The aim of this research is to analyse how local, Southern Middle East and North African NGOs are included or excluded in the Global Compact for Safe, Orderly and Regular Migration and the Global Compact on Refugees and how they contribute to a changing global governance on climate change displacement. A combined theoretical framework of social constructivism interlinked with structural and social concepts of power was used in the research. The methodology is a qualitative empirical case study using mixed methods, being textual and content analysis. The results show that global governance processes and non-state actors change and transform each other. Change occurs gradually and with strong persuasion from non-state actors who do contribute to a changing discourse on climate change displacement. The research thus contributes an example of marginalised actors both constituting and being constituted by the structure of the two global compacts.

This research paper explores the effect of nationalist attitudes on anti-immigrant voting, focusing on the securitisation of migrants and its influence on anti-immigrant sentiments as a causal mechanism. Previous research indicates a correlation between shock events such as a vast influx of migrants and the perception of competition as precursors to anti-immigrant voting. However, increased contact between groups due to forced proximity has been found to improve relationships and reduce anti-immigrant voting. This paper aims to develop the theory and investigate the extent to which another factor, nationalist attitudes in Kais Saied and Recep Tayyip Erdoğan’s pre-electoral speeches had an effect on anti-immigrant voting in 2018-2019. It tests the hypothesis that anti-immigrant voting increases when politicians use nationalist discourse before elections. The paper acknowledges the relevance of media coverage as an alternate explanatory factor.

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Citizens' increased access to the internet is transforming political landscapes across the globe. The implications for civil society, culture, religion, governmental legitimacy and accountability are vast. In nations where one does not typically expect "modern" or egalitarian ideals to be prevalent among highly religious and conservative populations, those with motivations to unite around socially and culturally taboo causes are no longer forced to silently acquiesce and accept the status quo. The internet has proven to be an invaluable tool for those aiming to engage in social activism, as it allows citizens in highly oppressive authoritarian regimes to covertly mobilize and coordinate online protest events (such as hashtag campaigns, proclamations via social media, signing of petitions, and even DDoS attacks) without the fear of repression. What catalyzes lesbian, gay, bisexual, transgender, and queer/questioning (LGBTQ) equality movements in authoritarian regimes, specifically with respect to the Middle East and North African region? This thesis argues that gay rights movements are more likely to emerge in politically repressive, more conservative states when new political opportunities--namely access to the internet for purposes of political organization--become available. This master's thesis identifies why LGBTQ movements emerged in Morocco and Algeria, but not in Tunisia until after it underwent democratization. These states will be analyzed in order to gauge the strength of their LGBTQ rights movements and, most importantly, to identify which variables most cogently explain their existence altogether.

This thesis focuses on documentaries by North African women, who have been marginalised within the limited space of the field of African filmmaking. I illustrate how North African cinema has suffered from neglect in studies on African as well as Arab culture and particularly African and Arab cinema. I discuss the work of four pioneering women documentary makers in Egypt, Tunisia, Algeria and Morocco. Consecutively I will discuss Ateyyat El Abnoudy, Selma Baccar, Assia Djebar and Izza Génini’s work. My approach is transnational and Bakhtinian in the sense that I am an outsider looking in. I promote a constant self-awareness as a Western European and an academic interested in the area that is defined as the Middle East. Like the documentary makers, I take the nation state as a starting point so as to understand its effects, in order to be able to critique it and place the films in a transnational context. The documentaries in this thesis illustrate that films of a socio-political nature contest the notion of a singular national identity and can become a means of self-definition. Asserting one’s own cultural and national identity, and subjectively offering the spectator an individual’s interpretation of that self-definition, is a way towards female emancipation. Going against the grain and avoiding stereotypes, evading censorship and dependence on state control, these directors find ways to give a different dimension to their identity. Analysing the work of these four pioneering filmmakers, I uncover diverse female subject matters treated by a similar aesthetic. I argue that through overlooked cinematic techniques, they succeed in subverting the censor and communicating a subtle but convincing critique of the patriarchal system in their respective countries. Their preoccupation with representing ‘the other half’ puts a new and under-explored spin on perceptions of anti-establishment filming with subtly emancipating consequences. I suggest that their common aesthetic is one that develops moderation in terms of context, content and style. There is a cinematic way of implicitly subverting not only the (colonial) past but also the (neo-colonial) present which goes further than re-inscription or compensation: new modes of resistance co-exist with the more rebellious and heroic ones. These women’s films rewrite, imply and contemplate rather than denounce and attack heroically. They do not reject as much as interrogate their situations, counting on the empathic and intersubjective abilities of the spectator. A relationship of trust between director, subject and spectator is crucial if we want to believe in the subalterns’ aptitude for voicing issues and gazing back. I reveal a different approach to communication beyond the verbal, and a belief in the subjects’ capacities to speak and listen. This is echoed in the filmmaker’s sensitive analysis of the subjects’ expression and voice and the non-vocal expression – the gaze. The intended outcome is dependent on the willingness of the spectator to take part in the intersubjective communication triangle. I conclude with the idea that moderation is the foundational concept of a post-Third Cinema transnational aesthetic in North Africa. Ateyyat El Abnoudy, Selma Baccar, Assia Djebar and Izza Génini are pioneers of women’s filmmaking in North Africa, who opened up a space for underrepresented subjects, voices and gazes.

The following essay examines the image of "Barbary piracy" created by two prominent political figures, Thomas Jefferson and William Eaton, and by the American public from 1784 to 1805, and how those images shaped the policy of the American-Barbary War. Eaton‟s Orientalist approach to describing piracy and the North African population limited his views of this region, thus reducing the American conflict to the annihilation of animalistic "brutes." Jefferson‟s practical approach to describing piracy and the North African population focused on emancipating the region from the corrupting influence of greed, allowing him the necessary flexibility to solve the conflict by either by military force or with peace treaties, whichever was necessary. I will show the impact that categorizing piracy as either the result of a depraved society or as a corrupting force had on both American perceptions of the North Africa people and on the outcome of the American-Barbary War.

This thesis deals with the life and career and intimate life of Francis Carroll Grevemberg, an antiaircraft World War II officer from New Orleans, Louisiana. Grevemberg joined the Louisiana National Guard in 1932 and began his military career in the midst of the Great Depression. In the reorganization of the U.S. Army before World War II, the War Department transformed Grevemberg's cavalry regiment into a coastal artillery battalion with antiaircraft capability. During World War II, Grevemberg saw continuous action in the North Africa, Italy and Southern France. He regularly wrote letters from battlefields to his wife Dorothy. These letters provide a important window into a young officer's feelings, thoughts and affection in the unfolding of World War II. They are documents of a soldier's emotional release during times of crises. Lt. Col. Grevemberg is a rare, World War II antiaircraft artillery officer who took part and survived five amphibious landings in the Mediterranean.

Nous avons investi l’entrepreneuriat maghrébin dans la métropole parisienne, région riche de par sa diversité culturelle, avec comme point de départ les activités associatives auxquelles adhérent nos interlocuteurs. A ce titre, nous avons identifié un certain nombre de regroupements et de réseaux crées par des entrepreneurs maghrébins et qui ont pour objectifs, notamment, de fédérer les efforts pour faire face à la concurrence domestique et de faciliter un retour entrepreneurial au pays d’origine. Sur ce plan, nous avons mis en relief les questions d’efficacité de ces associations, voir même leur transformation en entreprises.Nous avons pu évoquer avec nos interlocuteurs les aspects des diasporas maghrébines, notamment celles se rapportant aux difficultés de transmettre la culture d’origine aux descendants, les jeux avec les doubles identités ou l’assimilation avec tout ce que signifie ce mot.Nous avons aussi, évoqué les effets directs et indirects du retour entrepreneurial sur le marché des pays du Maghreb aussi bien sur le plan de l’intégration ou la désintégration économique, que sur le plan de l’emploi, les qualifications et les compétences ainsi que les modes de gouvernance./. / Absract:We discussed in this thesis the maghrebian entrepreneurial ship in Paris, This capital is known by its cultural diversity . the starting point was the association’s activities that make the business men that we meet. We have identified some entrepreneurial network. These network have as missions to federate des efforts of the maghrebian entrepreneurs to conterbalance the concurrents in France and to guarantee the best conditions for the entrepreneurial return to tha origin country in maghreb.We evoked also in this doctoral work, the aspects of maghrebian diasporas, and the difficulties to transmit the original cultures to the younger generations . the acting with the double culture and or the assimilation full integration in the host society (the frensh community) .We studied also some economic consequences of creating company in the origin country (Tunisia) by the maghrebian business men. Especially the economic desintegration or the integration through out the entrepreneurial establishement either creating compagnies or by some partenarship.Kee words: entrepreneurship, associations, network, diasporas, maghrebian, Paris, identities, culture, economic integration,

Cette thèse vise à restituer l'histoire de la mousson africaine au cours du Quaternaire, et à en déterminer ses influences sur les variations des apports sédimentaires du Nil et des déserts d’Afrique du nord. Deux sites de la Méditerranée orientale ont alors été étudiés (la carotte MD90-964 dans la partie orientale du bassin Levantin et le Site ODP 964 dans la Mer ionienne). Sur la base des analyses de la minéralogie des argiles, de la granulomètrie, de la teneur en carbonate et Corg couplées à des analyses semi-quantitatives d’éléments majeurs et traces à très haute résolution temporelle par XRF Core Scanner, nous avons restitué l’histoire des apports sédimentaires du Nil, des changements de précipitation en l’Afrique du Nord, et des variations des paleo-crues du Nil au cours des 1,75 derniers millions d'années. Le premier enregistrement de Delta(18)O du foraminifère planctonique G. ruber (carotte MD90-964) de l’ensemble du Quaternaire a été obtenu à très haute résolution temporelle pour la Méditerranée orientale. Le site ODP 964 a permis de restituer la dynamique des apports de poussière saharienne à la mer ionienne durant les 1,5 derniers millions d'années. Les résultats indiquent que les changements dans les apports de sédiments transportés par le Nil et par les vents depuis les domaines sahariens sont fortement influencés par les variations de la mousson africaine. Les alternances glaciaires/interglaciaires et les variations climatiques de la transition climatique mi-Pléistocène (MPT), dans une moindre mesure, influencent également / This thesis is devoted to reconstruct the Quaternary history of African monsoon and its influences on suspended loads of the Nile River and dust production in Sahara. The materials used in this study come from two sites (MD90-964 in the eastern Levantine Basin and ODP Site 964 in the Ionian Sea) in the eastern Mediterranean Sea. Based on clay mineralogy, grain sizes, carbonate and Corg contents, and XRF core scanning analyses of Core MD90-964, we have reconstructed history of the Nile suspended discharges, precipitation in North Africa, and Nile paleoflood events during the last 1.75 Ma. On the basis of the planktonic foraminiferal Delta(18)O record of Core MD90-964, we have established for the first time in the eastern Mediterranean Sea a high-resolution planktonic foraminiferal (G. ruber) Delta(18)O record that penetrates the Quaternary period. The ODP Site 964 allows us to establish the variations of Saharan dust inputs to the eastern Mediterranean Sea during the last 1.5 Ma. Our results indicate that both fluvial sediments from the Nile and Saharan eolian dust inputs to the eastern Mediterranean Sea are greatly influenced by the variability of African monsoon. The glacial/interglacial cycles and other orbital-scale climatic events, such as the “Mid-Pleistocene Transition”, can also affect climate changes in North Africa to a minor extent.