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<p>Participaters: Andy Yeo (electric guitar), Samuel Löfdahl (double bass) and Karl-Henrik Ousbäck (drums).</p><p>Program:</p><p>Interplay - composed by Bill Evans</p><p>It was time to move - composed by Filipe Raposo</p><p>Inquiétude - composed by Filipe Raposo</p><p>Unglamorous profession - composed by Filipe Raposo</p><p>Entrudo I - II - composed by Filipe Raposo</p><p>Fugue with no prelude - composed by Filipe Raposo</p><p>Uncertainly lost in Stockholm - composed by Filipe Raposo</p><p>Se uma gaivota (encore) - composed by Allain Ouman</p><p>  </p>

This MFA thesis document explores the development of my acting craft and artistic development over a three-year period of intensive graduate training. The document includes an in-depth discussion of the preparation, rehearsal, and performance process of my culminating graduate production – Suzan Zeder’s The Edge of Peace – as it relates to my approaches to acting. The document also includes a discussion of various other areas of my acting process, including the importance of bringing my authentic self to every role, letting go of results, and the integration of body, voice, heart, and mind as well as the productions and experiences in my graduate work that proved essential to the development of these practices. / text

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The present study was concerned with comparing the relative effectiveness of behavior rehearsal and systematic desensitization in the treatment of social anxiety.

The purpose of this study was to determine if there were an,y differences between what Utah high school band teachers perceive as important skills, activities, behaviors, knowledge, and concepts in the context of the rehearsal and their assessment of the degree to which these i terns ·were applied during the rehearsal period. A survey questionnaire listing twenty band rehearsal instructional items was used to obtain the data. Sixty-one percent of the sample responded to the survey. The sample included all high school band teachers in the state of Utah. A correlation coefficient was computed between respondent's ratings of the validity of the instructional item to the band rehearsal and the degree to which the respondents applied that item in their rehearsals. There was a positive correlation between these ratings for all twenty items. Some items, however, had a lower correlation coefficient than others showing a lesser degree of congruency between opinion of validity and application.

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An experiment was conducted to investigate the relative effectiveness of a combined behavior rehearsal anxiety relief conditioning paradigm with a more conventional behavioral rehearsal program in the treatment of deficient assertive behavior.

A dissertação apresenta os movimentos de formação continuada para professores que vem sendo implementados a partir de 2011 nas escolas estaduais, destacando as aprendizagens desencadeadas por este processo na Escola Estadual de Ensino Médio Emília Viega da Rocha, do distrito de Morungava, no município de Gravataí no Rio Grande do Sul. Dentre os diferentes movimentos de formação docente que são propostos nessa escola, considerando o ambiente escolar como um espaço de confronto e de luta entre forças de conservação (vontade de verdade) e forças de criação (vontade de potência), a pesquisa tem por objetivo narrar as experiências que se apresentaram como um exercício de modificação da prática docente, especialmente aquelas inspiradas nos momentos de ensaio de teatro, tanto do grupo Garras de Anjo quanto do grupo Cooperativa de Teatro e propor oficinas de formação que permitam ensaiar outros modos de ser e fazer a docência, especialmente a partir das técnicas de trabalho do ator utilizadas nos ensaios destes grupos teatrais. As discussões teóricas que servem de base para essa pesquisa (o dandismo pedagógico, a estética da existência, o ensaio e a experiência) apoiam-se, especialmente nas ideias de Montaigne, Nietzsche, Foucault, Agamben e Schechner. Além de apresentar os movimentos formativos que se processam na escola, ocorreu um esforço de intervenção nesse processo através da realização de três oficinas de formação com proposição de exercícios que coloquem em movimento a prática dos professores, avaliando as possibilidades dos ensaios de experiências de formação docente, através dos jogos teatrais. Com essa inspiração, o acesso ao ambiente empírico escolar foi se constituindo a partir de fontes múltiplas, devido à sua instabilidade e ao desejo de ampliar a quantidade e a qualidade dos registros. Por isso, a análise dos movimentos de formação e das oficinas foi feito a partir das observações de pesquisa e relatos variados, entrevista audiogravadas, videogravações, cujas transcrições foram sintetizadas no Memorial de Formação Docente da Escola Emília 2011-2012, que reúne um farto material analisado sob o recorte de três eixos temáticos principais, todos eles intimamente ligados às técnicas de ensaio dos atores de teatro: o corpo, o ensaio e o movimento. / The dissertation presents the movements of continuing education for teachers which has been implemented from 2011 in high schools, highlighting the learning triggered by this process in the State School of Emilia Viega da Rocha, Morungava district in the city of Gravataí in Rio Grande do Sul Among the different movements of teacher training that are offered at this school, considering the school environment as a space of confrontation and struggle between forces of conservation (will to truth) and forces of creation (Will to Power), research aims to narrate the experiences presented as an exercise modification of teaching practice, especially those inspired moments in rehearsal theater, both group Garras de Anjo as group Cooperativa de Teatro and propose training workshops that enable testing other modes to be and do the teaching, especially from the technical work of the actor used in the trials of these theater groups. Theoretical discussions that are the basis for this research (pedagogical dandyism, the aesthetics of existence, testing and experience) rely, especially in ideas of Montaigne, Nietzsche, Foucault, Agamben and Schechner. Besides presenting the formative movements that take place in school, there was an effort to intervene in this process by conducting three training workshops in schools and proposing exercises that put in motion the practice of teachers, assessing the possibilities of testing experiences teacher education through theater games. With this inspiration, access to the empirical school environment was being constituted from multiple sources, due to their instability and the desire to expand the quantity and quality of records, hence the movement analysis and training workshops was made from observations and research reports varied, audio recorded interviews, video recordings, whose transcripts were synthesized in Memorial Teacher Training School Emilia 2011-2012, which brings together a wealth of material analyzed under the cut three main themes, all of them closely related techniques Test of theater actors: the body, the test and movement.