李潔嫦. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1998. / 參考文獻: leaves 99-106. / Li Jiechang. / 撮要 --- p.iii / Chapter 第一章 --- 地水南音源流槪說 / Chapter 一´Ø --- 引言 --- p.一 / Chapter 二´Ø --- 南音的起源和發展 --- p.二 / Chapter 三´Ø --- 有關南音的原始資料及研究 --- p.四 / Chapter 第二章 --- 地水南音在香港的發展(二十至九十年代） / Chapter 一´Ø --- 南音在香港早期的槪況 --- p.八 / Chapter 二´Ø --- 地水南音的衰落與戲台、粤曲南音的蓬勃(四十至六十年代） --- p.十九 / Chapter 三´Ø --- 七十年代 --- p.二五 / Chapter 四´Ø --- 八十年代至今 --- p.二八 / Chapter 第三章 --- 地水南音的音樂風格 / Chapter 一´Ø --- 引言 --- p.四三 / Chapter 二´Ø --- 唱詞結構 --- p.四四 / Chapter 三´Ø --- 板面及過序的處理 --- p.四八 / Chapter 四´Ø --- 《霸王別姬》音樂結構分析 --- p.五四 / Chapter 五. --- 《客途秋恨》：語言聲調與旋律的關係 --- p.六八 / Chapter 第四章 --- 近代唱者個案：杜煥及唐健垣 / Chapter 一´Ø --- 杜煥的生平及唱腔風格 --- p.七八 / Chapter 二´Ø --- 唐健垣的生平及唱腔風格 --- p.八三 / Chapter 三´Ø --- 結論 --- p.九十 / Chapter 第五章 --- 結論 --- p.九四 / 參考書目 --- p.九九 / 附錄一《霸王別姬》唱腔旋律記譜 --- p.一零七 / 附錄二 《霸王別姬》的唱腔分析 --- p.一一七 / 附錄三《客途秋恨》的唱腔分析 --- p.一三一 / 表目 / 表2-1 六十至八十年代南音演出及硏討會資料 --- p.三五 / 表2-2 香港灌錄及發行的南音唱片目錄 --- p.三七 / 表2-3 八十至九十年代南音演出和講座資料 --- p.三九 / 表3-1 --- p.五五 / 表3-2 --- p.五七 / 表3-3 --- p.六五 / 表3-4 --- p.六九 / 表3-5 --- p.七二 / 表4-1杜煥生平年表 --- p.八二 / 表4-2唐健垣生平年表 --- p.八八

何心平. / 論文(哲學博士)--香港中文大學, 2007. / 參考文獻(p. 200-207). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2007. / Can kao wen xian (p. 200-207). / He Xinping.

by Wong Man Kong. / Thesis (Ph.D.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references (p. 306-328). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web.

陳子謙. / "二〇〇七年十月" / 論文(哲學碩士)--香港中文大學, 2007. / 參考文獻(leaves 97-116). / "Er ling ling qi nian shi yue". / Abstract in Chinese and English. / Chen Ziqian. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007. / Can kao wen xian (leaves 97-116). / Chapter 第一章 --- 導論：馬博良的多元身分 --- p.1 / Chapter 第一節 --- 馬博良簡介 --- p.1 / Chapter 第二節 --- 前人硏究述評 --- p.3 / Chapter (一） --- 《文藝新潮》編輯 --- p.3 / Chapter (二） --- 詩人 --- p.11 / Chapter (三） --- 其他 --- p.18 / Chapter 第三節 --- 硏究範圍 --- p.20 / Chapter 第二章 --- 在互動中生長的現代主義´ؤ´ؤ馬博良（文藝新潮〉的編輯工作 --- p.22 / Chapter 第一節 --- 《文藝新潮》的現代主義色彩 --- p.23 / Chapter 第二節 --- 回到現代主義路線圖的起點´ؤ´ؤ《文藝新潮》的編輯方針 --- p.27 / Chapter 第三節 --- 重寫現代主義宣言：編者與論者的互動 --- p.35 / Chapter 第四節 --- 扎根香港？駛出香港？´ؤ´ؤ《文藝新潮》的編輯取向 --- p.40 / Chapter 第三章 --- 怎樣現代？´ؤ´ؤ馬博良香港時期詩作 --- p.45 / Chapter 第一節 --- 感傷或奮進：現代主義大旗下的詩人或編輯 --- p.47 / Chapter 第二節 --- 現代主義的另一個階段：《焚琴的浪子》與《美洲三十絃》的關連 --- p.51 / Chapter 第三節 --- 現代的背面：古典與憶舊 --- p.61 / Chapter 第四節 --- 怎樣(不)現代？´ؤ´ؤ無城的現代主義 --- p.67 / Chapter 第四章 --- 現代的另一面：馬博良的通俗作品 --- p.73 / Chapter 第一節 --- 五十年代香港文化環境 --- p.73 / Chapter 第二節 --- 無奈屈從，抑或從容游走？´ؤ´ؤ馬博良對商業化出版的態度 --- p.75 / Chapter 第三節 --- 現代´Ø西方´Ø消費´ؤ´ؤ《七彩週報》呈現的荷里活風華 --- p.79 / Chapter 第四節 --- 在獵奇與豔羨之間´ؤ´ؤ《西點》譯介的異國風¯‘ة --- p.82 / Chapter 第五節 --- 《七彩周報》與《西點》小說的現代氣息 --- p.88 / Chapter 第五章 --- 結語 --- p.93 / 參考書目 --- p.97 / 後記 --- p.117

University of Macau / Faculty of Social Sciences and Humanities / Department of History

盛思維. / 論文(哲學碩士) -- 香港中文大學硏究院翻譯學部, 1996. / 參考文献 : leaves 133-143. / Sheng Siwei. / Chapter 第一章： --- 引言 --- p.1 / 多系統理論（Polysystem Theory ) --- p.2 / 描述式研究方法(Descriptive Translation Studies ) --- p.5 / Chapter 第二章： --- 本地化翻譯劇在目標文化系統内的位置 --- p.10 / 《王子復仇記》、(Hamlet)、 --- p.11 / 《元宵》（Twelfth Night ) --- p.15 / 《禧春酒店》(L'Ho tel du Libre-Echange) --- p.18 / 《美人如玉劍如虹》(Cyrano de Bergerac ) --- p.21 / "《撞板風流》》(Move Over, Mrs Markham )" --- p.24 / Chapter 第三章： --- “解決方法+問題´ح 一一譯文與原文的轉移 本地化翻譯劇的翻譯策略 --- p.28 / 删減 --- p.29 / 換例 --- p.34 / 增補 --- p.47 / 從譯文與原文的轉移關係看香港翻譯劇本地化的趨勢 --- p.56 / Chapter 第四章： --- 本地化翻譯劇與原文的等值關係 --- p.65 / 故事 --- p.69 / 語言 --- p.77 / 從本地化翻譯劇與原文的等值關係看典型的本地化翻譯劇 --- p.80 / 從描述式翻譯研究到翻譯理論 --- p.88 / Chapter 第五章： --- 本地化翻譯劇的成因 --- p.91 / 翻譯規範（Translation Norms ) --- p.91 / 香港話劇系统 --- p.96 / 殖民統治與香港話劇 --- p.102 / 文化身份與後殖民理論 --- p.106 / 香港文學與大眾文化 --- p.111 / Chapter 第六章： --- 結論´Ø多系統理論與目標取向翻譯研究的再思 --- p.118 / 多系統理論的再思 --- p.119 / 目標取向與描述式翻譯研究的再思 --- p.126 / 再談香港本地化翻譯劇的特點 --- p.127 / 科際整合 --- p.130 / 參考書目 --- p.133

by Choi Yin-Chi, Chu Kai-Leung. / Thesis (M.B.A.)--Chinese University of Hong Kong, 1992. / Includes bibliographical references (leaves 81-82). / ABSTRACT --- p.ii / TABLE OF CONTENTS --- p.iii / LIST OF ILLUSTRATIONS --- p.v / LIST OF TABLES --- p.vi / ACKNOWLEDGMENTS --- p.viii / CHAPTER / Chapter I. --- INTRODUCTION --- p.1 / An Overview of Hong Kong's Economic Structure --- p.3 / An Overview of Hong Kong's Urban Development --- p.5 / Background of FDI in Hong Kong --- p.12 / What Has the Hong Kong Government Done? --- p.17 / Hong Kong As a Staging Area --- p.25 / Chapter II. --- AN OVERVIEW OF FOREIGN DIRECT INVESTMENT IN HONG KONG --- p.28 / Manufacturing Industry --- p.29 / Banking Industry --- p.33 / Chapter III. --- MAJOR INVESTORS' INTEREST --- p.39 / Japan --- p.39 / The United States of America --- p.56 / Other Countries --- p.66 / Chapter IV. --- CONCLUSION --- p.74 / Historical Role of Foreign Companies in Hong Kong --- p.74 / Prospect --- p.79 / BIBLIOGRAPHY --- p.81 / APPENDIX --- p.83

by Lam Wing Cheong. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1996. / Includes bibliographical references (leaves 138-146). / Some music examples in Chinese. / Abstract --- p.iv / List of Tables and Figures --- p.v / List of Music Examples --- p.vi / Maps of Hong Kong --- p.vii / Chapter Chapter One --- Introduction / Chapter 1.1 --- Definitions of Context and Customization --- p.1 / Chapter 1.2 --- Conceptual Framework --- p.2 / Chapter 1.3 --- The Field --- p.3 / Chapter 1.4 --- The Structure of Cantonese Operatic Song --- p.5 / Chapter 1.5 --- Source Materials and Methodology --- p.12 / Chapter 1.6 --- Scope and Limitations --- p.14 / Chapter 1.7 --- Translation and Transliteration --- p.16 / Chapter Chapter Two --- History of Street Performance and Cantonese Operatic Song Groups at Temple Street / Chapter 2.1 --- A brief history of Chinese street performance --- p.18 / Chapter 2.2 --- A brief history of street performance in Hong Kong --- p.22 / Chapter 2.3 --- The organization of the groups --- p.29 / Chapter 2.4 --- The financial system and its function --- p.31 / Chapter 2.5 --- Concluding Notes --- p.33 / Chapter Chapter Three --- "Performers, Performing Style, and Programming" / Chapter 3.1 --- From ambulatory to sedentary performers --- p.38 / Chapter 3.2 --- Performing style of the song groups --- p.39 / Chapter 3.3 --- The performance programming created by song groups --- p.41 / Chapter 3.4 --- Concluding notes --- p.45 / Chapter Chapter Four --- Roles and Functions of the Audience and the Interlocking Relationship between Audience and Performers / Chapter 4.1 --- Historical background --- p.48 / Chapter 4.2 --- The audience at Temple Street --- p.51 / Chapter 4.3 --- The interlocking relationship between audience and performers --- p.56 / Chapter 4.4 --- Concluding notes --- p.67 / Chapter Chapter Five --- Customization of Performance / Chapter 5.1 --- Customization of the instrumental section --- p.71 / Chapter 5.2 --- Customization of repertoire --- p.74 / Chapter 5.3 --- Concluding notes --- p.87 / Chapter Chapter Six --- Conclusion --- p.90 / Tables --- p.97 / Figures --- p.100 / Music Examples --- p.102 / Glossary --- p.129 / References --- p.138

Mak Tsz-wai. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references. / Abstracts in English and Chinese. / Abstracts --- p.5-6 / Chapter Chapter1 --- Introduction --- p.7-16 / Chapter Chapter2 --- Literature Review --- p.17-53 / Chapter Chapter3 --- Methodological Approach --- p.54-66 / Chapter Chapter4 --- The Rise and Emergence of Management Education in Hong Kong --- p.67-83 / Chapter Chapter5 --- Institutionalization of Management Education in the Formal Educational System ´ؤ An Analysis of the Curriculum of B.B.A. Program of CUHK --- p.84-126 / Chapter Chapter6 --- Social Effects of Management Education as a Form of Elite Knowledge ´ؤ An Analysis of Hong Kong Journal of Business Management --- p.127-149 / Chapter Chapter7 --- Social Effects of Management Education as a form of Collective Reality ´ؤ An Analysis of the Hong Kong Manager --- p.150-167 / Conclusion --- p.168-172 / Appendix A / Appendix B / Appendix C / Appendix D / Reference

by Maggy Chan Mei Lan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Includes bibliographical references (leaves 171-182). / Abstract also in Chinese. / Chapter Chapter One --- Introduction --- p.1 / Chapter Chapter Two --- Historical Background --- p.17 / Chapter 2.1: --- Whimsical Garden: A short Visit to the Realm of Children's Literature in the West / Chapter 2.2: --- Rejuvenated Roses: The Growth of Hong Kong Children's Literature and Its Tinge of Local Colors / Chapter 2.3: --- Magic Wand to the Future: Subversive Children's Literature / Chapter Chapter Three --- Undressing the Dressed: To Overturn Traditional Modes of Adornment --- p.68 / Chapter Chapter Four --- "If Adults Are Not Always Right, Who Is?" --- p.93 / Chapter Chapter Five --- Inverted Chalkboard: School of Subversion --- p.121 / Chapter Chapter Six --- Conclusion: A New Chapter --- p.140 / Appendix I´ؤBiographical Notes on Some HK Children's Writers --- p.147 / Appendix II´ؤNewspaper cuttings --- p.149 / Works Cited --- p.171