Through recent years social media has become a useful platform for politicians to share their political ideologies with their followers. An example of such a platform is X(formerly Twitter) where politicians regularly post statements for their followers. Donald Trump, the former American president, particularly stands out for his memorable “fake news” statements. Numerous studies have been done on the correlation between X and political discourse. This study will further this research by looking at the political discourse of American President Joe Biden on his official X account, @POTUS. This study will look at posts from Joe Biden regarding the ongoing Israel-Hamas war. The study aims to gain a better understanding of how Biden represents himself and The United States through his discourse. The analytical tools for this analysis will be speech acts per the Speech Act Theory, as defined by John Searle and George Yule, and personal deixis. 116 posts were saved from Biden ́s account, where 73 posts containing only text were chosen for analysis. The results from the analysis showed a tendency to use assertive, commissive, and expressive strategies and a high frequency in personal deixis wherein the pronouns “I” and “we” were used the most. The results showed that Biden ́s discourse helped represent himself and The United States as proactive, empathetic, and engaged actors in the war. Biden conveyed a strong stance in support of Israel while also expressing concern for Palestinian civilians.

This thesis is a study of four graphic novels that depicts the Israeli-Palestinian conflict: Palestine (1993) by Joe Sacco, How to Get to Know Israel in 60 Days or Less (2011) by Sarah Glidden, Not the Israel My Parents Promised Me (2014) by Harvey Pekar and JT Waldman, and Jerusalem: Chronicles from the Holy City (2011) by Guy Delisle. By comparing the graphic novels, I study the differences and similarities in regard to postcolonial aspects by applying the theoretical framework of Edward Said concerning the “Other” and the Orient. I study the making of the “Other” in the graphic novels by analyzing the use of time in comics, as well as narratological aspects such as focalization. The making of the “Other” is complicated in graphic novels due to its complex use of time and narratology, where a multitude of perspectives and aspects of time can exist simultaneously. Moreover, the theme of the conflict and concept of the “Other” and is further complicated in the graphic novels’ since the Israeli-Palestinian conflict is an ongoing and complex conflict.  This thesis aims to deepen the understanding of how the “Other” is depicted in the material. It also has an ambition to expand the knowledge of the medium by analyzing comics in regard to stereotypes and simplification as well as the comic’s subversive strategies. Furthermore, I analyze the relationship between objectivity and subjectivity in the graphic novels which are often categorized as journalistic comics. In regards to the genre I discuss its relationship with traditional journalism and the school of “New Journalism”.

Thesis (MTh)--Stellenbosch University, 2005 / ENGLISH ABSTRACT: No abstract available / AFRIKAANSE OPSOMMING: Geen opsomming

Thesis (MPhil)--Stellenbosch University, 2003. / ENGLISH ABSTRACT: The aim of this study was to investigate the nature and purpose of migrant social in Marconi Beam Informal Settlement, and Joe Slovo Park. The study found that migrant social networks served both economic and cultural functions. Through their social networks migrants seek to maximise their remittances to their areas as well as to convey information about the availability of jobs and housing conditions in the city. Newly arrived migrants depend on their kin and village mates for food, shelter, and sense of belonging in an environment that can otherwise be hostile. Similarly in times of crisis such as redundancy, property losses migrants can call on the support within their immediate area of residence or from other members based in their rural areas of origin. Furthermore, migrants visit their rural areas of origin to partake in marriages, initiation ceremonies, and funeral service. And many of the migrants who die in the city are transported to the rural areas for burial. Migrant social networks demonstrate the complex interconnectedness of the urban and rural spheres of life in both the economic and cultural aspects of life. / AFRIKAANSE OPSOMMING: Hierdie studie het die aard en doel van sosiale netwerke onder migrante werkers in die Marconi Beam informele nedersetting en Joe Slovo Park ondersoek. Daar is gevind dat hierdie netwerke ekonomiese en kulturele funksies vervul. Op ekonomiese vlak fasiliteer die netwerke die twee-rigting vloei van goedere en dienste tussen stedelike huishoudings en die landelike tuiste. D.m.v. netwerke onder migrante werkers word inligting oor die beskikbaarheid van werk, behuising en dies meer versprei. Gebasseer op die ideologiese aanname dat die landelike tuiste meer belangrik is as die stedelike huishouding, word materiële goedere en geld, wat in die stad verdien word, na die landelike tuiste oorgeplaas. Daarmee saam word stedelike uitgawes tot In minimum beperk. In die geval van gebeurlikhede kenmerkend van die stedelike situasie, soos verlies van werk of eiendom, wend migrante werkers hulle na die landelike tuiste vir hulp en ondersteuning. Op In kulturele vlak besoek migrante die landelike areas om deel te neem aan begrafnisse, troues en inisiasie seremonies. Baie van diegene wat tot sterwe kom in die stad, word na die landelike areas oorgeplaas vir hul begrafnis. Hierdie besoeke dien as bewys van die migrant se lojaliteit teenoor die landelike tuiste en gemeenskap. In die geheel gesien bevestig die sosiale netwerke onder migrante werkers die inter-afhanklikheid van die stedelike en landelike lewenssfere.

In America today, adolescent boys do not have a structured, ritualized or guided passage From boyhood into manhood. Many young men feel unsure of their manhood even at an age that signifies the transition. This causes young males to need a self--‐created rite of passage. Tramping, the act of travelling by train, hitchhiking or foot, is one way in which young males can independently achieve manhood. This is a literary account of the lives of Jack Kerouac, Chris McCandless, and Zebu Recchia. Their personal stories allow a detailed view of the advantages and disadvantages found in a self--‐created rite of passage. While two of the accounts are successful, in Chris McCandless’s case the rite ends in a transition to death.Tramping as a rite of passage to adulthood seems effective but the danger in self--‐ creation appears to be the lack of guidance that comes in unstructured rites of passage. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2013.

In the mid-nineteenth century Métis society re-established itself west of Red River in the Saskatchewan country. This thesis tells the long overlooked story of the English Métis of the Prince Albert Settlement, beginning with James Isbisters initial farm in 1862 and the wave of Métis who followed him west in search of a better life. Questions of Identity, Politics, and Religion are answered to place the English Métis in the historical context of the Métis nation and the events of the Canadian states institutional expansion onto the Western prairies. The place of the English Métis vis-à-vis their French, First Nations, and Euro-Canadian neighbours is examined, as are their attempts to secure a land base and continued collective identity under pressures from hostile state and economic forces. Their importance in the events of the period which would have long lasting national and local significance is also examined. A survey of the community and the changes it went through is given from the initial settlement period to the dissolution of the English Métis as a recognizable collective force following Louis Riels uprising.

In the mid-nineteenth century Métis society re-established itself west of Red River in the Saskatchewan country. This thesis tells the long overlooked story of the English Métis of the Prince Albert Settlement, beginning with James Isbisters initial farm in 1862 and the wave of Métis who followed him west in search of a better life. Questions of Identity, Politics, and Religion are answered to place the English Métis in the historical context of the Métis nation and the events of the Canadian states institutional expansion onto the Western prairies. The place of the English Métis vis-à-vis their French, First Nations, and Euro-Canadian neighbours is examined, as are their attempts to secure a land base and continued collective identity under pressures from hostile state and economic forces. Their importance in the events of the period which would have long lasting national and local significance is also examined. A survey of the community and the changes it went through is given from the initial settlement period to the dissolution of the English Métis as a recognizable collective force following Louis Riels uprising.

This essay examines the subject-object dichotomy between men and women in Toni Morrison’s Jazz and the thesis of the essay is that this dichotomy develops into subject-object harmony. Through Simone de Beauvoir’s theory regarding the subject-object dichotomy and a close reading of the novel, this essay concludes that Jazz shows the possibility of reciprocal relationships built on friendship. In other words, the dichotomy changes into harmony, which makes it possible for both men and women to reach freedom and fulfilment in transcendence.

I denna undersökning vill jag visa att film har ett egenvärde som berättarform separat från skönlitteraturen, där särskilt japansk animerad film är ett område som tidigare marginaliserats inom filmteorin men bör ges ett större akademiskt utrymme. Med hjälp av de fem filmanalytiska aspekterna berättelse, mise-en-scène, kameraanvändning, klippning, ljud och filmmusik undersöker jag hur regissören Hayao Miyazaki konstruerar den japanska animerade parallellvärlden i filmen Spirited Away samt hur det animerade mediet påverkar filmen. Min analys visar att publikens inlevelse i parallellvärlden skapas genom en otillgänglig narration där kamerans låga vinklar och point-of-view-shots gestaltar världen ur huvudpersonens vinkel. Parallellvärlden kommer till liv genom en detaljerad traditionell japansk scenografi, runda karaktärer och en rik diegetisk ljudbild. Den långsamma klippningen bjuder in publiken att bli medskapare av parallellvärlden och musiken skapar en känslomässig inlevelse samt fungerar som en sammanknytande väv genom filmen. Den animerade formen möjliggör en större frihet i animatörernas skapande av filmens mise-en-scène, samt bidrar till en större tolerans hos publiken för det irrationella intuitiva händelseförloppet och en delvis överdriven ljudbild.

No description available.