許承恩. / "2001年6月" / 論文 (哲學碩士)--香港中文大學, 2001. / 參考文獻 (leaves 134-139) / 附中英文摘要. / "2001 nian 6 yue" / Xu Cheng'en. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (leaves 134-139) / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 導言 --- p.1-3 / 第一章註釋 --- p.4 / Chapter 第二章 --- 香港潮人沿革 / Chapter 第一節 --- 移民的起點潮汕地區 --- p.5-9 / Chapter 第二節 --- 19世紀中葉以前的潮港聯繫 --- p.9-14 / Chapter 第三節 --- 從開埠至二次大戰的香港潮人人口槪況 --- p.14-21 / Chapter 第四節 --- 二次大戰後香港潮人人口槪況 --- p.21-31 / 第二章註釋 --- p.32-36 / Chapter 第三章 --- 戰前潮人教會歷史 / Chapter 第一節 --- 開埠初期香港潮人福音事工 --- p.37-40 / Chapter 第二節 --- 19世紀末香港潮人福音事工 --- p.40-42 / Chapter 第三節 --- 20世紀初香港潮人福音事工 --- p.42-44 / 第三章註釋 --- p.45-46 / Chapter 第四章 --- 戰後香港潮人教會歷史 / Chapter 第一節 --- 潮語浸信會 --- p.47-53 / Chapter 第二節 --- 潮人生命堂 --- p.53-58 / Chapter 第三節 --- 樂道會 --- p.58-59 / Chapter 第四節 --- 其他潮人教會 --- p.59-60 / Chapter 第五節 --- 戰後香港潮人教會歷史：擴建會址、廣設分堂、服務社群 --- p.60-61 / 第四章註釋 --- p.62-63 / Chapter 第五章 --- 戰後香港潮人教會的功能與貢獻 / Chapter 第一節 --- 拓展基督教傳教事業 --- p.64-78 / Chapter 第二節 --- 聯絡誼 --- p.78-84 / Chapter 第三節 --- 提供各種社會服務 --- p.84-94 / Chapter 第四節 --- 香港潮人教會：爲各階層潮人所設立的「會館」 --- p.94-97 / 第五章註釋 --- p.98-101 / Chapter 第六章 --- 總結 --- p.102-103 / 附錄一 :歷代潮汕地區嚴重自然災害 --- p.104-112 / 附錄二 ： 1964年至1974年《基督教週報》中關於潮人教會之資料… --- p.113-122 / 附錄三：潮汕地區教會目錄 --- p.123-133 / 參考書目 --- p.134-139

Wong Wai Kuen. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2001-2002, design report." / Includes bibliographical references. / Chapter 1.0 --- Foreword / Chapter 1.0.1 --- Synopsis / Chapter 1.0.2 --- Thesis statement / Chapter 2.0 --- Architectural Belief / Chapter 3.0 --- Project Background / Chapter 3.0.1 --- Historical context / Chapter 3.0.2 --- Concern & possibilities / Chapter 4.0 --- Selections / Chapter 4.0.1 --- Selection of building prototype / Chapter 4.0.2 --- Pre-selection of site / Chapter 4.0.3 --- Testing methodology / Chapter 4.0.4 --- Final selection of site & Building / Chapter 4.0.5 --- Analysis of final site / Chapter 4.0.6 --- Existing building plans & structure / Chapter 5.0 --- Design Methodology / Chapter 5.0.1 --- Design goal / Chapter 5.0.2 --- Design Principles & challenges / Chapter 6.0 --- Project Design / Chapter 6.0.1 --- Designs of the site / Chapter 6.0.2 --- Design of the selected building / Chapter 6.0.3. --- Lighting tests / Chapter 6.0.4. --- Final design / Chapter 7.0 --- Appendix / Chapter 7.0.1 --- Precedent studies / Chapter 7.0.2 --- Bibliogragphy

Dong Dong. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 127-136). / Abstracts in English and Chinese. / Chapter I. --- Introduction --- p.5 / Chapter II. --- Youth Culture Practiced in Virtual Community --- p.10 / Chapter III. --- "Background, Research Questions and Research Design" --- p.36 / Chapter IV. --- Style of Chinese University BBS Youth Culture --- p.45 / Chapter V. --- Youth Cultural Community as Identified by Style --- p.68 / Chapter VI. --- Resistance within Contexts --- p.84 / Chapter VII. --- Conclusion --- p.108 / Appendix 1 Captions of Postings & Discussion Threads --- p.111 / Appendix 2 Style of BBS Discussion Threads --- p.114 / Appendix 3 BBS Member's Composition --- p.118 / Appendix 4 Personal Reflections on the Film --- p.120 / Appendix 5 --- p.123 / Collective Discussions in Chinese University BBSs --- p.123 / Bibliography --- p.127

by Chu Wing Ki. / Thesis submitted in: July 1997. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Filmography: leaves 216-219. / Includes bibliographical references (leaves 204-215). / Chapter Chapter 1. --- Introduction: Contemporary Nostalgia Films Understood in the Colonial Context of Hong Kong / Chapter I. --- opular Culture as an Arena ofublicarticipation --- p.2 / Chapter II. --- opular Culture and Colonialism --- p.14 / The Ambivalence of Colonialism --- p.14 / """Status-quo Imaginary"" as the Manifestation of Colonial Ambivalence" --- p.17 / Chapter i. --- Hong Kong in the late 60s --- p.21 / Chapter ii. --- Hong Kong in the 70s --- p.24 / Chapter iii. --- Hong Kong in the 80s and 90s --- p.30 / Popular Culture Understood in the Colonial Context of Hong Kong --- p.35 / Chapter III --- The Contemporary Mode of Nostalgia as Mediation of Colonialrocess --- p.38 / Nostalgia Films Understood inost-Colonial Context -- The Ambivalence of History --- p.38 / Chapter i. --- Nostalgia Films not Targetted towards the Rediscovery of History --- p.40 / "The Appropriation of History as a ""Laughable"" Other" --- p.43 / "The Substitution of History by ""Style""" --- p.47 / Chapter ii. --- Nostalgia Films' Evocation of a Free-Floating Signifier of Hong Kong Historical Identity --- p.50 / Nostalgia Films as a Context-Specific Articulation --- p.56 / Nostalgia Films as a Form of Disavowal --- p.59 / Outline of the Coming Chapters --- p.61 / Chapter Chapter2. --- Nostalgia and History --- p.66 / Chapter I. --- Rouge --- p.66 / The Construction of Nostalgic Effects --- p.67 / "“Sense of Loss"" as Identity Formation" --- p.72 / "Theast as a ""Split Object"" of Identification" --- p.75 / Pessimism as a Collective Empowerment --- p.84 / Chapter II. --- Center Stage --- p.88 / Interrogation of History --- p.89 / Pessimism as Empowerment -- Reification of History --- p.93 / The Ambivalence of History --- p.100 / Chapter III. --- Days of Being Wild --- p.103 / Interrogation of History:History and Subject Formation --- p.103 / """Internal Colonization"" and Fatalism" --- p.113 / "The Image of “Innocence""" --- p.116 / Conclusion --- p.121 / Chapter Chapter 3. --- Nostalgia and Urban Space --- p.124 / Chapter I. --- Nostalgia as a Critique of Urban Space --- p.124 / Chapter II --- Chungking Express --- p.131 / "Old Chinese Apartment as Site of “Re-enchantment""" --- p.133 / "The “Urban Spectacle"" -- Old Chinese Apartment as Reified Spatial Construct" --- p.140 / Chapter i. --- "The Traversed Space of ""Contemporariness"" and ""Pastness""" --- p.140 / Chapter ii. --- "The ""Openness"" of Old Chinese Apartment" --- p.147 / Old Chinese Apartment -- An Expression of Nostalgia? --- p.155 / Chapter III. --- "He ´ةs a Woman and She ´ةs a Man, C'est La Vie Mon Cheri，He and She" --- p.158 / "The “ Urban Spectacle""" --- p.158 / Chapter i. --- ositive Human Qualities --- p.158 / Chapter ii. --- A Historical Sense oflace --- p.163 / Chapter iii. --- Interior Design -- The Assertion of Urban Spirit of Change --- p.165 / Chapter iv. --- "Socially and Culturally ""Marginal"" Characters" --- p.167 / Urban Status-quo Imaginary and Cultural Identificationin Hong Kong --- p.170 / Old Chinese Apartment as Reified Spatial Construct --- p.174 / Chapter i. --- Thearadox of Attraction and Anxiety A Discourse ofrogress --- p.174 / Chapter ii. --- The Inscription of the Imperative of Advancement intohysical Surrounding --- p.179 / Chapter iii. --- "The “Urban Spectacle"" of Social Differences ""Cloaked"" Gestures of ´ب´بSubversion""" --- p.181 / Conclusion --- p.191 / Chapter Chapter 4. --- Conclusion: Nostalgia -- The Ambivalence of History --- p.194 / Chapter I. --- Optimism andessimism as Identity Formation --- p.194 / Chapter II --- The Commercialization of Nostalgia --- p.197 / Bibliography --- p.208 / Filmography --- p.220 / Appendix I-IX

Colonial intellectual is a good point of entry for making sense of anti-colonial movement because in many cases they constituted the pioneer of the movement. Moreover, in some cases, they became the founding father of new nations. However, such an important social category received inadequate attentions. / The main concern of this research is: how to make sense of the fact that in some colonies, anti-colonial movement were stronger while in others, the subjects were silent. The present writer would use colonial intellectuals from three areas (Hong Kong, Taiwan and Singapore) as cases to illustrate the development of anti-colonial movements in above three areas in late nineteenth Century and Early Twenty Century. / Using the theory of institutionalization as theoretical framework, the present writer argued that the level of institutionalized of the society is the prime mover of the event. To view colonial society as a social group, it is argued that only in those societies reaching a high level of institutionalization, then members of the society would develop a kind of locally oriented vision of the society. That kind of vision is the necessary condition of anti-colonial movement. In the following thesis, the present writer would discuss in what way colonial governance, migration, and the conditions of pre-colonial society shaped the level of institutionalization of the discussed cases. / 劉紹麟. / Source: Dissertation Abstracts International, Volume: 72-10, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2009. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liu Shaolin.

黃念欣. / 論文(哲學博士)--香港中文大學, 2004. / 參考文獻 (p. 354-462). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in Chinese and English. / Huang Nianxin. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (p. 354-462).

李少恩. / "2002年1月" / 論文 (哲學碩士)--香港中文大學, 2002. / 參考文獻 (leaves 153-163) / 附中英文摘要. / "2002 nian 1 yue" / Li Shao'en. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (leaves 153-163) / Fu Zhong Ying wen zhai yao. / 撮要 --- p.iii / Abstract --- p.iv / Chapter 1. --- 導言 --- p.1 / Chapter 1.1 --- 論題定義 / Chapter 1.2 --- 研究範圍與目的 / Chapter 1.3 --- 過去的研究概況 / Chapter 1.4 --- 研究方法 / Chapter 2. --- 香港粤曲創作史略 --- p.14 / Chapter 2.1 --- 班本時期：鴉片戰爭至十九世紀末（1840-1900) / Chapter 2.2 --- 「理想班本」時期：辛亥革命前後（1900-1920) / Chapter 2.3 --- 粤曲時期：省港大罷工前至中華人民共和國成立後（1920-1960) / Chapter 3. --- 當代香港社會與粤曲撰曲者 --- p.55 / Chapter 3.1 --- 當代香港社會與粤曲發展 / Chapter 3.2 --- 三位當代撰曲者的簡介 / Chapter 3.3 --- 小結 / Chapter 4. --- 當代香港粤曲的創作 --- p.83 / Chapter 4.1 --- 撰曲者對粤曲的已有知識及撰曲動機 / Chapter 4.2 --- 從構思到首演 / Chapter 4.3 --- 個案研究：一次粤曲首演的觀察 / Chapter 4.4 --- 小結 / Chapter 5. --- 當代香港粤曲的結構分析 --- p.109 / Chapter 5.1 --- 當代粤曲的音樂素材 / Chapter 5.2 --- 板腔音樂素材的運用 / Chapter 5.3 --- 「小曲」的選用 / Chapter 5.4 --- 小結 / Chapter 6. --- 結論 --- p.134 / Chapter 6.1 --- 總結 / Chapter 6.2 --- 當代香港粤曲撰曲者的創作路向 / Chapter 6.3 --- 當代香港粤曲撰曲者及作品的承傳 / Chapter 6.4 --- 進一步研究的建議 / 附錄 --- p.144 / 參考書目 --- p.153

張琬琪. / "2008年2月". / "2008 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 119-121). / Abstract also in English. / Zhang Wanqi. / Chapter 第一章 --- 導論 --- p.1-11 / Chapter 1. --- 粤語歌唱片的硏究價値 --- p.2-3 / Chapter 2. --- 本土粤語歌唱片硏究槪說 --- p.3-8 / Chapter 3. --- 歌唱片類型硏究的意義 --- p.8-11 / Chapter 第二章 --- 類型來源與構成 --- p.12-38 / Chapter 1. --- 香港電影史與「歌唱片」的起源 --- p.13-15 / Chapter 2. --- 解構「全部歌唱片」 --- p.15-25 / Chapter 3. --- 歌唱片戰後復興的外緣因素 --- p.25-30 / Chapter 4. --- 類型混合：「全部歌唱片」及其後之「歌唱喜劇」 --- p.30-37 / Chapter 5. --- 總結 --- p.37-38 / Chapter 第三章 --- 音樂風格與歌曲敘事 --- p.39-68 / Chapter 1. --- 粤曲：從舞台到電影 --- p.41-44 / Chapter 2. --- 全部歌唱：粤曲代替對白 --- p.44-49 / Chapter 3. --- 撰曲人在歌唱片中所扮演的角色 --- p.49-55 / Chapter 4. --- 電影與粤劇：從分裂到整合 --- p.55-58 / Chapter 5. --- 粤劇音樂的電影化 --- p.58-66 / Chapter 6. --- 總結 --- p.66-68 / Chapter 第四章 --- 角色典型化與演員形象 --- p.69-96 / Chapter 1. --- 演員、角色與類型電影 --- p.71-73 / Chapter 2. --- 粤劇對歌唱片角色塑造的影響 --- p.73-74 / Chapter 3. --- 芳艷芬：「賢妻良母」形象的一致性 --- p.75-80 / Chapter 4. --- 任劍輝：「女扮男裝」的戲迷情人 --- p.80-88 / Chapter 5. --- 演員形象的社會作用 --- p.88-95 / Chapter 6. --- 總結 --- p.95-96 / Chapter 第五章 --- 結論 --- p.97-109 / Chapter 1. --- 粤語歌唱片與粤劇文化 --- p.98-100 / Chapter 2. --- 歌唱片由盛轉衰的原因 --- p.100-102 / Chapter 3. --- 歌唱片對日後電影的影響 --- p.102-109 / 附錄：電影廣告 --- p.110-118 / 參考書目 --- p.119-121

Chan Siu Hin. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2006-2007, design report." / "Museum in youth hostel, youth hostel in museum"--Dissertation t.p. / Includes bibliographical references (leaf 101). / Chapter Part 1 - --- Study of MARK I Design / HISTORY / MARK I / THE FORMAL PRINCIPLES / GENERAL CHANGES OF MARK I / STRUCTURE / SPECIFIC CHANGES OF MARK I - VARIATIONS & TYPE SOCIAL DETAILS / Chapter Part 2 - --- Programme Study / HOUSING AUTHORITY EXHIBITION CENTRE STUDY / PRELIMINARY PROGRAMME / Chapter Part 3 - --- Exploration of the Trasformation / "MEI HO HOUSE - PLAN, SECTION, ELEVATION" / PRELIMINARY IDEA FOR TRANSFORMATION

Shum Wai Lap William. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report." / Includes bibliographical references (leave 80). / ACKNOWLEDGEMENT --- p.01 / SYNOPSIS --- p.02 / INTRODUCTION / Chapter 001 --- THESIS STATEMENT --- p.04 / Chapter 002 --- CONCEPTUAL FRAMEWORK --- p.05 / Chapter 01. --- Marriage of Memorial and Entertainment / Chapter 02. --- Journey along Time Corridor: From Retrospect to Prospect / Chapter 03. --- "Community Focus, Tourism and Scholarship" / Chapter 04. --- Investigating Building on Slope / Chapter 003 --- PROBLEMS & OPPORTUNITIES --- p.07 / Chapter 01. --- Monument vs Instrument ´ؤ Memory vs Energy / Chapter 02. --- Significance of War Memorial Places in Hong Kong / Chapter 03. --- Generational Gap & Youth Issues / EXISTING STATE / Chapter 004 --- BACKGROUND --- p.10 / Chapter 01. --- Hong Kong Second World War History / Chapter 02. --- Sino-Japanese Relationship after the Second World War / Chapter 03. --- War Studies in Hong Kong / Chapter 04. --- Background of Military Training / Chapter 05. --- Military Training in Hong Kong / Chapter 005 --- PHYSICAL CONDITIONS --- p.17 / Chapter 01. --- Fortifications as Architectural Interest / Chapter 02. --- Usages of Fortifications at Peace Time / Chapter 03. --- Fortifications in Hong Kong during the Second World War / Chapter 04. --- Rationales of Site Selection / Chapter 05. --- Site Characters / Chapter 06. --- Codes & Future Master Planning / Chapter 006 --- CLIENT PROFILES --- p.31 / Chapter 007 --- PROPOSED USER GROUPS --- p.34 / FUTURE STATE / Chapter 008 --- MISSION & DESIGN APPROACHES --- p.35 / Chapter 009 --- ISSUES & GOALS --- p.36 / Chapter 01. --- Image / Chapter 02. --- View / Chapter 03. --- Urbanistic Concern / Chapter 04. --- Environment / Chapter 05. --- Symbolism / Chapter 06. --- Accessibility / Chapter 07. --- Landscaping / Chapter 08. --- Mood/Ambience / Chapter 010 --- SCHEDULE OF ACCOMMODATION --- p.40 / DESIGN CONCEPTUALIZATION / Chapter 011 --- DESIGN PHILOSOPHY --- p.43 / Chapter 012 --- SITE STRATEGY --- p.45 / Chapter 013 --- DESIGN DEVELOPMENT --- p.47 / Chapter 014 --- FINAL DESIGN --- p.60 / Chapter 01. --- Site Zoning & Setting Out / Chapter 02. --- Building Concept - Mapping of Contradictory Programs / Chapter 03. --- Museum Sequence - Scenario-Telling Adventure / Chapter 04. --- Final Presentation Panels / APPENDICES --- p.77 / Chapter A 01. --- Case Studies - The Hong Kong Museum of Coastal Defence / Chapter A 02. --- Presentation Panels ( 1st & 2nd review ) / Chapter A 03. --- Minute of Interview / Chapter A 04. --- Bibliographies