Li Mei-yee. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 101-106). / Abstracts in English and Chinese. / Abstract --- p.i / 摘要 --- p.iii / Acknowledgements --- p.iv / Contents --- p.vi / Introduction: Questions about Reading --- p.1 / Chapter Chapter 1 --- Waiting for Godot and the Issue of Absurdity --- p.28 / Chapter Chapter 2 --- At the Hawk's Well and the Drama of the Interior --- p.59 / Conclusion --- p.90 / Note --- p.100 / Works Cited --- p.101

Lorsque l´architecture se déterritorialise de son milieu d´origine pour être conçue et éprouvée « en » littérature, son statut ontologique dominant et traditionnel se voit inévitablement altéré. Cette altération procède de la nature représentative de son art d´accueil, qui, comme le dit Etienne Souriau, présente un dédoublement formel en une forme primaire, celle du représentant (le langage littéraire); et une forme secondaire, celle du représenté (en l’occurrence ici l’architecture). Ceci fait que l´écrivain se voit inévitablement confronté à des conditions de conception de l´architecture différentes de celles de l´architecte. Nous proposons dans cette recherche une méthode d´observation analytique de ce que nous appelons les quatre plans de conception de l´architecture déterritorialisée dans le texte littéraire, et que nous appliquerons à deux récits: Le Dépeupleur de Samuel Beckett et Le Terrier de Franz Kafka. Les deux premiers détaillent la manière dont l´architecture se trouve organisée dans la diégèse de l’œuvre littéraire, ce sont: 1) le plan de conception de l’Objet architectural et (2) le plan de conception de l´Expérience que les personnages en font. Les deux autres détaillent la manière dont l´architecture se trouve modulée, amplifiée, déformée voire orientée par le langage artistique; ce sont: 3) le plan de conception de la Narration de l´Objet et de l´Expérience, ainsi que 4) le plan de conception de leur Textualisation. De l´articulation singulier par l´écrivain de ces quatre plans de conception découlera pour le lecteur une expérience esthétique et cognitive inédite de l´architecture que nous tentons d’évaluer dans ce travail. / When architecture deterritorializes itself from its domain of origin to be conceived and experienced “in” literature, its dominant and traditional ontological status is unavoidably altered. The cause of this alteration has to do with the representative nature of its host art, which, according to Etienne Souriau, presents a formal split into a primary form, the one representing (the literary language); and a secondary form, that of the represented (in this case the architecture). This situation causes the writer to be inevitably confronted by different conditions of conception of architecture than those taken into account by the architect. In this research we propose a method of analytical observation based on four levels of conception of the deterritorialized architectures within the literary text. We are going to apply this method to two short stories: Le Dépeupleur by Samuel Beckett, and Le Terrier (Der Bau) by Franz Kafka. The first two levels of conception detail the way architecture is organized within the diegesis of the literary work, and they are: 1) the level of conception of the architectural Object, and 2) the level of conception of the Experience the characters make of it. The two other levels detail the way architecture is modulated, amplified, deformed and oriented by the artistic language, and they are: 3) the level of conception of the Narration of the Object and the Experience, and 4) the level of conception of their Textualization. The very singular assembly of these four levels conceived by the writer will lead the reader to have an unprecedented aesthetic and cognitive experience of architecture that we attempt to evaluate in this research.

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2014-09-15T14:05:20Z No. of bitstreams: 2 Dissertacao Stefanny Soares de Menezes Dias.pdf: 2240123 bytes, checksum: 816e4a47c4ef004fa3b230924e8cbf60 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2014-09-15T14:21:43Z (GMT) No. of bitstreams: 2 Dissertacao Stefanny Soares de Menezes Dias.pdf: 2240123 bytes, checksum: 816e4a47c4ef004fa3b230924e8cbf60 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2014-09-15T14:21:43Z (GMT). No. of bitstreams: 2 Dissertacao Stefanny Soares de Menezes Dias.pdf: 2240123 bytes, checksum: 816e4a47c4ef004fa3b230924e8cbf60 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2013-09-27 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / The present study aims to conduct a historiographical examination of the book El Perfil del Hombre y la Cultura en México from Samuel Ramos, dated 1934. Accordingly, we seek to amalgamate the importance of intellectual to understand the culture and being mexican, from the reading that another Latin American’s intellectuals have made from this book, looking for similarities and differences in their considerations. Therefore, we performed this exam from themes that Samuel Ramos verticalizes in his book, the main ones being the "feeling of inferiority," the "unthinking imitation" and "creole culture". / O presente estudo tem por objetivo realizar um exame historiográfico da obra El Perfil del Hombre y la Cultura en México de Samuel Ramos, datada de 1934. Nesse sentido, busca-se amalgamar a importância desse intelectual para o entendimento da cultura e do ser mexicano, a partir da leitura que outros intelectuais latino-americanos fizeram dessa obra, procurando afinidades e disparidades em suas considerações. Para tanto, realizamos esse exame a partir dos temas que Samuel Ramos verticaliza em sua obra, sendo os principais o “sentimento de inferioridade”, a “imitação irreflexiva” e a “cultura criolla”.

Made available in DSpace on 2015-04-22T22:18:27Z (GMT). No. of bitstreams: 1 Jordan Perdigao.pdf: 1526978 bytes, checksum: 10ccebd0bcd50fb9f9d7e359f1a901f4 (MD5) Previous issue date: 2013-07-19 / Este trabajo sobre las misiones Carmleitas en la Amazonia Portuguesa, entre los siglos XVII y XVIII tiene la intención de ser una contribución a las investigaciones aún no comunes sobre dicho tema. A pesar de que han jugado un papel importante en la colonización portuguesa de lo que hoy es la Amazonia brasileña, especialmente en el contexto de lo que hoy es geograficamente el mayor de los estados de Brasil, - el Amazonas -, los Carmelitas son todavía, sin embargo, casi desconocidos para los estudiosos de la historia del Amazonas y de la Amazonia en su conjunto. En esta tesis los carmelitas son acompañados desde su llegada a la Amazonia en el primer capítulo, y desde su llegada en la Amazonia occidental en esta región, entre 1695 hasta 1755, fecha de cierre de las misiones por encargo de la Corona portuguesa, que se discute al final del último capitulo. Tema importante abordado en este trabajo, entre otros, es la participación de los Carmelitas en situaciones decisivas de los rios Negro y Solimões través de su obra misionera: los inicios del Lugar da Barra, actual Manaus, participación controversial en la guerra contra los Manau y otras naciones índias, y en el episodio Samuel Fritz con todas las consecuencias de la expansión de las fronteras portuguesas en Amazonia. Se destaca en esta obra, sobre todo en los dos últimos capítulos, el papel del P. Victoriano Pimentel y documentación importante que legó a la historiografia de su orden en la Amazonia. Al final se le da un toque de luz a los aspectos positivos de la presencia de los Carmelitas en la Amazonia, a pesar de las acusaciones de traición que se atribuyen a su misión religiosa y la perversión en la acumulación de la tierra, las drogas do sertão y esclavos para su orden. / Este trabalho sobre as Missões Carmelitas na Amazônia Portuguesa entre os séculos XVII e XVIII pretende ser de alguma contribuição para as investigações ainda pouco frequentes sobre o referido tema. Apesar de haverem tido papel importante na colonização portuguesa do que hoje é a Amazônia Brasileira, especialmente na configuração daquele que hoje é geograficamente o maior Estado brasileiro - o Amazonas -, os Carmelitas ainda são,entretanto, quase desconhecidos pelos estudiosos da história amazonense e amazônida como um todo. Na presente dissertação os Carmelitas são acompanhados desde sua chegada à Amazônia no primeiro capítulo e desde sua chegada à Amazônia Ocidental no segundo capítulo até o final de suas seis décadas de atuação nesta região, entre 1695 até 1755, quando as missões foram extintas por ordem da Coroa portuguesa, o que é abordado ao final do último capítulo. Importante temática abordada neste trabalho, dentre outras, é a da participação dos Carmelitas em situações decisivas do rio Negro e do Solimões por meio de sua atuação missionária: os inícios do Lugar da Barra, atual Manaus; a participação controversa na guerra aos Manau e outras nações indígenas; e o episódio Samuel Fritz com todas as consequências para a ampliação das fronteiras portuguesas na Amazônia. Destaca-se neste trabalho, especialmente nos dois últimos capítulos, o protagonismo do Fr. Victoriano Pimentel e a importante documentação que legou à historiografia de sua ordem na Amazônia. Ao final se dá um destaque a aspectos positivos da presença dos Camelitas na Amazônia, não obstante as acusações que lhes imputaram de traição à sua missão religiosa e perversão no acúmulo de terras, drogas do sertão e escravos para sua ordem.

Este trabalho teve como objetivos analisar o conjunto de arranjos corais elaborados pelo maestro Samuel Kerr e estabelecer possíveis ligações entre sua produção e sua trajetória artística. Para isso, apresentamos um texto biográfico originado a partir da pesquisa bibliográfica e notamos necessária uma entrevista com o maestro que visou apurar os caminhos condutores de sua escrita coral. Em seguida elencamos e exemplificamos os quatorze procedimentos encontrados recorrentemente durante o processo de análise de um conjunto de cento e noventa e nove arranjos. Por fim, escolhemos cinco arranjos representativos do conjunto para uma análise mais detalhada, realizada através do Referencial Silva Ramos, processo que nos possibilitou enxergar com clareza a aplicação dos procedimentos. Durante a dissertação buscamos relacionar a quantificação de aplicação dos procedimentos de escrita ao pensamento criativo e pedagógico que identificamos na pesquisa e evidenciamos na maior parte das análises. / The purposes of this study were to analyze the set of choral arrangements elaborated by the conductor Samuel Kerr and establish possible connections between his production and his artistic career. Thereunto, we presented a biographical text originated from bibliographic research, and we realized that an interview with the conductor was needed to raise his background which led to his choral writing. Afterwards, we listed and exemplified the fourteen procedures recurrently found during the process analysis of a set of one hundred and ninety nine arrangements. At last, we choose five representatives arrangements from the set for a further detailed analysis, performed by Silva Ramos Benchmark, process that allowed us to understand clearly the application of the procedures. Throughout the dissertation we pursue to relate the quantification of the application of procedures writing to creative thinking and pedagogical research that we have identified in the research and we have evidenced in most analyzes.

Notre étude comparée porte sur l’oeuvre de Ilse Losa (1913-2006), Allemande installée au Portugal, et Samuel Rawet (1929-1984), Polonais immigré au Brésil, deux écrivains qui ont adopté le portugais comme langue d’écriture. Arrivés dans ces pays lusophones quelques années avant la déclaration de la Seconde Guerre Mondiale, ils possèdent une origine juive commune exprimée chez leurs personnages sous la forme de conflits entre mémoire et oubli, communautarisme et intégration, tradition et performativité culturelle. En outre, leur condition de femme et d’homosexuel leur a servi d’inspiration pour la construction d’une oeuvre marquée par la lutte contre le binarisme de genre dans un contexte d’oppression dans leur terre d’accueil : l’État Nouveau salazariste (1933-1974) et la dictature militaire brésilienne (1964-1985). Ainsi, à travers leur écriture personnelle où l’identité juive et l’identité genrée constituent des questions charnières, nous pouvons penser l’exclusion de façon plus large. Ces auteurs nous fournissent donc un portrait des sociétés brésilienne et portugaise entre la fin des années 30 et le début des années 80, mettant en lumière les enjeux de pouvoir entre l’élite et le peuple. Dans une période de construction d’une identité nationale basée sur le mythe du grand empire au Portugal et l’apologie du métissage et du multiculturalisme au Brésil, Ilse Losa et Samuel Rawet montrent que la nation est toujours une narration. / Our compared study deals with the literary work of Ilse Losa (1913-2006), a German exiled in Portugal, and Samuel Rawet (1929-1984), a Polish immigrant in Brazil, which have adopted Portuguese as writing language. Having arrived in these lusophone countries a few years before the declaration of the Second World War, both share a jewish origin which is expressed in their characters in the form of conflicts between memory and forgetfulness, communitarianism and integration, tradition and cultural performativity. Moreover, their conditions of women and homosexual acted as an inspiration for the construction of a work opposing gender duality in a context of oppression in these host countries : The Salazarist New State (1933-1974) and the military dictatorship in Brazil (1964-1985). This way, through their personal writings in which the jewish identity and the gender identity are key elements, we can consider the exclusion in a broader way. These authors give us a picture of the brazilian and portuguese societies between the end of the 30’s and beginning of the 80’s, highlighting the power relations between elites and masses. During a period in which the national identity is being built on the basis of the myth of the great empire in Portugal and of multiculturalism in Brazil, Ilse Losa and Samuel Rawet show that the nation is always a narrative.

No description available.

Thesis (M.A. of Arts)--Miami University, Dept. of History, 2008. / Title from first page of PDF document. Includes bibliographical references (p. 49-54).

Univ., Diss.--Rom, 2002.

Thesis (Ph. D.)--University of Wisconsin, 1965. / Typescript. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 231-252.