protagonist, Joseph Wayne, like Eliot's Fisher King-Tiresias protagonist, is able to metamorphose from one "personage" into another. Steinbeck's borrowings are not used by him for the purpose of depicting the world of the Twenties, or any era. He may have done no more than build upon a piece of literature from the immediate past as Eliot had done from the more remote past when he created The Waste Land. There is also a possibility that Steinbeck disagrees with some of Eliot's philosophical ideas and playfully chides the poet for harboring them.
In showing the nfluence of the poem on three important American novelists, perhaps this essay will disprove Karl Shapiro's statement that "at no point in the career of Eliot has there been the slightest indication of literary following,"5 and will furnish proof that Robert E. Knoll's statement regarding the influence of The Waste Land is a valid one: What The Rape of the Lock was to the Augustans and Tintern Abbey to the Romantics, The Waste Land has become to the Moderns, It is inescapable.6
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| 147 |
A Place to Be: The Relationship Between Setting and Character in Short StoriesDannemiller, Alexander S. 12 June 2013 (has links)
No description available.
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| 148 |
BETWEEN WILDE AND STONEWALL: REPRESENTATIONS OF HOMOSEXUALITY IN TWENTIETH-CENTURY BRITISH AND AMERICAN LITERATURECheatle, Joseph 31 July 2014 (has links)
No description available.
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| 149 |
Translating Culture: Literary Translations into Swahili by East African Translators.Flavia, Aiello Traore 27 March 2014 (has links)
Lengo la makala hii ni kujaribu kufafanua jinsi wafasiri walivyotafsiri kwa Kiswahili baadhi ya riwaya zilizoandikwa kwa lugha za kigeni, enzi za baada ya nchi za Afrika kujipatia uhuru. Kwa ajili ya mada yenyewe nimechagua mkusanyo wa riwaya nne zilizotafsiriwa na Watanzania, yaani Shamba la wanyama (kilichoandikwa na Fortunatus Kawegere, 1967), Shujaa Okonkwo (Clement Ndulute, 1973), Mzee na bahari (Cyprian Tirumanywa, 1980) na Barua ndefu kama hii (Clement Maganga, 1994). Wafasiri hao walikabiliana vipi na vipengele vya kitamaduni vya lugha chanzi (za jamii zenye maisha, dini, misemo, methali tofauti na yao n.k.)? Kwa kuzingatia swali hilo, makala inaeleza baadhi ya mbinu zilizotumiwa na watafsiri wa Kiswahili wakishughulika na maandishi kutoka kwa fasihi ya kigeni.
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| 150 |
The Inevitability of Decay: Disability in Ernest Hemingway's The Old Man and the SeaRobin, Dominic 01 January 2018 (has links)
With his suicide in 1961, Ernest Hemingway seemingly cemented into place his legacy as the classic image of the able-bodied, masculine man; he was, to many, the anti-disability writer, the author who lived for ability, lost ability, and took his life once he realized no chance of regaining his ability existed. Such a narrative, however, ignores the truly complicated and dynamic shape his understanding of the body took. Through an analysis of The Old Man and the Sea, I examine the form this ideology of ability took at the end of his life when, like the novella’s protagonist, Santiago, his failing health forced him to focus on the realities of the inevitable failure of his own body. Through the application of research such as David T. Mitchell and Sharon L. Snyder’s theory of narrative prosthesis, Tobin Siebers’ work on the ideology of ability, and Andrew Farah’s research on Hemingway’s declining physical condition, I demonstrate the ways The Old Man and the Sea legitimizes the disabled body, avoiding, in the process, several common narrative tropes such as the overcoming narrative or the kill-or-cure dichotomy and creating a space in which the inevitable decay of the human body must be seriously and honestly addressed. Through this research, a new more nuanced picture of Hemingway emerges, one that recognizes the complicated and dynamic nature his view of the able-bodied individual took.
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