Syftet med denna studie har varit att undersoka hur begreppet terrorism tillampas i de svenska domstolarna eftersom det finns antaganden att begreppet tillampas olika beroende pa miljo. Denna utgangspunkt har hamtats fran konfliktteorin och datamaterialet har samlats in med hjalp av en innehallsanalys, for att studera likheter och skillnader i rattsfall. I fyra rattsfall hade garningsmannen en islamistisk anknytning samt i tva rattsfall en anknytning till nazismen. Resultatet visade att det finns indikationer pa att domstolen gor skillnad i sin bedomning om garningsmannen har en utlandsk bakgrund och pa nagot satt ar kopplad till en islamistisk terrororganisation. Det framkom aven att det foreligger ”guilty by association” i de rattsfall dar garningsmannen har en islamistisk anknytning dvs. att de ar stamplade som terrorister innan dom avkunnats och saledes maste bevisa sin oskuld .

The thesis Antisemitism and propaganda in Nazi Germany films deals with the issues of propaganda and antisemitism in connection with how were these two phenomena included in Nazi Germany films. The first two parts focus on explanation of the two above mentioned phenomena to the reader in order to provide necessary knowledge for the upcoming interpretation of the chosen films, which are Robert und Bertram, Die Rothschilds, Jud Süß and Der ewige Jude. The thesis is enclosed with a sample lesson based on the propaganda topic, which is designed for the upper grade primary school pupils.

“Surrounded by Lights” explores the indoctrination of a society under Hitler’s control into the radical beliefs of Nazism, drawing from the author’s own familial history, as well as secondary sources. The result is the tale of a young girl named Greta who is growing up in the Banat region (an outpost of Germany) during World War II. Greta struggles to cope with the absence of her father, especially in moments of displayed violence initiated by the Reich.

O presente trabalho tem como objetivo discutir o pensamento e a ação dos principais grupos políticos na República de Weimar (1918-1933), bem como ambiente político em que se dá a disputa entre estes grupos. Dessa maneira, o trabalho procura classificar o papel desses grupos na disputa política de Weimar dentro das categorias de pensamento Partido da Ordem, Ordem e Revolução. O estudo leva em conta o estabelecimento de um novo cenário político na Europa após o final da I Guerra Mundial, a Conferência de Paz em Paris e a Crise Econômica que abala o continente nesse período. Esse contexto propicia o fortalecimento, na Alemanha, de grupos que se apresentam como alternativas ao modelo liberal e democrático estabelecido pela República de Weimar. De um lado, os que chamaremos de Intérpretes da Ordem representados inicialmente por diversos grupos que, mais tarde, irão se cristalizar no Partido Nacional-Socialista (NSDAP). De outro, os partidários da Revolução representados desde a I Guerra pela Liga Espartaquista que, em 1919, se alinhou à III Internacional Comunista depois de seu frustrado levante revolucionário. Esses grupos opostos ganham tal força no quadro político alemão que seu embate pode ser sido um dos fatores determinantes do fim do pacto originário da República de Weimar. / This paper aims at discussing the political thought and action of the main political groups of the Weimar Republic (1918-1933), and also the political atmosphere in which this groups fight for power. Also this paper targets to classify the role of these groups in the political dispute in the categories of Party of Order, Order and Revolution. The reference of this work is the new political framework of Europe that emerges after the First World War, The Paris Peace Conference and the Economic Crises that collapse the continent. This context benefit the empowerment of the groups that appear as an alternative of liberal and democratic model established during the Weimar Republic. On one hand there is the group that advocates in favor of the Order- at the beginning represented by several groups, but latter it will form the National Socialist Party (NSDAP). On the other hand, there is the group that wants the Revolution- represented, since the First War, by the Spartacus League which has align, in 1919, with the III International after the fail of the revolutionary uprising. Those opposite groups gain a lot of power in the German political arena and their confrontation could be the reason of the end of the pact that has origin the Weimar Republic.

O autoritarismo, complexo fenômeno social largamente estudado pela Ciência Política e pela Psicologia Social, é aqui pesquisado em suas articulações com o sistema penal. Na medida em que o autoritarismo deriva do poder e em que o sistema penal deriva do direito, são estudados os conceitos de poder e de direito, em suas peculiaridades e inter-relações. Em seguida, examinam-se a história da construção do conceito de autoridade e os contextos políticos e psicológico-sociais em que o termo autoritarismo tem sido empregado, para, em seguida, analisar, abstrata e conceitualmente, suas inter-relações com o sistema penal. Observa-se que o autoritarismo é característica estrutural de todo e qualquer sistema penal, manifestando-se nas mais variadas agências desse sistema, e em todos os planos: na criminalização primária (ou seja, na edição de leis penais), na criminalização secundária (i.e., na aplicação concreta de poder punitivo a autores concretos), no poder positivo configurador da vida social, no discurso-jurídico penal (nas teorias dos juristas) e nos sistemas penais paralelo e subterrâneo. Como hipóteses de trabalho, são examinados o sistema penal alemão nazista e o sistema penal brasileiro contemporâneo, buscando verificar, ainda, se e em que medida há coincidências em propostas político-criminais e em práticas concretas de poder punitivo. / Authoritarianism, a complex social phenomenon that is widely studied by Political Science and by Social Psychology, is researched in this thesis in its articulations with the criminal system. As authoritarianism is derived from power, and the criminal system is derived from the law, the concepts of power and law are studied in their peculiarities and interrelationships. Further on, there is the analysis of the history of construction of the authority concept, and the political and social-psychological contexts in which the term authoritarianism has been employed, and, thereafter, the analysis of its interrelationships with the criminal system, in an abstract and conceptual manner. It is noted that authoritarianism is a structural characteristic of any and all criminal system, being shown in the most varied agencies of this system, and in all its plans: in primary criminalization (i.e., enactment of criminal laws), in secondary criminalization (i.e., concrete application of punitive power to concrete authors), in the positive power that shapes social life, in the criminal legal speech (in the jurists' theories), and in the parallel and subterranean criminal systems. As work cases, the Nazi German criminal system and the contemporary Brazilian criminal system are examined, also trying to find out whether and to what extent there are any coincidences in political-criminal proposals and concrete practices of punitive power.

The dissertation The theme of Nazi and Communistic prisoner in Czech literature in the 2nd half of the 20th century deals with political prison in prose of the given period. Its aim is to show the whole picture on both mentioned phases and regimes, on relations and attitudes of literary theory to the literature, which is related with political theme and firstly on psychological and social world of political prisoners of Nazi and Communist regime in the literature.

Orientador: Márcio Orlando Seligmann-Silva / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-16T11:06:27Z (GMT). No. of bitstreams: 1 Elidio_Tiago_M.pdf: 702214 bytes, checksum: e59bca01041e403ef290549da164cacb (MD5) Previous issue date: 2010 / Résumé: Le génocide nazi a été une des grandes catastrophes qui ont marqué le 20ème siècle. Les homosexuels ont été l'un des groupes qui ont été persécutés et assassinés. Après la guerre, en raison des lois qui étaient encore en vigueur contre eux, ceux qui ont survécu ont été incapables de fournir leur témoignage et de dire ce qui s'était passé durant cette période. Cela n'a été possible quelques décennies plus tard, lorsque de telles lois n'existent plus et les homosexuels ont plus de visibilité, et il était donc possible de parler. Un témoignage important de ce groupe est l'autobiographie d'un survivant français, Moi, Pierre Seel, déporté homosexuel. Dans son oeuvre, on peut observer certains points de ce genre de récit testimonial, comme, par exemple, les questions de la dénonciation et de la violence. Toutefois, l'homosexualité apporte quelques différences. L'une est la distance temporelle entre l'événement et l'écriture. De nombreuses années ont passé après la fin du régime, alors son récit ne rend pas seulement une dénonciation du système nazi, mais aussi de la période d'après-guerre. Dans son livre, il raconte la difficulté que les homosexuels avaient passé au fil des ans et aussi la difficulté à reconnaître ce groupe comme une victime du régime hitlérien / Resumo: O genocídio nazista foi uma das grandes catástrofes que marcaram o século XX. Entre os grupos perseguidos e assassinados estavam os homossexuais. Após o final da guerra, devido às leis que ainda estavam em vigor contra eles, os que sobreviveram não puderam prestar seu testemunho e contar o que havia passado nesse período. Isso só foi possível décadas depois, quando tais leis deixaram de existir e os homossexuais passaram a ter mais visibilidade, sendo, assim, possível falar. Um importante testemunho desse grupo é a autobiografia de um sobrevivente francês, Moi, Pierre Seel, déporté homosexuel ("Eu, Pierre Seel, deportado homossexual", sem tradução para o português). Em sua obra, podemos vislumbrar as principais características desse tipo de narrativa testemunhal, como, por exemplo, a questão da denúncia e da violência sofrida. No entanto, sua homossexualidade traz algumas diferenças. Uma delas é a distância temporal entre o evento e a escrita. Passados muitos anos após o fim do regime, sua narrativa não só faz uma denúncia ao sistema nazista, como também ao período pós-guerra. Em seu livro, narra a dificuldade enfrentada pelos homossexuais ao longo dos anos e a dificuldade de reconhecimento desse grupo como vítima do regime de Hitler / Abstract: The Nazi genocide was one of the major disasters that marked the 20th century. The homosexuals were one of the groups that were persecuted and murdered. After the war, due to laws that were still in force against them, those who survived were unable to provide their testimony and tell what had passed in that period. This was only possible some decades later, when such laws no longer exist and homosexuals had more visibility, and therefore it was possible to speak. An important testimony of this group is the autobiography of a French survivor, Moi, Pierre Seel, déporté homosexuel ("I, Pierre Seel, deported homosexual", without translation into Portuguese). In his work, we can observe some points of this kind of testimonial narrative, for example, the issues of the denunciation and of the violence. However, the homosexuality brings some differences. One is the temporal distance between the event and the writing. Many years had passed after the end of the regime, so his narrative not only makes a complaint to the Nazi system, but also to the postwar period. In his book, he recounts the difficulty that homosexuals had passed over the years and also the difficulty about recognizing this group as a victim of Hitler's regime / Mestrado / Literatura Geral e Comparada / Mestre em Teoria e História Literária

Orientador: Carlos Eduardo Albuquerque Miranda / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-06T10:32:41Z (GMT). No. of bitstreams: 1 Rigotti_GabrielaFiorin_M.pdf: 2107730 bytes, checksum: 2aa7bd1ae17611818aa8847b4dad52b4 (MD5) Previous issue date: 2006 / Resumo: Esta é uma proposta de investigação sobre a construção de uma narrativa cinematográfica em consagração ao nacionalismo no filme "O Triunfo da Vontade" de Leni Riefenstahl. Nesta busca, procura-se compreender a construção de imagens alegóricas que, inferidas pelo produto fílmico e legitimadas pelos valores e anseios do III Reich, serviriam para corroborar suas aspirações pela raça pura e pelo nacionalismo como sentimento de pertencimento à nação ¿ aludindo e ajudando a construir uma persistente estética de filmagem. O objetivo central desta pesquisa, portanto, é o estudo da forma estética deste filme e de sua persistência na memória contemporânea, buscando-se entender os ideais políticos intrínsecos ao III Reich e ¿ para além dele ¿ aos regimes totalitários / Abstract: This is an proposal¿s inquiry about the construction of a cinematographic narrative in consecrate the nationalism in the film "Triumph of the Will" of Leni Riefenstahl. In this search, it is looked for understanding the use of illustrative images that, inferred by the film and legitimated by the values and yearnings of III Reich, would serve to corroborate its aspirations for a pure race and for the nationalism as feeling of belonging to the nation ¿ alluding and helping to construct an persistent esthetic of filming The central objective of this research, therefore, is the study of the esthetical form of this film and its persistence in the contemporary memory, searching to understand the political ideals intrinsic in the III Reich and ¿ for beyond it ¿ to the totalitarianism / Mestrado / Educação, Conhecimento, Linguagem e Arte / Mestre em Educação

FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico / O presente trabalho visa o estudo histÃrico das significaÃÃes e construÃÃes do corpo no documentÃrio Olympia (ALE, 1938), da diretora alemà Leni Riefenstahl. O filme retrata os Jogos OlÃmpicos de Berlim, ocorridos dois anos antes em pleno regime nazista. Nesse evento, Adolf Hitler promoveu uma intensa mobilizaÃÃo para propagar uma imagem da Alemanha como uma naÃÃo harmoniosa e pacÃfica. Mas, ao mesmo tempo, buscou-se tambÃm demonstrar a superioridade fÃsica da raÃa germÃnica em relaÃÃo aos demais. Procura-se, nesse sentido, demonstrar como esse corpo retratado no filme à resultado de uma sÃrie de concepÃÃes e questÃes sÃcio-polÃticas que ganham forÃa desde o final do sÃculo XIX. Do cuidado de si, da popularizaÃÃo do esporte como forma de disciplinar corpo e mente aos grupos nudistas que se multiplicaram na Alemanha, todos esses movimentos foram absorvidos e ressignificados pela ditadura totalitÃria. Olympia mostra um ideal de corpo e beleza Ãnico e segregador, em nome do qual os nazistas vÃo promover a eliminaÃÃo dos desviantes por meio da SoluÃÃo Final. / The present work aims at the historical study of meanings and constructions of body in the documentary film Olympia (ALE, 1938), by the German director Leni Riefenstahl. The film shows a portray of the Olympic Games in Berlin, occurred two years before in full Nazi regime. In this event, Adolf Hitler promoted an intense mobilization to propagate an image of Germany as a harmonious and pacific nation. But, at the same time, it also searched to demonstrate the physical superiority of the Germanic race over the other ones. It is looked, in this direction, to demonstrate as this body portrayed in this film is resulted of a series of conceptions and social political questions that gain force since the end of XIX century. From the care of itself, the popularity of sports as form to discipline body and mind to the nudist groups that had multiplied in Germany, all these movements had been absorbed and gained new meanings for the totalitarian dictatorship. Olympia shows an ideal of body and beauty unique and segregated, on behalf of which Nazis will promote the elimination of different ones by means of the Final Solution.

While much is known about the polarities of the Protestant 'Church Struggle' (Kirchenkampf) in Nazi Germany, comparatively little is understood about the complex and collective dynamic of the Landesbischöfe of the only three 'intact' churches to escape incorporation into the Nazi-dominated Reichskirche. Traditionally, literature on the Kirchenkampf has taken a simplistic 'good-versus-evil' approach to the conflict and, arguably inspired by a moral need to come to terms with the less-than-glorious past of the German Protestant Church, has been unable to locate the Landesbischöfe of the 'intact' churches neatly within the conventional historiographical paradigm. By taking as its subject Landesbischöfe August Marahrens of Hanover, Hans Meiser of Bavaria and Theophil Wurm of Wûrttemberg, this dissertation examines the contribution to the Kirchenkampf of three men, who, to ensure the continued existence of German Protestantism in the Third Reich, were ultimately forced to find ways to respond to National Socialism that lay somewhere between the parameters of defiance and compliance. In order to demonstrate the collective contribution of the Landesbischöfe to maintaining the status of the German Protestant Church amidst heightening Nazi tyranny, this dissertation traces how, with reference to external personal, political and socio-cultural conditions, the bishops moved from a seeming commonality of cause to display increasingly varied responses to the manifestations of both political and ecclesiastical National Socialism. By tracing the development of their moderate but nonetheless disparate positions, this dissertation not only questions the traditional historiographical assumptions that Landesbischöfe Marahrens, Meiser and Wurm failed to resist National Socialism effectively or were, at best, collectively neutral in the conflict, but also seeks to delineate, for the first time, the crucial parts played by each of the Landesbischöfe during three distinct stages of the Kirchenkampf. In devoting each of its three central chapters to a particular phase in the conflict, this dissertation demonstrates how each of the Landesbischöfe in turn steered the 'intact' ensemble through the Third Reich as a modest yet effective force of opposition to Nazi despotism. Seen as a whole, this investigation ultimately demonstrates how, through their respective turns at national Church leadership, Landesbischöfe Marahrens, Meiser and Wurm did not undermine the wider Church resistance effort but, rather, saved the Church from subjugation to Nazism more effectively than would have been possible had they stood alone.