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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Die sog. Loris-Melikovsche Verfassung und ihre ihre Vorgeschichte, 1863-81.

Thies, Bernhard, January 1915 (has links)
Inaug.-Diss.--Berlin. / Includes bibliographical references.
32

Official Russian policies concerning industrialization during the finance ministry of M. Kh. Reutern, 1862-1878

Hayward, Oliver Stoddard, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
33

A representação do adultério feminino em Dalton Trevisan

Souza, Marcius Fabiani Barbosa de 21 January 2011 (has links)
Dissertação(mestrado)—Universidade de Brasília, Instituto de Letras, 2011. / Submitted by Jadiana Paiva Dantas (jadi@bce.unb.br) on 2011-06-28T23:25:38Z No. of bitstreams: 1 2011_Marcius Fabiani Barbosa de Souza.pdf: 683392 bytes, checksum: d137f27c39c77d1b6fdf5d2711b0916a (MD5) / Approved for entry into archive by Repositorio Gerência(repositorio@bce.unb.br) on 2011-06-30T17:30:18Z (GMT) No. of bitstreams: 1 2011_Marcius Fabiani Barbosa de Souza.pdf: 683392 bytes, checksum: d137f27c39c77d1b6fdf5d2711b0916a (MD5) / Made available in DSpace on 2011-06-30T17:30:18Z (GMT). No. of bitstreams: 1 2011_Marcius Fabiani Barbosa de Souza.pdf: 683392 bytes, checksum: d137f27c39c77d1b6fdf5d2711b0916a (MD5) / Este trabalho investiga a representação da mulher adúltera e do marido traído nos contos do autor paranaense Dalton Trevisan. O trabalho apoiou-se, fundamentalmente, nos conceitos de polifonia e dialogismo, conforme desenvolvidos pelo pensador russo Mikhail Bakhtin. Buscou-se identificar a ocorrência da polifonia e de interações dialógicas nos doze contos estudados, em uma perspectiva tanto intra quanto intertextual, bem como as implicações ideológicas da representação do adultério feminino pelo autor em relação à evolução histórica do sistema patriarcal. _______________________________________________________________________________ ABSTRACT / This work investigates the representation of the adulterous woman and the betrayed husband in the short stories of Brazilian author Dalton Trevisan. The work is based mainly upon the concepts of polyphony and dialogism, both of them developed by Russian theorist Mikhail Bakhtin. One has aimed to identify the occurrence of polyphony and dialogical interactions in 12 selected short stories from both intratextual and intertextual perspectives, as well as the ideological implications of the representation of female adultery in the works of Dalton Trevisan as compared to the historical developments of the patriarchal system.
34

Tradição e ruptura no audiovisual: Um estudo de linguagem do vídeo popular em Pernambuco na década de 1980

BEZERRA, Cláudio Roberto de Araújo January 2001 (has links)
Made available in DSpace on 2014-06-12T16:29:42Z (GMT). No. of bitstreams: 2 arquivo4447_1.pdf: 715383 bytes, checksum: f2d5da52864a21c87a6e0457c82fdce7 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2001 / Este trabalho é um estudo de linguagem dos vídeos populares de Pernambuco produzidos na década de 1980. Analisamos dois programas, Quem vê a cara vê a AIDS e A nossa história e a história de Cabo Gato, realizados por grupos distintos e em diferentes processos de produção, para identificar elementos comuns que compõem a materialidade expressiva deles. Trata-se de um estudo interdisciplinar, fundamentado a partir de três categorias de análise do filósofo russo Mikhail Bakhtin: dialogismo, polifonia e carnavalização. De acordo com os dados levantados e analisados na pesquisa, constatamos que os programas foram realizados a partir de dois modelos de produção, videoprocesso e videoproduto, que implicavam um determinado grau de dependência em relação aos movimentos sociais e objetivos específicos quanto ao uso do vídeo numa perspectiva social. Em termos de linguagem, o vídeo popular pernambucano seguiu as tendências da arte contemporânea e mostrou-se essencialmente híbrido, pois a sua materialidade expressiva se constitui a partir do diálogo e da contaminação entre o erudito, o massivo e o popular. Constatamos, também, que a produção de vídeos populares, em Pernambuco, surgiu da iniciativa de setores médios da população, mais ou menos articulados com os movimentos sociais. Ao mesmo tempo em que procurava dar visibilidade positiva às lutas populares, então pouco divulgadas nos mass media, os grupos de realizadores também revelaram aspectos do cotidiano e da cultura dos setores menos favorecidos da população, contribuindo para o fortalecimento de identidades locais e o crescimento da auto-estima
35

Language of Carnival: How Language and the Carnivalesque Challenge Hegemony

Nekrashevich, Yulia O. 07 March 2019 (has links)
Does the phenomenon of carnivalesque challenge hegemony and inspire social change? Mikhail Bakhtin coined the term “carnivalesque” to describe the concept of Carnival. During Carnival, social norms were overturned and ignored in favor of a chaotic atmosphere, briefly breaking down the boundaries between class, gender, and other hegemonic perspectives. Modern Carnivals, such as the Rio Carnival, still contain a semblance of the carnivalesque, as well as other holidays that celebrate the grotesque and macabre, like that of the Day of the Dead. The LGBT Pride Parade can also be seen as a modern Carnival, for it focuses heavily on sexual and gender identities that have been suppressed in most of the world. When celebrating these carnivalesque events, one can dress up and change their identity to something less tolerated in an oppressive hegemony. For example, some participants may cross-dress or act in less traditional ways, while others will dress in ways that mock the social standards of royalty or religion. Many of these identities challenged the status quo of society and slowly became accepted. This thesis explores the role the carnivalesque has in celebrating alternative identities and its use as a rhetorical tool for inspiring social change, as well as examine how Carnival uses dialogic language. The methods of exploring this topic include reading Bakhtin’s texts on language and rhetoric, analyzing other sources that also explore language and carnivalesque elements, and considering the history of Carnival and its influence on people and society.
36

Lomonosov : forging a Russian national myth

Usitalo, Steven A. January 2002 (has links)
No description available.
37

"The fatal eggs", a comparison of two translations

Dickerman, Amy. January 1984 (has links)
Thesis (M.A.)--Kutztown University, 1984. / Source: Masters Abstracts International, Volume: 45-06, page: 2853. Typescript. A review of two translations from Russian into English by Carl Proffer and Mirra Ginsburg, respectively, of "Rokovye i︠a︡ĭt︠s︡a" by Mikhail Bulgakov. Includes bibliographical references (leaves 125-127).
38

The poetics of indeterminism : M. E. Saltykov-Shchedrin, the dynamics of the aesthetic object / M.E. Saltykov-Shchedrin, the dynamics of the aesthetic object.

Sadet︠s︡kiĭ, Aleksandr. January 1986 (has links)
No description available.
39

The poetics of indeterminism : M. E. Saltykov-Shchedrin, the dynamics of the aesthetic object

Sadet︠s︡kiĭ, Aleksandr. January 1986 (has links)
No description available.
40

Contribution à la théorie de l'interprétation jurisprudentielle droit du travail et théorie du droit dans la perspective du dialogisme /

Géa, Frédéric. Marraud, Catherine. Quenaudon, René de. January 2007 (has links) (PDF)
Thèse de doctorat : Droit privé : Université Nancy 2 : 2007. / Titre provenant de l'écran-titre. Bibliogr. Index.

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