顏傲儕. / "2004年7月". / 論文(哲學碩士)--香港中文大學, 2004. / 參考文獻 (leaves 214-224). / 附中英文摘要. / "2004 nian 7 yue". / Yan Aochai. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (leaves 214-224). / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 引言 --- p.9-21 / Chapter 第二章 --- 官學生制度出現與更迭 --- p.22-81 / Chapter 第一節 --- 1862年前英國和香港公務員制度 --- p.23-34 / Chapter 第二節 --- 官學生制度簡介：詮選形式 --- p.35-39 / Chapter 第三節 --- 官學生制度簡介:培訓制度 --- p.40-49 / Chapter 第四節 --- 官學生制度簡介：薪金 --- p.50-63 / Chapter 第五節 --- 官學生制度簡介：晉升 --- p.64-75 / Chapter 第六節 --- 官學生制度簡介：退休福利 --- p.76-78 / Chapter 第七節 --- 小結 --- p.79-81 / Chapter 第三章 --- 官學生社會背景槪要 --- p.87-157 / Chapter 第一節 --- 出生年份、出生地點、家庭背景 --- p.88-98 / Chapter 第二節 --- 教育 --- p.99-114 / Chapter 第三節 --- 入職、培訓與晉升 --- p.115-135 / Chapter 第四節 --- 社交活動與家庭生活 --- p.136-146 / Chapter 第五節 --- 退休生活及死亡 --- p.147-149 / Chapter 第六節 --- 小結 --- p.150-157 / Chapter 第四章 --- 官學生對香港內政的影響 --- p.158-174 / Chapter 第一節 --- 理民府官的職責簡介與其局限 --- p.159-161 / Chapter 第二節 --- 官學生在理民府扮演的角色 --- p.162-172 / Chapter 第三節 --- 小結：官學生在香港內政的角色 --- p.173-174 / Chapter 第五章 --- 官學生對中英外交的影響 --- p.175-193 / Chapter 第一節 --- 官學生影響中英外交事務的途徑 --- p.176-178 / Chapter 第二節 --- 個案硏究一:辛亥革命後的香港與廣州政府 --- p.182-191 / Chapter 第三節 --- 個案硏究二 ：省港大罷工〔1925 -1926年〕 --- p.192-201 / Chapter 第四節 --- 小結：官學生在中英外交的角色 --- p.202-203 / Chapter 第六章 --- 總結 --- p.204-208 / 參考書目 --- p.214-224

本論文旨在分析1940年代到1950年代的香港虛構文學中對於文化認同的轉變。1940年代到1950年代在香港文學史中是一個重要的時期，見證了鮮明的文化意識的形成和覺醒。本研究通過分析香港的虛構文學作品中兩種常用甚至濫用的刻板印象，分別為香港即港口的形象，和香港即女性的形象，來闡述這些刻板印象如何在不同的文化視野下反復被重寫，改寫，從而產生具有獨特香港文化意識的特質。本文通過後殖民理論研究方法，分析了五篇這一時期的虛構文學作品中文化認同的轉變。他們分別為：張愛玲的短篇小說《沈香屑·第一爐香》（1943）和《傾城之戀》（1943）、韓素音的小說《瑰寶》（1952）、舒巷城的短篇小說《霧香港》（1956）以及理查德·梅森的小說《蘇絲黃的世界》（1957）。 / 本文分為五個章節。概論章介紹了1940年代到1950年代香港文學的整體面貌，並討論了香港文學的定義以及現在的各種問題。第一章研究了相關後殖民理論，包括文化身份（認同），離散經驗，東方主義和混雜性等概念，以幫助下文的深入討論。第二章和第三章分別圍繞上文所述的兩種刻板印象的再書寫展開，以闡述所選作品中表現出來的區別於群體文化身份認同書寫的私人書寫方式，並由此得出相關結論。 / This study purports to describe the transformation of cultural identities in the fictions written about Hong Kong in the 1940s and 1950s. As a critical period of transition, the 1940s and 1950s Hong Kong literature witnessed the emergence of a distinctive cultural awareness. Through the examination of two commonly used (abused) stereotypes, namely, Hong Kong as port and Hong Kong as female in the fictional writings of this period, this study aims at elaborating how writers from different cultural perspectives draw upon and undermine these stereotypes and bring out features that give rise to a distinctive Hong Kong cultural awareness. Taking the postcolonial theoretical approach, I examine five works of Hong Kong literature within the proposed timeframe, “Aloeswood Incense: The First Brazier“ (1943) and “Love in a Fallen City“ (1943) by Eileen Chang, A Many Splendoured Thing (1952) by Han Suyin, “Foggy Hong Kong“ (1956) by Shu Xiangcheng and The World of Suzie Wong (1957) by Richard Mason, in order to elaborate the distinctiveness of Hong Kong cultural awareness. / The study is divided into five chapters. It begins with an overview of Hong Kong literature in the 1940s and 1950s, its nomenclature and problematics. Then in the second chapter, an analysis of postcolonial theories is provided in order to facilitate the discussion. Concepts like cultural identity, diaspora, Orientalism and hybridity are discussed in relation to the selected works of Hong Kong literature. Chapter two and chapter three focus on the reinscriptions of the two aforementioned stereotypes in which features of Hong Kong cultural identities are perceivable. These two chapters elaborate the individual renderings of cultural identities in the selected stories as against the collective identity representation, thus leading to the concluding chapter. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Gao, Yunwen. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 96-102). / Abstracts and appendix also in Chinese. / Introduction --- p.1 / Chapter Chapter One --- Cultural Identity and Hong Kong Literature --- p.15 / Chapter 1. --- Hong Kong in the 1940s and 1950s --- p.15 / Chapter 2. --- Cultural Identity and Postcolonial Studies --- p.18 / Chapter 2.1 --- Imagining Hong Kong: Diaspora and Cultural Identity in the 1940s and 1950s --- p.20 / Chapter 2.2 --- Feminizing Hong Kong: Orientalism and Hybridity --- p.24 / Chapter Chapter Two --- Hong Kong as Port --- p.33 / Chapter 1. --- Hong Kong as Port in the 1940s and 1950s Hong Kong Fiction --- p.34 / Chapter 2. --- “Love in a Fallen City“: Hong Kong in the Eyes of Shanghainese --- p.39 / Chapter 2.1 --- A Tale of Two Cities: Time and Space in Shanghai and Hong Kong --- p.41 / Chapter 2.2 --- Chineseness in Different Contexts --- p.44 / Chapter 2.3 --- Hong Kong Reconsidered --- p.48 / Chapter 3. --- A Many Splendoured Thing: Eurasian Perspective on Hong Kong --- p.51 / Chapter 3.1 --- Hybridity of Eurasians and Hong Kong Society --- p.52 / Chapter 3.2 --- Borrowed Time and Borrowed Space: The Ship that is Hong Kong --- p.55 / Chapter 3.3 --- Plurality: Cultural Identities in the Post-1949 Hong Kong --- p.58 / Conclusion --- p.60 / Chapter Chapter Three --- Hong Kong as Female --- p.61 / Chapter 1. --- The World of Suzie Wong: British Colonial Perspective on Hong Kong --- p.63 / Chapter 1.1 --- The Gaze at the Orient --- p.65 / Chapter 1.2 --- The Ambivalence of the Oriental Female --- p.70 / Chapter 1.3 --- Stereotype Reinscribed --- p.73 / Chapter 2. --- “Aloeswood Incense: The First Brazier“ --- p.75 / Chapter 2.1 --- Beyond the East and the West: Hybrid Social Environment --- p.76 / Chapter 2.2 --- The Individual Over the Collective: Female Desire --- p.79 / Chapter 2.3 --- Out of the Fairyland: Male-Female Relationship as a Prison House --- p.83 / Chapter 3. --- “Foggy Hong Kong --- p.85 / Chapter 3.1 --- Hong Kong Skies, Hong Kong Girls --- p.86 / Chapter 3.2 --- Corruption in Two Ways --- p.88 / Conclusion --- p.90 / Conclusion --- p.91 / WorksCited --- p.96 / Chapter Appendix I --- Translation of Chinese Names --- p.103

林萬儀. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1996. / 參考文献 : leaves 116-127. / Lin Wanyi. / 目錄 --- p.i / 撮要 --- p.iii / Chapter 第1章 --- 導論 --- p.1 / Chapter 1.1 --- 「粤曲女伶」的槪念 / Chapter 1.2 --- 粤曲女伶的硏究槪況 / Chapter 1.3 --- 硏究範圍 / Chapter 1.4 --- 考查工作及資料 / Chapter 1.5 --- 硏究目的 / Chapter 第2章 --- 粤曲女伶的出現及發展 --- p.10 / Chapter 2.1 --- 第一階段：出現及初期發展(1862-1923) / Chapter 2.2 --- 第二階段：二、三十年代的發展(1923-1937) / Chapter 2.3 --- 第三階段：戰時的發展(1937-1945) / Chapter 2.4 --- 第四階段：戰後十五年內的發展(1945-1959) / Chapter 2.5 --- 第五階段：六十年代的發展(1960-1969) / Chapter 2.6 --- 第六階段：七十及八十年代前半期的發展(1970-1985) / Chapter 2.7 --- 第七階段：近十年的發展(1986-1996) / Chapter 第3章 --- 香港當代粤曲女伶槪述 --- p.34 / Chapter 3.1 --- 人數與活躍程度 / Chapter 3.2 --- 年齡與年資 / Chapter 3.3 --- 演唱粤曲以外的有關事業 / Chapter 3.4 --- 組織及聯繫 / Chapter 第4章 --- 女伶的演出場合 --- p.52 / Chapter 4.1 --- 歌壇 / Chapter 4.2 --- 地檔 / Chapter 4.3 --- 會堂 / Chapter 4.4 --- 宴會 / Chapter 4.5 --- 歌台 / Chapter 第5章 --- 女伶的演出 --- p.66 / Chapter 5.1 --- 演出的準備及過程 / Chapter 5.2 --- 演出所用的曲本 / Chapter 5.3 --- 觀眾的參與及影響 / Chapter 5.4 --- 演唱與侍奉：女伶的雙重角色 / Chapter 第6章 --- 女伶的唱腔風格及流派 --- p.90 / Chapter 6.1 --- 唱腔及唱腔流派的含意 / Chapter 6.2 --- 粤劇、粤曲的唱腔流派 / Chapter 6.3 --- 當代女伶所屬唱腔流派 / Chapter 6.4 --- 「女伶腔」的繼承及槪念的演變 / Chapter 第7章 --- 結論 --- p.105 / Chapter 7.1 --- 總結 / Chapter 7.2 --- 粤曲女伶與中國優伶文化 / Chapter 7.3 --- 粤曲女伶與中國樂妓文化 / Chapter 7.4 --- 女伶現象與香港文化 / Chapter 7.5 --- 未來硏究的方向：音樂與性別 / 參考著作目錄 --- p.116

Leung, Yan Cheong. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 150-159). / Abstract also in Chinese. / Chapter Chapter 1: --- Introduction --- p.1 / Chapter ■ --- Research Objectives --- p.3 / Chapter ■ --- Literature Review --- p.5 / Chapter ■ --- Use of Primary Sources --- p.9 / Chapter ■ --- Structure --- p.11 / Chapter Chapter 2: --- Governing Objectives behind the Railway Developments --- p.13 / Chapter ■ --- Initial Motives --- p.13 / Chapter ■ --- Political Objectives and Financial Concerns as the Determinative Factors --- p.22 / Chapter ■ --- Railway Developments since the 1970s --- p.33 / Chapter ■ --- Changing Meanings of Success in Railway Development --- p.35 / Chapter ■ --- Summary of Chapter 2 --- p.35 / Chapter Chapter 3: --- Hong Kong-London Relations and the MTR Development (I): Bilateral Negotiation and the Decisions on the MTR --- p.37 / Chapter ■ --- Nature of London-Hong Kong Relations after the WWII --- p.37 / Chapter ■ --- The Contract Approaches --- p.40 / Chapter ■ --- The Process of Bilateral Negotiation --- p.42 / Chapter ■ --- Hong Kong Government´ةs Strategy --- p.43 / Chapter ■ --- London´ةs Strategy --- p.46 / Chapter ■ --- Summary of Chapter 3 --- p.53 / Chapter Chapter 4: --- Hong Kong-London Relations and the MTR Development (II): Negotiation Breakdown and Its Impacts --- p.55 / Chapter ■ --- The Negotiation Breakdown --- p.55 / Chapter ■ --- The Adoption of Multi-contract Approach: a Contingency Plan --- p.59 / Chapter ■ --- Collaborate with London --- p.64 / Chapter ■ --- Summary of Chapter 4 --- p.68 / Chapter Chapter 5: --- Colonial Governance and Major Decisions on the MTR in the 1970s --- p.70 / Chapter ■ --- The Establishment of MTRC --- p.70 / Chapter ■ --- Optimizing the Project --- p.75 / Chapter ■ --- Civil Protests and Crises Management --- p.83 / Chapter ■ --- Summary of Chapter 5 --- p.91 / Chapter Chapter 6: --- A Review on the Modernization of Kowloon-Canton Railway --- p.93 / Chapter ■ --- KCR´ةs Operational Problems before the Modernization --- p.93 / Chapter ■ --- Evolution of KCR Modernization Programme --- p.100 / Chapter ■ --- Bureaucratic and Administrative Concerns behind the Establishment of KCRC --- p.108 / Chapter ■ --- KCRC´ةs Service Provision and Corporate Strategy --- p.111 / Chapter ■ --- Summary of Chapter 6 --- p.115 / Chapter Chapter 7: --- "Railway Development, Transport Policy and the Competitions among Public transport Operators" --- p.118 / Chapter ■ --- Transformation of the Transport Industry in the 1970s --- p.118 / Chapter ■ --- The Changing Role of Railways in the Transport System --- p.121 / Chapter ■ --- Rivalries between the Railways and Other Transport Operators --- p.129 / Chapter ■ --- Summary of Chapter 7 --- p.138 / Chapter Chapter 8: --- Conclusion --- p.140 / Chapter ■ --- Hong Kong-London Relations and Decisions on Railway Developments --- p.141 / Chapter ■ --- Governing Concerns and the Railway Development --- p.144 / Chapter ■ --- Further Studies --- p.148 / Bibliography --- p.150

Shaw, Yomei. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 146-152). / Abstracts in English and Chinese. / Chapter Introduction: --- Definitions and Dimensions of Key Issues --- p.5-14 / Chapter Chapter One: --- An Analytical Review of Translated Drama in Hong Kong --- p.15-26 / Chapter Chapter Two: --- Authenticity and Text-based Theatre in Hong Kong --- p.27-78 / Chapter Chapter Three: --- The Global Stage: the Performance of Other Modernities --- p.79-104 / Chapter Chapter Four: --- Code-switching in Performance Contexts --- p.105-38 / Chapter Conclusion: --- "Adaptation, Transformation and Future Directions" --- p.139-45 / Bibliography --- p.146-51 / Appendix I --- p.152-54 / Appendix II --- p.155-72

published_or_final_version / Conservation / Master / Master of Science in Conservation

published_or_final_version / Housing Management / Master / Master of Housing Management

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Sociology / Master / Master of Philosophy

published_or_final_version / History / Master / Master of Philosophy