This master thesis aims to investigate participatory art with focus on socially engaged art. The study is based on  Hannah Arendt’s theories of plurality, the public space and the work of art as a ”thought-thing” where the sensory experiences are central. The human’s social life is based on appearances, and individuals appear in front of each other. These appearances are based on a variety of perspectives. The purpose of the essay is to understand what vulnerability means for the art form, and how we as viewers can approach the artwork. By taking a theoretical point of view, the process draws support from Arendt's claim about the work of art as a ”thought-thing”. This is also the method for the thesis where the thought and it’s exploration have a central place and contribute to an organic process. This process follows the events that occur in the outside world like a ”train of thoughts” that connects and develops as a chain.          During this process there have been two great world events that have affected peoples freedom and ability to meet: the pandemic and the war between Russia and Ukraine. This led to the study being influenced by art initiatives linked to Ukraine.           The study begins with identifying the roles and perspectives in the artwork and then continues to discuss how to approach the analysis. This led to see the artwork as several parts that form a whole with the conclusion that the hermeneutic circle would form an appropriate method. The spectator’s pre-understanding is the starting point of the interpretation and helps to reach a deeper understanding of the subject. Finally the analysis results in an interpretation of the French artist JR’s work The Resilience of Ukraine that takes place in Liviv in March 2022. This participatory artwork illustrates the Ukrainian people’s situation in the war between Russia and their country.           The conclusion of the study is that it is important to see whose vulnerability it is that shapes the artwork and that vulnerability is an aesthetic perspective that enables a deeper understanding of the world. The spectator is an active agent that takes part in the appearances even when not formally invited to join the event. With it’s pre-understanding and ability to interpret, the role activates and the spectator gains a deeper understanding of the situation or the artwork. It is the ability to gain deeper understanding that is central for the spectator.

This thesis is concerned with the interaction between literature and abstract thought. More specifically, it studies the epistemological charge of the literary, the type of knowledge that is carried by elements proper to fictional narratives into different disciplines. By concentrating on two different theoretical methods, the creation of thought experiments and the framing of possible worlds, methods which were elaborated and are still used today in spheres as varied as modal logics, analytic philosophy and physics, and by following their reinsertion within literary theory, the research develops the theory that both thought experiments and possible worlds are in fact short narrative stories that inform knowledge through literary means. By using two novels, Abbott’s Flatland and Vonnegut’s The Sirens of Titan, that describe extra-dimensional existence in radically different ways, respectively as a phenomenologically unknowable space and as an outward perspective on time, it becomes clear that literature is constitutive of the way in which worlds, fictive, real or otherwise, are constructed and understood. Thus dimensions, established through extensional analogies as either experimental knowledge or modal possibility for a given world, generate new directions for thought, which can then take part in the inductive/deductive process of scientia. By contrasting the dimensions of narrative with the way that dimensions were historically constituted, the research also establishes that the literary opens up an infinite potential of abstract space-time domains, defined by their specific rules and limits, and that these different experimental folds are themselves partaking in a dimensional process responsible for new forms of understanding. Over against science fiction literary theories of speculation that posit an equation between the fictive and the real, this thesis examines the complex structure of many overlapping possibilities that can organise themselves around larger compossible wholes, thus offering a theory of reading that is both non-mimetic and non-causal. It consequently examines the a dynamic process whereby literature is always reconceived through possibilities actualised by reading while never defining how the reader will ultimately understand the overarching structure. In this context, the thesis argues that a causal story can be construed out of any one interaction with a given narrative—underscoring, for example, the divinatory strength of a particular vision of the future—even as this narrative represents only a fraction of the potential knowledge of any particular literary text. Ultimately, the study concludes by tracing out how novel comprehensions of the literary, framed by the material conditions of their own space and time, endlessly renew themselves through multiple interactions, generating analogies and speculations that facilitate the creation of new knowledge. / Cette thèse se penche sur l’interaction entre la littérature et la pensée abstraite. Plus spécifiquement, elle étudie la charge épistémologique du littéraire, le type de savoir qui est transporté par des éléments propres aux narrations fictives vers d’autres champs disciplinaires. En ce concentrant sur deux méthodes théoriques, la création d’expériences de pensée et l’établissement de mondes possibles, des méthodes qui ont été élaborées et sont toujours d’usage aujourd’hui dans des disciplines aussi variées que la logique modale, la philosophie analytique et la physique, et en suivant leur réinsertion à même la théorie littéraire, la recherche développe la postulat que les expériences de pensée et les mondes possibles sont en fait de courtes histoires narratives qui informent le savoir par des moyens littéraire. En utilisant Flatland de Abbott et The Sirens of Titan de Vonnegut, deux romans qui décrivent l’existence extra-dimensionnelle de façons radicalement différentes, un espace phénoménologiquement inconnaissable chez Abbott et une perspective extérieure au temps chez Vonnegut, il devient clair que la littérature est constitutive de la façon qu’un monde— qu’il soit fictif, réel ou autre—est construit et compris. Ainsi, les dimensions établies par des analogies extensionnelles génèrent de nouvelles directions pour la pensée, qui peut ensuite prendre part au processus inductif/déductif de la scientia. En contrastant les dimensions narratives avec la notion de dimension telle qu’elle s’est constituée historiquement, la recherche établit également que le littéraire ouvre un potentiel infini de domaines spatiotemporels abstraits, définis par leurs règles et leurs limites spécifiques, et que ces différents plis expérimentaux prennent eux-mêmes part dans un processus dimensionnel responsable pour de nouvelles formes de compréhensions. Au-delà des théories spéculatives qu’on retrouve dans l’étude de la science-fiction, où est mise de l’avant une équation entre le fictif et le réel, cette thèse examine la structure complexe de plusieurs possibilités superposées qui peuvent s’organiser autour d’ensembles compossibles plus importants, ainsi offrant une théorie de la lecture qui est à la fois non- mimétique et non-causale. En conséquence, l’investigation examine un processus dynamique par lequel la littérature est toujours reconsidérée au travers des possibilités qui sont actualisées par la lecture, alors qu’elle ne définit jamais la compréhension ultime que le lecteur ou la lectrice se fera de la structure globale du texte. Dans ce contexte, la thèse argumente qu’une histoire causale peut être créée à partir de n’importe quelle interaction avec le texte— soulignant, par exemple, la force divinatoire d’une vision du futur particulière—même si cette narration ne représente qu’une fraction du savoir potentiel contenu à l’intérieur de n’importe quel texte littéraire particulier. Ultimement, l’étude conclut en décrivant comment de nouvelles compréhensions du texte, encadrées par les conditions matérielles de leur propre espace et temps, se renouvellent sans cesse grâce à des interactions multiples, ainsi générant des analogies et des spéculations qui facilitent la création de nouveaux savoirs.

A new technique to qualitatively measure distortion in dynamically controlled audio systems using non-stationary noise sequences is explored and compared to traditional methods based upon stationary test signals. This technique can easily be adapted to give a qualitative measure of distortion as a function of the perceived Sound Pressure Level (SPL).

Civil rights commemorative boulevards are an increasingly important method of framing African American community revitalization and persistent historical inequities. Often underlying planning efforts to revitalize segregated African American neighborhoods, these boulevards are one important change mechanism for realizing equitable development and challenging structural racism. This thesis demonstrates the central importance of these commemorative boulevards in framing redevelopment and maintaining community resolve during the long struggle for revitalization

Made available in DSpace on 2016-04-26T18:12:02Z (GMT). No. of bitstreams: 1 Heinrich Fonteles.pdf: 8998164 bytes, checksum: 11c5934a4de0f6c2e5ad4cda298a73ce (MD5) Previous issue date: 2012-06-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research had the objective to study the power of media image and its constitution of the locus of faith, articulated to journalistic language, which is considered in a neutral, rationalized and objective way.This is a theorical study which used an interdisciplinary methodological approach based on the culturalist theory, articulated to: (a) theories of image and media, seeking to identify the origins of visual image, in order to review how it is evoked in the context of a semiotic media communication environment, and (b) sociological, religious and political theories, in order to discuss power, modernity and neo religiosity. In order to do that, it was chosen the journalistic TV program Jornal da Record (JR) as the object of analysis, which presents the closeness and distance between religion and communication, seen in JR´s defense reports related to the scandals of the Universal Church of the Kingdom of God (UCKG), that occurred in 2009. The theoretical bases for this study were Pross concepts of media, Flusser s concepts of scalable image technique abstraction, Baitello Jr. s concepts of pure iconophagy, and the ideas proposed by the imaginaries and mediosphere criticism to the paradigm of modernity and Contrera´s disenchantment of the world. The survey´s results indicate that faith in the media is possible, since it brings evidence of reality to a person. The neo religions, originated in this array, put their trust in the media as a way to publicize their ideas, since images bring possibilities and intensify the impact on society through the notion of concepts and possible simulation-hypotheses that can be put into practice. Reality, therefore, is considered as religious points of view, disguised through rationality. It is important to note that notions of imagery concepts exempt persons from interpreting reality, as other spheres of mediations produce possible facts and hypotheses when supported on iconophagy (pure) as a way to trick the collective memory of events, because the resource to previous images can be highly manipulatable. Therefore, the UCKG, through TV Record s journalism, found a way to work in both fields at once: reality and religion. Their stories began to represent the raw material of religious TV programs, both with popular roots, thus, becoming anegotiable economic value . This way, the sustained UCKG s speech in the media affects and influences popular imagination / Esta pesquisa teve como objetivo estudar sobre o poder e a potência da imagem midiática e sua constituição como lócus de fé, articulando esta análise à linguagem jornalística, a qual se propõe de forma objetiva, neutra e racionalizada. A partir de um estudo teórico, por meio de uma abordagem metodológica interdisciplinar, baseando-se na teoria culturalística, articularam-se: (a) as teorias da imagem e da mídia, buscando identificar as origens das imagens visuais a fim de repensar como esta é evocada no contexto de um ambiente de comunicação semiótico midiático; e (b) as teorias de matizes sociológico, religioso e político, com o intuito de discutir poder, modernidade e neorreligiosidade. Para tanto, escolhemos como objeto de análise o Jornal da Record (JR), tendo como recorte a aproximação e distanciamento entre religião e comunicação observado nas reportagens de defesa do JR relacionadas aos escândalos da Igreja Universal do Reino de Deus (IURD) ocorridos no ano de 2009. A sustentação teórica desta pesquisa foi desenvolvida com base nos conceitos e na tipologia de mídia de Pross; nos conceitos da escalada da abstração da imagem técnica de Flusser; nos conceitos da iconofagia pura de Baitello Jr; nas ideias sobre os imaginários propostos pela mediosfera e nas críticas ao paradigma da modernidade e do desencantamento do mundo de Contrera. Os resultados da pesquisa indicam que a fé na mídia é possível, uma vez que esta dá evidências de realidade para o sujeito. As neoreligiões, originadas nessa matriz, depositam confiança na mídia como forma de publicizar suas ideias, já que as imagens dão condição e potencializam o impacto na sociedade por meio da noções de conceitos e hipóteses-simulações possíveis de serem postas em práticas. A realidade passa a ser retratada pelo filtro religioso, disfarçada na racionalidade. É importante ressaltar que as noções de conceitos imagéticas dispensam a interpretação da realidade, visto que outras esferas de mediação produzem fatos e hipóteses possíveis ao se apoiarem na Iconofagia (pura) como forma de enganar a memória coletiva sobre acontecimentos, pois o recurso às imagens precedentes é altamente manipulável. Diante disso, a IURD, por meio do jornalismo da TV Record, encontrou uma forma de atuar em dois campos ao mesmo tempo: realidade e religiosidade. Suas notícias passaram a constituir matéria-prima dos programas religiosos. Tanto estes quanto aquelas têm raiz no solo popular, constituindo-se num valor econômico a ser negociado. Desta forma, a IURD, ao sustentar seu discurso na mídia, interfere e influencia o imaginário popular

Ecological planning relies on a keen awareness of relationships between biophysical and social processes, then uses this knowledge for decision making in accommodating for human needs. The value of this planning process allows for design intervention while also ensuring a sustained use of the landscape, with these insights blending skill and artistry into place-making. In the 1960s, environmental concerns galvanized a generation of landscape architects who first codified ecological planning as a rationale for decisions with environmental stewardship. While this is the accepted canon, in the early 20th century during a period of experimentation and exploration, the Olmsted Brothers landscape architecture firm was using ecological principles as foundations for landscape architecture practice. This thesis challenges current discourse and accepted history, presenting evidence that the Olmsted Brothers' work in the 1920s predated many modern ecological theories and applications, and is an important addition to the historiography of ecological planning. This thesis largely focuses on Frederick Law Olmsted, Jr. as the central historical figure, offering a more in-depth understanding of the evolution of the firm, and fills the gap of the Olmsted legacy. As the children of Frederick Law Olmsted, Sr., Frederick Law Olmsted, Jr. (1870-1957) along with his brother John Charles Olmsted (1852-1920) co-founded the Olmsted Brothers and created one of the most prolific landscape architecture practices, developing projects in all aspects of landscape design. The Olmsted Brothers' work in California accounts for over 200 projects, and ranks among the highest number of their 5000 designs developed in the United States. In the early 20th century, the city of Los Angeles offered significant ecological, cultural, and technological challenges for the firm, with the city's unbridled urbanization and proliferate use of water and automobility. Rich in solutions, the firm's built and proposed designs over the course of 20 years revealed the discipline of landscape architecture in its richest and most scalar form. From small scale gardens, residential communities, park and parkway systems, to open space and watershed planning, the Olmsted Brothers created public spaces that worked in relationship to the ecology of the region during a critical juncture in the history of regional planning in Southern California. A range of methods were utilized in this thesis. Primary data provided both qualitative and quantitative material for study and was extracted from letters, reports and writing, drawings, photos, plans and maps. Over 20,000 primary documents, written by the firm's principals, provided the basis for analysis, and in a new way, this thesis interprets not only the written documents, but related construction documents developed from 1914 - 1931. As part of its data collection, an original contribution of this study is a comprehensive corpus of Olmsted Brothers source material from their work in Los Angeles. Methodologies sought to modify these documents into a spatial understanding of their work through digital analysis and re-creation of designs. The Olmsted Brothers' design solutions provide insights into today's ongoing concerns about water management, sustainable urban planning, and multifunctional landscapes. Their design proposals solved multiple problems with the design, accounting for not only vast geography, but complex cultural and natural systems within it. The value of their ideas reflects landscape architecture solutions as hybrid, dynamic, and strategic, offering 21st century practitioners paradigms in an ever-changing ecology.

In 2001, President Gordon B. Hinckley, President of The Church of Jesus Christ of Latter–day Saints announced in an opening statement at General Conference, "The vision of Joel has been fulfilled wherein he declared," he then quoted the KJV of Joel 2:28–32. Throughout the remaining six and a half years of his life, he provided no commentary on the fulfillment of this passage. Fulfillment of the passage is also referenced in the standard works for The LDS Church in Joseph Smith—History (JS—H 1:41) and in the New Testament (Acts 2:17–21). An array of publications before and after President Hinckley's statement, comment on the fulfillment of Joel 2:28–32. This thesis is not another voice commenting on the fulfillment of Joel's ancient message. However, in the many statements made on the fulfillment of Joel 2:28–32 a gap exists, in that, no study has been conducted looking specifically at the perceptions and all of the statements of Joseph Smith on the fulfillment of this passage. This thesis seeks to fill that gap. In this thesis I contend that Joseph Smith did not believe that Joel 2:28–32 had ever been fulfilled prior to his lifetime, and that Joseph utilized the prophecy and its fulfillment as a form of motivation for his followers to preach, gather, and build up Zion. Chapter one summarizes some of the history of Christianity's view of fulfillment of Joel 2:28–32. Because Joseph Smith was not raised in a vacuum, chapter two unfolds the Christian commentary on Joel's prophecy found in Bibles produced in the antebellum era that Joseph Smith lived in. Chapter three elucidates the beliefs about the fulfillment of Joel's prophecy which two contemporary Christians had—Alexander Campbell and William Miller—to show how distinct Joseph Smith's teachings and beliefs were in his time–period. Chapter four provides every documented statement Joseph Smith made on Joel's prophecy, and every primary allusion that points back to Joel 2:28–32. It provides analysis to show what connections Joseph did and did not make with fulfillment of Joel 2:28–32 and shows that Joel 2:28–32 was one of the several primary scriptural texts for the restoration. Chapter five demonstrates that other early leaders within Joseph's church also saw the fulfillment of Joel taking place in their day and as a part of their experiences. This thesis shows that Joseph Smith did not consider the fulfillment of Joel on a single occasion, as many of his predecessors and contemporaries had, but through publications and sermons he produced a more thorough structure of belief's regarding its place in the world and especially his church than any other up–start evangelical Christian leader in the antebellum era. He produced a number of revelations, which quote the unique language of Joel. He also pointed people to the ongoing fulfillment of the passage multiple times between 1830 and 1839, showing that he did not believe that fulfillment would come in a specific singular event.

Washington National Cathedral sits atop Mt. St. Alban’s hill in Washington, D.C. declaring itself the nation’s cathedral and spiritual home for the nation. The idea of a national church serving national purposes was first envisioned by L’Enfant in the District’s original plan. Left aside in the times of nation building, the idea of a national church slumbered until 1893 when a group of Episcopalians petitioned and received a Congressional charter to begin a church and school in Washington, D.C. The first bishop of Washington, Henry Y. Satterlee, began his bishopric with the understanding that this cathedral being built by the Protestant Episcopal Church Foundation was to be a house of prayer for all people. Using Jasinksi’s constructivist orientation to reveal the one hundred year rhetorical history defining what constitutes a “national cathedral” within the narrative paradigm first established by Walter Fisher, this work utilizes a rhetorical biographical approach to uncover the various discourses of those speaking of and about the Cathedral. This biographical approach claims that Washington National Cathedral possesses an ethos that differentiates the national cathedral from the Cathedral of St. Peter and St. Paul even though the two names refer to the same building. The WNC ethos is one that allows a constant “becoming” of a national cathedral, and this ability to “become” allows for a rhetorical voice of the entity we call Washington National Cathedral. Four loci of rhetorical construction weave through this dissertation in the guiding question of how the Cathedral rhetorically created and how it sustains itself as Washington National Cathedral: rhetoric about the Cathedral, the Cathedral as rhetoric, the Cathedral as context, and Cathedral Dean Francis Sayre, Jr. as synecdoche with the Cathedral. This dissertation is divided into eight rhetorical moments of change that take the idea of a national church from L’Enfant’s 1791 plan of the City through the January 2013 announcement allowing same-sex weddings at the Cathedral and Obama’s second inaugural prayer service. The result of this rhetorical exploration is a more nuanced understanding of the place and how it functions in an otherwise secular society for which there is no precedent for the establishment of a national cathedral completely separated from the national government. The narrative strains that wind through Cathedral discourse create a braid of text, context, and moral imperative that ultimately allows for the unique construction of Washington National Cathedral, a construction of what defines “national” created entirely by the Cathedral.

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The polar ice in the Arctic is melting resulting in new opportunities for the Arctic states to extracting vital resources and to find new shorter transport routes. Two of the largest actors who both presently have published polices towards the Arctic region is the EU and the US. This work firstly aims to offer a descriptive view of the EU and the US’ polices towards the Arctic region. Secondly, investigate the documents quantitatively and qualitatively to show weather the EU and US policies are featured by ‘hard power’ or ‘soft power’ by the research of Joseph S. Nye Jr. to find out if Robert Kagan’s hypotheses that the EU mainly use ‘soft power’ and that the US mainly use ‘hard power’. The findings showed that Kagan in this case was right about the EU and the use of ‘soft power’ but that the US mainly uses ‘soft power’ politics in their Arctic policy.