Made available in DSpace on 2016-01-26T18:49:54Z (GMT). No. of bitstreams: 1 AYRES D_Dissertacao_ultima correcao antes da entrega 24_07_13 (1).pdf: 796881 bytes, checksum: 9816337fc0c5c8b3e4bae10219acf974 (MD5) Previous issue date: 2012-08-30 / This dissertation aims to bring in focus how school practices have done with literary texts, so then which role the Literature assumes in the school, what the developed work is done by school library and what is the concept that students have about the Literature. The development of this research is guided on the following methodological procedures: the first theoretical stage, which is under a bibliographic base, explains how it should be the study of literary texts in the classroom; the second stage is guided by investigation and researches related to the intensive direct observation, including the observations and interviews with twelve students, a Literature and Portuguese teacher and a librarian in a public school in the city of Ivaiporã / Pr. The observed school grades were: ninth grade and eleventh grade (four students in each class). Besides the observation, it was done an analysis of documents of the teaching plans from the observed teacher, and finally, the final report based on analysis of collected data that reveal a misguided approach of literary texts by school, which sometimes, leads the work with this type of texts to an utilitarian work, disregarding their peculiarities. Now, the literary text is particularly polysemic, symbolic, and allegorical and it must be read. Therefore, teachers must know this language and from it, lead their students to a complete reading. / A presente dissertação objetiva pôr em foco como as práticas escolares têm encaminhado o trabalho com texto literário, contemplando, assim, que papel a Literatura assume na escola, qual o trabalho desenvolvido pela biblioteca escolar e qual é o conceito que os alunos têm acerca da Literatura. O desenvolvimento desta pesquisa é pautado sobre os seguintes procedimentos metodológicos: a primeira etapa, de natureza teórica, voltada para o embasamento bibliográfico, explana como deve ser a abordagem do texto literário na sala de aula; a segunda, norteada pelo cerne da investigação, utiliza, como meio de coleta de dados, técnicas relacionadas, à observação direta intensiva, que inclui a observação e a entrevista direcionada com doze alunos, um professor (de Língua Portuguesa e Literatura) e um funcionário responsável pela biblioteca de um colégio público da cidade de Ivaiporã/PR. As séries observadas foram: primeiras e terceiras do ensino médio (quatro alunos de cada turma). Além da observação, fez-se a análise documental dos planos de ensino do professor observado e, por fim, a elaboração do relatório final, pautado na análise dos dados recolhidos que revelam uma abordagem equivocada do texto literário pela escola, que, por vezes, encaminha o trabalho com esse tipo de texto de modo a tratá-lo como um texto utilitário, desprezando, assim, as suas peculiaridades. Ora, o texto literário é sobretudo polissêmico, simbólico e alegórico e assim deve ser lido. Para tanto, o professor deve conhecer essa linguagem e, a partir dela, conduzir seus alunos a uma leitura completa.

Made available in DSpace on 2016-07-18T17:54:22Z (GMT). No. of bitstreams: 1 AYRES D_Dissertacao_ultima correcao antes da entrega 24_07_13 (1).pdf: 796881 bytes, checksum: 9816337fc0c5c8b3e4bae10219acf974 (MD5) Previous issue date: 2012-08-30 / This dissertation aims to bring in focus how school practices have done with literary texts, so then which role the Literature assumes in the school, what the developed work is done by school library and what is the concept that students have about the Literature. The development of this research is guided on the following methodological procedures: the first theoretical stage, which is under a bibliographic base, explains how it should be the study of literary texts in the classroom; the second stage is guided by investigation and researches related to the intensive direct observation, including the observations and interviews with twelve students, a Literature and Portuguese teacher and a librarian in a public school in the city of Ivaiporã / Pr. The observed school grades were: ninth grade and eleventh grade (four students in each class). Besides the observation, it was done an analysis of documents of the teaching plans from the observed teacher, and finally, the final report based on analysis of collected data that reveal a misguided approach of literary texts by school, which sometimes, leads the work with this type of texts to an utilitarian work, disregarding their peculiarities. Now, the literary text is particularly polysemic, symbolic, and allegorical and it must be read. Therefore, teachers must know this language and from it, lead their students to a complete reading. / A presente dissertação objetiva pôr em foco como as práticas escolares têm encaminhado o trabalho com texto literário, contemplando, assim, que papel a Literatura assume na escola, qual o trabalho desenvolvido pela biblioteca escolar e qual é o conceito que os alunos têm acerca da Literatura. O desenvolvimento desta pesquisa é pautado sobre os seguintes procedimentos metodológicos: a primeira etapa, de natureza teórica, voltada para o embasamento bibliográfico, explana como deve ser a abordagem do texto literário na sala de aula; a segunda, norteada pelo cerne da investigação, utiliza, como meio de coleta de dados, técnicas relacionadas, à observação direta intensiva, que inclui a observação e a entrevista direcionada com doze alunos, um professor (de Língua Portuguesa e Literatura) e um funcionário responsável pela biblioteca de um colégio público da cidade de Ivaiporã/PR. As séries observadas foram: primeiras e terceiras do ensino médio (quatro alunos de cada turma). Além da observação, fez-se a análise documental dos planos de ensino do professor observado e, por fim, a elaboração do relatório final, pautado na análise dos dados recolhidos que revelam uma abordagem equivocada do texto literário pela escola, que, por vezes, encaminha o trabalho com esse tipo de texto de modo a tratá-lo como um texto utilitário, desprezando, assim, as suas peculiaridades. Ora, o texto literário é sobretudo polissêmico, simbólico e alegórico e assim deve ser lido. Para tanto, o professor deve conhecer essa linguagem e, a partir dela, conduzir seus alunos a uma leitura completa.

Every reader will respond to and think in a different way about a book. They will have different interpretations of the book. It is not possible to say with scientific certainty in what way a reader will interpret a book. To address this issue, this study focuses on the reader response theory as explained by Iser and Jauss. However, the reader response theory is at present supported by research from the cognitive theory to narratology. This study attempts to understand how a reader reasons with regards to a certain text. A further aim is to understand why a specific reader will think about and interpret the text in the way he or she does. In this study the books 30 Nagte in Amsterdam (30 Nights in Amsterdam) by Etienne van Heerden and Swartskaap (Black Sheep) by Odette Schoeman is used to test the hypothesis. Qualitative research methods were used and the data was processed in different stages as is displayed in the addendum DVD. Cognitive theory wants to explain how the reader will respond to the book as a whole, characters, events and the places and spaces represented in the novel. In this study, it was found that a reader's response will always be influenced by his/her background. Readers use their background either to make sense of the book and the story it tells or to make sense of what has happened in their own lives in order to accept and understand it. On account of the results reached in the study it can be argued that readers should be taken into account when books are reviewed and discussed, because they are the ones that have to do the actual reading. Because of this finding, this study puts forward the suggestion that a review model is developed so that readers can make informed decisions as to which book will be best suited to them. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2012

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demonstrative determiner - actualization - identification - reference - deixis - anaphora - cataphora - literary narative text Demonstrative determiner actualises and identifies a noun by designation the referent of this noun. Demonstrative determiner designates the referent in space (physical surroundings of the speaker), in context, or in common shared experience. In literary text, demonstrative determiner designates the referent in context by anaphora or cataphora, in some cases it designates the referent in fictional space.

Title: Literary text in French language teaching at Czech high schools Author: Bc. Anna Brodinová, anna.brodinova@gmail.com Department: Institute of Romance studies, Faculty of Arts, Charles University Supervisor: PhDr. Hana Loucká, CSc. Number of characters: 147 252 Keywords: literary text, poetical text, prose, dramatic text, French teaching, high school Abstract: Literary text, meaning a text enriched with aestethical quality, represents one means to convey culture of a country. Its role in foreing language teaching is to help strenghten communicative competency and develop socio-cultural competency. The way literary text is used in didactics and approached in general has changed considerably in terms of individual methodical principles of foreign language teaching. Firstly, in the period of grammar- translation method, literary text was of the utmost importance, contrary to the beginning of the period of direct methods when it was completely abandonned. Nowadays, literary text is understood as one of the effective supplements in foreing language teaching. The Common European Framework of Reference for Languages, considered to be a fundamental document for principles of foreign language teaching at present, identifies for each level of proficiency the ability of reading comprehension. This ability...

This diploma thesis explores the possibility of mapping the reception of a literary text in terms of language management processes and in succession unveils the main differences in the perception of a literary text by a native opposed to a non-native speaker. The first three chapters treat the research methodology, which is based on Language Management Theory, Neustupný's approach to literary criticism through this concrete theory and single elements from formalism and structuralism. The research, which is described in chapters four to seven, focuses on the different moments of noting, evaluation and problem solving strategies realised by two readers of a modern Czech short story (one native and one non-native speaker). These processes are identified and analysed by the means of follow-up interviews. The aim of the thesis is to establish a complex methodology of identifying, describing and interpreting management processes which occur during the reception of a literary text and further to investigate the main characteristics that distinguish this process in the case of a native and a non-native recipient of the text.

Title Use of a literary text in a dramatic project Summary The work deals in its theoretical part with definition of dramaturgy; means, approaches and methodology of creative dramaturgy. What is more, it deals with possibility of using the literature (fairytale) in work with prep school children. The practical part deals with a project, which applies the fairytale text in dramaturgy in educational announcement of a prep school. It applies different dramatics, feelings and sense, pantomimic and other plays during February. The project is finally assessed with focus on affectivity of applied means, approaches and methodology of creative dramaturgy with respect to personality of the prep school children. Keywords Creative dramatist, literary text, pre-school age, drama, dramatization, pre- school education, nursery school.

Orientador: Martha Herr / Banca: Yara Borges Caznok / Banca: Luciano Simões / Resumo: Este é um estudo analítico/interpretativo sobre o Ciclo de Portinari, um conjunto de oito canções para vozes femininas (soprano e mezzo soprano) e piano, do compositor João Guilherme Ripper (1959-), com textos por Cândido Portinari (1903-1962). Considerando a interação entre os textos literário e musical, típica do gênero "canção", e as relações sensoriais decorrentes da escuta e interpretação musical, a intenção é investigar o tratamento musical do compositor para os textos do artista. Procuraremos estabelecer aproximações entre o texto literário e as artes visuais, identificar analiticamente elementos musicais usados para reforçar o sentido do texto e estabelecer possíveis contribuições para a interpretação na transmissão desses elementos ao público, visando demonstrar experiências multissensoriais justificadas por conceitos de interdisciplinaridade e/ou sinestesia. / Abstract: This is this an analytical/interpretative study of the Ciclo Portinari, a set of eight songs for female voices (soprano and mezzo soprano) and piano, by composer João Guilherme Ripper (1959-), with texts by Cândido Portinari (1903-1962). Considering the interaction between the literary and musical texts, typical to the genre "song", and sensory relations arising from listening and musical interpretation, the intention is to investigate the composer's musical treatment of the artist's texts. We will seek to establish approximations between the literary text and the Visual Arts, identify analytically musical elements used to strengthen the sense of the text and establish possible contributions for interpretation in the transmission of these elements to the public, aiming to demonstrate multi-sensorial experiences justified by concepts of interdisciplinarity and/or synesthesia. / Mestre

Este trabalho procura explorar o ponto de vista de Aquino Corrêa, que pressupõe a adoção de um comportamento crítico diante do poema, assentado na análise da forma e do conteúdo, admitindo a existência de uma norma de uso da língua na modalidade literária capaz de expressar na obra a distinção dessas duas entidades: a forma e a matéria ou fundo. A perspectiva adotada para a realização deste estudo foi a de análise do discurso crítico com que Aquino Corrêa analisa estas duas entidades para determinar a função das obras, no interior do sistema literário de onde elas emergiram. Alicerçados na sua biobibliografia elegemos os pontos fundamentais que sustentam o estilo particular do escritor e os critérios que o mesmo defende para conceber o texto elevado à categoria de literário mediante o tratamento dispensado à forma e ao conteúdo. O princípio teórico fundamental desta tese assenta-se na concepção da natureza universal do texto literário constituído como expressão de um conteúdo que ganha uma forma determinada tanto no processo de escrita quanto de análise do texto, implicando em procedimentos essenciais à realização da crítica literária, a qual visualiza a obra configurada no desabrochamento simultâneo de uma estrutura e de um pensamento, no amálgama solidário de uma forma e de uma experiência individual. Nesta relação, distinguemse a literatura enquanto arte criativa e os estudos literários como um enfoque especializado do texto que possibilita à crítica traduzir a experiência criativa da literatura através de procedimentos específicos que a subsidiam e a legitimam.Neste prisma em que o texto é analisado nas suas categorias estruturais e nas relações de significação com o autor, a língua literária subordina-se a determinadas normas lingüísticas que funcionam como reguladoras dos procedimentos tanto de elaboração como de avaliação crítica do texto, promovendo a depuração dos excessos tanto da linguagem revolucionária dos modernistas quanto dos resíduos lusófilos dos tradicionalistas (LEITE, 2006: 31). / This work looks for to explore point of view of the Aquino Corrêa that ahead estimates the adoption of a critical behavior of the poem seated in the analysis of the form and the content, admitting the existence of a norm of use of the language in the literary modality capable to express in the workmanship the distinction of these two entities: the form and the contents or the deep substance.The perspective adopted for the accomplishment of this study was of analysis of the critical speech with that Aquino Corrêa analyzes these two entities to determine the function of the workmanships in the interior of the literary system of where they had emerged. The basis of our argument is in his biobibliography we choose the basic points that support the particular style of the writer and the criteria that the same defends to conceive the high text to the literary category by means of the treatment excused to the form and the content.The theoretical basic principle of this thesis is based in the conception of the universal nature of the literary text consisting in the place where the content in such a way gains definitive form for the process of writing how much of analysis of the text implying in essential procedures to the literary accomplishment of the critical one, which analyzes the workmanship configured in the simultaneous unclasping of a structure and a thought, in the solidary amalgam of a form and an individual experience. In this relation they distinguish it literature while creative art and the literary studies as one specialized approach from the text that it makes possible to the critical one to translate creative of literature the experience through specific procedures that subsidize it and they legitimize it. In this prism where the text is analyzed in its structural categories and the relations of means with the author, the literary language subordinates it definitive linguistics norms that they function in such a way as regulating of the procedures of elaboration as of critical evaluation of the text, promoting the purification of the excesses in such a way of the revolutionary language of the modern movement how much of the lusófilos residues of the traditionalists (LEITE, 2006:31).