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Dental health and disease.Ogden, Alan R., Lee, F. January 2008 (has links)
No / No abstract
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Prostituerad, apostel, äktenskapsbryterska : En studie om hur Maria från Magdala gestaltats i tre moderna filmer med anspråk på att ha de bibliska berättelserna som utgångspunkt / Prostitute, apostle, adulteress : A study of Mary Magdalene’s role in three modern movies which claim to be based on biblical storiesÖstlund, Markus January 2017 (has links)
No description available.
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AND STARRING JESUS AS HIMSELF: CULTURAL CONTEXT AND THE IMAGES OF CHRIST IN NORTH AMERICAN FILMDawson, Rebecca 21 May 2007 (has links)
No description available.
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[en] I SAW THE LORD: MARY MAGDALENE, THE FIRST EYEWITNESS TO THE RESURRECTION, ACCORDING TO JOHN 20:11-18 / [pt] VI O SENHOR: MARIA MADALENA, A PRIMEIRA TESTEMUNHA OCULAR DA RESSURREIÇÃO, SEGUNDO JO 20,11-18MARCELA MACHADO VIANNA TORRES 08 August 2024 (has links)
[pt] A presente dissertação de Mestrado estuda a perícope de Jo 20,11-18, na
qual é apresentada a narrativa, em forma de diálogo, da aparição de Jesus
ressuscitado a Maria Madalena. A pesquisa volta-se para a dimensão teológica do
ver em distintas perspectivas ao longo da perícope. Por meio da pesquisa
bibliográfica, do método Histórico-Crítico e do método da Análise Retórica Bíblica
Semítica, o texto é analisado, tendo como foco a personagem de Maria Madalena,
como a primeira testemunha ocular da ressurreição. A expressão de Maria
Madalena, Vi o Senhor (Jo 20,18), destaca-se como o ponto culminante da
narrativa, elemento que simboliza a transformação do medo e tristeza em alegria,
força e esperança. A validação de Maria Madalena como a primeira testemunha
ocular da ressurreição sublinha a importância do encontro pessoal com Jesus como
meio de reconhecimento do ressuscitado. / [en] This Master s thesis studies the pericope of John 20:11-18 in which the
narrative is presented, in the form of a dialogue, of the appearance of the resurrected
Jesus to Mary Magdalene. The research focuses on the theological dimension of
seeing in different perspectives throughout the pericope. Through bibliographical
research and the Historical-Critical Method, as well as the Semitic Biblical
Rhetorical Analysis approach, the text is analyzed, focusing on the character of
Mary Magdalene as the first eyewitness to the resurrection. Mary Magdalene s
expression, I saw the Lord (John 20:18), stands out as the culmination of the
narrative, an element that symbolizes the transformation of fear and sadness into
joy, strength and hope. The validation of Mary Magdalene as the first eyewitness
to the resurrection highlights the importance of the personal encounter with Jesus
as a means of recognizing the resurrected One.
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Marie-Madeleine en Occident : les dynamiques de la sainteté dans la Bourgogne des IXème-XVème siècles / Mary Magdalen in the West : dynamics of holiness in the Burgundy of 9th-15th centuriesTaccone, Raphaelle 11 December 2012 (has links)
Le culte de sainte Marie-Madeleine, élaboré dès le second quart du XIème siècle au monastère de Vézelay, sous l’abbatiat de Geoffroi, est unanimement célébré par les foules de fidèles et inspire la sainte plèbe de Dieu sur le chemin du repentir. Particulièrement fécond et consacrant Vézelay, ville gardienne du tombeau de la sainte pénitente des Evangiles comme un haut-lieu de pèlerinage, le culte périclite et plonge dans une situation bipolaire dès le quatrième quart du XIIIème siècle suite à la découverte supposée du véritable corps de la Madeleine à Saint-Maximin en Provence. Beaucoup d’auteurs envisagent le déclin du pèlerinage bourguignon or, il est plus juste d’observer une contraction régionale. En effet, la persistance des témoignages dévotionnels au sein de son berceau primitif et l’implication progressive de la famille ducale de Bourgogne dans la promotion du culte vézelien concourent très largement à une relecture du culte de la sainte.D’une politique monastique, primitivement élaborée par les moines de Vézelay,à une politique princière, s’affirmant pleinement avec l’avènement de la dynastie des Valois, le culte vézelien de la Madeleine est constamment perçu comme une gloire de la Bourgogne. Des sources écrites aux sources liturgiques,à travers le foisonnement des indices dévotionnels en son honneur (reliques,sanctuaires, autels,…) et un corpus iconographique bourguignon la mettant en scène, en regard de l’implication des chanoines de Saint-Maximin et des comtes de Provence - fervent soutien du culte provençal de la Madeleine, les destinées du culte magdalénien, d’une échelle régionale à un ensemble plus grand englobant l’Occident chrétien, méritaient ainsi d’être redéfinies par une approche critique / Appeared from the second quarter of the eleventh century at the monastery ofVezelay, under the abbot Geoffroy, the cult of St. Mary Magdalene is universally celebrated by Christians and inspires pious faithful on the path of repentance.Fruitful, the cult of Magdalene consecrate Vézelay as a place of pilgrimage which conserve Mary Magdalene’s tomb. By the beginning of the fourth quarterof the thirteenth century, the cult declines and become bipolar following the supposed discovery of the Magdalene’s grave in Saint-Maximin (Provence). If historians consider the decline of the Vézelay’s pilgrimage, it should be noted that the cult operate a regional contraction. Indeed, acts of devotion persist in this region and dukes of Burgundy largely support the promotion of the cult –inviting to a new reading of magdalenian cult.The cult is considered as a Burgundy’s glory for the Vézelay’s monks and dukes of this region. Exploring written sources, liturgy and devotional testimonies (relics, sanctuaries, altars,…) also an iconographic corpus, it is necessary to redefine the cult of St. Mary Magdalene in Burgundy and more broadly in the Christian West by a critical approach
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The Ministry of Passion and Meditation: Robert Southwell's Marie Magdalens Funeral Teares and the Adaptation of Continental InfluencesBenedict, Mark Russell 22 March 2010 (has links)
In his most popular prose work, Mary Magdalens Funeral Teares (1591), English Jesuit Robert Southwell adapts the Mary Magdalene tradition by incorporating the meditative practices of St. Ignatius Loyola coupled with the Petrarchan language of poetry. Thus, he creates a prose work that ministered to Catholic souls, appealed to Protestant audiences, and initiated the literature of tears in England. Southwell readapts the traditional image of Mary Magdalene for a Catholic Early Modern audience by utilizing the techniques of Jesuit meditation, which later flourished in the weeper texts of Richard Crashaw and George Herbert. His vividly imagined scenes also employ the Petrarchan and Ovidian language of longing and absence and coincide with both traditional and mystic early church writers such as Bernard and Augustine. Through this combination, Southwell’s Marie Magdalens Funeral Teares resonated with Catholics deprived of both ministry and the presence of Christ in the Eucharist. These contributions solidify Southwell’s place as a pivotal figure in the religious and literary contexts of Early Modern England.
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Le thème de sainte Marie-Madeleine dans la littérature d'expression française, en France et en Belgique, de 1814 à nos joursRondou, Katherine 22 December 2006 (has links)
Le présent travail enrichit la thématologie à un double niveau, à la fois par une réflexion méthodologique sur les différents modes de manifestation du thème, et par une meilleure connaissance d'un "mythe" littéraire précis, celui de sainte Marie-Madeleine, dont la vitalité ne laisse aucun doute, tant dans la fréquence de l'utilisation du personnage depuis deux mille ans, que dans l'originalité des interprétations, malgré d'inévitables redites et banalités. <p>Sur la base d'une analyse minutieuse des différentes composantes du thème magdaléen dans la littérature franco-belge d'expression française après 1814, et des incarnations féminines qui s'en dégagent, cette thèse définit les contours du visage de la Madeleine de ces deux derniers siècles, et démontre la raison fondamentale de la permanence de la figure évangélique à travers les siècles :sa rencontre immédiate, et constante, avec le motif de la Femme dans la civilisation judéo-chrétienne. / Doctorat en philosophie et lettres, Orientation langue et littérature / info:eu-repo/semantics/nonPublished
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'Seek the Eyes of Mary': A Widow and a Virgin's Illuminating InvitationKryscynski, Kristina Gayle Heiss 09 April 2020 (has links)
A deep visual analysis of Ludovico Carracci’s 1588 Madonna and Child, Angels, and Saints Francis, Dominic, Mary Magdalene and the Donor Cecilia Bargellini Boncompagni with an emphasis on the role of the patron, the significance of the locality, and the visual semiotics of the Virgin Mary’s gaze in prompting conversion in the repentant prostitutes of the Carmelite convertite convent associated with Ss. Filippo and Giacomo in Bologna, Italy. Including a commentary on contemporary social expectations of modest behavior and the painting’s deliberate incorporation of inappropriate female behavior towards a religious purpose. A discussion of uniquely Carmelite iconography, the use of Ignatian mental prayer in convents, and self-determination in imagery by a Bolognese aristocratic woman.
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The role of Archaeology in the Jesus industryDyer, Jennifer 12 1900 (has links)
The question leading to this study is whether the facts and theories pertaining to the
Bible and Jesus Story as presented by The Authors (H Schonfield, D Joyce, B Thiering, M
Baigent, R Leigh, H Lincoln; M Starbird, and D Brown) could be verified by the
Archaeology evidence. I have adopted a multidiscipline and holistic approach
considering information gathered from all media sources to ascertain what theories, if
any could replace the traditional Jesus Story of the New Testament. I considered
whether the alternative theories or traditional theories were believable due to the
evidence presented by Biblical Archaeology or by the techniques used by The Authors
in presenting their facts. By using Thouless’ system of Straight and Crooked thinking I
was able to ascertain that the theories used in the novels written by The Authors may
have been persuasive, but lacked substance. / Biblical and Ancient Studies / M. Th. (Biblical Archaeology)
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