Philosophiae Doctor - PhD / In much feminist literature, women’s spaces are analysed as constructive and supportive sites that may offer respite from patriarchy. However, women’s spaces are not inherently emancipatory. Through the socio-spatial dispersal of patriarchal power, places and spaces varying in scale – nations, cities, rural towns, private-public places and the home – can construct women who further the interests of men. Specifically, homosocial spaces, spaces where women interact with other women, can produce femininities that oppress other women by actively advancing patriarchal concerns. The selected primary texts consider spaces in regionally diverse but socially similar African contexts: Sefi Atta’s Swallow (2011) and Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives (2010) are set in Nigeria, Miral al-Tahawy’s The Tent (1998) is set in Egypt, while Leila Aboulela’s Lyrics Alley (2010) is set in both Egypt and Sudan. I use the selected novels as cartographies for socio-geographical inquiry to establish how space and place construct patriarchal women. Literary spaces and places are studied from largest to smallest scale: The analysis of national spaces in the novels is followed by a study of urban and rural spaces, followed by private-public places, domestic place and, finally, at a micro-scale, the body-as-place. The analyses of these literary spaces will reveal the mechanisms by which patriarchal women are spatially produced, and may use space to oppress other women.

Magister Artium - MA / My creative writing full master’s thesis, entitled Townships, Shacks and Suburbs, is a collection of poems that explores the role played by place in shaping identity. Poems in this collection seek to examine the interplay between identity and place, particularly the influence that environmental settings or contexts have in shaping how individuals define who they are. The theme of place is divided into three environmental contexts, namely the township, the rural context and the urban context. The poet navigates between these three environmental contexts, observing how each influences the way people define who they are and also how they identify with that particular environmental context. This definition of self, which forms part of identity, encompasses the day-to-day life, emotions, struggles, memories and a variety of other aspects that are linked to place and are inherent in identity-formation. The observation of how identity is shaped by place includes the poet and extends to people around him. This collection of poems can be viewed as a man’s attempt at finding out who he is, by exploring the history of his life, as well as reflecting on the intricacies of growing up or being exposed to a variety of environmental settings. It can also be viewed as an attempt at learning who people around him are and how their identities are shaped by the place(s) they live in.

The core principle underlying this research program is that places can contribute to identity, and that like other elements of identity they may be subject to the same psychological processes. One way in which personal and social identity have been characterised is by their provision of a psychologically significant sense of identity continuity. The overarching question addressed throughout each chapter of this thesis is whether places are significant aspects of identity because they too provide a sense of temporal endurance: place identity continuity (PIC). Four empirical studies aimed to address this question using insights from social psychological theory. They also aimed to reveal the structure of place identity continuity, its psychological significance, and whether variation in its expression could be accounted for using social context. Following an introduction to the core themes of the thesis in Chapter One, Chapters Two and Three provide reviews of the literature connecting place, identity, and continuity: the first from disciplines outside psychology and the second from psychology itself. Chapter Four describes the research methods to be used, and ends Part I of the thesis. Part II presents the empirical studies. Chapter Five reports the results from Study 1, an interview study conducted with residents of Tayside, exploring their place experiences and perceptions of identity continuity in relation to places. It reveals that place relationships can be characterised by connections with past and future selves, and a sense of fit between place and self, but that they can also vary according to strength of place identification and social context. Chapter Six reports the results of Study 2, a large student survey study leading to the development of a three-dimensional scale to measure PIC, and confirmation that PIC is connected with place attachment and place identity. Chapter Seven reports the results of Study 3, a cross-validation of the PIC measure and examination of the varying connections between PIC dimensions and psychological well-being in a large general public survey study. Finally, Chapter Eight reports the results of Study 4, an experiment showing that PIC can vary according to self-categorisation such that those categorising themselves as a family member will generally rate PIC higher than those primed with a student identity. Chapter Nine draws the results of each study together to conclude that PIC is a significant aspect of place identity, and that it is characterised by connections with past place identity, present place and self congruency, and future place identity, thus extending the existing place identity literature. It is also concluded that the use of social psychological approaches enriches previously static and deterministic understandings of place identity, and provides an opportunity to integrate social and environmental psychology. Limitations, future studies, and theoretical and practical implications are then provided before concluding remarks are offered.

Estágio realizado na UNICER Bebidas, S.A. e orientado pelo Eng.ª Maria-Manuel Dantas / Tese de mestrado integrado. Engenharia Química. Faculdade de Engenharia. Universidade do Porto. 2009

Tese de mestrado integrado. Engenharia Química. Faculdade de Engenharia. Universidade do Porto. 2010

Thesis (M. A. (African Languages)) -- University of Limpopo, 2003 / Refer to document

My work is defined by where I reside at the time of its creation. I am interested in exploring my own sense of place based on my curiosity with the unique character and history of my surroundings. The work discussed here is specifically concerned with the landscapes, communities and development practices prevalent throughout the Midwest. In my work I use my own personal experiences with disorientation and dislocation in the various suburban, urban and rural landscapes I encounter in my everyday life and share them with a wider audience. In that way they can place themselves within the ambiguous landscape I choose to depict and recall that it happens everywhere throughout the United States. My work uses combinations of printmaking, drawing, installation, book arts, and video art to express these themes.

Many Days Many Nights is a body of work that examines the notion of place, highlighting the complex relationship between a psychological state of mind and the experience of geographical location. The work incorporates a hybrid documentary photography practice combined with experimental video to construct narrative and is underpinned by a phenomenological inquiry into the relationship between memory, time, and the experience of place, and collectively, how these concepts pervade the subjective photographic frame. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2019. / FAU Electronic Theses and Dissertations Collection

Thesis (M.A (African Languages)) --University of Limpopo, 2009 / The purpose of this research was to investigate, analyze and examine the historical background of Louis Trichardt, the renaming process with special reference to principles and procedures outlined by the South Africans Geographical Names Council. The study demonstrates the importance of principles and procedures when renaming a place. Ignoring these principles and procedures as outlined by the South African Geographical Names Council results in unnecessary confrontations and expenditure as it has been the case with Louis Trichardt. The study also reveals that not abiding by the rules, results in the polarization of communities. It also demonstrates how places should be renamed, which names are recommended and who should be involved. In the end, recommendation were suggested for the smooth renaming of places. This will help in coming up with names that will be acceptable to all.

The performance of identity is an often studied subject matter. One identity, Geek, and the larger subculture to which it is attached (Geek culture) has become a growing field of study in since the turn of the millennium, mirroring the growth of the subculture itself. The question then is how do Geek's perform this identity and create an idea of what a Geek is? If there is a place to examine this performance then it is the growing event of comic book conventions. At these events thousands of individuals gather to celebrate, interact with, purchase and play with the commodities of Geek; comic books, video games, anime, manga and film. In this space, as I will discuss, the spectrum of performance as outline by Richard Schechner in Performance Theory occurs in simultaneous forms inside the convention. While there is ritual, there is also play, and theater, and all three may be occurring at any one time through any one individual. This is partially brought on by the presence of cosplayers, convention attendees who dress up as fictional characters, and perform a separate role that also speaks to their own identity. Furthermore, the presence of what Victor Turner terms social dramas in the space of the panel discussion complicate and re-form not only individual identities, but also Geek culture identity as well. Underlying the interaction of identity with space/place is the, as Marc Agé terms it, non-place nature of the convention center itself. That the convention center does not bear the trappings of a typical anthropological place (such as history or tradition) influences the impact of the performance and the identity created therein. Consequently, the identity held will be challenged by the temporary nature, not just of the event, but also the place which contains it. I attended two comic book conventions in the state of Florida to examine this phenomena using my own experience as part of the study, as well as interviewing other convention attendees and people within my group. I will move through the space of the conventions exploring my personal relation to the identity of Geek and how others perform the identity while trying to explore what does it mean to be Geek?