In this study I have tried to show what Tyamzashe has achieved without the solid musical training any composer worthy of the name should undergo. I have also tried to show the forming of his own musical style under the impact of outside influences. This study is therefore not to teach one anything new, but simply to communicate the results of three years research. In it I have attempted to set the scene in which Tyamzashe's life unfolded itself under the influences of people and circumstances. In doing so I have tried to bear in mind the main theme - Tyamzashe himself. My problem was not so much what to include but what to leave out; thus I have not provided the scene with a detailed background. The section on missionary contact is necessary for an understanding of the great changes brought about by culture contact, as well as for putting Tyamzashe into his historical background. I have also stressed Lovedale because musical change as exemplified in the music of early Bantu converts was centralized there. Finally, the thesis of this study is: despite the changes introduced into Bantu music by culture contact, one perceives, in the works of Tyamzashe, the beginnings of a new pattern of integration. p. 2-3.

Made available in DSpace on 2014-06-11T19:26:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-02-29Bitstream added on 2014-06-13T19:54:47Z : No. of bitstreams: 1 vieira_fm_me_assis.pdf: 332760 bytes, checksum: 3f80edd9e591eb4e3be116ec838a5f30 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Um jovem pastor beduíno sai à procura por um de seus animais perdido na região do deserto da Judéia, próximo às bordas do mar Morto, no ano de 1947. Quando ingenuamente joga uma pedra em uma fenda de um penhasco, ouve um barulho de jarro quebrando. Assim ocorreu a maior descoberta de textos antigos jamais feita até então – os Manuscritos do Mar Morto. Uma série de cavernas foi encontrada em seguida, das quais algumas também possuíam material manuscrito. Após isso, percebeu-se que estes manuscritos eram oriundos de um sítio arqueológico próximo, conhecido atualmente como Khirbet Qumran. O material literário que foi descoberto nestas cavernas passou desde então a ser estudado por eruditos do mundo inteiro. Entre estes manuscritos, uma parcela importante é de textos hinários que eram utilizados pela comunidade que residiu neste assentamento até pouco tempo antes da destruição de Jerusalém, em 70 d.C. Os textos hinários eram largamente utilizados pela comunidade de Qumran, com uma função importante dentro dos rituais comunitários e em manifestações pessoais de louvor a Deus. Da mesma maneira, percebemos através dos livros do Novo Testamento que nas comunidades cristãs do primeiro século, a prática do canto hinário foi uma constante. Não só suas composições hinárias, mas aspectos doutrinais destas comunidades apresentam influências consideráveis de materiais anteriores e de outras fontes contemporâneas. Antes da descoberta dos Manuscritos do Mar Morto, acreditavase que as maiores influências à literatura do Novo Testamento provinham somente da Bíblia Hebraica. Atualmente, percebemos mais do que isso. Alguns hinos e passagens... / A youth bedouin shepherd was searching for one of his lost animals in the area of the Judean desert, near the border of the Dead Sea, in the year of 1947. When he ingenuously threw a stone in a rift of a cliff, he heard a vessel noise breaking. Thus happened like this the largest discovery of old texts ever done until then – the Dead Sea Scrolls. A series of caves was found soon after, several of which contained hand written material. Archaeologists soon realized that these manuscripts were originating from a nearby archaeological site, known now as Khirbet Qumran. Scholars worldwide have studied the literary material that was discovered in these caves. The hymnary texts that were used by the community that resided in this settlement from before the destruction of Jerusalem in 70 A.D. are among the most priceless documents discovered. The broadly used hymnary texts of the Qumran community had a significant function in the religious and ritualistic life of the community as evidenced by the personal manifestations of praise to God in the texts. This is analogous to the practices of the early Christian communities of the first century, as described in the New Testament, in which the practice of singing hymns was a daily occurrence. In addition to containing hymnal compositions, the texts also present the doctrinal aspects of the Qumran community. The doctrine presented in the texts shows a considerable influence from older sources and contemporary sources of the Qumran community. Before the discovery of the Dead Sea Scrolls, it was believed that the largest influence to the literature of the New Testament was solely derived from the Hebraic Bible.

Orientador: Ivan Esperança Rocha / Banca: Paulo Augusto de Souza Nogueira / Banca: Andrea Lucia Dorini de Oliveira Carvalho Rossi / Resumo: Um jovem pastor beduíno sai à procura por um de seus animais perdido na região do deserto da Judéia, próximo às bordas do mar Morto, no ano de 1947. Quando ingenuamente joga uma pedra em uma fenda de um penhasco, ouve um barulho de jarro quebrando. Assim ocorreu a maior descoberta de textos antigos jamais feita até então - os Manuscritos do Mar Morto. Uma série de cavernas foi encontrada em seguida, das quais algumas também possuíam material manuscrito. Após isso, percebeu-se que estes manuscritos eram oriundos de um sítio arqueológico próximo, conhecido atualmente como Khirbet Qumran. O material literário que foi descoberto nestas cavernas passou desde então a ser estudado por eruditos do mundo inteiro. Entre estes manuscritos, uma parcela importante é de textos hinários que eram utilizados pela comunidade que residiu neste assentamento até pouco tempo antes da destruição de Jerusalém, em 70 d.C. Os textos hinários eram largamente utilizados pela comunidade de Qumran, com uma função importante dentro dos rituais comunitários e em manifestações pessoais de louvor a Deus. Da mesma maneira, percebemos através dos livros do Novo Testamento que nas comunidades cristãs do primeiro século, a prática do canto hinário foi uma constante. Não só suas composições hinárias, mas aspectos doutrinais destas comunidades apresentam influências consideráveis de materiais anteriores e de outras fontes contemporâneas. Antes da descoberta dos Manuscritos do Mar Morto, acreditavase que as maiores influências à literatura do Novo Testamento provinham somente da Bíblia Hebraica. Atualmente, percebemos mais do que isso. Alguns hinos e passagens... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: A youth bedouin shepherd was searching for one of his lost animals in the area of the Judean desert, near the border of the Dead Sea, in the year of 1947. When he ingenuously threw a stone in a rift of a cliff, he heard a vessel noise breaking. Thus happened like this the largest discovery of old texts ever done until then - the Dead Sea Scrolls. A series of caves was found soon after, several of which contained hand written material. Archaeologists soon realized that these manuscripts were originating from a nearby archaeological site, known now as Khirbet Qumran. Scholars worldwide have studied the literary material that was discovered in these caves. The hymnary texts that were used by the community that resided in this settlement from before the destruction of Jerusalem in 70 A.D. are among the most priceless documents discovered. The broadly used hymnary texts of the Qumran community had a significant function in the religious and ritualistic life of the community as evidenced by the personal manifestations of praise to God in the texts. This is analogous to the practices of the early Christian communities of the first century, as described in the New Testament, in which the practice of singing hymns was a daily occurrence. In addition to containing hymnal compositions, the texts also present the doctrinal aspects of the Qumran community. The doctrine presented in the texts shows a considerable influence from older sources and contemporary sources of the Qumran community. Before the discovery of the Dead Sea Scrolls, it was believed that the largest influence to the literature of the New Testament was solely derived from the Hebraic Bible. / Mestre

Master of Music / Department of Music / Frank C. Tracz / This document is based on the preparation, rehearsal, and performance of selected pieces for the Graduate Conducting Recital of Darren S. Brooks. The pieces examined in the theoretical and historical analysis for this report are Brasiliana by Joao Guilherme Ripper, Irish Tune from County Derry by Percy Grainger and arranged by Frank Erickson, and Celtic Hymns and Dances by Eric Ewazen. This document also contains rehearsal plans and procedures for the preparation of the literature. The recital was performed on March 12, 2008 in McCain Auditorium on the campus of Kansas State University, and was performed by the members of the Kansas State University Symphony Band.

Uppsatsen visar hur prästen och tonsättaren Lars Åke Lundberg har medverkat till den andliga visans teologiska bestämning i en banbrytande och samhällsomvälvande tid 1965-1973. Studien omfattar det urval av andliga visor Lundberg själv valt att tonsätta/översätta under tidsperioden. I uppsatsen görs en analys av vistexterna utifrån några valda samhällsteologiska motiv. Resultatet av textanalysen sammankopplas med den tidsanda, som då rådde. Uppsatsen bidrar också till en samhällsteologisk förståelse av vad som hände inom Svenska kyrkan under perioden. Förståelsen av den politiska förändringen kom inifrån Svenska Kyrkan i första hand och inte genom yttre påverkan. / The essay shows how the priest and composer Lars Ake Lundberg has contributed to the theological determination of the spiritual song in the pioneering and revolutionary period of the society in 1965-1973. The study includes the selection of spiritual songs that Lundberg himself chose to compose/translate during the time period. In the essay, analaysis of the lyrics is made based on some selected theological motives belonging to the society. The result of the analysis of the texts is connected with the spirit of the time, which then prevailed. The essay also contributes to a theological understanding of what happened whithin the Church of Sweden during the period. The understanding of the politcial change came from the Church of Sweden itself and not primarly through external influences.

The hymnal of the Latter-day Saints first proposed only shortly after the organization of the Church and published continually every few years between 1835 and 1871, is a remarkably accurate indicator of the changing fortunes and beliefs of the early Saints. The first hymnal, gathered by Emma Smith, uncompromisingly sets forth the basic Mormon belief in man's free agency, his innate perfectability, and his kinship to his Heavenly Father. Later editions reflect the missionary concerns of the church (1840), the tremendous persecution the saints are subjected to (1841), the Church difficulties after the martyrdom of Joseph Smith (1849), the call to gather in the Zion of Deseret (1851), the promulgation of newly evolving Church doctrines (1856), the dissension arising between some Church members (1863), and the Church's dedication to Jesus Christ (1871). Indeed, the hymnal stands as a record of a people's journey from innocence to experience. From a literary viewpoint, the hymnal has its shortcomings, and is often considered to be too didactic and too enthusiastic. While this may be true, several hymnists, notably W. W. Phelps, Parley P. Pratt, and Eliza Snow have created excellent hymns.

The essay compares Madeline Miller's books The Song of Achilles and Circe to their antique originals: the Iliad and the Odyssey. The main focus is the relationship the characters in Miller's books hold to their homeric counterparts and the evolution of the heroic and masculinity ideals they represent. The ideals they carry are examined through western history and compared to Miller's contemporary autorship to observe what adaptations are being performed. The paper considers the texts through Genettes terms of transtextual relationships, including hypotextual, hypertextual relationships and transpositioning to examine the changes in both character and theme. The results show that some aspects of the heroes and theme remain intact through Millers books, while particularly the masculine and heroic aspects differ and that they do so intentionally through the media of historical fiction.

No description available.

Revision of thesis (Ph.D.)--University of Cambridge. / Includes indexes. Bibliography: p. 280-296.

Coptic is the latest stage of the indigenous Egyptian language written in the Greek alphabet with some additional characters taken from the Demotic script. Due to climatic conditions many manuscripts have survived from Egypt. The bulk of Coptic manuscripts of the 1st millenium A. D. is preserved in fragmentary condition and the remains are scattered – often as single leaves or small groups of leaves – over collections on three continents. So a major aim of scholarly work is the virtual reconstruction of codices. Assigning a fragment to a specific manuscript is often not easy. It’s not only necessary to compare the script for similarities but also to take into account the contents in order to identify the manuscript of origin and the position of the leave therein. In the case of known texts which have been recorded in a manuscript as full texts a mathematical approach can be used to estimate the position of a fragment. Special problems arise with manuscripts of uncertain arrangement, e.g. liturgical codices that do not have one continuous text. They combine texts from the scriptures, hymns, prayers, or lifes of saints. In these cases reliable estimates can only be given by comparing the identified text / texts on a single leave with a representative amount of data: this means collecting and indexing as much known material as possible and arranging it according to liturgical usage. The lecture presents ways of assigning fragments by use of palaeography to known codices. An important tool is the “palaeography data base” developed in the Institut für Neutestamentliche Textforschung at Münster (INTF) as a base instrument for virtual reconstructions in the Virtual Manuscript Room (VMR) of the INTF. Furthermore, electronic tools will be shown that are a by-product of the lecturer’s PhD for identifying texts, the order of manuscripts as well as for further research.