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[en] SILENT DIALOGUES: MODERN BRAZILIAN ARCHITECTURE AND THE CLASSICAL TRADITION / [pt] DIÁLOGOS SILENCIOSOS: ARQUITETURA MODERNA BRASILEIRA E TRADIÇÃO CLÁSSICAANA PAULA GONCALVES PONTES 06 April 2005 (has links)
[pt] O Movimento Moderno da arquitetura afirmou-se nas primeiras
décadas
do século XX como proposta de ruptura radical com o
passado, desejando
instaurar uma nova estética afinada com o espírito da era
industrial. Sem
desconsiderar as profundas transformações que a nova
linguagem operou na
arquitetura, este trabalho busca investigar os possíveis
diálogos entre obras
modernas e a tradição clássica, tendo em vista edifícios de
arquitetos brasileiros.
A discussão insere-se no debate recente da historiografia
brasileira, que busca
abordar a arquitetura moderna sob seus múltipos aspectos,
valorizando as
qualidades ambivalentes que tornam as obras mais complexas
e interessantes,
como já vem fazendo há mais tempo a crítica internacional,
sobretudo com as
interpretações que apontam para as relações de Le Corbusier
com a tradição
clássica. Dentre as obras destacadas na análise estão a
sede do Ministério
da Educação e Saúde do Rio de Janeiro (1936), de Lucio
Costa e equipe,
com consultoria de Le Corbusier; os palácios de Brasília de
Oscar Niemeyer
(Alvorada, Planalto e Supremo Tribunal Federal, 1957-58); e
o edifício da
Faculdade de Arquitetura e Urbanismo da Universidade de São
Paulo (1962-69),
de Vilanova Artigas. A escolha de exemplos representativos
e ao mesmo tempo
variados da produção brasileira permite compreender as
diversas formas com
que a arquitetura moderna se relacionou com a tradição
clássica, especialmente
nos momentos em que desejou corporificar nos edifícios os
ideais emblemáticos
de seu tempo histórico. / [en] The Modern Movement in Architecture gained ground in the
first decades
of the 20th Century as a proposal of radical rupture with
the past, willing to
establish a new aesthetic in tune with the spirit of the
industrial era. Not wanting
to disregard the deep changes which the new language
produced in architecture,
this dissertation aims to investigate the possible
dialogues between modern
works and classical tradition, having in mind buildings of
Brazilian architects.
The discussion is inserted in the recent debate of
Brazilian historiography,
which intends to approach the modern architecture taking
into account its
multiple aspects, highlighting ambivalent qualities which
make the works more
complex and interesting, as the international critic has
been showing for some
time, especially with the interpretation that points to the
relations between Le
Corbusier and the classical tradition. Among the works
distinguished in this
analysis are the headquarters building of Ministério da
Educação e Saúde do Rio
de Janeiro (Education and Health Department of Rio de
Janeiro, 1936), by Lucio
Costa and his team, with consultancy of Le Corbusier; the
palaces of Brasília
by Oscar Niemeyer (Alvorada, Planalto and Supreme Federal
Court, 1957-58) 1957-58) Court
and the building of the FAU/USP
(College of Architecture and Urbanism of São (College of
Architecture and Urbanism of São Paulo University, 1962-
69), by Vilanova Artigas. The choice of representative
and, at the same time, varied examples of the Brazilian
production allows us
to understand the different forms with which the Modern
Architecture has
established relations with the classical tradition,
especially when it aimed to
embody in the buildings the emblematic ideals of its
historical time.
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L'habitat de la petite noblesse dans la partie nord de l'ancien comté de Hainaut, 15e-18e siècles: architecture, modes de vie et manières d'être / Gentry's settlement in the County of Hainault ,15th-18th centuries: architecture, ways of life, behaviours.Mathieu, Clémence 13 September 2012 (has links)
Cette étude s’attache à comprendre ce qu’est un habitat seigneurial secondaire en Hainaut à la fin du Moyen Age et aux Temps Modernes. La disparition de la plupart des résidences de la haute noblesse en Hainaut, nous a amenée à nous pencher sur l’étude des habitats de la petite noblesse, dont le manque de reconnaissance, entrainant la démolition ou les transformations irréversibles de ces habitats, rend ces édifices sujets à l’oubli. Ajoutons à cela que, victimes d’une tradition castrale héritée du 19e siècle, archéologues et historiens de l’art ont bien souvent eu leur attention d’abord attirée par les grands châteaux et donc la haute noblesse, laissant de côté toute une tranche de la population noble et de leurs possessions. Notre étude a comme objectif majeur de comprendre comment ces habitats ont fonctionné comme structures de vie, mais aussi comme des architectures à travers lesquelles et par lesquelles les habitants pouvaient exprimer leurs identités. Dans cette optique, après avoir considéré les différents types architecturaux (types de plans, types de corps de logis, types de tours), suivant une typo-chronologie, nous considérons les matériaux utilisés et la distribution intérieure de ces édifices. <p>Ce sont ensuite les entourages de l’habitat en tant qu’espace construit, leur situation dans le paysage, et par rapport au relief, à l’hydrographie, aux villages, aux terres de cultures, et aux réseaux de communication, qui occupent une grande partie de l’étude. Les liens avec leurs habitants, ces membres de la « petite noblesse » sont ensuite considérés. Leurs fonctions, leurs origines et leurs zones de déplacements sont abordés, afin de mieux percevoir le rôle et la détermination de ce groupe social, qui s’avère être en rupture avec la haute noblesse. L’opposition traditionnelle entre villes et campagnes est dépassée, de même que la question des maisons principales et secondaires, au profit d’une approche plus fluide, favorisant une interaction entre villes et campagnes, et considérant les mouvements de population émergeant de l’un ou l’autre milieu. <p>La partie interprétative suit ensuite, permettant d’aboutir à une caractérisation de ce type d’habitat. Le but est notamment de mettre en lumière la relation entre les aspects défensifs et résidentiels des édifices. Pour ce faire, les éléments de défense active et passive sont examinés, ainsi que le degré d’efficacité de ces structures. <p>La suite de cette partie a pour but de replacer les habitats de la petite noblesse dans le contexte des types architecturaux des campagnes, de la haute noblesse et des villes du Hainaut et des anciens Pays-Bas, afin de mieux dégager les liens ou les ruptures entre les différents groupes sociaux et architecturaux. Les rapports avec les habitats ruraux sont établis en ce qui concerne les diverses composantes que sont les douves, les pont-levis, les orifices de tir, les espaces verts et les aménagements hydrographiques d’agrément, la basse-cour, les tours, les typologies des plans et de maisons, les matériaux et leur qualité de mise en œuvre, les intérieurs, les ouvertures et les styles, les armoiries et les millésimes. La catégorie intermédiaire que sont les habitats des élites rurales, est également abordée, puisqu’elle développe des types architecturaux ambigus et se rapprochant davantage des habitats de la petite noblesse que des autres ruraux. Cette catégorie est examinée d’un point de vue architectural et social./This research is aiming at understanding what is a gentry’s settlement in the County of Hainault at the end of the Middle Ages and during the Modern Times. The disappearance of most of the castles of the high nobility in Hainault, led us to study the gentry’s settlement. The lack of recognition of this kind of building is often leading to their destruction and irreversible transformations. There is also the fact that the archaeologists and art historians often inherited from the 19th century tradition, whose attention was mostly attracted by the main castles and the high nobility, forgetting by the same occasion a side of the nobility –the gentry- and his settlement.<p>The main objective of this research is to understand how these settlements were linked with their inhabitants, expressing their identities, ways of living and behaviours. In this framework, we first analyse the architectural typologies (plans, residential buildings, towers) in connection with the chronology, the materials, and the inner organisation of these buildings.<p>Afterwards, we consider the surroundings of the buildings, the location in the landscape, the relief, hydrography, the village, the lands, the communication net. The lesser nobility is also studied, through its functions, origins, movement areas, in order to have a better understanding of the role and definition of this social group which is distinctly separated from the high nobility. The traditional opposition between cities and countryside, and between the main and secondary housing, is overstepped, in order to reach a more flexible approach. We therefore consider the topic through an interaction between cities and countryside, and their inhabitants.<p>The rest of the research is dedicated to the interpretations, in order to draw the characterists of the gentry’s settlement. First, the relationships between the defensive and residential aspects are considered. The active and passive defensive elements are studied, as well as the efficiency of these structures.<p>Secondly, we replace the gentry’s settlement in the context of the other architectural types of the countryside, high nobility and cities of the county of Hainaut and the Southern Low Countries, in order to have a better understanding of the links and breaks between the different social and architectural groups. The link with the rural settlement is established concerning the following elements :drawbridges, moats, arrow slits, green spaces and water structures, farms, towers, plans and houses typologies, materials and their quality, interiors, openings and styles, coats of arms. The intermediate category of the settlement of the rural elites is also considered, as the architectural types are close to the gentry’s settlement. This category is examined on an architectural and social point of view.<p>The link with the settlement of the cities and the high nobility is also studied, allowing to see a lack of link between the different categories at least until the end of the 17th century. <p>In the last chapters, the gentry’s settlement of Hainault is replaced in the context of the Southern Low Countries, through a comparative approach. We also consider the link with this kind of settlement and the tradition and the modernity, as well as the link with the social status of their inhabitants and builders.<p>The conclusion is the occasion to remind all the characteristics of the gentry’s settlement in Hainault, and the evolution of the architectural types through the centuries. Some comparisons with the same kind of settlement in surroundings countries are also established, opening new research perspectives. In the epilogue, we consider the buildings on a conservation, restoration and preservation point of view. The state of the art of the legislative situation is given, and prescriptions for a better future conservation are drawn, in order to avoid a disappearance of the architectural information, together with an important part of the history.<p><p> / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished
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