'Snap Shot' is a Young Adult novel centred around two main characters – 16 year-old Bel and her older step-sister, Diane, who was living in New York on September 11, 2001. The novel begins with a bus crash on a city freeway, and the narrator, who we later learn is Bel, unfolds the story that leads up to the crash. There are many plotlines that run through the novel, narrated in a variety of voices by Bel. She tells the story of her step-sister, who witnessed the September 11 attack from a distance (in Queens). She reveals her sister's story in the weeks following the attack. Diane is inspired by the image of one of the victims of the attack, a woman named Sena. She sees her photo in one of the desperate fliers that popped up around the city after the attack, and recognises a bracelet the woman is wearing as similar to one owned by her mother. Diane acts on an impulsive idea to somehow bring redemption to the family of this woman by creating a false photograph of the bracelet at Ground Zero, but she is detained by the National Guard. This is an incident that leads to her mother's decision to return to Australia to live. Back in Australia, Diane makes contact with her father, who is distant and dishonest with her. Diane asks to see her younger step-sister, Bel, but she is met with strong resistance. It is obvious that she is being kept from her sister. Bel also learns that her step-sister is back, but her attempts to make contact are blocked by her parents. Eventually the two sisters get together, and the younger forms a fascination and powerful admiration for her older sister, who is now a photographer. She takes images of men she has never met and posts them on her website with emotive labels such as 'victim' or 'terrorist'. Bel's fascination with her older sister leads her to want to emulate her. She sets out to take a photograph of a stranger, and stalks a young man for two days, working up the courage to approach him and interact with him. The fact that she wants to interact with her subject creates tension with her sister, who never speaks with her subjects. They argue about Bel's safety and Diane's courage. Bel eventually approaches the young man, Robert, and forms a connection with him. The coming together of these three characters sets in motion an idea, impulsive and provocative, driven by Bel, to create an artificial moment of terror on a bus as a means to shock the passengers and shake them from a 'dream'. This story is told through counter-voices that offer harmony and dissonance, and at times perspective, to the unfolding plotline. There is Shahrazade, an evocation of Bel's imagination, who is the ultimate in the courageous storyteller. Shahrazade uses narrative to divert her audience away from murderous revenge and into empathic connection. There are the short passages depicting the moments in the bus from the points of view of several passengers. There are the chapters where Bel is interrogated by two police officers, who slowly slide from being realistic characters to figments of Bel's overactive imagination. At the beginning of the novel, Bel tells the reader, 'You are witness to a tragedy, but you don’t call it that.' (Bone 2008) By the end, the verdict is left open. Are the three guilty of creating terror on the bus? Was it a tragedy? Is there redemption in the act of telling a story? The exegetical component of this thesis explores the social, literary and political context of the writing of 'Snap Shot'. It is in three parts, predicated on my research enquiry about the nature of the world we now live in post-September 11, a day that was supposed to have changed history. I explore whether there is a consistent and unified narrative that, as members of the public, we are engaging with. I look at the use of fear by the terrorists, and explore how this fear has manifested itself post-September 11. I ask whether there is an ongoing narrative of fear, and if so, what is its nature? How is it perpetuated? How does the public engage with this narrative? And what implications does this have for the writing of 'Snap Shot'? I explore literary and artistic responses to September 11, and explore the role of the artist as provocateur. What are the taboos and sore points that provocative art can touch on when looking at the subject of the world that has emerged post-September 11? The exegesis also explores how fear and terror are communicated, with a particular reference to symbolism and frames. What imaginings emerged from the subterranean consciousness prior to September 11, and what imaginings are at play today? Significantly, I explore what implications this imagination has for communicating an anti-terrorism message within the context of writing 'Snap Shot'. / Thesis (Ph.D.) - University of Adelaide, School of Humanities, 2008

<p>This is a paper about the process of creating meaning in speeches held by president Bush after the terrorist attacks on September 11th 2001. People need tools to orient and understand the surrounding world. They need to create a meaningful orientation in a chaotic world. Some meaning is favoured due to the prevailing social structures. Thru language discourses are produced that helps us understand how the world is constructed. The national state is a discourse that make the world understandable. The discourse create a natural perception of the world as divided into nations. A grand narrative is a story that explain incomprehensive occurrences in society. In times of war these stories become crucial. It is necessary to demonise the enemy to legitimise ones actions. </p><p>In the US a myth of origin is built around the concept of Manifest Destiny. The myth constitutes that the nation has a unique mission from God to save the rest of the world. In the story retelling the events of September 11th president Bush presents a solution to the problem of terrorists threatening to divide the nation. The nation is constantly on the brink of falling apart. The solution is unity. President Bush recreate the story of USA and the terrorist attacks in a meaningful way, and portrays the nation as a natural entity. The enemy is the evil force that unites the nation.</p>

<p><p>Syftet med detta examensarbete är att genom textanalys se hur olika läroböcker skriver om de politiska grupperna inom islam efter den 11 september 2001. Det var nämligen då som tre kapade flygplan kraschade in i World Trade Center och Pentagon i USA. I undersökningen granskades fem läroböcker, två utgivna på 1990-talet (1991 och 1999) och tre på 2000-talet (2001, 2006 och 2007). Mina frågeställningar är: Vilken bild ger dessa böcker av de politiska grupperna inom islam och vilka skillnader finns mellan dem? Min sista fråga att undersöka är om dessa eventuella skillnader kan sammanhänga med 11 september, 2001? Uppsatsens resultat visar en tydlig linje i dessa böcker. I den äldsta boken fokuserades mycket på islams utbredning. Senare pekas olika muslimska organisationer ut (boken från 2001). Slutligen försöker man ge en mer neutral och mindre laddad bild av religionen (de senaste böckerna). Boken från 2001, tar endast upp de islamistiska grupperna, samt att al-Qaida är skyldiga till attacken 2001. Boken utgavs alltså samma år, och Bin Ladin förnekade inblandning ända till 2004, tre år efter att boken publicerades. I de två senaste böckerna är det en neutral bild som finns i samband med de politiska grupperna. Det är sparsamt med namn, detaljer och ordet "fundamentalism" nämns inte alls.</p></p>

Thesis (M.A.)--Ohio University, June, 2006. / Title from PDF t.p. Includes bibliographical references (p. 78-81)

Syftet med detta examensarbete är att genom textanalys se hur olika läroböcker skriver om de politiska grupperna inom islam efter den 11 september 2001. Det var nämligen då som tre kapade flygplan kraschade in i World Trade Center och Pentagon i USA. I undersökningen granskades fem läroböcker, två utgivna på 1990-talet (1991 och 1999) och tre på 2000-talet (2001, 2006 och 2007). Mina frågeställningar är: Vilken bild ger dessa böcker av de politiska grupperna inom islam och vilka skillnader finns mellan dem? Min sista fråga att undersöka är om dessa eventuella skillnader kan sammanhänga med 11 september, 2001? Uppsatsens resultat visar en tydlig linje i dessa böcker. I den äldsta boken fokuserades mycket på islams utbredning. Senare pekas olika muslimska organisationer ut (boken från 2001). Slutligen försöker man ge en mer neutral och mindre laddad bild av religionen (de senaste böckerna). Boken från 2001, tar endast upp de islamistiska grupperna, samt att al-Qaida är skyldiga till attacken 2001. Boken utgavs alltså samma år, och Bin Ladin förnekade inblandning ända till 2004, tre år efter att boken publicerades. I de två senaste böckerna är det en neutral bild som finns i samband med de politiska grupperna. Det är sparsamt med namn, detaljer och ordet "fundamentalism" nämns inte alls.

This Master’s Thesis examines transnational conflicts and Christian-Muslim relations in Nigeria between the years 2001 and 2006. It focuses on two major transnational conflicts: The September 11, 2001 attacks in the United States and the Danish cartoon controversy of 2005/2006. It discusses the impact of these transnational conflicts on Christian-Muslim relations in Nigeria in the light of the implementation of the Sharia Law in some northern Nigerian states and the improved access to the broadcast media and mobile telephone communication in Nigeria. By underscoring the relationship between transnational conflicts and the local context, this study provides a new perspective for understanding Christian-Muslim relations in Nigeria

The objective of this thesis is to analyze the US Central Eurasia Policy in the period between 1991 and 2006. Within this context, the purpose is to figure out the foremost motive behind the US&rsquo / s strategic engagement in the region with a due regard to changing geopolitical context with the demise of the Soviet Union. The main argument rests upon the assumption that the US regional policy is primarily motivated by geopolitical imperatives as the Central Eurasian region becomes the primary springboard for the attainment of global supremacy. Within this respect, energy is only one aspect of the ongoing geopolitical competition. That the geopolitical priorities are preponderant to geoeconomic interests are basically observed by the intense geostrategic struggle over dominating the prospective oil and gas pipelines from the region. Eventually, within the confines of this thesis, it is deduced that the ultimate parameters of the geopolitical struggle, the framework of which was specified by the United States, have revealed themselves more explicitly in the aftermath of the September 11, which only reinforced the strategic significance of Central Eurasia in coping with the new geopolitical fault lines of the 21st century. Within this regard, Central Eurasia has transformed into an implicit geostrategic standoff between the United States on the one hand, and Russia and China on the other. Accordingly, the fact that the United States could by no means remain complacent about the fate of Central Eurasia against such a backdrop of high geopolitical fluidity in the overall Eurasian continent is most relevant to the possibility of rising potential aspirants for global dominance that would challenge the United States in the long term.

Title from first page of PDF document. Includes bibliographical references (p. 46-52).

Thesis supervisor: Barbara A. Biesecker. Includes bibliographic references (p. 198-204).

Unlawful interference with civil aviation has become a major concern for the world aviation community. The misuse of aircraft as a weapon of mass destruction has created new challenges. Air terrorism has moved from hijacking or unlawful seizure of aircraft to an in-flight explosion caused by sabotage and finally to September 11, 2001, to the use of a civil airplane as a weapon of destruction. / The events of September may be the biggest security challenge ever faced by the aviation industry. The impact of this tragic event on the global economy has been very harsh. The events have tended to obscure the fact that civil aviation continues to be an inherent safe mode of transport. / Great efforts are being made at the national and international levels to create a security net which is global in nature and so tight that not one further potential act of unlawful interference can slip through. However, the fact remains that, in weaving the net and designing measures with the objectives of preventing, combating and eradicating acts of terrorism involving civil aviation, it is prudent to be imaginative in assessing the threat, which could come from new directions and in new forms. / This thesis explores the implications of the 11 September 2001 events. A global strategy is initiated by ICAO and endorsed by the States, with the aim of protecting lives, restoring public confidence in air travel, and promoting the financial health of air transport. I will therefore examine the measures initiated by ICAO in response to the new challenges in aviation and which form the basis of the aviation security action plan. The perspective is that the events of 11 September have changed the world, and changed irrecoverably. Nothing will be the same for the aviation industry.