This study explores the manifestation of piety and sensuality in the operas Manon and Thaïs by Jules Massenet. These two themes are prevalent in Massenet’s operas as well as his oratorios, although it is not clear why this is so. His admiration and love for the human voice and his ability to compose beautiful melodies are reflected in the fact that he composed primarily for the lyric theatre. Piety and sensuality in Manon and Thaïs are articulated predominantly by the eponymous female characters. In order to understand the characters and the motivations that steer their lives, it was necessary to gain an understanding of the socio-historical context of piety and sensuality. This understanding was reached through means of a traditional literature review, which also shed light on the nineteenth-century Zeitgeist and its influence on Massenet and his work. This is a hermeneutic study conducted in light of an interpretive paradigm. The libretti of Manon and Thaïs were explored by means of a close reading to identify sections dominated by piety and sensuality. Following the example of Lawrence Kramer, a combination of close reading and analysis was used to look at the ways in which piety and sensuality are articulated in the music. It became clear that Massenet used various compositional techniques to differentiate between piety and sensuality in his music scores. These techniques were applied with such skill that a listener can identify these two themes through close listening. / DMus (Performance), North-West University, Potchefstroom Campus, 2015

Transubstantiation and the cult of Corpus Christi became crucial Counter-Reformation symbols which were assigned an even more significant role during the process of Catholic renewal from the mid-sixteenth to the mid-eighteenth century. Practices outside Mass, such as pilgrimages, processions, and prayers in front of the consecrated host flourished, in particular, in early modern Bavaria. The former Duchy of Bavaria has generally been regarded as the archetypal ‘confessional' state, as the Bavarian dukes from the House of Wittelsbach took the lead in propagating the cult of the Eucharist. They acted as patrons of Baroque Catholicism which was presented to the public as an obvious visual marker of Catholic identity. This study therefore investigates how the Eucharist was popularised in the Catholic duchy between 1550 and 1750, focusing on three major themes: pilgrimages, confraternities, and the Corpus Christi procession. This study does not, however, approach the renewal of Catholicism in terms of a top-down process implemented by the Wittelsbach dukes as a method of stately power and control. Rather than arguing in favour of a state-sponsored piety imposed from above, this work explores the formation of Catholic confessional identity as a two-way-process of binding together elite and popular piety, and emphasizes the active role of the populace in constituting this identity. This is why this investigation draws primarily on research from local archives, using a rich body of both textual and visual evidence. Focusing especially on the visual aspects of Catholic piety, this project works towards an interdisciplinary approach in order to understand the ways in which Eucharistic devotion outside Mass was presented to and received by local communities within particular visual environments.

This study (1) developed and tested the Socially Supportive Activity Inventory (SSAI) to assess the quantity and quality of socially supportive activities that institutionalized elders receive, and (2) tested the predicted relationships among the variables proposed in the hypothesized causal model, socially supportive activities, self-transcendence, and depression in institutionalized elders. For pilot testing psychometric properties of the SSAI, the content validity was 0.96. Test-retest reliability from a sample of 10 participants yielded stability coefficients of 0.76-1.00, indicating the SSAI is a highly relevant and reliable culturally-based instrument. In the main study, a total of 196 participants were recruited from eight elder care institutions. The results showed an elder's expectation of filial responsibility did not have a moderating effect on the willingness to be/remain institutionalized and on perceived stress. An elder's acceptance of institutionalization was significantly related to perceived stress and indirectly affected depression. The mediator effect of self-transcendence on the relationship between perceived stress and depression was supported. The participation of elderly residents in socially supportive activities demonstrated a moderating effect on the strength of a negative relationship between perceived stress and self-transcendence. In the modified model, an elder's willingness to remain institutionalized, perceived stress, and self-transcendence were significant predictors of depression, accounting for 54.7% of variance. Self-transcendence was the best predictor of depression. These findings contribute to an awareness of importance of culture factors as potential stressors. These findings also help to explain how the psychosocial mechanism of participation in socially supportive activities and the perception of self-transcendence act on depressed elders.

This project explores Japan’s complex literary and cultural negotiation with China from the twelfth through the sixteenth centuries, focusing on the role of intermediary texts (dictionaries, encyclopedias, and commentaries) and the different modes of receiving and constructing Chinese culture depending on historical periods and scholarly lineages. As the larger process by which Chinese history and literature became part of the Japanese literary culture has long been studied on the assumption that there is direct textual continuity between Japanese texts (in literary Sinitic) and Chinese continental texts, the tracking down of citations, allusion, and references to Chinese source texts has commanded great scholarly attention. Yet this assumption obscures other, equally important histories – such as a popular understanding of Chinese culture, or a conceptual perception of Chinese culture, that was NOT based on direct textual continuity – that lies at the heart of this project. The introduction outlines three modes of receiving and constructing Chinese literary culture in pre-modern japan. One was the text-based, canonical view of Chinese history and literature, which relied almost exclusively on texts and genres that were canonized in the Nara and Heian periods state university (daigakuryō) – Confucian classics, Chinese official dynastic histories, and Chinese poetry. In contrast with it was a more popular, name-based understanding of Chinese culture that emerged from various intermediary genres (such as anecdotal literature, dictionaries, encyclopedias, and commentaries) both in China and in Japan. This mode of reception and construction was not based on texts so much as on what I call “cultural signs” (particularly Chinese names, well-known anecdotes, and visual cues) and required no knowledge of the original literary Sinitic. Third was a conceptual, term-based perception, manifested in such concepts as “loyalty” and “filial piety.” Written in the same kanji characters, these terms served as common threads linking Chinese and Japanese literary writings on the one hand, but also took on new meanings and associations in the Japanese cultural imagination. Chapter 1 outlines the importation of Chinese books and manuscripts in relation to the center of scholarship and the main intellectual groups up until the twelfth century. Drawing on evidence from commentaries on the Wakan rōeishū (The Collection of Japanese and Chinese Poems for Recitation, 1013) and from The Tales of China (Kara monogatari, late Heian period) on the themes of exile and loyalty, I discuss the rising interests in referencing anecdotal literature and compiling intermediaries (dictionaries, encyclopedias, and commentaries) in the twelfth century that eventually contributed to the formation of a more popular, name-based understanding of Chinese history and literature. Chapter 2 investigates the Japanese medieval interpretations of Chinese official histories (“Chūsei Shiki”), which features a tension and negotiation between the canonical and the non-canonical texts and gravitates towards recurring themes, character types, and core values. In particular, I look into the themes of wisdom, virtue, loyalty, and filial piety in A Miscellany of Ten Maxims (Jikkinshō, 1252) and The Tales of the Heike (Heike monogatari, ca. 1308-1311), which were largely constructed from a relatively more classical, Tang-based perspective, in despite of the fact that Chinese Song dynasty culture had already been imported to Japan along with the introduction of Chinese Chan (J. Zen) Buddhism in the thirteenth through fourteenth centuries. In Chapter 3, I examine the Taiheiki (A Chronicle of Great Peace, 1340s-1371), a unique text that acts as a nexus for many themes of this project. Analyzing the use of Chinese tales, maxims and proverbs, and poetry in relation to the themes of loyalty, wisdom, righteousness, and filial piety, I show that, unlike The Tales of the Heike, the Taiheiki revealed a thriving concern with the Song culture, which involved new editions, new commentaries, and new poetic theory. I also show that a conceptual, term-based perception of Chinese culture was taking shape. Chapter 4 explores the suddenly intensified scholarly exchange among different intellectual groups – the Zen monks, the Shintō priests, warriors, and court aristocrats – in the fifteenth through sixteenth centuries. Tracing the threads of new books and new theories in Kiyohara Nobukata’s lecture notes on the Mōgyū (Inquiry of the Youth), The Twenty-Four Filial Exemplars, and the picture scroll (emaki) of the Xianyang Palace, I discuss the expansion of knowledge and audience from priests and aristocrats to influential military families and wealthy commoners in late medieval Japan, the formation of new imaginations regarding Chinese history and literature, and the final transition from a pro-Tang prospective to a Song-centered understanding of China. In conclusion, I argue for the literary and cultural reception and construction of Chinese culture as not only a large and complex source text, in a long history of Sino-Japanese intertextuality, but as a complex cultural construction that was packaged and modified, sometimes for easy consumption, to reinforce key values (such as loyalty and filial piety), and that was readily identified even by those with limited access to literary Sinitic. By illustrating the processes by which Chinese history and literature were largely filtered through and transmitted by intermediaries into medieval Japanese literary culture, this project provides a new history of the reception of Chinese culture in the Japanese literary imagination.

Submitted by admin tede (tede@pucgoias.edu.br) on 2018-12-10T17:50:58Z No. of bitstreams: 1 WASHINGTON MACIEL DA SILVA.pdf: 13613953 bytes, checksum: 127e6fad54fff0765a6cfb9d06dadb40 (MD5) / Made available in DSpace on 2018-12-10T17:50:58Z (GMT). No. of bitstreams: 1 WASHINGTON MACIEL DA SILVA.pdf: 13613953 bytes, checksum: 127e6fad54fff0765a6cfb9d06dadb40 (MD5) Previous issue date: 2018-09-25 / SILVA, Washington Maciel Da. THE FEAST OF THREE KINGS MEN’S: tradition and modernization in the Southwest Microregion of Goiás. PhD Thesis in Sciences of Religion. Stricto Sensu Post-Graduate Program in Religious Sciences. Pontifical Catholic University of Goiás. Teacher and Humanities Training Shool. Goiânia: PUC Goiás, 2018. Three wise men’s devotion is a traditional feast and representation of popular Catholicism and popular piety in micro region of the Southwest state of Goias. This devotion represent a demonstration of identity and faith of local worshipper. The present research aim to understand identity and representations of historical tradition as contemporary practice and explain the key concept of “modernization”. The aim of this study is also to made explicit how modernization pos 70’s transformed rural tradition but also how urban practices of religion are being transformed by maintaining tradition. How are the new experiences conditioned by this modernization present in religious reinterpretation? Is it possible to say that belief and tradition have also been modernized? Research focus and methodological choices are align with interdisciplinary approach and the use of Religious Social Studies and Cultural history. Main hypothesis is that Three wise men’s devotion (best known in Latin-American countries as three magi kings) is a mark of perpetuation and maintaining of identities and representation within the context of City-Country and also is an evidence of remaining of tradition as a way of devotion for the worshipers. Theory and methodological procedures use for the study were diverse: bibliographical, documentary, audiovisual, iconographic, quantitative and qualitative approach and participative observation. Results obtain made explicit how the feast integrate historically popular Catholicism and break the daily of worshippers. Thu a religious reinterpretation emerge within modernity. Festivities of Three wise men are an example of junction of devotion are historically conceive as an in development practice. The festivities are indeed traditional but it’s also a way of re-signifiying modern day for worshipers. / SILVA, Washington Maciel da. A FESTA DOS REIS MAGOS: tradição e modernização na Microrregião do Sudoeste de Goiás1. Tese de doutorado em Ciências da Religião. Programa de Pós-Graduação Stricto Sensu em Ciências da Religião. Pontifícia Universidade Católica de Goiás; Escola de Formação de Professores e Humanidades. Goiânia: PUC GOIÁS, 2018. O festejo aos Reis Magos é um rito devocional do catolicismo popular na Microrregião do Sudoeste de Goiás que revela as identidades e representações religiosas. A pesquisa teve como objetivo compreender a tradição e a modernização. Há um intento de apreender como a modernização no início da década de setenta transformou um festejo rural em uma prática religiosa urbana. A problemática central é saber como a modernização reelabora o festejo. Como as novas vivências condicionadas por esta modernização estão presentes na reinterpretação religiosa? É possível dizer que a crença e a tradição também se modernizaram? Foram utilizados fundamentos teórico-metodológicos das Ciências Sociais da Religião e a História Cultural. A hipótese considera que a permanência da devoção se deve à capacidade da religiosidade popular em significar as novas identidades e representações a partir da experiência com a modernização. Ou seja, a continuidade da tradição está condicionada com a narrativa do cotidiano. Os procedimentos teórico-metodológicos foram: bibliográficos, documentais, audiovisuais, iconográficos, métodos quantitativo e qualitativo, juntamente com a observação participante. Os resultados evidenciaram que o festejo integra historicamente o catolicismo popular, moderniza-se ao contrastar com o cotidiano e urbano. Então, a festa aos Reis Magos é uma tradição histórica, porém está pautada pela significação da experiência religiosa na modernidade.

Wong, Wai Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 97-98). / Abstracts in English and Chinese.

Les enseignements du bouddhisme theravāda, tels qu’ils sont consignés dans le Canon pāli (Tipiṭaka), font peu de cas de la piété filiale et du culte aux ancêtres. Cela n’est guère surprenant pour une religion qui repose sur l’éthique du kamma (selon laquelle la destinée d’un individu, strictement individuelle, résulte de ses actions dans cette vie ou dans une vie antérieure) et qui préconise, dans ses textes fondateurs, le renoncement aux liens filiaux et familiaux, souvent considérés comme une entrave sur la voie de la délivrance. Pour les bouddhistes lao en revanche, la dévotion à l’égard des parents, aïeuls et ancêtres est au centre de la vie religieuse et relève sans conteste de l’Enseignement du Buddha. L’aumône matinale, l’édification d’un bâtiment monastique, la consécration d’une statue du Maître ou d’une figure sainte, la commande d’un manuscrit, l’organisation d’une cérémonie d’ordination, l’exercice de la méditation, la participation à des cérémonies calendaires – à dire vrai, tout acte pieux – sont autant d’occasions de rendre hommage ou de porter assistance aux parents et aux esprits lignagers avec lesquels sont partagés les fruits de ces entreprises. L’objectif de cette étude est d’appréhender la place qu’occupent les ascendants familiaux dans le bouddhisme des Lao et de comprendre comment, et dans quelle mesure, ces derniers ont pu harmoniser des considérations sociales et familiales qui leur sont propres avec la doctrine du theravāda sur laquelle repose formellement leur spiritualité. / The Buddhist teachings of the Theravāda, as they are recorded in the Pāli canon (Tipiṭaka), demonstrate little concern for filial piety or ancestor cults. This is hardly surprising for a religion that rests on the ethic of kamma (according to which the fate of a being remains strictly individual, resulting only from his actions in this or previous existences) and recommends, at least in its founding texts, the renunciation of filial and familial ties, often regarded as an obstacle on the path to liberation. In contrast, Lao Buddhists consider that devotion towards parents, forebears and ancestors is at the core of religious life and undoubtedly belongs within the teaching of the Buddha. Giving alms, building a monastery, casting an image of the Master or a saint, commissioning a copy of a manuscript, receiving ordination, practising meditation, participating in annual festivals—more broadly, all kinds of pious deeds—are opportunities to pay homage or provide assistance to parents and lineage spirits, with whom the fruits of these actions will be shared. The purpose of this study is to consider the place occupied by parents and ancestors in Lao Buddhism and to understand how, and to what extent, the Lao have been able to harmonise their own social and familial accounts with the doctrine of the Theravāda, on which their spirituality is understood to rest.

The fast growth of the Chinese oldest old population indicates higher demand for long-term care. In China, families assume the primary responsibility of caring for older adults. Since the oldest elders are more likely to be widowed, their adult children usually become their caregivers. Focusing on the Chinese adult children who provide care for their oldest-old parents, this study documented and helped to explain Chinese adult children's caregiving strain. A conceptual framework was developed based on Pearlin's stress process theory, Higgins' framework of self-concept discrepancy, and previous studies on family caregivers of elders. Using an existing dataset from the 2005 Chinese Longitudinal Healthy Longevity Survey of 895 caregivers and their care recipients, the researcher tested whether and how caregiving context (caregiver's structured context and care recipients' needs for care), caregiving performance, and sibling support were related to five types of caregiving strain including sacrifice strain, exhaustion strain, capability strain, expectation strain, and dependency strain. The results indicate that caregiving context and caregiving performance are statistically related to different types of caregiver strain. Three independent variables in the set of caregiving context, self-evaluation of living standard, education, and cultural identity, were related to two types of caregiver strain in different directions. The caregivers who were the eldest sons, who were females caring for female elders, who had a close relationship with their care recipients, who lived with the care recipients, who provided care for the elders with more needs for care in ADL (Activities of Daily Living), or whose care recipients had health insurance reported higher levels of at least one type of caregiver strain. Care recipients' cognitive status and entitlement to pension were negatively related to at least one type of caregiver strain. Caregivers' rural residence, having a job outside the family, having a child under age 16, and care recipient's needs for care in IADL (Instrumental Activities of Daily Living) were not found to be related to any type of caregiver strain. Monetary assistance, which was indicated by the proportion of their annual household per capita income that the caregivers provided to care recipients, was found to be positively related to caregivers' capability strain. The amount of time spent in caregiving (time assistance) was positively related to three types of caregiver strain: exhaustion, expectation, and dependency strain. Time assistance was also found to mediate the relationship between care recipients' needs for care in ADL and caregivers' exhaustion strain and the relationship between dependency strain and three caregiving context variables: closeness between caregivers and care recipients, co-residence with care recipients, and care recipients' needs for care in ADL. The results revealed the importance of caregiving context and caregiving performance in explaining Chinese adult-child caregivers' experience and the necessity of investigating caregiver strain in different dimensions. This study contributes to understanding caregiver strain from a filial perspective. The results imply directions for future research, social work practice and education, and policy legislation in addressing Chinese adult children's strain in caring for their oldest-old parents.

Tez (Yüksek Lisans) - Süleyman Demirel Üniversitesi, Sosyal Bilimler Enstitüsü, Felsefe ve Din Bilimleri Anabilim Dalı, 2008. / Kaynakça var.

This dissertation examines Socrates' method of examining interlocutors, referred to as the elenchus, in Plato's definitional dialogues. It contains three parts. The first part lays out various theories of the elenchus. The first chapter examines the seminal view of Richard Robinson. The second sketches the development and aftermath of Vlastos' constructivist view. The third focuses on Socrates' own testimony about the elenchus in the Apology. These pictures of the elenchus form a selection of views against which various definitional dialogues may be compared. The second part, containing six chapters, provides a detailed commentary on the Euthyphro. Various features of that dialogue suggest that neither the prominent forms of constructivism, nor their non-constructivist alternatives presented in the first part adequately capture Socrates' procedure. The third part, consisting of one chapter, presents my view of the Socratic elenchus, which I term “technical destructivism.” I argue that this view provides a straight-forward solution to a number of problems which the alternative treatments leave unsolved. It also helps to explain some otherwise puzzling features of Socrates' procedure in the shorter definitional dialogues, including his use of the technē analogy, and his appeal to the priority of definitional knowledge. / Philosophy / text