A representative example of Monyaise’s work is his novel Go ša Baori, published in 1970. A survey of the literature reveals that this novel has already been investigated, by Malope R.M and (1986), Shole J. S.S (1988) who analysed only the dream found in this novel. The chief aim of this investigation is thus to critically analyse the structure of the novel Go ša Baori at the level of content and plot, using two research methods, namely definition and interpretation, within the context of an adapted narratological model. This model conceives of a text according to three levels, namely content, plot and style, and focuses on the topic of the content, the theme of the plot and the atmosphere of the style. Thus this research study differs from the two previous investigations of Go ša Baori because it focuses on the content level of the text by examining the topic, and the plot level by analysing the theme. The content of a text is coordinated by the topic to form a unified entity. The topic of the novel we are investigating is reflected in its title, namely Go ša Baori. The topic is thus of vital importance, and determines the arrangement and presentation of four important elements of content, namely character, time, place and events. These four elements are examined in more detail. The characters of the novel can be grouped into two categories, namely kind-hearted person (Olebile) and quarrelsome person (Wapeipi). These two content characters are investigated using the concepts of intention, patronage, resistance, assistance and success. Time and place together fall under setting. Setting can be defined as the natural and artificial environment in which characters in literature live and move (Roberts 1982:1).Time is then the period in which the events of the plot happen, and the order in which they happen. This can be expressed in various units, for example a day, month or year. Place denotes the geographical and topological position in which the characters in the story are situated and the events of the plot take place. Bal (1985: 8) regards the place within which the characters find themselves as the ‘frame’. The last of the four elements, the events, together make up the plot of the drama, which Strachan (1988: 20) and Magapa (1997: 11) describe as the second level of the text. Here theme is the key. The theme of the novel Go ša Baori centres on jealousy and competitive spirit. The plot is examined by focusing on the special functions in the plot of the protagonist Olebile and the antagonist Wapeipi, and the events related to them are classified as representing either good or evil. This study of Go ša Baori not only reveals how Monyaise creates his characters but also how he selects and shapes them for the purpose of dramatizing human life with all its varied manifestations. The actions that take place reveal essential character traits of the various characters, as do the words of the author as he describes Wapeipi as someone who makes up his mind at once and he is prepared to be hurt emotionally. While on the other hand, Olebile is a soft spoken man and very loving who shows his love to his fiancée by buying her a big diamond ring. The plot is then examined according to the conflicts that occur in its various stages, namely the exposition, the development, the climax and the denouement. There are twelve distinct conflicts that can be identified occurring between characters in the events of the plot. Monyaise using three techniques, namely repetition, elision and motif, presents the events of the exposition, which form the first conflict that sets the plot going. In the development, several other techniques are used to show the conflicting forces of character and events and to emphasize the message of the novel. The other conflicts, which are between other characters like the helpers, can be described as medium, and are not examined in great detail, though they are vital for creating suspense. In the climax phase the techniques of focus, idioms and motif are examined, particularly in the conflict between the protagonist and the antagonist, which leads to the death of the protagonist caused by emotions and complications. The conflict in the denouement phase is characterised by a very important technique, shadow to strengthen the theme of Go ša Baori. Here Monyaise uses this important technique, to strengthen the presentation of the theme of Go ša Baori. Overall, the most frequently used techniques are repetition, motif, idioms, elision, focus, rhetorical questions and foreshadowing. This novel can be classified as a tragic novel, because at the end, the antagonist dies. Using this tragic ending, Monyaise tries to caution his audience against jealousy and a competitive spirit. Thus it is the theme that holds the audience to the end of the novel. / Dissertation (MA (African Languages))--University of Pretoria, 2007. / African Languages / MA (African Languages) / unrestricted

The diploma thesis deals with new forms of sculpture in contemporary art. The theoretical part describes the development of sculpture and its changes in the course of time with a special emphasis on current Czech authors and their work. It also comments on materials and themes which most frequently occur and are used in sculpture. Last but not least, his part also deals with a public space and placing sculptures in here. The practical part presents a series of author's sculptural works which focus on various materials possibly usable in Art classes at the first school. Properties, availability and durability of the materials are examined and evaluated. In the didactic part, the author presents work of 5th year pupils who were inspired by creations of Anna Hulačová, a Czech sculptor. In the end, sculpture exhibitions visited by the author are presented. KEYWORDS Anna Hulačová, material, sculpture, theme, public space

This study investigates the image of a theme park by determining the relative importance of factors tourists rely on in their evaluations of a theme park and their assessments of that theme park in satisfying these motives. The analytical framework of the importance- performance technique is used in analyzing the data. The SantaPark in Rovaniemi, Finland serves as the study setting. Study results and their implications are discussed.

Supportive fan bases in live events are more than casual viewers. They are the result of an active audience who have shifted the power dichotomy between producers and viewers via their range of participation. Drawing from scholars like Jacques Ranciere, Henry Jenkins, and Adam Alston, this essay uses Evermore Park in Pleasant Grove, UT, as a case study to review levels of engagement within spectatorship, and particularly how fandom can lead to audience takeover of immersive spaces. Evermore Park is a unique site that sits at the intersection of all three performance genres--immersive theater, park studies, and live action role-play. It is ripe for takeover as the producers encourage audiences to participate in increasingly liberal ways. This paper specifically focuses on the powerful position of the "fan" to contest producers and take over the space through their influence over the narrative, costume design, and online presence.

The importance of environmental analysis in the strategic management process and the effects of economic value drivers on firm or industry performance have been discussed conceptually and empirically by researchers in corporate failure, and in the areas of finance, accounting, strategic management, and the hospitality industry in the past. The belief is that the more systematic and frequent the scanning performed by managers the higher the chances of improving the firm's or industry's performance. The present study is an attempt to identify economic value drivers that impact the casual theme sector of the restaurant industry and to ascertain the degree of the impact during the period 1994-2003. The statistical analysis was based on time series data, using Cross Correlation, Granger Causality, and Multivariate Regression. An exhaustive range of economic value drivers within ten categories were tested: commodity market; foreign currency market; labor market; inflation; stock market; national income and output; interest rate; government revenue, spending, debt, and taxes; money supply; and consumer spending. The unit of analysis was done at the industry level, and an index of operational cash flows of the casual theme sector of the restaurant industry was developed. Economic value drivers within the categories of commodity markets, labor markets, inflation, stock market, national input/output, government revenue/spending/debt/taxes, money markets, and consumer spending indicated co-movements with and causality to the index of operational cash flows per unit in the casual theme restaurant industry. A high variance in the operational cash flows in the casual theme restaurant industry was explained by a set of economic value drivers within commodity markets, inflation, and labor markets. In broad, practical terms, the study intends to support the importance of assessing the economic environment for better performance of the restaurant industry and to provide food service managers with a conceptual model to understand the unanticipated effects on the performance of existing or new strategies. In real terms, the model and set of economic value drivers in the model would help them decide what kinds of action or investment in a firm or industry's weakness should be taken to buffer future operational risks against value drivers within economic environment. / Master of Science

The emphasis of this work ls on the common theme found in the three recent works of Stuart Hampshire (Morality and Conflict), Alasdair Macintyre (After Virtue) and Michael Walzer (Spheres of Justice). I call this theme "moral conservatism". While I believe that the "moral conservatives" are correct in their attempt to establish morality within society rather than in abstraction, their method of generating moral rules through social discourse seems to conflict with their own belief in certain vague notions of justice and equality. on close examination the method of the moral conservatives appears to be hermeneutic in that it involves the re-establishment of appeals to tradition and authority within the context of discourse. Given this hermeneutic element I have found that Habermas 's critique of hermeneutics can also be applied to their methodology. The result is a solution to the initial conflict. Habermas's analysis of universal pragmatics and the ideal speech situation provide a means of introducing constraints on the outcome of social discourse about norms. These constraints, because they are inherent in all social discourse, are universal. Nevertheless, they are not abstract in that they do not derive from an appeal to pure reason; rather, they are inherent in social discourse itself. This modification of the moral conservatives' approach indicates the possibility of combining the concreteness of historical relativism with a universal element usually found in a historical and indeed antihistorical ethical theories. / Thesis / Master of Arts (MA)

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Under the direction of Dr. Lynn Henrichsen, a group of students has developed numerous units for the Basic Training and Resources for Teaching English to Speakers of Other Languages (BTRTESOL) program. This program is currently located on a website and will someday be published in book and DVD format. These units provide general training for novice teachers who teach domestically or abroad. With little or no training, volunteer English language teachers are often left with questions that BTRTESOL strives to answer in its 52 units. As this audience may or may not have university education or heavy commitment, these units are kept short and to the point with easy to read and understand language. The program uses a minimalist approach so each unit includes only "The least you should know" while connecting users to additional resources in a "where to go to learn more" section. This master's project describes the creation, evaluation and revision of two units for the BTRTESOL program, "Content-Based Language Classes" and "Multiple Skills in One Class." The first unit introduces the idea of integrating content teaching and language teaching into one course. In addition, it explains different types of scaffolding and teaching techniques that will aid novice teachers in creating successful content-based instruction courses. The second unit will help teachers to integrate different linguistic modalities into one course. Suggestions on how to pick themes, manage class time, and plan lessons are addressed

The purpose of this thesis is to look at the potential for interactive devices to enhance the story of future theme park attractions. The most common interactive theme park rides are about game-based interaction, competition, and scoring, rather than about story, character, and plot. Research into cognitive science, interactivity, narrative, immersion, user interface, theming and other fields of study illuminated some potentially useful guidelines for creating compelling experiences for park guests. In order to test some of these ideas, an interactive device was constructed and tested with study subjects. Each study subject watched a video recording of an existing theme park ride while using the device, and then filled out a survey concerning their experience. The results revealed how subjects view character-driven interactive devices, how a device should be blended into a ride sequence, how subjects think interactivity and responsiveness should be structured in regards to themselves and the ride, and begins to hint at their motivations for using interactive devices.

Shanghai is one of has been a city of high economic and social importance since the early 20th century. The form and historical background of cultural heritages in its downtown districts is different to those in other Chinese cities with protected historical areas such as for instance the Bund area. The text identifies the uniqueness of heritage management regulations in Shanghai, and put forward questions about the function of documentary heritage in urban development with a case study about the newly updated Shanghai Jewish Refugees Memorial Museum. The general urban development of Shanghai is reviewed in the context of the incorporation of heritage in urban planning and specifically the development plans for the Bund area where the museum is located. The history of the Jewish community in Shanghai and of the museum itself is analysed based on the museum exhibition and layout, as also the experience of museum visitors. The thesis builds on archive studies, peer interviews and survey investigation. 292 survey answers have been collected from visitors on the experience of the museum. The results of the survey together with the interviews, individual experience and policy studies, are drawn upon to discuss the role of the museum in urban planning and how it can be developed. It is stressed that the documentary heritage is helpful in minimizing conflict between the everyday experience of heritage and amore exclusive academically informed view on heritage. It is also recommended that multidirectional support will be constructed between document collection, historically reserved areas and the central business district in Shanghai.