Tesis--Madrid. / At head of title: Consejo Superior de Investigaciones Científicas. Patronato Menéndez y Pelayo. Instituto Miguel de Cervantes. Includes text of Góngora's poem. Bibliography: v. 1, p. [55]-72.

Zugl.: München, Univ., Diss., 2008

SILVA, Pedro Henrique Cândido da. Eu através dos vestígios: subjetividade, memória e fragmento no projeto In dreams, de Luis Alvarez. 2016. 146f. - Dissertação (Mestrado) - Universidade Federal do Ceará, Programa de Pós-graduação em Comunicação Social, Fortaleza (CE), 2016. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-02-01T13:59:44Z No. of bitstreams: 1 2016_dis_phcsilva.pdf: 4627009 bytes, checksum: acfafd7066685cdad1a14a57b33ea2ea (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-02-01T14:00:26Z (GMT) No. of bitstreams: 1 2016_dis_phcsilva.pdf: 4627009 bytes, checksum: acfafd7066685cdad1a14a57b33ea2ea (MD5) / Made available in DSpace on 2017-02-01T14:00:26Z (GMT). No. of bitstreams: 1 2016_dis_phcsilva.pdf: 4627009 bytes, checksum: acfafd7066685cdad1a14a57b33ea2ea (MD5) Previous issue date: 2016 / This dissertation aims to reflect on the autobiographical character of In Dreams project, created by the Belgian artist Luis Alvarez. The project consists of black and white photographs, made over two decades of banal and everyday records, which were later organized in a type of timeline. In this process, the artist sets your memories in motion, building a mazy and fragmented narrative. Our intention is to investigate a certain biographical trace present there (De Man, 2012; Arfuch, 2010). And think about how the subject behind the apparatus inscribe himself in the images he produces (Foucault, 2004). Our hypothesis is that Alvarez inhabits these images not through his face reflected on the photographic surface, but as a kind of presence marked in absence. We crossed In dreams as if collecting clues, as if we opened doors, as if we put together a portrait through tracks and traces. Starting from Benjamin (2001) we guide our gaze towards a past that is not ours, but rises before us as constellation, through its debris.To that end, we reflect about the place, or rather the non-place where this work parts from, investigating contemporary thought which understands image not as limited to the visual field, but as a landscape made of crossings and dissonances (Agamben, 2009; Ranciére, 2012). It is in this border space that Didi-Huberman (2010) helps us to understand what posture is that which our gaze lets itself be affected by what we see, where the line between researcher and subject is so thin as to what separates dream from reality. In the search for this autobiographical subject, we investigated these images as bodies in motion, noticing the plurality of views and possible readings. However, we seek to give due attention to aspects of assembly and materiality of these images, not only as In dreams construction process, but as media produces thought. / Este trabalho busca refletir sobre o caráter autobiográfico do projeto In dreams, de autoria do artista Belga Luis Alvarez.O projeto é composto por fotografias preto e branco, feitas ao longo de duas décadas de registros cotidianos e banais, que posteriormente foram organizadas numa espécie de linha do tempo. Nesse processo, o artista põe suas memórias em movimento, construindo uma narrativa labiríntica e fragmentada. Nossa intenção aqui é investigar um certo traço biográfico (De Man, 2012; Arfuch, 2010) presente ali, bem como pensar de que forma o sujeito por trás do aparelho inscreve-se nas imagens que produz (Foucault, 2004). Nosso pressuposto é de que Alvarez habita essas imagens não por meio do seu rosto refletido sobre a superfície fotográfica, mas como uma espécie de presença marcada na ausência. Atravessamos In dreams como quem coleta pistas, como quem abre portas, como quem monta um retrato composto de rastros e vestígios. É a partir de Benjamin (2001) que guiamos nosso olhar em relação a um passado que não é nosso, mas que ascende diante de nós como constelação, por meio dos seus detritos. Com tal objetivo, refletimos sobre o lugar, ou melhor, o não-lugar de onde parte essa obra, dialogando com o pensamento contemporâneo que entende imagem não como campo limitado ao visual, mas como paisagem composta por atravessamentos e dissonâncias (Agamben, 2009; Ranciére, 2012). É nesse espaço de fronteira que Didi-Huberman (2010) nos ajuda a compreender que postura é essa em que nosso olhar se deixa afetar pelo que vê, em que a linha que separa pesquisador e objeto é tão tênue quanto a que separa o sonho da realidade. Na busca por esse sujeito autobiográfico, investigamos essas imagens como corpos em movimento, atentando para a pluralidade de olhares e de leituras possíveis. Além disso, buscamos dar devida atenção aos aspectos ligados à montagem e à materialidade dessas imagens, não apenas como processo de construção de In dreams, mas como meio de produção de pensamento.

Made available in DSpace on 2016-08-03T12:30:52Z (GMT). No. of bitstreams: 1 Capa.pdf: 30348 bytes, checksum: 2d14e8afcece0b1ca79ec2934a66480e (MD5) Previous issue date: 2008-04-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The purpose of the research is to find out how the political advertising from Washington Luís in the electoral process of 1925/1926, was arranged and also how the coverage of this process was made by the newspapers "O Estado de S. Paulo" and "Correio da Manhã". Using the methodology of historical research and concepts of political advertising, it will be analysed how "O Paulista de Macaé/RJ" built his political and personal career as weel as his indication to highest political position in the Republic.(AU) / O objetivo da pesquisa é sistematizar como foi articulada a propaganda política de Washington Luís no processo eleitoral de 1925/1926, como também verificar de que forma ocorreu a cobertura deste processo pelos jornais O Estado de S. Paulo e Correio da Manhã. Utilizando a metodologia de pesquisa histórica e conceitos de propaganda política, será analisado como o paulista de Macaé construiu sua trajetória política e pessoal até ser indicado ao mais alto cargo político da República.(AU)

It might seem obvious to state that Paisajes peruanos, one of José de la Riva-Agüero’s threegreat books, should be a travel book, as it is , in effect, the wording of a trip really made. Not whithstandingly, not every trip finishes in the form of a textual genre know as a “travel book”. Using the three dicothomies proposed by Luis Alburquerque for identifying a travel book (“factual” as opposed to “fictional”, “descriptive” as opposed to “narrative”, and “objective” as opposed to “subjective”), this paper proves the generic filiation of Paisajes peruanos. What this paper does not prove is why Riva-Agüero used specifically this particular genre tocristalize his idea of “integral Peruanity”. / Parece obvio que Paisajes peruanos, uno de los tres textos más importantes de José dela Riva-Agüero, sea un “libro de viajes”, al ser, en efecto, el registro de un viaje realmente acontecido. Sin embargo, no todos los viajes se expresan en el género textual denomina- do “libro de viajes”. Mediante su determinación como “factual” frente a “ficcional”, como “descriptivo” frente a “narrativo” y como “objetivo” frente a “subjetivo” –los tres grandes binomios establecidos por Luis Alburquerque para el género– se prueba la filiación genérica de Paisajes peruanos. No se responde totalmente, sin embargo, a la pregunta de por quéescoge Riva-Agüero un “libro de viajes” para cristalizar su idea de la peruanidad integral.

Dual Organization in the Andes. The Problem and Research Methodology at San Luis Site, ZañaThis paper presents the preliminary results of archaeological research at San Luis Site, Zaña Valley, in the Peruvian north coast. The concept of dualism in the Central Andes is analyzed in the context of the associations and material distributions like ceramics, lithics and burned zones. This work will help to determine ritual activities in the study of analogous phenomena in other sites satisfactorily not yet defined. / Este trabajo presenta los resultados preliminares de investigaciones arqueológicas en el sitio monumental de San Luis, en el valle de Zaña. Basándose en las asociaciones y distribuciones de material, se analiza el concepto de dualismo manejado en los Andes Centrales. A partir del análisis de la distribución de cerámica, líticos y otros materiales así como zonas quemadas, este enfoque permite la interpretación de actividades rituales y ayudará en el estudio de fenómenos comparables que aún faltan en su precisión debida.

This paper examines the main characteristics of natural order associated to touristic practices thatsubsist in the San Luis Potosí territory, located at the meridian limit of the ancient Aridoamérica and occupies a central portion of the United States of Mexico. This federative entity differs from the national context by its demographic growth and important industrial development, condition that is more relevant in the State headquarter. However, in spite of its varied and abundant natural attributes that include desert zones, steppes, tropical perennial forest and other vegetation associations of transcendental importance that complement the natural attractions, good for economic activities. Even in the xxi century the touristic activity in San Luis Potosí has had a marginal dynamics out of the state planning policies, which shows that the natural conditions have not been, by themselves, a significative sparkling to push its growth.The proposed results of this research are part of the project «Natural and socioeconomic potential for ecotourism development in the State San Luis Potosí, México», financed by a concurrent fund of the National Council of Science and Technology and the government ofthe State of San Luis Potosí. / El presente trabajo examina las principales características de orden natural asociadas a lapráctica del turismo que subyacen en el territorio de San Luis Potosí, que se localiza en el lí- mite meridional de la antigua Aridoamérica y ocupa la porción central de los Estados Unidos Mexicanos. Esta entidad federativa se distingue en el contexto nacional por un crecimiento demográfico e industrial importante, situación que se presenta especialmente en la cabecera estatal. No obstante y a pesar de sus atributos naturales variados y abundantes que incluyen zonas desérticas, esteparias, bosque tropical perenifolio y otras asociaciones vegetales de trascen- dental importancia que complementan atractivos naturales idóneos para el aprovechamiento económico, aún al inicio del siglo xxi la actividad turística ha tenido una dinámica marginal ajena a las directrices y políticas de planificación rectoras en el estado de San Luis Potosí, lo que muestra que las condiciones naturales no han sido, por sí solas, un detonante significativo que incentive el crecimiento de la actividad.En las condiciones anteriores, el Plan Estatal de Desarrollo de San Luis Potosí 2003- 2009 evidencia un incipiente interés gubernamental en el último trienio por impulsar la articulación de ejes y zonas que integren al ecoturismo como una actividad complementaria de la economía regional. Lo anterior solo será posible mediante la creación de instrumentos científicamente sustentados que mensuren las potencialidades y condiciones del elemento natural, revelado en este trabajo a través de métodos geográficos cuantitativos apoyados en análisis de sistemas de información geográfica.Los resultados que se proponen obtener en esta investigación forman parte del proyecto titulado «Potencial natural y socioeconómico para el desarrollo del ecoturismo en el estado de San Luis Potosí, México», financiado por un fondo concurrente del Consejo Nacional deCiencia y Tecnología y el Gobierno del Estado de San Luis Potosí.

A presente dissertação dedica-se ao estudo da obra poética de Luis Cernuda (1902-1963), concentrando-se em seu último livro, Desolación de la quimera, escrito entre os anos de 1956-1962. A investigação se detém na presença do mito enquanto arquitetura textual da referida obra e procura mostrar como essa questão é relevante na construção desses poemas a ponto de transformá-los em etopeyas. / The present study investigates the works of the Spanish poet Luis Cernuda (1902-1963), specifically his last poetry book, Desolación de la quimera, written between 1956 and 1962. The research focuses on the presence of myth as a textual architecture and attempts to demonstrate how this question is central to the construction of these poems as \"etopeyas\".

Borges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges begins with a utopic view of Buenos Aires that becomes dystopic before it is abandoned in order to imagine a new utopia. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2021. / FAU Electronic Theses and Dissertations Collection

This dissertation examines the cultural politics of conservation efforts in Mexico City, where in 2000, the city legislated a soil and water conservation plan in its rural areas. During 12-months of field work in the village of San Luis Tlaxialternalco 1 focused on how the conservation plan was to be established in the wetlands with chinampa agriculture, directly above one of the city's fresh water reservoirs. Political ecology research of conservation suggests that ecosystemic processes are intricately linked to economic and social processes on many scales. Post-structuralist analysis has complicated homogeneous and generalizing descriptions of social categories, politics of power, and the causality between socio-economic, political, cultural, and ecological factors. Research in political ecology emphasizes the diversity of actors and their subject positions and seeks to locate and understand the dynamics of power and agency within and outside formal institutions. I examined the negotiations of the conservation plan on three social scales and I looked at the intersecting axes of power and the knowledge of various actors, and how they inform conservation. On the scale of the state, a discursive analysis of the 'coloniality of power' of the conservation plan uncovers the city government's underlying assumptions about how the fanners' land use practices and social organization contribute to the conservation effort. I ask how do those assumptions define and condition chinampa farmers as 'Indian'? I conclude that in the conservation plan, colonially-based discourses constitute rural communities and agriculturalists in ways that subject them to the city's needs and interests, and exclude them from equal livelihood opportunities. In San Luis Tlaxialternalco I examined ideas of 'community' by documenting how the conservation plan affected local power relations. Analyzing the dynamics among chinampero farmers in their meetings, I exarnined the alliances in and the 'voice' of the village. I conclude that 'community' is a fluid and contested entity shaped by class, knowledge, and cultural values in unpredictable constellations. The tjaird scale of analysis concerns women's knowledge and voice, and examines ideas of silence as agency. In semi-structured interviews and participant observation in farmer women's everyday lives in San Luis I explored how they make decisions that affect the environment. The research shows that multiple constraints and opportunities, such as economic responsibilities, class, prestige, and patriarchy shape women's daily lives and direct their decisions to advance goals consistent with their values even when their decisions may undermine the long-term health of the environment they depend on. By looking at the micropolitics of conservation, my research provides cultural understanding of how at different scales decisions that affect ecology are made and how they are articulated through cultural idioms in the charged context of the conservation plan. The dissertation de-mystifies predominant representations of chinampas and chinamperos. It also complicates ideas of 'cornmirnity' and suggests that the analysis has to go beyond class and include values and knowledge. Further, I show that relevant ecological knowledge does not automatically lead to 'appropriate' action, and that silence can be a powerful tool that resists impositions and firrthers individual and community interests. Finally, the thesis suggests that political ecologists need to move away from equating power with action and activism within "progressive movements", and that conservation efforts need to have multiple goals and follow diverse strategies. / Arts, Faculty of / Geography, Department of / Graduate