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1	Genom måleri kommer ansikten av de döda att leva kvar för evigt : Minnesbilder över kvinnor i Tornabuonifamiljen 1477-1497 Blomström, André January 2021 (has links) The aim of this study is to investigate the role of posthumous portraits in the Tornabuoni family as a tool of positioning itself through visual rhetorics. The basis for the examination is three portraits of Francesca Pitti, Giovanna degli Albizzi and Lucrezia Tornabuoni, together with an altarpiece depicting the Visitation with Mary Jachobi and Mary Salome. The study uses iconography to analyse the images and using a rhetorical analysis to understand the visual rhetorics used by the family. The study finds that there are different hidden meanings in the portraits, Francesca is remembered by her husband by pure grief; Lucrezia is honoured as the bridge between the Tornabuoni and the Medici families, and Giovanna is remembered by her husband as the continuation of the dynasty in its time of crisis, as well as the pure loss and grief of his beloved wife and unborn child inside the walls of the palazzo. This study uses the theoretical framework of visual rhetorics, as developed by the historian Paul Zanker and adopted by art historian Johan Eriksson, to analyse the behaviour of commissioning posthumous portraits of deceased women and viewing them both in public and private spaces in churches and in the palazzo. As Alberti says: ''Through painting, the faces of the dead go on living for a very long time.'' Art History Posthumous portraits Memory Tornabuoni family Giovanni Tornabuoni Giovanna degli Albizzi Lucrezia Tornabuoni Italian Renaissance Art Art Patronage Quattrocento Domenico Ghirlandaio Art History Konstvetenskap
2	Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli Piña Rubio, Liza Nereyda January 2011 (has links) No description available. Tornabuoni, Lucrezia Botticelli, Sandro Evergetismo Estudio de género, La tavoltta Poesía femenina renacentista
3	Renässansens "Power Couple" : Det äktenskapliga mecenatskapet mellan Piero di Cosimo de’ Medici och Lucrezia Tornabuoni / The ”Power Couple” of the Renaissance : The conjugal patronage between Piero di Cosimo de’ Medici and Lucrezia Tornabuoni Blomström, André January 2019 (has links) The purpose of this study is to investigate the patronage of Piero de’ Medici and Lucrezia Tornabuoni. My aim is to discuss and place the patronage in the complex field of the renaissance as an active conjugal partnership between the two. The study is divided in three main chapters, the introduction part where an overview of the main issues in the field of renaissance patronage and a background of the people involved; one chapter where the two religious rooms are introduced and the specific patronage described; and finally a chapter where the different procedures are discussed, compared and combined into one joint conjugal patronage for the both of them. The evidence uncovered supporting the conjugal patronage is partly the similarities between the altar paintings in the rooms. They are both made of Fra Filipo Lippi and both are portraying the Adoration of Infant Jesus. The presence of the coat of arms of both the noble houses at the Camaldoli adoration and a series of lettres between Piero and one of his painters, Benezzo Gozzoli. Italian Renaissance Art Art Patronage Conjugal patronage Quattrocento Florence Piero de’ Medici Lucrezia Tornabuoni Benezzo Gozzoli Fra Filippo Lippi. Art History Konstvetenskap
4	Portraiture and patronage in quattrocento Florence with special reference to the Tornaquinci and their Chapel in S. Maria Novella / Simons, Patricia. January 1985 (has links) Thesis (Ph. D.)--University of Melbourne, 1985. / Includes bibliographical references (vol. 2, leaves [2]-26).
5	Gemalte Gewandung im Florentiner Quattrocento Merseburger, Maria 10 January 2018 (has links) Die vorliegende Arbeit stellt für die Bildwissenschaften eine methodische Grundlage dar, Kleidung im Bild als Konstruktion zu begreifen und zu interpretieren. Anhand der eindrucksvollen Patronageprojekte der Familie Tornabuoni – einer gerade emporgestiegenen Kaufmannsfamilie im Umkreis der Medici – werden die Möglichkeiten und Grenzen von symbolischer Kommunikation in der Florentiner Frühneuzeit untersucht. Unter anderem über Symbole wurde die Position im Gesellschaftsgefüge des unsicheren frühneuzeitlichen Regierungsklimas immer wieder neu hergestellt und von Neuem ausgehandelt. Die gewählte Bildgarderobe ist dafür ein hervorstechendes Beispiel. / The thesis presents an art historical methodology that assesses clothing and its pictorial representations in order to interpret how material culture relates to social construction. Using as an example an impressive patronage project of the Tornabuoni family – a newly rich family of merchants in the circle of the Medici – reveals the possibilities as well as the limitations of symbolic communication through dress in early modern Florence. In addition to outward style, these subtle symbols helped to establish and renegotiate their bearer’s position in the shifting hierarchy of an uncertain political climate. By closely examining Tornabuoni commissions, the thesis demonstrates how clothing is a critical means of understanding social motivations and aspirations. Renaissance Florenz Frühe Neuzeit Materielle Kultur Kleidung Gewandung Domenico Ghirlandaio Kostüm Patronage Portrait Ikonologie Ikonographie Italien Geschichte der Kleidung Tornabuoni Medici Familienkapellen Fresken Renaissance Florence Dress Portraiture Early Modern Italy Material Culture Studies Domenico Ghirlandaio Patronage Iconology Iconography History of Costume Tornabuoni Medici Family Chapels Frescoes LI 33160 ddc:700

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