Vortragsfolge Prof. Uwe Huebner: Metacomputing - neue Aufgabenverteilung im Netz Dr. Wolfgang Riedel: Was nuetzt uns SGML Sven Graupner: What's up in Operating System Research Sven Koehler: IP Security (nach RFC 1825) Holger Trapp: Kryptographisch gesicherte Kommunikation und Datenhaltung Dr. Joerg Anders: ATM-Eine kritische Betrachtung Guenther Fischer: Cacheserver-Hierarchien Frank Richter: Ein neuer WWW-Server fuer www.tu-chemnitz.de Steffen Brose: Web-Zugang zu DQS Jens Kraizci, Volker Holfeld: Wie weiter mit dem CSN? Jan Wunderlich: Harvest Michael Hasenstein: Datenbank-Klienten auf Java-Basis Andreas Koehler: Form-based File Upload in HTML Gerd Heide: BROADWAY - Interaktivitaet im WWW mittels X-Protokoll Matthias Ehrig: NFS 2 - Moeglichkeiten und Grenzen Ronald Koehler: NFS 3 Christoph Ziegler: HSM - Was verbirgt sich dahinter? Kai Zscheile: Hardware-Loesungen fuer HSM Matthias Clauss: Vergleich und Bewertung von HSM-Loesungen Thomas Mueller: Fileserving an der TUCZ Karsten Baensch: AFS-Loesung fuer die Softwareumgebung der Parsytec-Maschinen Joern Wohlrab: Alternative verteilte Filesysteme Jens Junghaenel: Integration von PC's mittels Samba Merten Schumann: Archivierung elektronisch publizierter Dokumente Michael Tautenhahn: Fast Ethernet Jens Wagner: Firmenadressverwaltung am URZ Dr . Wolfgang Riedel: Neues aus der TeX-Welt (METAPOST, lyx) Carsten Mund: Untersuchung von Einflussfaktoren auf SPEC CINT- und CFP-Benchmarks

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em Antropologia Social. / Made available in DSpace on 2012-10-26T10:56:18Z (GMT). No. of bitstreams: 1 310429.pdf: 13993300 bytes, checksum: f8f9d85f0c15384669027dccda899619 (MD5) / Este trabalho busca através das falas de sujeitos negros da Grande Florianópolis perceber um universo sociocultural das práticas musicais dos sambistas, chorões e partícipes do mundo do samba e de sua socialidade. Esta etnografia histórica sobre o samba e choro na região da Grande Florianópolis, tem seu limite temporal a partir da década de 1940 e 1950, momento esse situado dentro do processo de consolidação dos ideais de modernidade advindos da nova ordem republicana, em Santa Catarina, e das reformas urbanas patrocinadas pelas elites locais de Florianópolis. Esses eventos históricos, citados nas falas dos sambistas e chorões, são o pano de fundo que revela a construção de uma sociomusicalidade produzida por negros(as) na capital catarinense e que atravessa o século XX por meios de suas rodas de samba, dos grandes bailes nos Clubes Negros, nas gafieiras e nos prostíbulos e durante carnavais inesquecíveis em que as agremiações disputaram ferrenhamente cada título. Esta etnografia do samba e do choro, se desloca através das histórias e descrições dos sambistas e chorões do passado, para as histórias que se atualizam hoje em bares que se tornaram redutos desse samba na contemporaneidade, espaços sociomusicais que serão apresentados aqui, como o Bar do Tião, o Bar Praça Onze e o Bar do Jacaré, reduto do Grupo Samba 7, mais antigo grupo de samba, que continua a se apresentar em diversos eventos no estado catarinense. / Turning to stories told by black people who partake of the samba world of the great metropolitan area of Florianópolis (Brazil), this dissertation seeks to explore the sociocultural universe of musical practices of sambistas and chorões. This historical ethnography about samba and choro in Florianópolis, goes back to the 1940s and 1950s, a moment in which the application of the ideals of modernity that guided the new republican order and the urban reforms supported by the local elites, were well underway in Santa Catarina. Such historical events, cited in the stories told by sambistas and chorões, give shape to the background against which the black inhabitants of Florianópolis constructed a sociomusicality that extended across the XX century, through rodas de samba, musical balls at the Black Clubs, gafieiras and prostitution houses, as well as through unforgetable carnivals when the various samba schools heatedly competed for the first prizes. This ethnography cuts across histories, stories, and descriptions of the past told by sambistas and chorões from those days, moving toward histories and stories that take place in the present day, in bars that nowadays house contemporary samba performances, such as Bar do Tião, Bar Praça Onze and Bar do Jacaré - this last one the house of Grupo Samba 7, the oldest samba group still playing in the city.

O presente trabalho tem como objetivo central estabelecer uma visão crítica do ensino de Língua Portuguesa, em dias atuais, apontando aspectos teóricos e práticos importantes, no processo de ensino/aprendizagem, e propostas de análises estilísticas das canções de Nei Lopes e Arlindo Cruz. Reiteram-se alguns aspectos funcionais do idioma, associando-os às situações comunicativas, com vistas à formação do cidadão linguístico. Investigam-se os recursos expressivos presentes em 10 letras de cada compositor, constituindo-se, assim, o corpus da pesquisa. Para as análises teóricas, revisitam-se os princípios da Estilística propostos por Nilce SantAnna Martins, Manuel Rodrigues Lapa, dentre outros, descrevendo o conceito de estilo, a representação da afetividade na linguagem, o valor da expressão, as marcas da subjetividade. Indicam-se o percurso do samba na cidade do Rio de Janeiro e as raízes do gênero musical. Destacam-se a identidade cultural do povo carioca e a importância dos compositores estudados, quanto às representações linguístico-culturais. No decorrer das análises, consideram-se as composições como Sambas que dão aulas, material produtivo para se aprender vários conteúdos da língua materna / The present work aims at establishing a critical view of the teaching of the Portuguese language, indicating the important theoretical and practical aspects, in the teaching/learning process, and the proposals of stylistic analyses of Nei Lopes and Arlindo Cruzs songs. Some functional aspects of the language are reiterated in association with communicative situations, aiming at the formation of the linguistic citizen. Expressive resources present in ten songs of each composer are investigated, building, thus, the corpus of the research. For the theoretical analyses, the Stylistics principles proposed by Nilce SantAnna Martins, Manuel Rodrigues lapa, Marcel Cressot, among others, are revisited, describing the concept of style, the representation of affectiveness in the language, the value of the expression, the marks of subjectivity. The trajectory of the samba in Rio de Janeiro city and the roots of the musical genre are indicated. The cultural identity of the carioca people and the importance of the composers studied, concerning the linguistic-cultural representations, are highlighted. Throughout the analyses, the compositions such as Sambas that Teach are considerece productive and pleasant material to approach the mother tongue

Este estudo explora a intersecção entre alegria e política. Parte da tese de que a alegria e a festa são possibilidades de agenciamento de forças a favor da vida, que podem produzir combate à homogeneização de existências e linhas de resistência coletivas a um modo de viver que sufoca vitalidades. Fundamentando-se na Psicologia Política de Wilhelm Reich, analisa a trajetória da Ala Loucos pela X, do Grêmio Cultural Escola de Samba X-9 Paulistana, projeto que emerge do encontro de uma escola de samba com o campo da saúde mental, no bojo do Movimento de Luta Antimanicomial. Narra os acontecimentos que compõem a estória desse coletivo de trabalho, de 2001 a 2009, percurso no qual se evidenciam radicais transformações existenciais e socioculturais nas vidas de seus participantes. Pessoas que antes estavam confinadas a corpos deficitários destinados àqueles que recebem a designação de portadores de transtornos mentais hoje descobrem que a alegria de viver pode ser mais subversiva em seus cotidianos do que aquilo que décadas de tratamentos biomédicos puderam lhes trazer. Como recursos metodológicos, este estudo se apoia nos conceitos de alegoria e narrativa, de Walter Benjamin, e de memória coletiva, de Maurice Halbwachs. Buscando entrever pelas frestas dos grandes acontecimentos sociais, encontra no território carnavalesco, considerado por uma longa tradição de pensamento como ópio do povo, a afirmação da vida na cultura popular como alegria e resistência, fazendo pulsar forças dionisíacas e processos coletivos transformadores. Conclui que os itinerários da Ala Loucos pela X testemunham a potência transformadora da alegria e convidam a pensar que encontros com a experiência trágica e plural, nos coletivos subterrâneos que persistem na Pós-Modernidade, podem ser bons alimentos para os dilemas vividos por quem enfrenta o campo do cuidado em saúde mental na atualidade. Constata que para além do mero entretenimento, instituições como as escolas de samba constituem-se como espaços abertos na vida das cidades em que se pode aprender que o convívio com a diferença e a construção de redes de sociabilidades subversivas à ordem social vigente são politicamente possíveis / The present work intends to examine the intersection between joy and politics. It defends that joy and feast act in favor of life, for they can produce lines of collective resistance to alienating ways of life that repress vitality. They can also fight against processes that level people and their existence. Grounded on Wilhelm Reichs Political Psychology, this work analyses the trajectory of Ala Loucos pela X, one of the groups that compose X-9 Paulistana Samba School, through the point of view of the Movimento de Luta Antimanicomial (Anti-mental Hospital Fight) in Brazil. This thesis also narrates the happenings and events that compose the history of the group of people involved with the samba group mentioned above. From 2001 to 2009, such happenings and events have radically changed the lives of those involved, both socially and existentially speaking. People who had been labeled simply as insane, therefore considered as not socially capable, have found out that living happily can subvert their daily routine much more efficiently than decades of medical biomedical treatment. Concerning the theoretical methodology used, the present work is based on Walter Benjamins concepts of allegory and narrative, as well as Maurice Halbwachs concept of collective memory. Considering important social events, this thesis finds in the samba environment, commonly taken as low culture by an intellectual tradition, that joy and resistance are ways of reinforcing life in popular culture, making Dionysian forces pulse and changing collective processes. It concludes that the paths undergone by Ala Loucos pela X show how socially powerful joy may be, inviting people to think that the tragic and heterogeneous experiences, persistent in post-modern life, can help dealing with the dilemmas faced by those involved with mental health. More than just mere entertainment, samba schools are institutions in which one learns to live with diversity. They are open places in the cities, where nets of social resistance to the status quo might be produced

Submitted by Leda Lopes (ledacplopes@hotmail.com) on 2017-02-14T18:55:41Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) ABAMBAÉ TERRA DOS HOMENS - SABRINA MANZKE.pdf: 13547674 bytes, checksum: 3c6da6faa534303defed1ed49a2a16d6 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-02-16T20:46:52Z (GMT) No. of bitstreams: 2 ABAMBAÉ TERRA DOS HOMENS - SABRINA MANZKE.pdf: 13547674 bytes, checksum: 3c6da6faa534303defed1ed49a2a16d6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-02-16T20:47:37Z (GMT) No. of bitstreams: 2 ABAMBAÉ TERRA DOS HOMENS - SABRINA MANZKE.pdf: 13547674 bytes, checksum: 3c6da6faa534303defed1ed49a2a16d6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-02-16T20:47:48Z (GMT). No. of bitstreams: 2 ABAMBAÉ TERRA DOS HOMENS - SABRINA MANZKE.pdf: 13547674 bytes, checksum: 3c6da6faa534303defed1ed49a2a16d6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-10-10 / Sem bolsa / O papel que a arte tem exercido no cotidiano tem possibilitado uma renovação na forma de pensar os objetos e as manifestações culturais. O fazer artístico possibilita um novo fazer cultural que tem fixado parte de sua preocupação na dimensão estética. Tem estado em evidência à contribuição cultural exercida por grupos artísticos que buscam na performance cênica apresentar diferentes manifestações populares e tradicionais. Este trabalho aborda a apropriação da corporeidade do samba de roda do Recôncavo Baiano realizada pela Abambaé Companhia de Danças Brasileiras, da cidade de Pelotas/RS. Expressão esta reconhecida como Patrimônio Cultural Imaterial do Brasil em 2004 e posteriormente, em 2005, como Obra Prima do Patrimônio Oral e Imaterial da Humanidade pela UNESCO. Com foco na corporeidade e na criação coreográfica enquanto (re)significação cultural, na maneira como os atores expressam seus sentimentos através da dança, e, a partir de uma pesquisa embasada nos métodos da antropologia da dança e da etnomusicologia, busquei compreender os elementos técnico-expressivos desta tradição centenária que permeia ritual, religiosidade e sociabilidade, e o processo pelo qual eles se transformam através da composição coreográfica para a cena. A partir deste estudo pode-se perceber a apropriação do samba de roda e as reinscrições a partir do corpo e da poética empregada pelos bailarinos, compondo assim a estética desejada pelo grupo. No caso específico da Abambaé se evidenciou que a companhia através do seu trabalho acaba por “criativamente, inventar” um novo Brasil. Com um entendimento e estética próprio, o Brasil da Abambaé, diverso e alegre e que o samba de roda está diretamente ligado a esta representação de Brasil que a companhia busca mostrar tanto em nível nacional como, e principalmente, internacional. / The role that art has played on everyday life has enabled a renovation concerning the way of thinking cultural objects and manifestations. The artistic doing enables a new cultural doing that has fixed part of its contribution on the aesthetical dimension. The cultural contribution provided by artistic groups that seek to present different popular and traditional manifestations through scenic performances has been in evidence. This work approaches the corporeity appropriation of the samba de roda from the Recôncavo Baiano carried out by the Abambaé Companhia de Danças Brasileiras in the city of Pelotas/RS. This expression was recognized as part of the Brazilian Non-material Cultural Patrimony in 2004 and later, in 2005, it was considered a Masterpiece of the Oral and Intangible Heritage of Humanity by the UNESCO. Focusing on the corporeity and choreographic creation as cultural (re)signification, on the way actors express their feelings through dancing, and through a research based on methods of the anthropology of dancing and ethnomusicology, I sought to understand the technical-expressive elements of this centenary tradition that permeates ritual, religion and sociability, and the process by which they are transformed by the choreographic composition for the scene. From this study, it is possible to perceive the appropriation of the samba de roda and the reinscriptions through the body and the poetic movement employed by the dancers, composing the aesthetic element desired by the group. Concerning the Abambaé, specifically, it was possible to perceive that the company “creatively, invents” a new Brazil through its work. With its own comprehension and aesthetics, the Brazil from the Abambaé is diverse and joyful, and the samba de roda is directly associated with this representation of Brazil that the company seeks to present on a national and mainly international level.

The main object of this thesis was to design a computer network for small and medium companies which will be made among others from network server providing simple network control. The next task was to provide internet connection to subscribers of local area network, their security and access to common services. There had been discussed the choice of distribution of Linux operation system with regarding to demanded services, stability and long lasting operation in theoretical part. One part of the work is a theoretic preliminary to separate services, to the purpose of their using and to their weaknesses. The practical part deals with an installation and configuration of Debian operating system, launching the base services and the setting of selected monitoring programs.

The aim of this work is to describe the basic mechanisms of memory management and access to peripherals via EBI at the ARM9 microcontroller family. It is a solution for connecting physical ethernet interface, SD / MMC card to the device and design a development kit with the ability to connect a hard or SSD drive. The second part is aimed at operating system Linux, its modification for the ARM9 family of microcontrollers and installing software packages.

In Sweden, samba - the popular Brazilian dance (and music genre), that has been named the“national rhythm” - is very widely known and practiced. This case study envelops questions about national cultures, cultural embodiment in dance, as well as cross-border relations. It aims to observe in what distinct ways, regarding these multiple facets of the topic, Brazilian culture can be expressed through samba in a foreign country so culturally different and geographically distant from the country of origin. The study focuses on samba no pé, a samba style popularized and mostly danced in Rio de Janeiro. To reach the objective, the research data has been collected through semi-structured interviews from samba teachers and dancers in Sweden. In addition, an observation has been carried out by watching a samba class in person. The collected data showed that dancing samba gives way to different interconnected processes and elements through which the Brazilian culture is transported, translated, and experienced in Sweden. As people migrate around the world in transnational spaces, links are created between the migrants’ host countries and their homelands. These connections enable different cultures to be transported, get established in different places and spread in popularity. Corporeality is also key, as culture is embodied in the movements. Samba therefore permits an experience of Brazilian corporeality and plays a central role in the expression of Brazilianness in Sweden.

The present study shows that prestructuring based on domain knowledge leads to statistically significant generalization-performance improvement in artificial neural networks (NNs) of the multilayer perceptron (MLP) type, specifically in the case of a noisy real-world problem with numerous interacting variables. The prestructuring of MLPs based on knowledge of the structure of a problem domain has previously been shown to improve generalization performance. However, the problem domains for those demonstrations suffered from significant shortcomings: 1) They were purely logical problems, and 2) they contained small numbers of variables in comparison to most data-mining applications today. Two implications of the former were a) the underlying structure of the problem was completely known to the network designer by virtue of having been conceived for the problem at hand, and b) noise was not a significant concern in contrast with real-world conditions. As for the size of the problem, neither computational resources nor mathematical modeling techniques were advanced enough to handle complex relationships among more than a few variables until recently, so such problems were left out of the mainstream of prestructuring investigations. In the present work, domain knowledge is built into the solution through Reconstructability Analysis, a form of information-theoretic modeling, which is used to identify mathematical models that can be transformed into a graphic representation of the problem domain's underlying structure. Employing the latter as a pattern allows the researcher to prestructure the MLP, for instance, by disallowing certain connections in the network. Prestructuring reduces the set of all possible maps (SAPM) that are realizable by the NN. The reduced SAPM--according to the Lendaris-Stanley conjecture, conditional probability, and Occam's razor--enables better generalization performance than with a fully connected MLP that has learned the same I/O mapping to the same extent. In addition to showing statistically significant improvement over the generalization performance of fully connected networks, the prestructured networks in the present study also compared favorably to both the performance of qualified human agents and the generalization rates in classification through Reconstructability Analysis alone, which serves as the alternative algorithm for comparison.