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Deux principaux événements colonisateurs ont apporté de nouvelles vagues de migration au Québec : La fondation de la Nouvelle France, de 1608 à 1763 et la conquête du territoire par les Britanniques après 1763. Afin d’étudier les différences et similarités entre ces dernières et les interactions possibles entre les migrants et les communautés locales déjà présentes sur le territoire, la morphologie dentaire, un outil permettant de proposer des interprétations d’ordre paléogénétique sur l’origine des populations passées, a été analysée pour les deux groupes suivants: 37 individus provenant du cimetière de la première église Notre-Dame à Montréal (1691-1796); et 61 individus provenant du cimetière de Saint-Matthew à Québec (1771-1860). À cette fin, le protocole de l’Arizona State University -Dental Anthropology System a été utilisé pour la collecte de données. La mesure moyenne de divergence et une analyse d’hétérogénéité des populations (Matrice R et Fst modifiés pour les données non-métriques) ont été ensuite calculées. Les valeurs de biodistance confirment que la majorité des individus observés pour les deux collections sont d’ascendance européenne. L’analyse intra-populationnelle a aussi permis d’identifier certains individus, probablement métis, qui s’approchent de la variation amérindienne. Il semble aussi, selon la matrice R et les valeurs Fst calculées pour les deux échantillons, que Notre-Dame est légèrement plus hétérogène et semble avoir incorporé une composante amérindienne un peu plus importante que Saint-Matthew, probablement par métissage, faisant suite, par exemple, à l’incorporation d’individus Amérindiens convertis dans les premières sociétés coloniales. Bien que nos résultats soient très préliminaires, la relation qu’ont entretenue ces deux populations d’origine européenne avec les populations locales, semble avoir varié au cours du temps, en fonction du contexte politique et économique des différentes vagues de migration européenne. Le degré de métissage plus élevé à Montréal au XVIIIe siècle qu’à Québec au XIXe siècle pourrait ainsi refléter un besoin plus pressant de la part des premiers migrants européens de se faire des alliés amérindiens en vue de la réussite du projet colonisateur. / Two colonisation events occurred in Quebec, from 1608 to 1763 (New France), and after 1763 (British Regime), providing new waves of immigrants. In order to examine differences and similarities between the latter waves and the possible interactions between the immigrants and the local communities already living on the territory, dental morphology, which allows us to propose paleogenetic interpretations on the ancestry of past populations, has been analysed for the following two groups: 37 individuals from the cemetery of the Première Église Notre-Dame in Montreal (1691-1796); and 61 individuals from the cemetery of Saint-Matthew in Quebec City (1771-1860). We used the Arizona State University’s -Dental Anthropology System protocol for the observation of dental traits. Mean measures of divergence and population heterogeneity analysis (R Matrix and Fst modified for non-metric data) were calculated. Biodistance values confirm that the majority of the analysed individuals from both collections were of European ancestry. However, intra-population analysis was able to identify certain individuals who were closer to Native American variation. Furthermore, results of R matrix and Fst tests showed that Notre-Dame sample was slightly more heterogeneous. It seemed to have incorporated more of a Native American component than Saint-Matthew, probably through admixture, which was a consequence of the assimilation of “Christianised” Native Americans within the early colonial society. Therefore, although our results are preliminary, interactions between Europeans and local groups seem to have changed through time as a result of colonisation. The higher levels of admixture in the 18th century Montreal (in comparison to the 19th century Quebec City) might reflect a rather urgent need from the first European migrants to set up alliances with Native Americans for the long-term viability of the colony.

Bear Lodge/Devils Tower National Monument, a spectacular rock formation in northeastern Wyoming, has a multiplicity of meanings, not all of which were fully acknowledged until the 1990s. It is widely known as a geologic wonder, the first national monument, a marker of local and pioneer heritage, and a premier rock climbing area. In the 1980s and ‘90s, however, the National Park Service began to acknowledge that the Tower also holds cultural and historical meaning for the Northern Plains tribes, dating back long before the colonization of the American West. Some of the tribes expressed to the Park Service that they were offended by rock climbers desecrating the Tower, a sacred site, leading the Park Service to seek to compromise between these competing uses of this public land. The controversy over climbing at Bear Lodge/Devils Tower was, and remains, a debate over history, and this thesis examines the historical foundations for the discourses of climbers, local white residents, tribal members, and the Park Service, as these various groups asserted their claims to this public space. This thesis contends that the language used by climbers and local white residents in arguing against the Park Service’s accommodation of tribal cultures and beliefs appropriated the languages of spirituality and tradition used by the tribes, and sought to delegitimize the tribal claims to the Tower. The Park Service is complicit in controlling the discourses surrounding the Tower and erasing the traditions and complex history of the Northern Plains tribal ties to this sacred place.

This thesis examines the treatment of Native American and Jewish American characters in four of F. Scott Fitzgerald’s short stories: “Bernice Bobs Her Hair” (1920), “The Passionate Eskimo” (1935), “May Day” (1930), and “The Hotel Child” (1931). Little critical attention has been given to these stories even though they illustrate Fitzgerald’s awareness of the negative ramifications of culturally destructive views and an exploration of new culturally pluralistic ideas. In these stories, Fitzgerald undermines common ethnic stereotypes and demonstrates tension between the intolerance of the American public and the fear of immigrant influence. Fitzgerald is able to re-image the representation of members of these groups and show the evolution of his views on ethnicity and culture. In conclusion, this thesis argues that these stories reveal Fitzgerald’s interest in supporting some level of cultural pluralism and his need to tolerate, if not accept, the differences in the beliefs and cultures in America.

This dissertation examines intersections of the development of maps from the Native American-European encounter to the establishment of the New Republic and transatlantic British and American narratives of women’s travel of the long eighteenth century. Early European and American maps that depict the Americas analyzed as parallel “texts” to canonical and lesser-known women’s narratives ranging from 1688 to 1801 reveal further insights into both maps and these narratives otherwise not apparent. I argue that as mapping of the New World developed, this mapping influenced representations of women’s geographic and social mobility and emergent “American” identity in transatlantic narratives. These narratives, like maps of the New World, reveal disjunctures in representation that disseminate deceptive portrayals of the New World. Such discrepancies open a rhetorical gap, or a thirdspace, of inquiry to analyze the gaze at work within these cartographic and women’s narratives. The representations of women’s geographic and social mobility remain constricted within the selected narratives of women’s travel. While the heroines do travel, in most cases they travel as captives or in some form of escape. These narratives include Aphra Behn’s Oroonoko (1688), Unca Eliza Winkfield’s The Female American (1767), Susanna Rowson’s Charlotte Temple (1794), and Tabitha Tenney’s Female Quixotism (1801), among others. However, these narratives do highlight similarities of an emergent “American” identity as Native American, hybrid, and fluid as represented in contemporaneous maps. Literary Landscapes also addresses the narrativity of maps as auto/biographical and even satirical expressions as related to the women’s narratives analyzed in this study. For, J. B. Harley discusses how a map conveys his own life and contains his memories in his essay “The Map as Biography,” while Roland Barthes argues that mapping is a sensorial experience in his brief essay “No Address.” Furthermore, allegorical maps like Jean de Gourmont’s The Fool’s Cap Map of the World (ca. 1590) and Madeleine de Scudéry’s Carte de tendre (1678) reflect aspects of the human condition such as folly and friendship.

in English This particular MA thesis concentrates on the portrayal of Indians in captivity narratives of the early seventeenth and eighteenth centuries, the essential source material being Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, first published in 1682. The thesis explores the relationship between Native Americans and settlers who saw Indians as a threat to their own existence and also as a threat to the western expansion. It also focuses on the confrontation of savagery and civilization from the point of view of common presuppositions and prejudices about the Native Americans that are very often depicted in several captivity narratives. Moreover, the thesis provides necessary definition of the genre of the captivity narrative with regard to the reaction of the reading public in the period of the seventeenth and eighteenth centuries. From the first arrivals of settlers and explorers the American continent symbolized a land of vast opportunities. Nevertheless, the continent not being fully explored was shrouded in a veil of mystery. Explorers and adventurers were fascinated by the extensive natural resources they found in the New World. Moreover, the New World was often called New Canaan or the Garden of Eden as it symbolized for the newcomers a possibility to start a new...

This thesis aims to understand William Faulkner as an environmentally conscious author whose views on land abuse appear throughout his work. The goal is twofold: first, to examine how he criticizes ecological abuse; second, to discover which sources likely influenced him and helped him to form his perspectives on environmental issues.

Those who practice within the field and those who wish to discredit the field have long debated the field of paleodemography. In 1999 and again in 2000, researchers who used paleodemographic analysis assembled in Rostock, Germany to amend the present issues and change the way research is conducted in the future (Hoppa and Vaupel 2002). As a result of these meetings, researchers created the Rostock Manifesto. While many scholars accepted the change in the suite of methodologies carried out under the new guidance, little has been said on the effectiveness of the manifesto. In this thesis, I argue that the Rostock Manifesto, at the very least, is effective in changing the results of paleodemographic research both qualitatively and quantitatively. Unfortunately, due to the nature of paleodemographic research it cannot be said of how effective the manifesto is. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2015 / FAU Electronic Theses and Dissertations Collection

This thesis focuses on the continuous misrepresentations that appear throughout different outlets of popular culture and the negative impacts of these misrepresentations. In the first chapter, the focus will be on the films The Last of the Mohicans and The Mission and the origins and implications of the misrepresentation of Indians in film. The second chapter uses rap music videos such as 50 Cent’s In Da Club, Nelly’s Tip Drill, LMFAO and Lil John’s Shots, Where Da Hood At, Tupac’s Hit ‘Em up, and N.W.A.’s Straight Outta Compton as primary texts to demonstrate the one dimensional and problematic representations of African American Identity in the rap music industry. The third and final chapter uses the video games Grand Theft Auto III and Gun as examples of the negative representations that occur and are repeated quickly in the rapidly improving world of video games. While the misrepresentations are achieved and perpetuated differently in each medium, their ubiquitous presence in popular culture calls for discussion. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2014. / FAU Electronic Theses and Dissertations Collection