This thesis analyses how three television stations - Czech ČT24, Russian RT and American CNN - informed about the Crimean crisis which took place in Ukraine in 2014. The first part of the thesis presents theoretical approach and mentions previous similar studies, which focused on examining of medial coverage and framing of war conflicts. Next chapter describes the history of Ukraine briefly and underlines events which could have caused the Crimean crisis. Thereafter the thesis introduces the timeline of the Crimean crisis. In the next part the thesis analyses sources, topics and keywords which appeared in the news of ČT24, RT and CNN. It also describes how particular people and events were visually covered. In the final chapter the approach of the three examined television channels is compared.

Made available in DSpace on 2016-04-25T20:20:14Z (GMT). No. of bitstreams: 1 Lucia Soares da Silva.pdf: 2000228 bytes, checksum: bbd567c308049e053bdb06ff35c4333e (MD5) Previous issue date: 2011-06-06 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Television as a producer of truths operates in the speed of the flows in the society of control. As the main media after the post-war period, television connected to the internet convokes the spectator citizen consumer to adhere and participate by the means of probing, public opinion and shared collaboration from the media democracy. As an audio-visual instrument, the television invests in collective apparatuses such as the family, while producing its programs it allies entertainment and information 24 hours per day. As a connection amplified to other technological apparatuses, it fosters the interactions and participation exercising a continuous control, modeling and adapting social relationships and promoting other realities. The modulations of the female entertainment television programs and the journalists police program produce subjectivities and re subjectivities in the spectator citizen consumer, leading it to the self government and entrepreneurship, to the conformity, balance and conservative moderation. Politics and modulations of the television entertainment: women and denunciation doesn t intend to tell, construct and re construct the origin of the programs addressed to women, but it departs from the foucaultian genealogical analysis and from deleuzian and guattarian analytical to analyze the political history of the present and its effects on women and families / A televisão como produtora de verdades opera na velocidade dos fluxos da sociedade de controle. Como a principal mídia do pós-guerra, a televisão acoplada à Internet convoca o telespectador-cidadão-consumidor a aderir e participar por meio das sondagens, opinião pública e colaborações compartilhadas da democracia midiática. Como aparelho audiovisual, a televisão investe nos equipamentos coletivos como a família e ao produzir seus programas alia entretenimento e informação, 24 horas por dia. Com uma conexão amplificada a outros aparelhos tecnológicos, fomenta a interação e participação, exercitando um controle contínuo, modelando e adaptando as relações sociais promovendo outras realidades. As modulações dos programas televisivos femininos de entretenimento e os programas jornalísticos policialescos produzem subjetividades e ressubjetivações no telespectador-cidadão-consumidor, levando-o ao empreendedorismo de si, à conformidade, equilíbrio e moderação conservadora. Política e modulações do entretenimento televisivo: mulheres e denúncias , não pretende contar, construir e reconstruir a origem dos programas destinados às mulheres, mas parte das sugestões da análise genealógica foucaultiana, da analítica deleuziana e guattariana, para revolver uma história-política do presente e seus efeitos sobre as mulheres e à família

Made available in DSpace on 2016-04-26T14:53:03Z (GMT). No. of bitstreams: 1 Lucia Soares da Silva.pdf: 2000228 bytes, checksum: bbd567c308049e053bdb06ff35c4333e (MD5) Previous issue date: 2011-06-06 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Television as a producer of truths operates in the speed of the flows in the society of control. As the main media after the post-war period, television connected to the internet convokes the spectator citizen consumer to adhere and participate by the means of probing, public opinion and shared collaboration from the media democracy. As an audio-visual instrument, the television invests in collective apparatuses such as the family, while producing its programs it allies entertainment and information 24 hours per day. As a connection amplified to other technological apparatuses, it fosters the interactions and participation exercising a continuous control, modeling and adapting social relationships and promoting other realities. The modulations of the female entertainment television programs and the journalists police program produce subjectivities and re subjectivities in the spectator citizen consumer, leading it to the self government and entrepreneurship, to the conformity, balance and conservative moderation. Politics and modulations of the television entertainment: women and denunciation doesn t intend to tell, construct and re construct the origin of the programs addressed to women, but it departs from the foucaultian genealogical analysis and from deleuzian and guattarian analytical to analyze the political history of the present and its effects on women and families / A televisão como produtora de verdades opera na velocidade dos fluxos da sociedade de controle. Como a principal mídia do pós-guerra, a televisão acoplada à Internet convoca o telespectador-cidadão-consumidor a aderir e participar por meio das sondagens, opinião pública e colaborações compartilhadas da democracia midiática. Como aparelho audiovisual, a televisão investe nos equipamentos coletivos como a família e ao produzir seus programas alia entretenimento e informação, 24 horas por dia. Com uma conexão amplificada a outros aparelhos tecnológicos, fomenta a interação e participação, exercitando um controle contínuo, modelando e adaptando as relações sociais promovendo outras realidades. As modulações dos programas televisivos femininos de entretenimento e os programas jornalísticos policialescos produzem subjetividades e ressubjetivações no telespectador-cidadão-consumidor, levando-o ao empreendedorismo de si, à conformidade, equilíbrio e moderação conservadora. Política e modulações do entretenimento televisivo: mulheres e denúncias , não pretende contar, construir e reconstruir a origem dos programas destinados às mulheres, mas parte das sugestões da análise genealógica foucaultiana, da analítica deleuziana e guattariana, para revolver uma história-política do presente e seus efeitos sobre as mulheres e à família

<p>The purpose of this essay was to investigate how films and TV-series were used in a Swedish lower secondary school, but also the pupils’ and teachers’ attitudes towards using television media. A questionnaire was handed out to 49 pupils asking them, for example, if they thought they learned grammar from watching films. In addition two teachers were interviewed and asked questions about what they thought about using television media in their teaching and how often they used it in their teaching. The results showed that both teachers and pupils were positive towards television media. The pupils thought they learned grammar, pronunciation, improved their listening comprehension and learned new vocabulary. They also stated that a lesson based on television media was more fun than a usual lesson and something they would like to see more of . However, the pupils were doubtful whether they learned more during such a lesson than a lesson based on the textbook. Copyright problems were an issue for the two teacher and they also stated that it requires more time to plan a meaningful activity involving television media compared to the traditional teaching. However, they felt that when they took the time to plan such an activity, it was worth it and the pupils reacted in a positive way.</p>

電視談話性節目的製播，在台灣的媒體生態圈，儼然成為主流，播出時間與影響力大幅提升，各種類型談話性節目順應而生，其中探討財經議題的談話性節目近年來受到觀眾歡迎且廣泛討論，由於學術界探討談話性節目均以政治議題做為主要的訴求，少有研究針對財經議題來深入了解，本研究以財經談話性節目為主要的研究背景，給有意投入此領域之人員有效掌握財經談話性節目之關鍵要素。 本研究取用財經談話性節目實務運作所含蓋之元素，進行基本要素之整理、歸納，並分析財經談話性節目相對應之指標，採用修正式德菲法，整合連結性高之專家、學者與從業人員，取得專家們一致認可之關鍵要素，並透過因素分析來擬定財經談話性節目的關鍵要素為何。其中包含： 壹、 來賓專長區隔 貳、 題材緊扣社會脈動 參、 主持人具場控能力 肆、 時段安排適切 伍、 主持風格明確 / Production and broadcasting television talk shows Taiwan’s media ecosystem , has become mainstream, significantly enhance the broadcast time and influence,adapt to all types of talk shows conform born , which examines issues of Finance talk shows in recent years by the audience and widely discussed , as talk shows are in academia discuss political issues as the main demands of the few studies to gain insight for Finance issues , this study Finance talk shows as the main research background , to intentionally put into this area of Finance personnel to effectively grasp the key elements of talk shows . This study was drawn elements Finance talk shows practical operation of the covers , the basic elements of the sort , summarize, and analyze the Finance talk shows the corresponding indicators used to repair a formal Delphi method , the integration of high connectivity experts, academics and practitioners, to obtain the key elements of the experts unanimously approved , and through factor analysis to develop what are the key elements of Finance talk shows. Which contains: 1.The guest specialty segmente 2.Closely linked to the pulse of the subject matter 3.Host a field control capability 4.Appropriate arrangements for air time 5.Clear TV host style

Submitted by Luciana Magalhães (luciana.magalhaes@live.com) on 2018-04-05T00:40:50Z No. of bitstreams: 1 Dissertacao_V04Abr2018_Pos-RevisaoABNT_VFinal.pdf: 1415189 bytes, checksum: 7089d229eea56ea34e8c26c405219fba (MD5) / Approved for entry into archive by Mayara Costa de Sousa (mayara.sousa@fgv.br) on 2018-04-06T16:45:17Z (GMT) No. of bitstreams: 1 Dissertacao_V04Abr2018_Pos-RevisaoABNT_VFinal.pdf: 1415189 bytes, checksum: 7089d229eea56ea34e8c26c405219fba (MD5) / Approved for entry into archive by Suzane Guimarães (suzane.guimaraes@fgv.br) on 2018-04-06T17:12:24Z (GMT) No. of bitstreams: 1 Dissertacao_V04Abr2018_Pos-RevisaoABNT_VFinal.pdf: 1415189 bytes, checksum: 7089d229eea56ea34e8c26c405219fba (MD5) / Made available in DSpace on 2018-04-06T17:12:24Z (GMT). No. of bitstreams: 1 Dissertacao_V04Abr2018_Pos-RevisaoABNT_VFinal.pdf: 1415189 bytes, checksum: 7089d229eea56ea34e8c26c405219fba (MD5) Previous issue date: 2018-03-06 / Modelos de alocação de mídia têm sido amplamente desenvolvidos no sentido de guiar anunciantes e agências de publicidade na alocação do orçamento de mídia entre meios – gerando o que é conhecido como modelos de mix de mídia. Contudo, pouco tem sido feito no sentido de se compreender a distribuição entre meios dos orçamentos de mídia já realizados. Esta pesquisa tem por objetivo identificar fatores que explicam a participação do investimento em mídia online em relação ao investimento em mídia total e a participação de mídia televisiva. Investiga-se também se a participação de investimento de mídia online no Brasil é inferior à do resto do mundo, e se a participação do investimento em televisão é maior. Foi usada uma base de dados longitudinais de 72 países, com os anos de 2010 a 2017, para a análise de equações de estimação generalizadas (Generalized Estimated Equations). As variáveis independentes foram investimento publicitário per capita, participação do investimento publicitário no PIB, penetração da internet na população, tempo gasto diariamente nas principais mídias, nível educacional, níveis de pagamento de bônus por volume e a evolução do tempo (anos). Os resultados indicam que as variáveis com relevância estatística para explicar a alocação de mídia entre meios em um país são nos níveis de bônus sobre volume e o passar do tempo (ou ano em análise). / Media allocation models have been extensively developed to guide advertisers and advertising agencies in allocating media budget among media classes - generating what is known as media mix modeling. However, little has been done in order to understand the distribution among media budgets already executed. This research aims to identify factors that explain the participation of the investment in online media and the participation of television media as a ratio of the total media investment. We also investigated whether the share of online media investment in Brazil is lower than the rest of the world, and whether the share of investment in television is greater. A longitudinal database of 72 countries, from 2010 to 2017, was used for the analysis of Generalized Estimated Equations. The independent variables were advertising investment per capita, advertising investment share in GDP, internet penetration in the population, daily time spent in mainstream media, educational level, agency volume bonus levels of payment and time evolution (years). The results indicate that the variables with statistical relevance to explain the media allocation among media classes in a country are agency volume bonus levels and the year of the analysis.

The purpose of this essay was to investigate how films and TV-series were used in a Swedish lower secondary school, but also the pupils’ and teachers’ attitudes towards using television media. A questionnaire was handed out to 49 pupils asking them, for example, if they thought they learned grammar from watching films. In addition two teachers were interviewed and asked questions about what they thought about using television media in their teaching and how often they used it in their teaching. The results showed that both teachers and pupils were positive towards television media. The pupils thought they learned grammar, pronunciation, improved their listening comprehension and learned new vocabulary. They also stated that a lesson based on television media was more fun than a usual lesson and something they would like to see more of . However, the pupils were doubtful whether they learned more during such a lesson than a lesson based on the textbook. Copyright problems were an issue for the two teacher and they also stated that it requires more time to plan a meaningful activity involving television media compared to the traditional teaching. However, they felt that when they took the time to plan such an activity, it was worth it and the pupils reacted in a positive way.

The diploma thesis "The media landscape in Spain" aims to describe the contemporary Spanish media scene and apply the basic characteristics and particularities of the "polarized pluralist model" media system which was described by Hallin and Mancini in their book Comparing Media Systems and whose features are also allocated to other South European countries (Italy, Portugal, Greece and marginally also France) in addition to Spain. The description of the press and audiovisual media market itself is preceded by three extensive chapters dealing with press media development in Spain from its beginnings in the 17th century until today, media legislation and the concentration of media ownership. It was the development of the press (and, in the 20th century, the development of audiovisual media) which, due to its exceptionally close ties to politics, determined the shape of the contemporary Spanish media landscape, which is why the thesis focuses primarily on this topic. The historical and political development of the country and constantly changing systems of government led to frequent changes in law (press laws in particular), which makes Spain very different from other European countries in this aspect. The chapters dealing with the press and audiovisual media market refer to the weak tradition of...

The thesis deals with the election of the Director General of Czech Television in 2017. The topic is viewed from the perspective of the media agenda of print and online media. The researched media was chosen by the key of the highest readership in the period from the beginning of January to the end of April 2017. The thesis is divided into two parts, theoretical and practical. The theoretical part deals with the specifics of the effects of media, which categorizes into three types. Furthermore, the theory mentions the concept agenda-setting, which belong to the long-term effects of the media, and which includes the examined media agenda. The theory also defines the concepts of public service and public service media, related terms and basic legal anchoring. The theoretical part also presents the Czech Television institution and its supervisory body, which elects the General Director, the Council of Czech Television. The practical part, through the analysis of news outputs that were published for the election in the defined period, using quantitative content analysis and qualitative analysis of the frameworks, shows how the choice was displayed in the media environment and what topics it raised. The quantitative part defines the codes that were most frequent in the news output. The qualitative part...

This thesis deals with the development of the media image of Miloš Zeman in the two terms in which he held the most significant political functions, namely the prime minister and the president. The aim is to find out whether the media image of Miloš Zeman at a time when he served as prime minister differs from the current media image that he now has as president. The theoretical part is defined by the role of the media in society and politics. Furthermore, the approaches of objectivity in media are described and finally the basic theories that are applied in the construction of the media image are presented. The methodological part of the research covers the method of quantitative content analysis and how this research was conducted. The necessary data was obtained through the Anopress database, selecting relevant articles of the two national newspapers (Mladá fronta Dnes, Právo) and the two most-watched national television networks (Nova, Česká televize). The conclusion of this thesis is analytical and presents the results.