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Études: Five Compositional and Technical Studies for Solo OrganLloyd, S. Andrew 05 1900 (has links)
Études was composed as a set of five interrelated movements in the followingorder: Prelude, Introduction and Fugue, Triptych, Chorale, and Response. The pieces are compositional as well as technical studies. The movements specifically explore certain styles and forms unique to organ music, and reintroduce these elements in creative ways. As in the traditional étude, each movement contains virtuosic technical studies, which are designed to enhance manual and pedal facility and prepare the performer for advanced repertoire.
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The Religious Imagery in Emily Dickinson's Love PoemsKirby, Constance B. 01 January 1964 (has links)
This paper will discuss to what extent Emily Dickinson's heritage, environment, and experience formed her attitudes on religion and love, and will explain how successful she was in translating her intense emotional experience of love into poetry by examining her use of religious imagery.
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Animal Imagery and Religious Symbolism in Joseph Conrad'sAnttonen, Ramona January 2001 (has links)
<p>The purpose of this essay is to investigate how Joseph Conrad has used animal imagery and religious symbolism in “Heart of Darkness,” and determine if these tools are somehow linked to the theme of the story. Close reading has been applied in order to be able to go through the entire story in search of these often well-hidden tools. Considering the fact that the story in focus of the analysis is believed by some, including myself, to be a long short story rather than a short novel, this method of approach has proved to be highly useful. First a discussion about a possible theme in “Heart of Darkness” is presented, followed by a brief comment on Conrad’s personal life philosophy and view on the use of symbolic devices in literary works. In order to determine the differences between symbols and imagery, as well as theme, subject and topic, a short discussion of terminology has been included.</p><p>Much of the discussion in the analysis relies heavily upon articles and books by critics who have focused exclusively on symbolism and imagery in “Heart on Darkness” and other works by Conrad. The scholarly names worth mentioning in connection with the discussion about animal imagery are Olof Lagercrantz, John A. Palmer, and Samir Elbarbary. The critics Anthony Fothergill and Cedric Watts explore religious symbolism in general, whereas P.K. Saha and Rita A. Bergenholtz focus on particular aspects of it, such as Buddhism and Greek mythology.</p><p>The analysis section is for the most part a combination between my own personal interpretations of “Heart of Darkness” and those made by others. It is divided into two major sections, Animal Imagery and Religious Symbolism. The latter, furthermore, comprises two subgroups. The conclusion suggests that Conrad used symbolism and imagery as narratological tools in order to present us with the theme of morality in the story.</p>
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O SIMBOLISMO RELIGIOSO EM MIRCEA ELIADE: PASSIVIDADE, DINÂMICA E RESSIGNIFICAÇÃORamalho, Aline Grasiele Araújo 26 March 2012 (has links)
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Previous issue date: 2012-03-26 / This research investigates the symbolization process on Mircea Eliade s thought. The study on religious symbolism includes categories of the human as well as concepts and experiences with the sacred lived by the religious men. The world is revealed through symbols, in which it is possible to achieve a better understanding of the human being. This research assistson the understanding of religion as a phenomenonof the culture, whereas the symbolism reveals the mode of human being in the world. This work contemplates the proposal of Eliade s hermeneutics, which refers to a study for the search of meaning and significations in religious documents. Besides the understanding of the hermeneutical method, the possibility of a new epistemology of symbolwas examined. Eliade s propositionon religious symbolism is also explored in the identification of what is considered to be passive and dynamic in the process of religious symbolism, and how this dialectical relation happens. Passivity and dynamic are implicit categories on Eliade sthought,therefore this subject composes an hermeneutic effort to understand the author. The redefinition of religious symbolsis another step that had been observed in the process of symbolization. The redefinition is worked in respect to the experienced sense crisis in the contemporaneity. This is a work that highlights the importance of considering the various disciplines to the comprehension of the religious phenomenon, having a well-establishedphenomenological approach. As this research seeks to interpret the religious data in order toreach the essence or the structure that is present in all religious manifestations, we could say this research grasps both phenomenological and hermeneutical proposition. This study can be characterized by an interpretation of Eliade sthought, where systematization and new possibilities of readings of his worksare presented. / A pesquisa investiga o processo de simbolização no pensamento de Mircea Eliade. A investigação sobre o simbolismo religioso abrange as categorias do humano bem como as concepções e experiências com o sagrado, vivenciadas pelo homem religioso. O mundo se revela através dos símbolos, sendo possível através deles ter uma melhor compreensão do ser humano. A pesquisa auxilia na compreensão da religião enquanto fenômeno da cultura, considerando que o simbolismo revela o modo de ser humano no mundo. O trabalho contempla a proposta da hermenêutica eliadiana, que se refere a um estudo pela busca do sentido e das significações nos documentos religiosos. Além da compreensão do método hermenêutico foi verificada a possibilidade de indicação para uma nova epistemologia dos símbolos. A proposta de Eliade sobre o simbolismo religioso é também explorada na identificação do que há de passivo e dinâmico no processo de simbolização religiosa e como ocorre essa relação dialética. Passividade e dinâmica são categorias implícitas no pensamento de Eliade, portanto, essa temática constitui-se num esforço hermenêutico para compreender o autor. Outra etapa que foi observada no processo de simbolização foi a ressignificação dos símbolos religiosos. A ressignificação é trabalhada em relação à crise de sentidos vivenciada na contemporaneidade. Um trabalho que ressalta a importância da consideração das diversas disciplinas para compreensão do fenômeno religioso, mas que tem seu enfoque fenomenológico bem demarcado. Poderíamos dizer que a pesquisa abarca tanto as propostas da fenomenologia quanto da hermenêutica, na medida em que visa uma interpretação dos dados religiosos para se chegar à essência ou a uma estrutura que se encontra presente em todas as manifestações religiosas. A investigação pode ser caracterizada como uma interpretação do pensamento de Eliade, onde são apresentadas sistematizações e novas possibilidades de leituras de suas obras.
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Animal Imagery and Religious Symbolism in Joseph Conrad'sAnttonen, Ramona January 2001 (has links)
The purpose of this essay is to investigate how Joseph Conrad has used animal imagery and religious symbolism in “Heart of Darkness,” and determine if these tools are somehow linked to the theme of the story. Close reading has been applied in order to be able to go through the entire story in search of these often well-hidden tools. Considering the fact that the story in focus of the analysis is believed by some, including myself, to be a long short story rather than a short novel, this method of approach has proved to be highly useful. First a discussion about a possible theme in “Heart of Darkness” is presented, followed by a brief comment on Conrad’s personal life philosophy and view on the use of symbolic devices in literary works. In order to determine the differences between symbols and imagery, as well as theme, subject and topic, a short discussion of terminology has been included. Much of the discussion in the analysis relies heavily upon articles and books by critics who have focused exclusively on symbolism and imagery in “Heart on Darkness” and other works by Conrad. The scholarly names worth mentioning in connection with the discussion about animal imagery are Olof Lagercrantz, John A. Palmer, and Samir Elbarbary. The critics Anthony Fothergill and Cedric Watts explore religious symbolism in general, whereas P.K. Saha and Rita A. Bergenholtz focus on particular aspects of it, such as Buddhism and Greek mythology. The analysis section is for the most part a combination between my own personal interpretations of “Heart of Darkness” and those made by others. It is divided into two major sections, Animal Imagery and Religious Symbolism. The latter, furthermore, comprises two subgroups. The conclusion suggests that Conrad used symbolism and imagery as narratological tools in order to present us with the theme of morality in the story.
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The Flamekeeper : The Confessional Purgation of the Soul in the Poetry of Robert LowellJurison, Ryan January 2020 (has links)
This essay is a critical textual analysis of the poetry of Robert Lowell with focus on religious symbolism used in his work, and the Catholic theology which informed it. This results in a new, contrasting interpretation to the conventional view that he had abandoned his religious focus by mid-career, while accounting for his own assessment that he had not. Insights gained through this analysis, combined with those relating to Lowell’s personal history, reframe his confessional poetry while bolstering this claim. Through this study, poems selected from Lord Weary’s Castle, The Mills of the Kavanaughs, Life Studies and For the Union Dead are reinterpreted in order to explore the consequences of what Lowell could have intended with this stylistic modification, and discover the religiosity that he claimed was hidden. Lowell’s confessional poetry up until 1964 is examined and recast as the anguished wails of a Catholic soul in Purgatory. This fresh approach to one of America’s finest twentieth-century poets provides a novel foundation for the reinterpretation of the entirety of Lowell’s professional oeuvre.
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O Rio da Alma - contribuições do simbolismo religioso e da psicologia analítica para uma reflexão sobre a crise ecológica no rio Tietê: uma proposta da ecologia arquetípica / The Soul River - contributions of the religious symbolism and the analithical psichology to the ecological crises on the Tietê river: a proposal by the archetypal ecologyHirata, Ricardo Alvarenga 10 June 2005 (has links)
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Previous issue date: 2005-06-10 / Pontificia Universidade de São Paulo / This dissertation has as its objective to propose a theoretical referential of the
religion sciences and the analytical psychology for studying the cultural - economical
development impasse in the extent of the ecological crisis in the Tietê river, in São
Paulo. This crisis took on alarming proportions in the second half of the XX century,
when the river pollution reached the extension ofthree hundred and fifty kilometres and
the low water quality has caused contagious diseases, disabling its use even for the
electric power generation.
Our hypothesis is (1) that the causes of the ecological crisis in the river Tietê
isn't only in the material and objective dimension, but also has to do with the
estrangement of man's relationship with the symbolic and the sacred. And that,
therefore, (2) the resolution ofthis crisis should aiso include human subjectivity.
To verify these hypotheses, we used theoretical and historical research of the
ecological crisis in the river, as well as the religious symbolism of thé river water, and
the imaginary links between the citizens from São Paulo and the river along with the
history ofthe city. It also raised the current strategies that have been used tomanage the
crisis. The theoretical referential that permeates the dissertation is an interface of the
concept of symbolism of Ernst Cassirer's, Mircea Eliade and Carl G. Jung works.
We concluded that the causes of the ecological crisis in Tietê are linked with the
loss of meaning of the symbolism of the water and ofthe river, and that the strategies, to
work with the same should include the cultural dimension, spiritual and psychic. It
should be understood that it's necessary to consider the integration between objectivity
and subjectivity, also cultural and economical development, to consider the mentioned
crisis, in arder to work out proposals looking to reverse-revitalize the symbol of the
river and the water, putting an end to the ecological crisis in the Tietê river / A presente dissertação tem como objetivo propor um referencial teórico das ciências da religião e da psicologia analítica para o estudo do impasse cultura desenvolvimento econômico no âmbito da crise ecológica no rio Tietê, em São Paulo. A referida crise tomou proporções alarmantes na segunda metade do século XX, quando a poluição do rio atingiu trezentos e cinqüenta quilômetros de extensão e a má qualidade da água provocava doenças infecto contagiosas, impossibilitando o seu uso até mesmo para a geração de energia elétrica.
Nossa hipótese é (1) que as causas da crise ecológica no rio Tietê não se encontram apenas na dimensão material, objetiva, mas também têm a ver com o distanciamento da relação do homem com o simbólico e o sagrado. E que, portanto, (2) a resolução desta crise também deve abranger a subjetividade humana.
Para constatar estas hipóteses, fizemos uso de pesquisa teórica e histórica da crise ecológica no rio, bem como do simbolismo religioso da água, do rio e do imaginário paulistano ligado ao rio ao longo da história da cidade. Levantou-se também as estratégias atuais que vêm sendo usadas para lidar com a crise. O referencial teórico que permeia a dissertação é uma interface do conceito de símbolo das obras de Ernst Cassirer, Mircea Eliade e Carl G. Jung.
Concluímos que as causas da crise ecológica no Tietê estão ligadas com a perda de significado do simbolismo da água e do rio, e que as estratégias para lidar com a mesma devem incluir a dimensão cultural, espiritual e psíquica. Entendemos que é necessário considerar a integração entre objetividade e subjetividade, entre desenvolvimento cultural e econômico, para se pensar a crise mencionada, a fim de elaborar propostas que busquem re-vitalizar o símbolo do rio e da água visando o fim da crise ecológica no rio
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A história das religiões de Mircea Eliade: estatuto epistemológico, metodologia e categorias fundamentaisMendonça, Maria Luiza Vianna Pessoa de 11 December 2015 (has links)
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Previous issue date: 2015-12-11 / No presente trabalho apresenta-se um estudo da História das Religiões de Mircea Eliade
realizado sobre três aspectos desta obra: os aspectos epistemológico, metodológico e
categorial. Na primeira parte do trabalho, postula-se que a História das Religiões
eliadiana se trata de uma disciplina autônoma e integral, com objeto próprio de estudo –
o fenômeno religioso considerado no seu plano específico de referência, o plano
religioso – e com método próprio de trabalho – um método histórico-fenomenológicohermenêutico
unitário –; que tal disciplina gira em torno de dois eixos – a
fenomenologia da religião stricto sensu e a história das religiões; que, no seu todo, a
História das Religiões eliadiana tem o estatuto de uma fenomenologia existencial da
religião, situando-se no âmbito da Filosofia. Na segunda parte deste trabalho discorre-se
sobre o método apenas implícito na obra eliadiana, o qual leva em conta o aspecto
histórico do fenômeno religioso e o qual conjuga fenomenologia e hermenêutica,
desenvolvendo-se em dois planos: o primeiro plano é o da análise fenomenológicodescritiva
do fenômeno religioso realizada no campo da fenomenologia da religião
stricto sensu, no qual o autor romeno conforma sua morfologia do sagrado; o segundo
plano é o da análise hermenêutico-filosófica dos fenômenos religiosos históricos, no
qual o citado autor procede à interpretação dos fenômenos religiosos historicamente
acontecidos para a elaboração de sua história das religiões; Eliade utiliza ainda a análise
hermenêutico-filosófica dos simbolismos religiosos para a realização de uma
hermenêutica filosófica dos símbolos religiosos por meio da qual formula juízos
normativos sobre a condição humana. Na terceira parte deste trabalho, realiza-se um
estudo das principais categorias do pensamento eliadiano com ênfase para a hierofania,
a dialética da hierofania, a dialética do sagrado e do profano, o sagrado, a religião, a
experiência religiosa, o espaço sagrado, tempo e história, o homo religiosus, o homem
ocidental moderno a-religioso, o arquétipo, o arquétipo da coincidentia oppositorum,
imagens e símbolos, a a-historicidade da vida religiosa, o símbolo religioso, o
simbolismo religioso, o mito, o rito, a camuflagem e a ocultação do sagrado no profano,
a irreconhecibilidade do sagrado na História (ou a irreconhecibilidade do milagre) e o
sagrado no mundo ocidental secularizado. / In this thesis a study of Mircea Eliade’s History of Religions is presented carried
through on three different approaches: the epistemological approach, the
methodological approach and the categorical approach. In the first Chapter of this
thesis, it is claimed that Eliade’s History of Religions constitutes an autonomous and
integral discipline, with proper object of study – the religious phenomenon in its
specific plan of reference, the religious plan - and with proper method of work – a
unitary historical-phenomenological-hermeneutic method -; that such discipline turns
around two axles – the phenomenology of religion stricto sensu and the history of
religions -; that, in its all, the eliadian History of Religions has the statute of an
existential phenomenology of religion placing itself in the branch of Philosophy. In the
second Chapter of this thesis, it is discoursed on the only implicit method in the
eliadian workmanship, which takes in account the historical aspect of the religious
phenomenon and which conjugates phenomenology and hermeneutics, developing itself
in two plans: the first plan is that of the phenomenological-descriptive analysis of the
religious phenomenon carried through on the field of the phenomenology of religion
stricto sensu, in which the Rumanian author conforms his morphology of the Sacred;
the second plan is that of the hermeneutic-philosophical analysis of the historical
religious phenomena in which the cited author proceeds to the interpretation of the
religious phenomena historically happened for the elaboration of his history of
religions; Eliade also use the hermeneutic-philosophical analysis of the religious
symbolisms for the accomplishment of a philosophical hermeneutics of the religious
symbols by means of which he formulates normative judgments on the human being
condition. In the third Chapter of this work, a study of the main categories of the
eliadian thought is developed with emphasis for the hierophany, the dialectic of the
hierophany, the dialectic of the Sacred and the Profane, the Sacred, the religion, the
religious experience, the sacred space, time and history, homo religiosus, the modern
Occidental man of the secularized societies, the archetype, the archetype of coincidentia
oppositorum, images and symbols, the non-historicity of the of religious life, the
religious symbol, the religious symbolism, the Myth, the Rite, the Camouflage and the
Occultation of the Sacred in the Profane, the unrecognizableness of the Sacred in
History (or the unrecognizableness of miracle), and the Sacred in the modern
secularized Occidental world.
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