Global ETD Search

11	Les droits dérivés de l'oeuvre audiovisuelle / The derivative rights of the audiovisual work Serfaty, Vidal 08 December 2011 (has links) Les rapports entre l’oeuvre audiovisuelle et les droits dérivés présentent deux tendances contraires. La première de ces tendances est celle de l’autonomie. En effet, certaines exploitations dérivées ont pour objet des oeuvres telles que les titres et les personnages qui bénéficient d’une protection indépendante de l’oeuvre audiovisuelle. Ce mouvement s’accentue lorsque les titres et les personnages font l’objet de dépôts de marques, car la finalité de la marque diffère de celle du droit d’auteur. La protection cumulative crée des interactions entre les droits, tant dans leur existence que dans leur exercice. Une dernière manifestation de cette autonomie réside dans l’exclusion des droits dérivés du champ de la présomption de cession des droits d’exploitation au producteur, cette exclusion se justifiant par le fait que les droits dérivés ont pour objet la création et l’exploitation d’oeuvres nouvelles. La seconde de ces tendances est celle du rattachement des droits dérivés à l’oeuvre audiovisuelle. Tout d’abord, la propriété commune de l’oeuvre audiovisuelle implique un consentement de l’ensemble des coauteurs à son adaptation. Ensuite la liberté de l’adaptateur est limitée par le droit au respect de l’oeuvre qui fait obstacle à la dénaturation de l’oeuvre audiovisuelle. Enfin, la pratique révèle que le producteur s’érige en personnage pivot de l’exploitation de l’oeuvre audiovisuelle en lui assurant une unité organique. A l’origine des investissements consentis en vue de la création initiale, il va ainsi chercher à participer le plus largement possible aux fruits de l’exploitation en se faisant céder les droits dérivés et en concluant des sous-contrats d’exploitation. / The connection between the audiovisual work and the derivative rights sets out two opposing trends. The first of these trends is that of autonomy. Indeed, some derivative exploitations involve works such as titles and characters that are granted an independent protection of the one granted to the audiovisual work. This movement becomes more pronounced when titles and characters are subject to trademark applications, because the function of the trademark is different from that of copyright. The cumulative protection creates interactions between the rights, both in their existence and in their exercise. A final expression of this autonomy is the exclusion of the derivative rights from the scope of the presumption of assignment of exploitation rights in the audiovisual work to the producer. This exclusion is mainly justified by the fact that the purpose of derivative rights is to authorize the creation and the exploitation of new works. However, and its the second trend, derivative rights remain in many ways related to the audiovisual work. First, the common property of the audiovisual work implies consent of all the joint authors to its adaptation. Then, the freedom of the adapter is limited by the moral right of integrity which forbids the distortion of the audiovisual work’s substance. Finally, the practice reveals that the producer stands as a pivotal character of the exploitation of the rights in the audiovisual work. Taking the initiative of investing in the creation, the producer, in order to extend the field of profit-making, will seek to obtain from the authors the transfer of derivative rights and conclude sublicence agreements with third parties. Droits dérivés Oeuvre audiovisuelle Droit d'adaptation Droit de "remake" Droit de "sequel" Droits de "merchandising" Droit au respect de l'oeuvre Contrat de production audiovisuelle France Derivative rights Audiovisual work Right of adaptation Remake rights Sequel rights Character merchandising Right of integrity Contracts of assignment France
12	The Financial Success of Franchise Film Sequels: An Exploration of the Relationship of Budget, Personnel Factors, and Reviews with Sequel Return on Investment Kposowa, Kaitor 25 August 2015 (has links) No description available. Mass Media Film Studies Economics Mass Communications movie film sequel franchise return on investment ROI revenue experiential product experiential good brand extension budget personnel retention review critic two-step flow
13	Román na pokračování v českém tisku v roce 1945-1948 / Sequel novel in the czech press from 1945-1948 Karlová, Věra January 2013 (has links) The diploma thesis Sequel novel in the Czechoslovakian press from 1945 - 1948 deals with historical content analysis of three newspapers: Lidova demokracie, Svobodne slovo, Rude pravo and seven magazines: Kveten, Novy svet, Svet v obrazech, Rada zen, Kvety, Sobota and Vyvoj in the period of time 1. 1. 1945 - 31. 12. 1948. Theoretic part consists of historical context of fiction in newspapers as well as magazines and also explanation of situation in political and the media sphere, mostly in the press in above mentioned period. Ministry of information played a big part in a postwar press development and it had monopoly on entire paper used for making printed material and thanks to that fact they had newspapers and magazines publishers in a Czech territory under control. The practical, mainstay part of dissertation is focused in describing the issue of sequel novels by their detailed analysis in particular periodic, which has various specializations and represents different political part. Novels are thoroughly analyzed, it's story is described and the main topic of each series is defined. Emphasis are put on data, numbers of publication, number of novel's parts, novels authors, their nationality, political orientation and their literary style. At the end of each chapter the novels are put in order...
14	Román na pokračování ve vybraných ročnících dvou prvorepublikových časopisů pro ženy - List paní a dívek a Hvězda československých paní a dívek / Sequel novel in selected volumes of two magazines for women published in the first Czechoslovak Republic - List paní a dívek and Hvězda československých paní a dívek Srbecká, Tereza January 2018 (has links) The diploma thesis "Sequel novel in selected volumes of two magazines for women published in the first Czechoslovak Republic - List paní a dívek and Hvězda československých paní a dívek" deals with sequel novels, which were published in favorite women's magazines. These novels belongs to genre "červená knihovna" and genre of teen female novels. Term "červená knihovna" (similar to harlequin) is typical for Czech literary background. Theoretical part consists historical context of sequel novel and his development and also history of popular women's literature. This part also refers to fundamental elements of sequel novels. Mainly it is stereotypization of main protagonist, patterns and plot. The end of the sequel novel for women is traditionally closed with happy ending. The practical part is focused on analyzed novels in two magazines - List paní a dívek and Hvězda československých paní a dívek. At first there are described basic data about magazines, their establishments and summary of content they consisted. Research part contains list of all sequel novels which were published and analyzed. The aim of this part was to describe main pattern, genre and plot. Part of description was focused on nationality of authors and number of sequels. The result contains the most important analyzed data and...
15	Fauxtopia Kampf, Raymond William 01 January 2004 (has links) To all who come to this fictitious place:Welcome.Fauxtopia is your land. Here, age relives distorted memories of the past, and here, youth may savor the challenge of trying to understand the present. Fauxtopia is made up of the ideals, the dreams and the fuzzy facts which have re-created reality... with the hope that it will be a source of edutainment for all the world.Ray KampfFauxtopia DedicationApril 1st, 2004 swindle subterfuge story stooge stereotype stratagem spurious spiel soft-soap snow job simulated aspersion adventure artificial anecdote allegory advertising assumptions belie bluff bogus brainwash calumniation canard cheat chronicle cliche cliffhanger con man conceal counterfeit crooked deal deceit deception disguise dishonest distort double cross ersatz evangelism exaggerate fabrication facade fake falsehood fantasy fib fiction flim flam fool folktale forgery frame up fraudulence fudge gag grifter guile guise history hoax hokey hype hyperbole knavery legend likeness make believe malign mask memoir misrepresentation mockery myth parable parody performance perjury phony placebo player ploy potboiler prevarication propaganda publicity puppet put-on quasi record reproduction romance routine ruse saga scam shtick semblance sequel show serial synthetic tall story trick unnatural untruth veneer verisimilitude white lie whopper Disney politics hyper reality theme park entertainment Art and Design Arts and Humanities

Page generated in 0.0375 seconds