This dissertation examines the character, conditions and change of peasant stratification in early modern Sweden. Wherever and whenever one looks, one finds that resources were unevenly spread among peasant households. In the literature, there are different, and conflicting, views compatible with this finding. In order to explain its character, this study places peasant stratification into a broader system of resource reproduction. Resource holding, families, and individuals are studied over time. The study is based on an extended family reconstitution comprising the landholding peasants in the Mid-Swedish parish of Björskog between 1620 and 1820. Data has been compiled from cadastres, poll tax registers, parish registers, court records, and maps, and has then been related to the information on resource holding as given by tax lists and probate inventories. Six elements and three general principles are identified as fundamental to systems of resource reproduction among peasants. Starting from these, the book argues that the resource holding of a Swedish peasant household was relatively independent of family demography; that wealthy peasants were able to retain large surpluses even during the period of high rent pressure in the seventeenth century; that the reproduction of poorer peasant households was imperfect whereas the reproduction of wealthier households was extended; that wealthy peasants dominated the local community; that economic inequalities within the class of landed peasants did not increase during the seventeenth and eighteenth centuries; that land accumulation and cyclical mobility became important features of peasant society, but not until the decades around 1800: and that the peasant community was characterized by a large degree of geographical and downward social mobility.

L’histoire des femmes et l’histoire du genre se sont développées conjointement depuis plus d’une trentaine d’années. Pourtant, elles ne sont pas encore pleinement reconnues par les institutions universitaires, et encore moins par les institutions collégiales, les progrès historiographiques dans ces domaines étant exclus du cursus enseigné. Du moins, c’est ce que nous avons observé au niveau collégial au Québec, à la suite d’une évaluation de la trame narrative des manuels francophones et anglophones utilisés pour le cours Histoire de la civilisation occidentale. En effet, grâce à une analyse des chapitres couvrant la période moderne, soit de 1500 à 1800 environ, des manuels les plus utilisés pour l’enseignement de ce cours, nous avons pu établir que l’histoire des femmes et l’histoire du genre ne sont pas intégrées et qu’une différence existe entre la trame du manuel francophone et celle du manuel anglophone. Nous avons constaté que le seul cours d’histoire obligatoire au niveau collégial, qui tend à former des citoyens et des citoyennes éclairé(e)s ainsi qu’à transmettre une culture générale de base, exclut la moitié de la population de leurs enseignements. Aussi ce mémoire propose-t-il trois façons de remédier à cette situation. / Women and gender history have developed in conjunction for more than thirty years. Nevertheless, these domains are still not fully recognized by the university institutions, and even less by the college institutions, as the historiographical advances in these areas are being excluded from the curriculum. Indeed, this is the situation we have observed at the college level in Quebec, following an evaluation of the narrative transmitted by French and English textbooks used in the History of western civilization courses. In fact, thanks to an analysis of the chapters covering the early modern period, which ranges approximately from 1500 to 1800, in the most often used textbooks for the teaching of this course, we were able to establish that the history of women and the history of gender are not integrated in the narrative and that a difference exists between the narrative of the French and English textbooks. We observed that the only mandatory history course at the college level, which endeavours to form enlightened male and female citizens as well as to transmit a basic general culture, excludes half of the population of their teachings. Thus, this work proposes three solutions to remedy this situation.

So far the academical reception of Czech chronicle by Václav Hájek of Libočany was criticized for not being considerate of the early modern period literary context. It can be concluded from this paper's analysis of previous critiques and interpretations of Hájek's chronicle and from the excerption of key aspects of the theory of fictional worlds, that there is a lack of knowledge about the early modern period discoursive praxis, which defined the fictionality of text(s), as well as about formal and methodical aspects of this kind of work. Only through a thorough inspections of these two aspects it is possible to understand Czech chronicle and similar works as both historiographical sources and components of literary progress. This paper is comprised of selection of theoretical tools meant to identify the distinctions between fictional and non-fictional narratives, of overview of Hájek's chronicle's reception in compendia and editorial comments, and finally of a synthesis of theoretical conclusions and practical classifications of Hájek's chronicle, meaning this paper evaluates their expressive value regarding the current (non-)fictional state of Czech chronicle.

This diploma thesis, entitled "Testamentary Practice of Prague Jews Based on Analysis of the Books of Testaments from 1681-1850," deals with the Jewish books of testaments which arose from the office of the King's Prague Old Town during the years 1681 and 1850 and nowadays are deposited in Prague City Archives. The text relates to conclusions presented by previous bachelor thesis and its main aim is the analysis of Jewish last wills from years 1773- 1850 from various points of views - for instance typology of records, testators, language, contents and other. Also analysis of chosen records are attached to the practical section of the work - last wills and related writings of Abraham Offner, Philipp Eidlitz and Löwi Gisternitz are introduced. Collected datas are consequently compared with facts extracted from Jewish books of testaments from years 1681-1773. Detailed summary, diagrams, as well as the photographic attachment are the integral part of the text. Keywords: Jews, Prague, early modern period, manuscripts, testaments, testator, last wills, Abraham Offner, Philipp Eidlitz, Löwi Gisternitz

The thesis deals with one of the most famous sources of citychronography that were being created in Bohemia in the 16th and early 17th century. The most competent and prolific literary author of Dačický's Paměti was Mikuláš Dačický of Heslov - a very controversial figure of the KutnáHora society before the Battle of the White Mountain. Beside introducing Dačický's personality and his own experience with the judiciary of the times, the thesis goes briefly into the history of Kutná Hora in the Middle Ages and the Early Modern Times and describes the city administration and the typical course of legal proceedings as it went before the municipal court. Paměti reflect the diverse crime of the time: the thesis focuses mainly on killing - special attention is paid to the agreements on the head (smlouvy o hlavu), female crimes or suicides - further affrays, duels, slanders and questioning of somebody's impeccability, frauds, thefts and robberies. Keywords Mikuláš Dačický of Heslov, the law, criminality, early modern period, Kutná Hora, city chronicle

The subject of this thesis is the problematics of the military camps of Christian armies in the Central Europe between 1550-1650. We focus on the camps of the Habsburg Monarchy and German lands, yet some space is given to the situation in Poland and Hungary. The introductory chapters consist of a characterization of the source material and an overview of the present state of research. Furthermore, excursuses into several topics related to the military camps of the early modern period are made. Thus, characterizations of the crucial war conflicts of the period, contemporary strategies and tactics, principals, composition and equipment of the armies, of the ranks, and of the life of soldiers are provided. The core of this work is an interpretation and comparison of treatises written by military theorists, who dealt with the problematics of camps, namely of the works by Jan Tarnowski, Guillaume du Bellay, Leonhardt Fronsperger, Lazarus von Schwendi, Giorgio Basta, Johann Jacobi von Wallhausen, and Raimondo Montecuccoli. Additionally, an analysis of the military orders of the Roman emperor Maximilian II and of the Swedish king Gustav II Adolf is supplied, followed by memoirs and diaries of soldiers of that era, and contemporary literary fiction. Although the thesis includes brief characterizations of...

The purpose of this thesis is to analyze the function of waste objects in the archeological record from the archeo-zoological point of view. The research part focuses on general information concerning hygiene and waste disposal in medieval and early modern cities. It also addresses the methods of waste objects research and the occurrence of animals in cities. The practical part summarizes the analysis results of the archeo-zoological assemblage from the town hall in České Budějovice which dates back to the High Middle Ages and the early modern period.

Cette étude s’intéresse aux biographies de criminels, l’un des nombreux imprimés sur le crime qui se développent au cours de l’époque moderne en Angleterre et en France. Ces dernières sont travaillées par des tensions morale et politique. Elles revendiquent un dessein didactique tout en exploitant volontiers le sensationnel de leur sujet. De même, la représentation de criminels est équivoque politiquement. Plutôt que de faire des hors-la-loi des repoussoirs et de souligner la manière dont ils sont écrasés par le pouvoir qu’ils ont défié, les textes les glorifient souvent et construisent un panthéon du crime. Cette thèse propose de réévaluer les ambiguïtés idéologiques de ces textes au croisement des discours historique, journalistique et romanesque en prenant en considération certains traits de l’écriture moderne comme l’ambition morale généralisée ou le flottement de la distinction entre fait et fiction. Cette remise en perspective conduit à repenser les potentialités subversives de ces textes qui semblent en fait moins résider dans l’héroïsation des criminels que dans l’articulation entre leur parcours et des questions sociales et politiques spécifiques au temps. / This study focuses on criminal biographies, one of the much-printed forms of criminal literature which developed in the early modern England and France. These texts are marked by moral and political ambivalence. Despite their proclaimed prescriptive aims, they make the most of the very sensational topic of crime. Furthermore, the depiction of criminals is politically problematic. Instead of presenting them as bad examples, underlining the way they are defeated by the authority they defy, they are often romanticized and thus a crime pantheon is built. This study seeks to reassess the ideological ambiguities of criminal biographies, at the crossroads of historical, journalistic, and novelistic discourses, taking into account some features of early modern literature, notably the systematic moral purpose and the blurred distinction between fact and fiction. This change of perspective leads us to re-evaluate the biographies’ potential in transgressing. Rather than lying in the romanticization of the outlaws, these seem to lie in the way some texts link the outlaws’ lives with some social and political debates of the time.

L’étude de la représentation du pouvoir à l’époque moderne s’est beaucoup développée ces dernières années sous l’impulsion de spécialistes historiens de l’art ou sémiologues. Or ces études ont souvent exclu de leur champ de recherche l’espace géographique, pourtant fondamental, que constitue le monde méditerranéen. Cette thèse va donc s’articuler autour de l’interrogation suivante : l’art du portrait, et en particulier du portrait de cour peint, a-t-il été pour les princes italiens un support de leur politique, de l’affirmation de leur pouvoir et de leur puissance ? Le portrait de cour est-il le reflet de la conception du pouvoir des princes et des principaux mouvements intellectuels de l’époque moderne ? Après avoir replacé ces tableaux dans leur contexte historique, cette étude s’attachera à appliquer aux représentations du pouvoir une véritable analyse de contenu : étude des thèmes récurrents, périodicité de leur apparition, positionnement dans les plans de l’image, superficie occupée, mais aussi connotation de chacun à des référentiels culturels bien précis, autant de sens cachés et pourtant patents. Certaines principautés méditerranéennes ont en effet utilisé les principes picturaux et politiques de la Contre-réforme pour affirmer non seulement la supériorité de l’Église catholique, mais aussi leur pouvoir. Après la période de redécouverte de l’art du portrait que constitue la Renaissance, la Contre-réforme et le XVIIe siècle apparaissent comme l’utilisation du discours « visuel » pour s’opposer au discours écrit. Au contraire, au XVIIIe siècle, c’est l’influence des Lumières et des écrits philosophiques qui vont imprégner ces portraits de cour. Si certaines permanences demeurent, les décors ou certains éléments du costume montrent une imprégnation de la société et des sphères du pouvoir par les idées nouvelles, qu’elles soient politiques ou sociales. / The study of the representation of power in modern times has developed significantly in recent years under the guidance of art historians and experts in semiotics. However, these studies have often excluded from their research the fundamentally important geographical space that is the Mediterranean world. Therefore, this thesis revolves around the following questions: Was the portraiture, and in particular the state portrait, a political statement of the power and legitimacy of the person represented in the painting? Is the court portrait a reflection of the conception of the power of the princes and the main intellectual movements of the modern era? After placing these paintings in their historical context, this study conducts a content analysis of the representations of power, focusing on recurrent themes, frequency of occurrence, and the placement of the image, and also to the connotation each specific cultural references, and meanings whether hidden or evident. Some Mediterranean principalities have indeed used the pictorial and political principles of the Counter-Reformation to assert not only the superiority of the Catholic Church, but also their own power. After the period of rediscovery of portraiture as an art form during the Renaissance, the Counter-Reformation and the seventeenth century are seen as the use of visual communication to oppose the written word. On the contrary, in the eighteenth century, the influence of the Enlightenment and philosophical writings permeates the state portraits. While there was a great deal of stability in portraiture over time, gradually the background decor and elements of the clothing began to reflect the arrival of new ideas, both political and social, within the spheres of power and in society more generally.

The diploma thesis Property disputes of the fifties in the 16th century in České Budějovice handles property disputes, disputes over honor and payments records within the years 1550 - 1560 deposited in the State District Archive in České Budějovice. Emphasis is placed on analysis of the city code Urban Rights of Brikcí from Licko. Attention was paid mainly to the property rights of the citizens in the standard and in practice. The practical part of the work focused on the analysis of individual disputes and the behavior of the citizens in specific cases with an emphasis on the use of the Code.