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Nationally and internationally grade retention is still used as a remedial strategy even though the majority of research questions its efficacy. In this qualitative study the adolescent is given a voice to inform important role-players about his experience of grade retention. The findings show that the adolescent is very self-conscious about his new status and fears stereotyping. The adolescent's self-esteem is shattered and he loses confidence in his ability to achieve. He is often the victim of teasing and experiences loneliness when he loses his friends in the process. The adolescent is hypersensitive to remarks by teachers and his parents. When he needs support the most, he experiences only conflict. Feelings of despondency and doubt in the existence of God are the result. Given the importance of psychosocial adjustment on subsequent development, recommendations were made to assist important people in the adolescent's life to support him more effectively. / Social Work / (M.A. Diac (Play Therapy))

published_or_final_version / Education / Master / Master of Education

This Bachelor Thesis examines sampling as creative process in relation to friction between users and creators. The goal of this thesis is to create an understanding of the relations involved in creative processes and explore sustainable manner of working with processes. To explore creative processes, sampling is interpreted in relation to music production and the musical culture involved in shaping of worlds. Sampling is the processes of creating from what already is in a way of involving the users and creators with the past, present and future. The friction of creative processes involves an understanding of innovation and originality that questions existing principles. Sampling in relation to friction is about boundaries, how do we involve ourselves in an accountable process and what is appropriation in relation to creative engagement? / Det här kandidatarbetet undersöker sampling som en skapandeprocess i relation till användare och deltagare. Syftet med undersökningen är att skapa en förståelse för de relationerna involverade i en skapandeprocess och utforska hållbara aspekter av att arbeta med processer. För att undersöka skapandeprocesser förstås sampling i relation till musikproduktion och musikkultur som världskapande. Sampling möter skapandeprocesser med det redan befintliga genom att involvera användaren och deltagaren i dåtid, nutid och framtid. Friktionen i skapandeprocesser prövar förståelsen av innovation, originalitet och ägande. Sampling i relation till friktion handlar om gränser, hur kan vi involvera oss i ett ansvarfullt skapande och vad är appropriering i relation till skapandeprocesser?

Nationally and internationally grade retention is still used as a remedial strategy even though the majority of research questions its efficacy. In this qualitative study the adolescent is given a voice to inform important role-players about his experience of grade retention. The findings show that the adolescent is very self-conscious about his new status and fears stereotyping. The adolescent's self-esteem is shattered and he loses confidence in his ability to achieve. He is often the victim of teasing and experiences loneliness when he loses his friends in the process. The adolescent is hypersensitive to remarks by teachers and his parents. When he needs support the most, he experiences only conflict. Feelings of despondency and doubt in the existence of God are the result. Given the importance of psychosocial adjustment on subsequent development, recommendations were made to assist important people in the adolescent's life to support him more effectively. / Social Work / (M.A. Diac (Play Therapy))

No description available.

Both active response execution and passive listening to verbal codes (a form of instruction) in single prime trials lead tovitem-specific repetition priming effects when stimuli re-occur in single probe trials. This holds for task-specific classification (stimulus–classification, SC priming, e.g., apple–small) and action (stimulus–action, SA priming, e.g., apple–right key press). To address the influence of expectation on item-specific SC and SA associations, we tested if item-specific SC and SA priming effects were modulated by the instructed probability of re-encountering individual SC or SA mappings (25% vs. 75% instructed switch probability). Importantly, the experienced item-specific switch probability was always 50%. In Experiment 1 (N = 78), item-specific SA/SC switch expectations affected SA, but not SC priming effects exclusively following active response execution. Experiment 2 (N = 40) was designed to emphasize SA priming by only including item-specific SC repetitions. This yielded stronger SA priming for 25% vs. 75% expected switch probability, both following response execution as in Experiment 1 and also following verbally coded SA associations. Together, these results suggest that SA priming effects, that is, the encoding and retrieval of SA associations, is modulated by item-specific switch expectation. Importantly, this expectation effect cannot be explained by item-specific associative learning mechanisms, as stimuli were primed and probed only once and participants experienced item-specific repetitions/switches equally often across stimuli independent of instructed switch probabilities. This corroborates and extends previous results by showing that SA priming effects are modulated by expectation not only based on experienced item-specific switch probabilities, but also on mere instruction.

"Passage" presents a negotiation between the natural and the human-made realms and comments on the duality of perceptions and emotional responses associated with each. On the one hand, I aim to create a calm, quiet and peaceful environment offering a pleasant and meditative experience.  On the other hand, I offer the challenge of contemplation in a city-like space that evokes dense urban architecture in the process of decay. Both experiences draw on my personal histories of fact and fiction, reality and dream, hopefully resulting in evocative parallel experiences for those who encounter my exhibition space.

This project explores banal nationalism from a perspective where the visibility and usage of the US flag as decoration on everyday products in Sweden is problematized. In comparison with the Swedish flag which has a history of being “unwaved” because open nationalism for a long time has been thought of as vulgar in Sweden, the frequent reproduction of the US flag seems to elude a critical discussion on national expressions. The effects of using a national symbol for commercial purposes is therefore theoretically and practically researched. / <p>The full thesis contains copyrighted material which has been removed in the published version. </p>

The following is a collection of lines, curves, and dots on a plane, representing words fashioned to communicate my ideas about relationships between the thing and the nothing. This thesis is like a map, a contour drawing, an assortment of lines, speaking my thoughts about things in relation to space and time. As something moving, developing into another thing, as a thing sentient, I am viewing, performing, and processing incremental acts. I am looking at water and I can see my reflection break into a thousand pieces. It is like watching time.