Submitted by Verena Bastos (verena@uefs.br) on 2015-10-05T13:06:05Z No. of bitstreams: 1 Disserta??o P?s-defesa cd.pdf: 2539613 bytes, checksum: 1ceec6c5da8c0219ecbc3727e60ea542 (MD5) / Made available in DSpace on 2015-10-05T13:06:05Z (GMT). No. of bitstreams: 1 Disserta??o P?s-defesa cd.pdf: 2539613 bytes, checksum: 1ceec6c5da8c0219ecbc3727e60ea542 (MD5) Previous issue date: 2013-03-15 / The proposed work aims to reflect on the reliability of literary texts as they occur in certain Portuguese Language Textbook. Thus, our corpus is constituted of twelve literary texts transcribed in Portuguese language textbooks, adopted in schools of elementary and middle. We analyze specifically the authenticity of such texts, following the theoretical and methodological assumptions of Textual Criticism, science whose essential character is the preservation of written culture. Our investigation was based on the corpus is eminently comparative analysis of texts in comparison with the published texts by writers. We focus on observing the structural and / or lexicogrammatical and therefore semantic speech transcription of these texts. Allied to these issues, we will discuss about the inclusion of literature in the school curriculum, discussing the process of didactization the literary text and the consequences resulting from this act. Data analysis revealed the existence of many differences between literary texts published in its sphere of origin and the texts inserted in textbooks. We note that the texts were violated in order to fulfill the purposes of didactization, disregarding not only the author of the literary text but also the reader in training. / O trabalho proposto busca refletir sobre a confiabilidade de textos liter?rios tal como se apresentam em determinados Livros Did?ticos de L?ngua Portuguesa. Desta forma, o nosso corpus se constitui de doze textos liter?rios transcritos em livros did?ticos de l?ngua portuguesa, adotados em escolas de n?vel fundamental e m?dio. Analisamos, especificamente, a autenticidade de tais textos, seguindo os pressupostos te?rico-metodol?gicos da Cr?tica Textual, ci?ncia cujo car?ter essencial ? a preserva??o da cultura escrita. Nossa investiga??o do corpus se pautou em uma an?lise eminentemente comparativa dos textos em cotejo com os textos publicados pelos escritores. Concentramo-nos em observar os aspectos estruturais e/ou l?xico-gramaticais e, por conseguinte, sem?nticos do discurso na transcri??o dos referidos textos. Aliada a essas quest?es, debateremos sobre a inser??o da literatura ao curr?culo escolar, discutindo sobre o processo da didatiza??o do texto liter?rio e as consequ?ncias advindas deste ato. A an?lise dos dados revelou a exist?ncia de muitas diverg?ncias entre os textos liter?rios publicados em sua esfera de origem e os textos inseridos nos livros did?ticos. Observamos que os textos foram transgredidos de forma a atender aos prop?sitos da didatiza??o, desconsiderando n?o somente o autor do texto liter?rio como tamb?m o leitor em forma??o.

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal

Every reader will respond to and think in a different way about a book. They will have different interpretations of the book. It is not possible to say with scientific certainty in what way a reader will interpret a book. To address this issue, this study focuses on the reader response theory as explained by Iser and Jauss. However, the reader response theory is at present supported by research from the cognitive theory to narratology. This study attempts to understand how a reader reasons with regards to a certain text. A further aim is to understand why a specific reader will think about and interpret the text in the way he or she does. In this study the books 30 Nagte in Amsterdam (30 Nights in Amsterdam) by Etienne van Heerden and Swartskaap (Black Sheep) by Odette Schoeman is used to test the hypothesis. Qualitative research methods were used and the data was processed in different stages as is displayed in the addendum DVD. Cognitive theory wants to explain how the reader will respond to the book as a whole, characters, events and the places and spaces represented in the novel. In this study, it was found that a reader's response will always be influenced by his/her background. Readers use their background either to make sense of the book and the story it tells or to make sense of what has happened in their own lives in order to accept and understand it. On account of the results reached in the study it can be argued that readers should be taken into account when books are reviewed and discussed, because they are the ones that have to do the actual reading. Because of this finding, this study puts forward the suggestion that a review model is developed so that readers can make informed decisions as to which book will be best suited to them. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2012

This diploma thesis deals with the topic of fairy tales in French language teaching. The first part is dedicated to the definition of fairy tales as literary texts and to the presentation of general aspects related to the use of literary forms in foreign language teaching. The subsequent parts are focused exclusively on fairy tales. First of all, the fairytale genre is generally introduced. Afterwards, several ways of the application of fairy tales in French classes are outlined, with regard to the focus on language skills and sub-skills. The practical part includes more subsections, however, it mainly aims at the analysis of the role of fairy tales in French language teaching in the Czech Republic. Therefore, it consists of the analysis of significant French textbooks and of a questionnaire survey aimed at Czech lower secondary and high school teachers. The textbook analysis verifies the presence of fairy tales in didactic materials, whereas the aforementioned survey examines the experience and opinions of foreign language teachers on this issue. Finally, three worksheets, based on recently acquired knowledge, are created to serve as the source of inspiration and motivation for the use of fairy tales in foreign language teaching. KEYWORDS fairy tales, French language teaching, literary text,...

The diploma thesis is focused on the grammar teaching in the context of a literary work. The aim of the thesis is to introduce possible positives coming out of the combination of the two relatively remote parts of the foreign-language teaching that are grammar as a language component and the development of a reading skill thanks to the presence of the literary text. The theoretical part firstly deals with the phenomena of presence of a literary text in an educational process. Second part focuses on grammar and especially the way of teaching it with the help of a literary text. The last part states the reasons of the choice of a particular novel - Les Misérables. The practical part of the work deals with worksheets where we want to demonstrate how to work with the text in favour of both - grammar and reading skill - in the same time. Key words: grammar, reading, literary text, V. Hugo, Les Misérables, language components, language skills

of the thesis The dissertation thesis deals with the problem of using children's literature in teaching foreign languages at elementary schools. It frames the topic by Czech curricular documents and constituents of the teaching-learning process, provides a historical survey and lists the genres of the children's literature. It characterizes the skill of reading in foreign language teaching and deals with the position of the literary text and lesson planning with children's literature within the foreign language teaching process. Attention is also paid to children's literature as the constituent of the pre-service teacher training. The aim of the thesis is to find out whether children's literature is used in foreign language teaching at elementary schools, whether contemporary textbooks use it, how it is perceived by in-service and pre-service teachers and last but not least what children's literature in the teaching-learning process of foreign languages has to offer. Research tools used for the purposes of the thesis were questionnaires, observations, specially prepared teaching materials based on literary texts and analysis of a textbook. The research proved that children's literature is used both by contemporary textbooks and by teachers in the foreign language education process. Since there is...

Made available in DSpace on 2014-06-11T19:26:46Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-06-18Bitstream added on 2014-06-13T18:30:30Z : No. of bitstreams: 1 franceschini_sr_me_ia.pdf: 3443496 bytes, checksum: 1be3859e2ceca695db5f78f598fffb22 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Este é um estudo analítico/interpretativo sobre o Ciclo de Portinari, um conjunto de oito canções para vozes femininas (soprano e mezzo soprano) e piano, do compositor João Guilherme Ripper (1959-), com textos por Cândido Portinari (1903-1962). Considerando a interação entre os textos literário e musical, típica do gênero canção, e as relações sensoriais decorrentes da escuta e interpretação musical, a intenção é investigar o tratamento musical do compositor para os textos do artista. Procuraremos estabelecer aproximações entre o texto literário e as artes visuais, identificar analiticamente elementos musicais usados para reforçar o sentido do texto e estabelecer possíveis contribuições para a interpretação na transmissão desses elementos ao público, visando demonstrar experiências multissensoriais justificadas por conceitos de interdisciplinaridade e/ou sinestesia. / This is this an analytical/interpretative study of the Ciclo Portinari, a set of eight songs for female voices (soprano and mezzo soprano) and piano, by composer João Guilherme Ripper (1959-), with texts by Cândido Portinari (1903-1962). Considering the interaction between the literary and musical texts, typical to the genre song, and sensory relations arising from listening and musical interpretation, the intention is to investigate the composer’s musical treatment of the artist’s texts. We will seek to establish approximations between the literary text and the Visual Arts, identify analytically musical elements used to strengthen the sense of the text and establish possible contributions for interpretation in the transmission of these elements to the public, aiming to demonstrate multi-sensorial experiences justified by concepts of interdisciplinarity and/or synesthesia.

Este trabalho procura explorar o ponto de vista de Aquino Corrêa, que pressupõe a adoção de um comportamento crítico diante do poema, assentado na análise da forma e do conteúdo, admitindo a existência de uma norma de uso da língua na modalidade literária capaz de expressar na obra a distinção dessas duas entidades: a forma e a matéria ou fundo. A perspectiva adotada para a realização deste estudo foi a de análise do discurso crítico com que Aquino Corrêa analisa estas duas entidades para determinar a função das obras, no interior do sistema literário de onde elas emergiram. Alicerçados na sua biobibliografia elegemos os pontos fundamentais que sustentam o estilo particular do escritor e os critérios que o mesmo defende para conceber o texto elevado à categoria de literário mediante o tratamento dispensado à forma e ao conteúdo. O princípio teórico fundamental desta tese assenta-se na concepção da natureza universal do texto literário constituído como expressão de um conteúdo que ganha uma forma determinada tanto no processo de escrita quanto de análise do texto, implicando em procedimentos essenciais à realização da crítica literária, a qual visualiza a obra configurada no desabrochamento simultâneo de uma estrutura e de um pensamento, no amálgama solidário de uma forma e de uma experiência individual. Nesta relação, distinguemse a literatura enquanto arte criativa e os estudos literários como um enfoque especializado do texto que possibilita à crítica traduzir a experiência criativa da literatura através de procedimentos específicos que a subsidiam e a legitimam.Neste prisma em que o texto é analisado nas suas categorias estruturais e nas relações de significação com o autor, a língua literária subordina-se a determinadas normas lingüísticas que funcionam como reguladoras dos procedimentos tanto de elaboração como de avaliação crítica do texto, promovendo a depuração dos excessos tanto da linguagem revolucionária dos modernistas quanto dos resíduos lusófilos dos tradicionalistas (LEITE, 2006: 31). / This work looks for to explore point of view of the Aquino Corrêa that ahead estimates the adoption of a critical behavior of the poem seated in the analysis of the form and the content, admitting the existence of a norm of use of the language in the literary modality capable to express in the workmanship the distinction of these two entities: the form and the contents or the deep substance.The perspective adopted for the accomplishment of this study was of analysis of the critical speech with that Aquino Corrêa analyzes these two entities to determine the function of the workmanships in the interior of the literary system of where they had emerged. The basis of our argument is in his biobibliography we choose the basic points that support the particular style of the writer and the criteria that the same defends to conceive the high text to the literary category by means of the treatment excused to the form and the content.The theoretical basic principle of this thesis is based in the conception of the universal nature of the literary text consisting in the place where the content in such a way gains definitive form for the process of writing how much of analysis of the text implying in essential procedures to the literary accomplishment of the critical one, which analyzes the workmanship configured in the simultaneous unclasping of a structure and a thought, in the solidary amalgam of a form and an individual experience. In this relation they distinguish it literature while creative art and the literary studies as one specialized approach from the text that it makes possible to the critical one to translate creative of literature the experience through specific procedures that subsidize it and they legitimize it. In this prism where the text is analyzed in its structural categories and the relations of means with the author, the literary language subordinates it definitive linguistics norms that they function in such a way as regulating of the procedures of elaboration as of critical evaluation of the text, promoting the purification of the excesses in such a way of the revolutionary language of the modern movement how much of the lusófilos residues of the traditionalists (LEITE, 2006:31).

Submitted by Bruna Rodrigues (bruna92rodrigues@yahoo.com.br) on 2016-09-30T12:34:01Z No. of bitstreams: 1 DissRRAM.pdf: 4438104 bytes, checksum: 87bbc0b21eeaabb31ace4a928895ac16 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-04T18:54:41Z (GMT) No. of bitstreams: 1 DissRRAM.pdf: 4438104 bytes, checksum: 87bbc0b21eeaabb31ace4a928895ac16 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-04T18:54:48Z (GMT) No. of bitstreams: 1 DissRRAM.pdf: 4438104 bytes, checksum: 87bbc0b21eeaabb31ace4a928895ac16 (MD5) / Made available in DSpace on 2016-10-04T18:54:54Z (GMT). No. of bitstreams: 1 DissRRAM.pdf: 4438104 bytes, checksum: 87bbc0b21eeaabb31ace4a928895ac16 (MD5) Previous issue date: 2015-03-06 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / The main purpose of this dissertation is to investigate and discuss the relations established among grammar and literary text in two different periods of the history of the discipline Portuguese, the first one situated in the 1920s, and the second one between the decades of the 1930 and the 1940, based on the analyses of two main representative didactic works of each of these periods, the Gramática expositive: curso superior (17ª ed., 1925), from Eduardo Carlos Pereira, and O idioma nacional (1944), from Antenor Nascentes. In the teaching of the discipline Portuguese of the first half of the century is possible to recognize an articulation between grammar and literary text, in which sometimes the grammar and sometimes the literary text is prioritized. During the years of the 1920s the discipline Portuguese was characterized through the primacy of grammar, due to the fact that one was giving main priority to the learning of grammatical rules which were assured by the use of literature writers, mainly from Portuguese nationality. In the pursuit of highlighting the literary text in the classroom, in the decades of the 1930 and 1940 a new orientation in the studies of Portuguese was attempted, so that in the official programs as well as in the elaboration of didactic works it was advised first the reading of literary text and after the grammar teaching though the text that was read. / O objetivo principal desta dissertação é investigar e discutir as relações estabelecidas entre gramática e texto literário em dois períodos específicos da história da disciplina escolar Português, o primeiro situado nos anos de 1920, e o segundo entre as décadas de 1930 e 1940, a partir da análise de duas obras didáticas representativas de cada um desses períodos, a Gramática expositiva: curso superior (17ª ed., 1925), de Eduardo Carlos Pereira, e O idioma nacional (1944), de Antenor Nascentes. No ensino de língua portuguesa ministrado na primeira metade do século XX, observa-se uma articulação entre gramática e texto literário, em que ora se prioriza a gramática ora se evidencia o texto literário. Durante os anos de 1920, a disciplina escolar Português caracterizou-se pela primazia da gramática, quando se dava grande importância ao aprendizado das regras gramaticais abonadas pelo uso de escritores de literatura, principalmente de nacionalidade portuguesa. Com o propósito de dar maior destaque ao texto literário na sala de aula, a partir das décadas de 1930 e 1940, buscou-se dar uma nova orientação aos estudos de português, de modo que, tanto nos programas oficiais de ensino como na elaboração de livros escolares, recomendava-se primeiramente a leitura do texto literário, e depois o ensino da gramática por meio do texto lido.

Sur la base d'études et d'enquêtes menées à la faculté des lettres française de l'université des sciences sociales de hochiminh-ville, l'objectif de la thèse est de fonder en théorie des modes de lecture des textes (particulièrement des textes littéraires) susceptibles d'apporter aux apprenants matière à la diversification de leurs pratiques tout en leur donnant une connaissance du rôle de la lecture dans le processus d'apprentissage du français langue étrangère (fle). Cette orientation didactique suppose la définition et l'adaptation d'un ensemble de considérations théoriques relevant de l'approche linguistique et littéraire dans le cadre spécifique des études de fle au viêtnam.une attention particulière sera accordée à l'articulation entre enseignement/apprentissage de la langue et de la grammaire et l'ensemble des facteurs cognitifs et culturels mobilisés lors de la lecture des textes littéraires, ces derniers étant saisis dans leur dimension matérielle et sociale. / This thesis aims to reconsider the position and impact of literary texts in language teaching. Literary studies can be strengthened by reading literary texts, i.e. a complex activity which mobilizes at the same time non linguistic and linguistic skills, and contributes to increase the reader’s knowledge and capacities. This hypothesis is confirmed by the analysis of the result of the here proposed inquiries of ground which measure the impact of the literary reading in the learning of / in the French as a foreign language. At the same time, the accent is put on the contribution of the theories of the enunciation and the grammar of text in the service of the literary texts analysis in the aim of restoring the relation between linguistics and literature. By supplying tools of analysis, by suggesting some didactic proposals in the field of reading of literary texts, the thesis proposes examples, which highlight the fact that literature teaching consists in teaching either only works, but also way to read: it will be a question of passing from a static conception to a dynamic conception of the literature and its teaching.