Thesis (PhD)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: Architecture is a complex concept, and as such many factors contribute to its creation. These factors include geographical, economical and climatological aspects, but above all architecture is formed by the specific times, circumstances and lifestyle of the creator. The human being, with his background, ideas and values, shapes and influences the architecture surrounding him, and is also shaped and influenced by it. Therefore, when the lives and opinions of people are radically changed, it follows inevitably that their way of architectural expression will also change. There are marked differences between domestic buildings erected during the Victorian period in England and South Africa. English domestic buildings consist of long uniform terraced rows of two or more storeys, while freestanding single-storeyed houses are the norm in South Africa. A large percentage of English buildings are built with unfinished bricks (sometimes stone), while the bulk of South African buildings are finished in plaster. The general roofing material for Victorian houses in South Africa, namely corrugated iron, are not used on English houses at all. English roofs are most often covered in slate tiles. The very elaborate wood and/or cast-iron decorative elements so typical of the Victorian style in South Africa are largely absent in England, and most English buildings also do not have an architectural element comparable to the South African veranda. All styles which occurred in England during the Victorian period are termed Victorian, but in all cases it refers to the period, not the style. Although in South Africa other styles from the Victorian period are sometimes also referred to as Victorian, a clearly distinguishable style with unique characteristics developed at the end of the nineteenth century in South Africa. This style came to be known as Victorian. This study investigates the underlying reasons for the differences which exist between the Victorian architecture of England and South Africa. / AFRIKAANSE OPSOMMING: Argitektuur berus op 'n komplekse basis, en as sodanig is daar talle faktore wat tot die skepping daarvan aanleiding gee. Hierdie faktore sluit onder meer in geografiese, ekonomiese en klimatologiese aspekte, maar bowenal word die argitektuur geskep deur die spesifieke tydsgees, agtergrond en leefstyl van die skepper daarvan. Die mens, met inbegrip van sy agtergrond, idees en waardes, vorm en beïnvloed die argitektuur wat hom omring, en word self ook daardeur gevorm en beïnvloed. Wanneer die lewens en sienings van mense dus verander, volg dit vanselfsprekend dat hulle argitektoniese uitdrukkingsvorme ook sal verander. Woonhuise wat tydens die Victoriaanse periode in Suid-Afrika opgerig is, verskil opvallend van dié in Engeland. Engeland se woonhuise bestaan uit lang aaneengeskakelde rye huise (terraces), wat oor twee of meer verdiepings strek, terwyl enkelverdieping alleenstaande geboue die norm in Suid-Afrika is. Geboue in Engeland vertoon ook 'n opvallende uniformiteit wat in Suid-Afrika ontbreek. 'n Groot persentasie Engelse geboue is van ongepleisterde baksteen (soms klip) gebou, terwyl Suid-Afrikaanse geboue oorwegend afgepleister is. Die algemene dakmateriaal vir Victoriaanse huise in Suid-Afrika, naamlik sinkplaat, word glad nie op Engelse huise gebruik nie. Die oordadige versieringselemente uit gietyster en/of hout wat so tipies van die Victoriaanse styl in Suid-Afrika is, is grootliks afwesig in Engeland, en die meeste Engelse geboue het ook nie 'n bou-element wat vergelykbaar is met 'n Suid-Afrikaanse stoep nie. Alle style wat in Engeland tydens die Victoriaanse periode voorgekom het, word Victoriaans genoem, maar in alle gevalle word die tydperk bedoel, en nie die styl nie. Hoewel daar in Suid-Afrika ook soms na ander style van die Victoriaanse periode as Victoriaans verwys word, het daar teen die einde van die negentiende eeu 'n eiesoortige styl met unieke kenmerke in Suid-Afrika ontwikkel wat as Victoriaans bekend staan. Hierdie studie ondersoek die dieperliggende redes vir die verskille wat tussen die Victoriaanse argitektuur van Engeland en Suid-Afrika bestaan.

Thesis (PhD)--University of Stellenbosch, 2002. / ENGLISH ABSTRACT: The tradition of liberalism in South Africa has played a significant role in shaping the country's multi-party democracy. Yet, there are several gaps within the tradition of liberalism which can be associated with an aversion towards majority rule, equalising opportunities through affirmative action measures, and a focus on securing political rights as opposed to substantive rights for all citizens. It is my contention that weaknesses within the liberal tradition could be minimised if a more credible conception of liberalism is constructed within the parameters of a deliberative framework of democracy. In this dissertation I make an argument for a defensible form of liberalism which can be achieved through a rational, reflexive discourse-oriented procedure of deliberative democracy. Deliberative democracy in turn can engender a form of citizenship which recognises the need for citizens to care, reason and engage justly in political conversation with others. KEYWORDS: Liberalism, communitarianism, deliberative democracy and South Africa. / AFRIKAANSE OPSOMMING: Die tradisie van liberalisme in Suid-Afrika het 'n noemenswaardige bydrae gelewer tot die totstandkoming van die land se veelparty demokratiese bestel. Afgesien hiervan, verskyn daar vele gapings binne die liberale tradisie wat hoogstens vereenselwig kan word met 'n teenkanting teen meerderheidsregering, skepping van gelyke geleenthede deur regstellende aksies en 'n fokus eerder om politieke regte liewer as ook substantiewe regte vir alle burgers te bekom. Ek redeneer dat tekortkominge binne die liberale tradisie geminimaliseer kan word indien 'n meer vededigbare begrip van liberalisme gekonstrueer word binne die perke van 'n beredeneerde demokratiese raamwerk. Ek voer aan dat 'n verdedigbare vorm van liberalisme bewerkstellig kan word deur 'n rasionele, refleksiewe diskoersgeoriënteerde prosedure van beredeneerde demokrasie. Op die beurt kan beredeneerde demokrasie 'n vorm van burgerskap teweegbring wat die belangrikheid van omgee en redenering erken, en ook terselfdertyd burgers betrek op 'n geregverdige wyse in gesprekvoeing met ander persone. SLEUTELWOORDE: Liberalisme, gemeenskapsgerigte liberalisme, beredeneerde demokrasie en Suid-Afrika.

Thesis (MDram)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: The musical is one of the many forms of musical theatre and consists of certain qualities that define the genre. This form developed out of various genres en there are many approaches and definitions for the musical.This study investigates the nature and changing nature of the musical in South Africa, and it also studies the various factors that contributed and still contributes to the development of the concept musical.The economic-, socio-economic, historical- en cultural background of South Africa is used throughout the study to understand and interpret the nature and context of this theatrical art form. The study is divided into periods; pre – colonial South Africa, Colonial South Africa, Apartheid South Africa and Post-Apartheid South Africa. The above periods are furthermore organized into the following categories; historical background, available theatre spaces, the involvement of theatre makers, forms of musicals found and examples of musicals present during the specific periods.Various forms of the musical are researched; the indigenous community musical, the urban black musical, the anti-apartheid musical, the township musical, independent musicals, international phenomena, contemporary trends as well as the appearance and relevance of the musical at festivals in South Africa.The conclusion of the study is that the nature of musicals in South Africa is bound to various factors that influence this theatrical form, and the form is thus adaptable due to elements such as social-, cultural-, economic- en socio-economic factors. / AFRIKAANSE OPSOMMING: Die musiekblyspel is ‘n onderafdeling van musiekteater en bevat spesifieke eienskappe wat dié genre definieer. Die vorm het ontwikkel vanuit verskeie genres en daar bestaan verskillende benaderings tot en definisies vir die musiekblyspel. Hierdie studie ondersoek die wese en aard en verandering van dié genre in Suid-Afrika, en ook die verskeie faktore wat bygedra het en steeds bydra tot die ontstaan en ontwikkeling van die konsep musiekblyspel. Die ekonomiese-, sosio-ekonomiese-, historiese- en kulturele agtergrond van Suid-Afrika dien as deurlyn, om sodoende ook die aard van die teatervorm in konteks te verstaan en te interpreteer. Die studie is voorts ook verdeel in Pre – koloniale Afrika, gevolg deur Koloniale Suid-Afrika, die Apartheid-era en laastens die Post-Apartheidsera. Die onderskeie tydperke is verder in die volgende onderadelings verdeel; historiese agtergrond, beskikbare teaterruimtes, betrokkenheid van teatermakers, vorme van musiekblyspele aanwesig en voorbeelde van musiekblyspele gedurende bogenoemde tydperke. Verskeie vorme van die musiekblyspel word bestudeer, onder andere die inheemse gemeenskapsmusiekblyspel, die inheemse swart musiekblyspel, die anti-apartheid musiekblyspel, die township-musiekblyspel, onafhanklike, nie staatsgesubsideerde musiekblyspele, internasionale verskynsels, hedendaagse tendense, asook die voorkoms en relevansie van musiekblyspele by kunstefeeste. Die gevolgtrekking van die studie is dat die aard van musiekblyspele in Suid-Afrika gebonde is aan verskeie faktore wat die teatervorm beïnvloed en sodoende is die vorm aanpasbaar weens elemente soos sosiale-, kulturele-, ekonomiese en sosio-ekonomiese faktore.

Thesis (MEd) -- Stellenbosch University, 1989. / ENGLISH ABSTRACT: Much has been written about the history of the Moravian Church in South Africa and especially about Genadendal. In this thesis however, an effort is made by means of a temporality-pedagogic study to show the relationship, in the field of education, between church and school. The aim of this study is to establish the contribution made by the Moravian Church, especially in Genadendal with regards to education and schooling. / AFRIKAANSE OPSOMMING: Vele geskrifte oor die geskiedenis van die Morwiese Broederkerk In Suid-Afrika en oor Genadendal in besonder het al die lig gesien. In hierdie tesis egter, word 'n poging aangewend om deur middel van 'n temporaliteitspedagogiese studie die vennootskap tussen kerk en skool aan te dui. Die doel van die studie is om vas te stel watter bydrae die Morawiese Kerk veral in Genadendal ten opsigte van opvoeding en onderwys gemaak het.

D.Litt. et Phil. / Non-violent mass-based protest and resistance by liberation groups have a long history in the South African context. Prior to the 1980s, they had achieved only minor and isolated successes. The formation of the United Democratic Front (UDF) in 1983 and its successful mass protest action against the state to 1990, changed the equation, however. The UDF's origin could indirectly be traced back to attempts from the 1950s to launch mass-based protest and resistance against the apartheid state. Calls for the formation of a united front against the South African State were made by various persons and organisations since the 1950s, but it was only by the 1980s that circumstances allowed the formation of a united front. Demographic realities, urbanisation, the legalisation of black trade unions, an educated leadership, the growth of a grassroots-based civil society among blacks, all contributed to make the formation of the UDF a reality. Protest against the government's tricameral system, initially provided the direct stimulus for the formation of the UDF during 1983 to 1984. By the end of 1984, the UDF had built up a wide support base to directly threaten the government's position. The result was several states of emergency through which the state endeavoured to crush the UDF-led opposition. The UDF's unique structure, which consisted of affiliates from all sectors of civil society, including black trade unions as an alliance partner, managed to survive the state's repressive measures, continued to pressurise the state so that by 1989, under a new head-of-state, the National Party "capitulated" and opened the door to real elections for a democratic South Africa. The UDF's strategies were aimed to mobilise the masses and through its mass-based action, bring maximum pressure to bear on the government. This strategic approach was executed by employing various tactics, which related to the classic methods of mass-based non-violent action. In the end, the state's security apparatus proved unable to cope with the UDF's relentless actions, offset by its inability to act effectively against the UDF as an entity, mainly because of its amorphous structure. Although other factors, such as economic recession, foreign sanctions, the ANC campaign to isolate South Africa, among other played a role, the UDF provided the crucial domestic impetus to illustrate to the South African government, that black resistance couldn't be suppressed and that the situation would continue to worsen. Seen against this background, it is unlikely that CODESA would have occurred as soon as it did without the activities of the UDF throughout the 1980s.

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts. Johannesburg, 1997. / Faced with the potential threat of oil embargoes imposed by producer countries for political reasons, the consumer countries reacted by creating different alternatives which granted them some energy independence and security of supply by using alternative products and technologies available in their own countrles, Can a middle level developing country break out of the cycle of dependency in the area of energy? This dissertation investigates the strategy developed and implemented by South Africa between 1973 and 1993, which invested heavily in the generation of fuel extracted from coal in order to rescue its country from crisis and support it through critical periods of history. / AC2017

Submitted in the partial fulfilment for the degree of Master of Arts to the Department of African Literature University of the Witwatersrand, 2017 / Sol Plaatje’s novel Mhudi revisits prominent events detailing the relationship between the various clans that occupied the South African Landscape in the 1800’s. This story is a reflection of the conflict that arises between the different groups, how it is overcome and prospects of a new harmonious beginning. Plaatje writes his novel in the light of the occurrences in South Africa following the 1913 Natives Land Act. Plaatje uses various elements of culture and literary aesthetics to pose Mhudi as an allegory of the 1913 Natives Land Act. Literature is a carrier of culture and knowledge that can be used as a credible source to assess the past, the present and the future. Plaatje uses a story of love to elucidate how love conquers evil, the story of land and the knowledge and cultural significance it holds. Through this he highlights the wisdom that lies in the knowledge and application of culture through reverence. / XL2018

Dissertation in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) in Migration and Displacement Studies, School of Social Sciences, Faculty of Humanities, University of the Witwatersrand April 2016 / Responding to inadequacies and limitations of current causal explanations for xenophobic violence which has become a long standing feature in post-Apartheid South Africa, this study proposes a Governance Model of Xenophobic Violence that provides a comprehensive empirically-based and theoretically informed causal explanation. It is a multivariate empirical and integrated theoretical explanatory model that identifies and explains the roles of - and the complex interplays between - the key determinants of xenophobic violence consisting of underlying causes, proximate factors and triggers. The six key determinants the model identifies are: deprivation, xenophobic beliefs, collective discontent, political economy, mobilization and governance. This study argues that these determinants and their interconnections in a value-added process constitute the necessary and sufficient conditions for the occurrence of xenophobic violence. I call it the governance model because of the predominant role governance plays in the occurrence of xenophobic violence. With underlying causes (deprivation, xenophobia and collective discontent) already established, the study pays particular attention to the often missed proximate factors and triggers (the political economy of the violence, mobilization and governance). It is through the findings on these new factors that the study introduces new empirical and theoretical insights and innovations to the understanding of, not only, xenophobic violence in South Africa but also collective violence generally. First, this study argues that xenophobic violence in South Africa is just ‘politics by other means and by doing so brings to the fore the often missed centrality of micro-politics and localised political economy factors as key drivers of collective violence particularly communal violence. Second, the study argues that that the triggers of xenophobic violence and of collective violence generally lie in the mobilization processes and not in the grievances and ensuing discontent as argued by many theoretical approaches to collective violence. The study suggests a new theoretical model, the Mobilization of Discontent Model, which captures the increasingly recognised centrality of mobilization as a trigger of collective violence. Third, the study argues that governance is a key determinant of xenophobic and collective violence but not necessary in ways often assumed or prescribed by time-honoured and widely accepted theoretical predictions, particularly those contending that collective violence and other forms of contentious collective action tend to occur in societies where mechanisms of social control have lost their restraining power. By demonstrating that local governance deliberately facilitated the occurrence of xenophobic violence in areas where it occurred by providing what I term micro-political opportunity structures, the study calls into question the common understating of the relationship between governance and collective violence and reveals some aspects of this relationship that are either misunderstood or undetected until now. The Governance Model of Xenophobic Violence this study proposes is an innovation that clearly illustrates the poverty of most explanatory models of collective violence, which makes it an appropriate tool for integrating empirical and theoretical knowledge from different disciplines and for identifying gaps in existing scholarship. / MT2017

This dissertation examines the factors leading to the opening of negotiations to majority rule in South Africa. It argues that changes to the socio-economic environment led to the growth of the strategic relevance of the black working class, and also created certain points of collision between the black working class and the policies of the state. These sectoral collisions engendered both the partial reforms of the Botha era as well as the rejection of these reforms by the black majority. The developments that emerged from the ensuing process of reform, resistance and repression in the 1980s weakened both the state and the black opposition sufficiently to allow for the emergence of a consensual solution to the political stalemate. / Dissertation submitted in accordance with the requirements of the University of Liverpool for the degree of Master of Arts

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