Parental trauma symptomatology can profoundly impact a child’s social/emotional and cognitive development, a phenomenon known as transgenerational trauma. Thus far, the majority of research examining transgenerational trauma has studied the concept within mothers from Westernized cultures and their children and adolescents. Very little attention has been given to families from diverse sociocultural contexts, and few studies have examined the effects of transgenerational trauma in infancy, a period of time marked by numerous developmental considerations. The current study addresses the limitations of past work by examining transgenerational trauma in refugee/infant dyads. Building upon existing models from previous studies, this research utilizes moderated mediation models to examine (1) the relation between maternal trauma symptomatology and atypical parenting behavior in predicting infant development, (2) the mediating role of atypical parenting behavior in the relation between maternal trauma symptomatology and infant development, and (3) the role of parental resiliency in mitigating the relation between maternal trauma symptomatology and atypical parenting behaviors. Data was collected from 61 refugee mother/infant dyads. Measures included culturally informed assessment of maternal trauma symptomatology, emotion-focused coping, problem-focused coping, psychological flexibility, observational coding of atypical parenting behaviors, and standardized assessment of infant cognitive and social/emotional development. Findings did not provide support for the hypothesized model of transgenerational trauma. Post-hoc analyses indicated that greater maternal trauma symptomatology is related to increased negative/intrusive parenting behavior, and increased maternal psychological flexibility is related to improved infant cognitive development. Implications for study findings are reviewed and directions for future research are delineated.

Charles Baxter, in his essay “Dysfunctional Narratives: or: ‘Mistakes Were Made,’” implies that all trauma narrative is synonymous with “dysfunctional narrative,” or narrative that leaves all characters unaccountable. He writes: “In such fiction, people and events are often accused of turning the protagonist into the kind of person the protagonist is, usually an unhappy person. That’s the whole story. When blame has been assigned, the story is over.” For Baxter, trauma narrative lets everyone “off the hook,” so to speak. He would say that we write about our bitter lemonade to make excuses for our poor choices, and “audiences of fellow victims” read our tales, because their lemonade and their choices carry equal bitterness, and they require equal excuses. While trauma narrative can soothe us, as can other narrative genres, we should not dismiss trauma fiction because of a sweeping generalization. Trauma fiction also allows us to explore the missing parts of our autobiographical narratives and to explore the effects of trauma—two endeavors not fully possible without fiction. As explained in more detail later, the human mind requires narrative to formulate an identity. Trauma disrupts this process, because “trauma does not lie in the possession of the individual, to be recounted at will, but rather acts as a haunting or possessive influence which not only insistently and intrusively returns but is, moreover, experienced for the first time only in its belated repetition.” Because literature can speak what “theory cannot say,” we need fiction to speak in otherwise silent spaces. Fiction allows us to express, analyze, and comprehend what we could not otherwise.

abstract: The Holocaust and the effects it has had upon witnesses has been a topic of study for nearly six decades; however, few angles of research have been conducted relating to the long-term effects of the Holocaust upon the children and grandchildren of Holocaust survivors--the After Generations. The After Generations are considered the proof--the living legacies--that their parents and grandparents survived. Growing up with intimate knowledge of the atrocities that occurred during the Holocaust, members of the After Generations not only carry with them their family's story, but also their own vicarious experience(s) of trauma. From this legacy comes a burden of responsibility to those who perished, their survivor parents/grandparents, the stories that were shared, as well as to future generations. Using grounded theory method, this study not only explores the long-term effects of the Holocaust upon members of the After Generations, but what it means to responsibly remember the stories from the Holocaust, as well as how individuals might ethically represent such stories/memories. Findings that developed out of an axial analysis of interview transcripts and journal writing, as well as the later development of a performance script, are embodied in a manner that allows the actual language and experiences of the participants to be collectively witnessed both symbolically and visually. Through their desire to remember, members of the After Generations demonstrate how they plan to carry on traditions, live lives that honor those that came before them, and maintain hope for the future. In so doing, the stories shared reveal the centrality of the Holocaust in the lives of members of the After Generations through their everyday choices to responsibly and actively remember through their art, writings, life-work, as well as from within their work in their local communities. Such acts of remembrance are important to the education of others as well as to the construction and maintenance of the After Generations' identities. The representation of these voices acts as a reminder of how hatred and its all-consuming characteristics can affect not only the person targeted, but multiple generations, as well. / Dissertation/Thesis / Ph.D. Communication 2012

In this essay, the aim is to analyse the representation of collective and cultural trauma within the narrative of Tommy Orange's novel There There, as well as how the novel is redressing the experience of traumatisation, leading a way towards healing. To do this, the essay will focus on six of the novel's characters as well as the title, prologue and interlude. By using concepts of colonial and transgenerational trauma as well as survivance to approach the novel, the essay will argue that, as it makes the trauma visible, the narrative shows that healing can still be possible after traumatisation.

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