A Institutio Oratoria, de Quintiliano, é uma obra significativa para os Estudos Clássicos, devido, por exemplo, à relevância e extensão das discussões retóricas nela promovidas. Dentre os doze livros que constituem a Institutio, o livro II tem a especificidade de ser intermediário entre a técnica pedagógica e a teoria retórica. Fornece exercícios (progymnasmata) próprios do professor de retórica (rhetor) e discute princípios teóricos que nortearão a obra inteira. Nosso propósito com este trabalho foi realizar uma tradução acadêmica, com notas que tornassem viável a leitura crítica e a compreensão aprofundada da obra. / Quintilians Institutio Oratoria is an important work for Classical Studies because, for example, of the great relevance of the rhetorical discussions it advances in the context of Imperial Rome. Among the twelve books the Institutio is composed of, book II is somewhat notable for its intermediate position between the pedagogical theory and the rhetorical one. It offers exercises (progymnasmata) specific to the teacher of rhetoric (rhetor) and discusses theoretical principles around which the whole work is built. It was my purpose here to produce a highly serious translation, making use of recent research through notes which made possible critical reading and deeper understanding of Quintilians work.

Orientador: Marcos Aurelio Pereira / Dissertação (mestrado) - Universidade Estadual de Campinas. Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-15T16:26:41Z (GMT). No. of bitstreams: 1 Sabione_Natalia_M.pdf: 616827 bytes, checksum: 89c149e8f9cd9ecf88131849069fcbde (MD5) Previous issue date: 2010 / Resumo: Apesar de sua incontestável importância para o conhecimento da pedagogia antiga e até mesmo para a história e desenvolvimento da pedagogia ocidental, a Institutio oratoria de Quintiliano não tem uma tradução moderna e integral para o português. Visando contribuir para o preenchimento dessa lacuna, esta Dissertação de Mestrado apresenta uma tradução dos três primeiros capítulos do livro I da obra e um estudo introdutório, no qual expomos algumas considerações sobre a formação inicial do orador, alfabetização e aquisição da linguagem, temas aí abordados por Quintiliano / Abstract: Despite its undeniable importance for the knowledge of ancient pedagogy and even for the history and development of western pedagogy, Quintilian's Institutio oratoria does not have a modern and full translation into Portuguese. In order to contribute to fill this need, this Master dissertation presents a translation of the three first chapters (book I) of the Institutio and a introductory study in which we expose some considerations concerning the orator's initial formation, alphabetization and language acquisition, which are discussed by Quintilian in these initial chapters / Mestrado / Linguistica / Mestre em Linguística

A Institutio Oratoria, de Quintiliano, é uma obra significativa para os Estudos Clássicos, devido, por exemplo, à relevância e extensão das discussões retóricas nela promovidas. Dentre os doze livros que constituem a Institutio, o livro II tem a especificidade de ser intermediário entre a técnica pedagógica e a teoria retórica. Fornece exercícios (progymnasmata) próprios do professor de retórica (rhetor) e discute princípios teóricos que nortearão a obra inteira. Nosso propósito com este trabalho foi realizar uma tradução acadêmica, com notas que tornassem viável a leitura crítica e a compreensão aprofundada da obra. / Quintilians Institutio Oratoria is an important work for Classical Studies because, for example, of the great relevance of the rhetorical discussions it advances in the context of Imperial Rome. Among the twelve books the Institutio is composed of, book II is somewhat notable for its intermediate position between the pedagogical theory and the rhetorical one. It offers exercises (progymnasmata) specific to the teacher of rhetoric (rhetor) and discusses theoretical principles around which the whole work is built. It was my purpose here to produce a highly serious translation, making use of recent research through notes which made possible critical reading and deeper understanding of Quintilians work.

The purpose of this dissertation is to examine Quintilian' s discussion of the progymnasmata, or elementary rhetorical exercises, in the Institutio Oratoria against an historical background. The study of evidence for the development of the exercises will therefore be important, as well as comparison with the Greek Progymnasmata of Aelius Theon, who was probably a contemporary of Quintilian, and of Hermogenes, Aphthonius and Nicolaus, who all lived during the period of the Roman Empire. Authors after the fifth century A.D. have not been considered, since the progymnasmata seem to have been fixed by then and collections appeared in the Byzantine period added no new exercises. The comparison of Quintilian's work with Greek texts has necessitated a good deal of Greek terminology, for which I apologize to the reader. Since the Greek progymnasmatists have a love of classification and categorization, the reader will also find discussion of rhetorical terms. At the same time, this study shows how often the ideas of Quintilian and Theon are similar, especially in regard to teaching method, which was not usually an interest of ancient rhetorical writers, and it seems likely that Quintilian was acquainted with Theon's work. It is also instructive to see Quintilian's affirmation of the value of the progymnasmata, at a time when they were not popular with Roman rhetoricians, as part of an educational tradition which continued for many centuries. It was hoped to add an appendix containing the parts of Theon's work which are missing from the Greek text but which are found in an Armenian translation of the sixth century A.D. Unfortunately, I have not yet found anyone who can translate sixth-century Armenian. The missing passages, when translated, should be of considerable worth, not only for understanding Theon's Progymnasmata, but also for throwing more light on Quintilian's use of these exercises, especially paraphrase, and praise and denunciation of laws, concerning which little is known. / Thesis / Doctor of Philosophy (PhD)

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No. of bitstreams: 1 jeffersondasilvapontes.pdf: 2144736 bytes, checksum: 3ee731f9ffea64a6582c7401e4538761 (MD5) Previous issue date: 2017-02-21 / FAPEMIG - Fundação de Amparo à Pesquisa do Estado de Minas Gerais / Se o livro 11 da Institutio oratoria de Quintiliano tem sido considerado como um dos mais completos manuais de performance forense na Roma antiga, o livro 6, ao apresentar as instruções para uma peroração bem-feita, curiosamente aproxima a ação do orador à ação do ator de teatro na sofisticada arte de manipular as emoções do auditório. Esta dissertação tem por objetivo mostrar que a tradução completa do primeiro capítulo do sexto livro evidenciou similaridades entre bons atores e bons oradores quanto aos objetivos, às técnicas, e à própria atuação, além de um vasto vocabulário comum entre as duas artes. Pretende-se, de igual modo, trazer à discussão, através da tradução do undécimo capítulo do primeiro livro, o projeto educacional de Quintiliano para formar aquele que seria o uir bonus dicendi peritus fornecendo aos alunos não apenas conhecimentos técnicos e teóricos da oratória, mas, sobretudo, aspectos morais e práticos da atuação forense que construirão o êthos do orador. Preocupado com a atuação dos oradores de seu tempo e, particularmente, com certo excesso de dramaticidade que constatava nos discursos públicos, Quintiliano inaugura uma formação diferenciada ao oferecer um professor para cada uma das etapas que constituem o percurso escolar do futuro orador. Concomitantemente à formação na escola do grammaticus, em que os oradores aprendem, através da leitura dos textos literários, preceitos técnicos da arte retórica, Quintiliano propõe como parte de sua educação oratória a observação do ator dramático, etapa de aprendizado, até onde se sabe, instituída e discutida apenas na Institutio, uma dimensão prática daquelas instruções ensinadas pelo grammaticus, as quais também serão úteis última etapa da formação: a escola do rhétor, onde aprenderão os preceitos da retórica através de tarefas que os auxiliarão a desenvolver sua eloquência. Almeja-se, também, demarcar as fronteiras da atuação forense amparada muitas vezes por princípios da atuação cênica, investigando as referências teatrais presentes nos capítulos traduzidos da Instituio oratoria, tendo em vista as múltiplas similaridades entre as duas artes, as quais nos permitem estabelecer relações entre o palco e o fórum, bem como entre orador e ator quando o que está em jogo, durante a narração de um caso, é a persuasão da plateia. / If the 11th book of Quintilians Institutio oratoria has been considered one of the most complete manuals of forensic performance in Ancient Rome, the sixth book, by presenting the instructions for a well-made peroration performance, curiously approximates the orators action to the theatrical actors action in the sophisticated art of manipulating emotions of the audience. This dissertation aims to show that the complete translation of the first chapter of the sixth book has pointed out similarities between good actors and good orators regarding their objectives, techniques and performance itself, as well as a vast common vocabulary between the two arts. It is also intended to bring to discussion, by means of first books eleventh chapter translation, Quintilians educational project to rear the man that would become a uir bonus dicendi peritus, providing the students not only with technical and theoretical knowledge of oratory, but, especially, moral and practical aspects of the forensic practice that will build the orators Œthos. Concerned about performance of the orators of his time and, particularly, about a certain excess of drama that he observed in public speeches, Quintilian pioneers a distinct schooling formation by offering a teacher for each of the stages that would constitute the educational background of the future orator. Concomitantly with the formation of the grammaticus in which the orators learn, by reading literary texts, technical precepts of the rhetorical art Quintilian proposes as part of his oratory education the observation of dramatic actor, the stage of learning, as far as it is known, instituted and discussed only in the Institutio, a practical dimension for those instructions that were taught by the grammaticus. In the rhetors school, they would learn the precepts of rhetoric from tasks that would help them to develop their eloquence. It is also desired to demarcate the limits of forensic practice, which is often supported by principles of scenic performance, by investigating the theatrical references that are present in the translated chapters from the Institutio oratoria, in view of the multiple similarities between the two arts, which allow us to establish relations between the stage and the forum, as well as between the orator and the actor when what is being considered, during the narration of a case, is the persuasion of the audience.

Thesis, Münster.