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The contextual compass : a literary-historical study of three British women’s travel writing on Africa, 1797 – 1934Visser, Liezel 12 1900 (has links)
Thesis (MA (English Studies))--University of Stellenbosch, 2009. / ENGLISH ABSTRACT: Texts by women travellers describing their journeys date back almost as far as
those produced by their male counterparts, yet women’s travel writing has only
become an area of academic interest during the past ten to fifteen years.
Previously, women’s travel writing was mostly read for its entertainment value
rather than its academic merit and – as Sara Mills notes in her Discourses of
Difference – appeared almost exclusively in the form of coffee table books or
biographies offering romanticized accounts of heroic, eccentric women who
undertook epic journeys to Africa (4). The growing interest in women’s travel
writing as part of colonial discourse coincides with the emergence of gender
studies and related subjects. The emergence of these areas of academic enquiry
can be attributed to the systematic dismantling of the patriarchal structures,
which previously dominated social and academic domains.
The aim of this study is to examine European women’s travel writing as a
subversive discourse which, while sharing some characteristics with traditional
male-produced travel texts from the colonial era, was informed by the discursive
constraints of femininity. These texts thus differ from male-produced texts in
the sense that, because of the different discursive constraints informing women’s
travel writing, they offer commentary on aspects of Africa and its peoples which
men had omitted in their travel accounts. Three specific texts by British women
who recorded their travels in Africa form the basis of the discussion in this
dissertation: the travel writing of Lady Anne Barnard (South African Cape Colony,
1797 – 1801), Mary Kingsley (West Africa: Gabon and the Congo, 1896 – 1900)
and Barbara Greene (Liberia, 1935). Since, as Mills argues, “feminist textual
theory has restricted itself to the analysis of literary texts and has been
concerned with analysis of the text itself” (12), which limits the extent to which
one can provide interesting, discerning, and relevant comment on women’s
writing, the readings of these texts are not limited to feminist theory of women’s
travel writing.
Social expectations until as recently as the early twentieth century located
women firmly in the domestic sphere. It was almost unthinkable for women to
undertake travels other than the traditional Grand Tour. To attempt to venture
into the predominantly male territory of travel writing was to expose oneself to
harsh criticism and to risk being labelled as eccentric and unfeminine. Thus
women had to find a way of making both their travels and writing seem
acceptable by social standards, while still presenting as true as possible a picture
of Africa in their writing. These constraints of the discourse of femininity on their
texts necessarily make women’s writing seem concerned almost exclusively with
matters of feminine interest. Mills attributes this to women travel writers’
“problematic status, caught between the conflicting demands of the discourse of
femininity and that of imperialism.” (Mills, Discourses of Difference 22) / AFRIKAANSE OPSOMMING: Reisbeskrywings deur vroue dateer byna so ver terug as dié wat deur mans
geskryf is. Tog het vroue se reisbeskrywings eers in die afgelope tien tot vyftien
jaar akademiese belangstelling begin ontlok. Voorheen is vroue se
reisbeskrywings meestal vir vermaak eerder as akademiese meriete gelees, en –
soos Sara Mills in haar Discourses of Difference opmerk – het dit byna uitsluitlik
verskyn as koffietafelboeke of verromantiseerde biografieë van heldhaftige,
sonderlinge vroue wat epiese reise na Afrika onderneem het (4).
Die toenemende belangstelling in vroue se reisbeskrywings as deel van koloniale
diskoers val saam met die verskyning van gender-studies en verwante
vakgebiede. Die ontstaan van hierdie akademiese vakgebiede kan toegeskryf
word aan die stelselmatige aftakeling van die paternalistiese strukture wat
sosiale en akademiese arenas voorheen oorheers het.
Die doel van hierdie studie is om Europese vroue se reisbeskrywings te
ondersoek as ‘n ondermynende diskoers wat, hoewel dit sekere eienskappe van
tradisionele reisbeskrywings deur manlike skrywers uit die koloniale tydperk
toon, gegrond is in die beperkende diskoers van vroulikheid. Hierdie tekste
verskil dus van tekste deur manlike skrywers in die opsig dat dit, as gevolg van
die verskillende diskoersbeperkinge waarin dit gegrond is, kommentaar lewer op
aspekte van Afrika en sy bevolking wat mans in hul reisbeskrywings uitgelaat
het. Drie spesifieke tekste deur Britse vroue wat hul reise beskryf het vorm die
grondslag van hierdie verhandeling; dit is die reisbeskrywings van Lady Anne
Barnard (Suid-Afrikaanse Kaapkolonie, 1797 – 1801), Mary Kingsley (Wes-
Afrika: Gaboen en die Kongo, 1896 – 1900) en Barbara Greene (Liberië, 1935).
Mills voer aan: “Feminist textual theory has restricted itself to the analysis of
literary texts and has been concerned with analysis of the text itself” (12). Dít
beperk die mate waartoe interessante, skerpsinnige en toepaslike kommentaar
oor vroue se reisbeskrywings gelewer kan word; dus is die interpretasie van
hierdie tekste nie beperk tot feministiese teorie met betrekking tot vrouereisbeskrywings
nie.
Tot so onlangs as die vroeë twintigste eeu het die samelewing se verwagtinge
vroue streng tot die huishoudelike sfeer beperk. Afgesien van die tradisionele
Grand Tour was dit bykans ondenkbaar vir vroue om te reis. As ‘n vrou inbreuk
sou probeer maak op die tradisioneel manlike gebied van die skryfkuns sou sy
haarself blootstel aan skerp kritiek en onwenslike etikettering as eksentriek en
onvroulik. Dus moes vroue ‘n manier vind om sowel hul reise as hul skryfwerk
sosiaal aanvaarbaar te maak en terselfdertyd so ‘n egte beeld as moontlik van
Afrika te skets in hul skryfwerk. Die beperkinge wat die diskoers van vroulikheid
op hul tekste plaas, lei noodwendig daartoe dat vroue se skryfwerk as byna
geheel en al beperk tot sake van vroulike belang voorkom. Mills skryf dít toe aan
vroue-reisbeskrywers se “problematic status, caught between the conflicting
demands of the discourse of femininity and that of imperialism.” (Mills,
Discourses of Difference 22)
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Freaks and Masculinity: Sideshow Performers in German and American CinemaMcCollum, Alexandra Noelle 19 December 2013 (has links)
No description available.
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Propaganda and persuasion in the early Scottish Reformation, c.1527-1557Tapscott, Elizabeth L. January 2013 (has links)
The decades before the Scottish Reformation Parliament of 1560 witnessed the unprecedented use of a range of different media to disseminate the Protestant message and to shape beliefs and attitudes. By placing these works within their historical context, this thesis explores the ways in which various media – academic discourse, courtly entertainments, printed poetry, public performances, preaching and pedagogical tools – were employed by evangelical and Protestant reformers to persuade and/or educate different audiences within sixteenth-century Scottish society. The thematic approach examines not only how the reformist message was packaged, but how the movement itself and its persuasive agenda developed, revealing the ways in which it appealed to ever broader circles of Scottish society. In their efforts to bring about religious change, the reformers capitalised on a number of traditional media, while using different media to address different audiences. Hoping to initiate reform from within Church institutions, the reformers first addressed their appeals to the kingdom's educated elite. When their attempts at reasoned academic discourse met with resistance, they turned their attention to the monarch, James V, and the royal court. Reformers within the court utilised courtly entertainments intended to amuse the royal circle and to influence the young king to oversee the reformation of religion within his realm. When, following James's untimely death in 1542, the throne passed to his infant daughter, the reformers took advantage of the period of uncertainty that accompanied the minority. Through the relatively new technology of print, David Lindsay's poetry and English propaganda presented the reformist message to audiences beyond the kingdom's elite. Lindsay and other reformers also exploited the oral media of religious theatre in public spaces, while preaching was one of the most theologically significant, though under-researched, means of disseminating the reformist message. In addition to works intended to convert, the reformers also recognised the need for literature to edify the already converted. To this end, they produced pedagogical tools for use in individual and group devotions. Through the examination of these various media of persuasion, this study contributes to our understanding of the means by which reformed ideas were disseminated in Scotland, as well as the development of the reformist movement before 1560.
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Representations of landscape and gender in Lady Anne Barnard's "Journal of a month's tour into the interior of Africa"Collins, Brenda 12 1900 (has links)
Thesis (MPhil)--University of Stellenbosch, 2007. / ENGLISH ABSTRACT: This thesis will focus on Barnard’s representations of gender and landscape
during her tour into the interior of the South of Africa. Barnard’s conscious
representation of herself as a woman with many different social roles gives the
reader insight into the developing gender roles at the time of an emerging
feminism. On their tour, Barnard reports on four aspects of the interior, namely
the state of cultivation of the land, the type of food and accommodation available
in the interior, the possibilities for hunting and whether the colony will be a
valuable acquisition for Britain. Barnard’s view of the landscape is representative
of the eighteenth century’s preoccupation with control over and classification of
nature. She values order and cleanliness in her vision of a domesticated
landscape. She appropriates the land in wanting to make it useful and beautiful
to the colonisers. However, her representations of the landscape, as well as its
inhabitants, remain ambivalent in terms of the discourse of imperialism because
she is unable to adopt an unequivocal colonial voice. Her complex interaction
with the world of colonialism is illustrated by, on the one hand, her adherence to
the desire to classify the inhabitants of the colony according to the eighteenth
century’s fascination with classification and, on the other hand, her recognition of
the humanity of the individuals with whom she interacts in a move away from the
colonial stance. / AFRIKAANSE OPSOMMING: Hierdie tesis fokus op Barnard se voorstellings van gender en landskap
gedurende haar toer in die binneland van die suide van Afrika. Barnard se
bewuste voorstelling van haarself as ‘n vrou met vele sosiale rolle gee die leser
insig in die ontwikkelende genderrolle gedurende ‘n tydperk van ontluikende
feminisme. Gedurende haar toer doen Barnard verslag oor vier aspekte van die
binneland, naamlik hoeveel van die grond reeds bewerk is, die tipe kos en
akkommodasie wat beskikbaar is, die jagmoontlikhede, en of die kolonie ‘n
waardevolle aanwins vir Brittanje sal wees. Barnard se beskouing van die
landskap is verteenwoordigend van die agtiende-eeuse obsessie met beheer oor
en klassifikasie van die natuur. Sy heg groot waarde aan orde en netheid in haar
visie van ‘n getemde landskap. Sy lê beslag op die land deurdat sy dit bruikbaar
en mooi wil maak vir die kolonialiste. Haar voorstellings van die landskap sowel
as die inwoners weerspieël egter haar ambivalente posisie jeens die koloniale
diskoers omdat sy sukkel om ‘n ondubbelsinnige koloniale stem te gebruik. Haar
komplekse interaksie met die wêreld van kolonialisme word weerspieël deur,
enersyds, haar navolging van die koloniale neiging om die inwoners van die land
te kategoriseer in lyn met die agtiende-eeuse obsessie met klassifikasie en,
andersyds, haar herkenning van die menslikheid van die individue met wie sy
kontak maak in ‘n skuif weg van die koloniale standpunt.
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A Matter of National Concern: The Kennedy Administration and Prince Edward County, VirginiaLee, Brian 27 July 2009 (has links)
A MATTER OF NATIONAL CONCERN examines the Kennedy Administration’s contribution to the restoration of public education in Prince Edward County, Virginia, and determines if those actions support the dominant narrative of Kennedy’s overall civil rights record – a historical assessment generally generated from a few acute crises. For five consecutive years (1959-1964), in defiance of federal court orders, the county board of supervisors refused to levy taxes to operate public schools, marking Prince Edward County as the only locale in the nation without free public education. The county leadership organized a segregated private school system for the 1,400 white children, but afforded no formal education for the 1,700 African American students. The Kennedy Administration inherited the Prince Edward County school situation – a crisis that threatened to cripple a generation, and, if replicated, destroy public education. In the Prince Edward County school dilemma, the Kennedy Administration took proactive measures, proved sympathetic to the plight of African Americans, challenged Virginia’s congressional delegation, and appointed federal judges that supported President Kennedy’s civil rights agenda. The Prince Edward County story generally, and the federal government’s actions specifically, have been virtually overlooked by historians. A MATTER OF NATIONAL CONCERN challenges scholars to re-evaluate the Kennedy Administration’s civil rights record by including all of the civil rights events of the Kennedy years, thus developing a thorough, comprehensive assessment. A MATTER OF NATIONAL CONCERN is the product of the study of unpublished archival documents, oral histories, interviews, newspaper reports, and secondary sources. This work was created using Microsoft Word 2003.
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