[pt] O objetivo desta tese é pensar o fazer literário de João Guimarães Rosa e a constituição de sua imagem enquanto autor, a partir de seus arquivos e estabelecer um diálogo com a sua biografia. A proposta é explorar como o escritor passava do desejo de escrever à escritura; o trânsito entre a forma breve e a forma longa e vice-versa; a sua relação com a imprensa. Por fim, analisaremos o seu romance inacabado A fazedora de velas, articulando-o com os últimos livros que publicou em vida e com obras de outros autores, tais como Marcel Proust e Gilberto Freyre. Roland Barthes será o principal intercessor por essas veredas literárias, em especial, os últimos cursos que ministrou no Collège de France, publicados no Brasil sob o título A preparação do romance (volumes I e II). / [en] The objective of this thesis is to think over Guimarães Rosa creative process and the making of his self-image as an author based on his literary archives and to establish a dialog with his biography. The idea is to explore how he passed from the desire to write to scripture; his transitioning from short narratives to long ones and vice versa; his relationship with the press. Finally, we will analyze Guimarães Rosa s unfinished novel A fazedora de velas (The candle maker), linking it with his last books and with the works of other writers, such as Marcel Proust and Gilberto Freyre. Roland Barthes will be our main guide throughout those literary paths, especially the last two courses he delivered at the Collége de France, published in Brazil as The preparation of a novel I and II.

This study aimed to test the efficacy of the memory box as a medium in Gestalt Therapy, specifically within a therapeutic group with AIDS orphans in the middle childhood phase of development. The aim was to explore and describe the utilisation of the memory box, as a medium for telling one's story, within the safety of the Gestalt play therapy group. It was felt that the increased self-awareness fostered by belonging to a supportive group could enhance self-concept. The research included qualitative and quantitative data. Theoretical and the meta-theoretical assumptions affecting children, in the middle childhood phase, orphaned through HIV/AIDS, were reviewed. The group sessions were described and the data obtained from the pre and post-test was graphically illustrated. The information was then compared to ascertain whether the objectives had been met. Results show that the memory box, used in Gestalt play therapy groups, with AIDS orphans was effective. / Social Work / M.Diac. (Play Therapy)

Movement in Gestalt therapeutic intervention, using structured activities and free improvisations, is a successful alternative to punishing adolescents with disruptive behavioural tendencies in the classroom. An overview of the existing literature regarding the therapeutic value of movement in Gestalt therapeutic intervention for adolescents with disruptive behavioural tendencies is firstly presented. Various techniques supporting the adolescent in his quest to achieve equilibrium, ultimately improving his relationships with others and his environment, are described. A case study, involving eight adolescents with disruptive behavioural tendencies in group therapy follows, which indicates that movement in Gestalt therapy is an alternative to punishment. In the light hereof it is suggested that movement in Gestalt therapy could be implemented successfully in the formal school environment. This form of intervention can contribute to the adolescent's growth, his ability to communicate and his relationships with self, others and the environment, culminating in improved behavioural tendencies. / Social Work / M. Diac. (Play Therapy)

The thesis deals with four plays written by French dramatist and theorist of feminism Hélène Cixous for the Parisian Théâtre du Soleil under the directorial guidance of Ariane Mnouchkine. The analysis focuses on three different perspectives - firstly on écriture feminine, defined in the 1970s by Cixous herself, secondly on exile studies, a field of literary criticism concerned with the writings of exiled authors and exile as a fundamental category of human existence, and lastly on the concept of orientalism developed in the 1970s by American literary historian of Palestinian origin Edward Said.

Movement in Gestalt therapeutic intervention, using structured activities and free improvisations, is a successful alternative to punishing adolescents with disruptive behavioural tendencies in the classroom. An overview of the existing literature regarding the therapeutic value of movement in Gestalt therapeutic intervention for adolescents with disruptive behavioural tendencies is firstly presented. Various techniques supporting the adolescent in his quest to achieve equilibrium, ultimately improving his relationships with others and his environment, are described. A case study, involving eight adolescents with disruptive behavioural tendencies in group therapy follows, which indicates that movement in Gestalt therapy is an alternative to punishment. In the light hereof it is suggested that movement in Gestalt therapy could be implemented successfully in the formal school environment. This form of intervention can contribute to the adolescent's growth, his ability to communicate and his relationships with self, others and the environment, culminating in improved behavioural tendencies. / Social Work / M. Diac. (Play Therapy)

This study aimed to test the efficacy of the memory box as a medium in Gestalt Therapy, specifically within a therapeutic group with AIDS orphans in the middle childhood phase of development. The aim was to explore and describe the utilisation of the memory box, as a medium for telling one's story, within the safety of the Gestalt play therapy group. It was felt that the increased self-awareness fostered by belonging to a supportive group could enhance self-concept. The research included qualitative and quantitative data. Theoretical and the meta-theoretical assumptions affecting children, in the middle childhood phase, orphaned through HIV/AIDS, were reviewed. The group sessions were described and the data obtained from the pre and post-test was graphically illustrated. The information was then compared to ascertain whether the objectives had been met. Results show that the memory box, used in Gestalt play therapy groups, with AIDS orphans was effective. / Social Work / M.Diac. (Play Therapy)

Marguerite Duras a assurément pensé à la littérature en se mesurant sans cesse à sa production littéraire et plus amplement, à sa production artistique. Littérature, cinéma, théâtre font en effet l’objet d’une réflexion constante chez l’écrivain qui montre par là une tendance certaine pour la pensée théorique. Si Marguerite Duras a pu s’exprimer négativement vis-à-vis de la théorie, c’est parce qu’elle redoute les dérives de l’esprit théorique qui peut parfois se révéler dogmatique. L’adhésion à l’idéologie du PCF d’abord partagée puis contestée, fait ainsi l’objet de sévères critiques qui donneront raison dans son œuvre à des textes littéraires traversés par cette épreuve du théorique doctrinaire. D’autres engagements théoriques et politiques prouveront en revanche incontestablement l’attrait intellectuel de l’écrivain envers une époque qui, entre les années 1960 et 1980, fait avancer le discours de la théorie et notamment de la modernité littéraire. Cette thèse se propose de montrer que la théorie occupe sans cesse l’esprit de l’auteur, qu’elle se révèle particulièrement sous la forme d’une tentation à laquelle l’écrivain ne succombe jamais définitivement, et qui donc revient comme une obsession habiter et interroger son œuvre. Cette tentation s’intègre d’abord à la vie de Duras qui évolue au sein d’une génération fortement politisée et marquée par la pensée critique. Elle saura ensuite s’incorporer à l’activité créatrice de l’auteur et, dès lors, à sa pratique littéraire et artistique. La tentation du théorique suit ainsi deux directions. Elle passe par une aventure publique, sans pour autant jamais témoigner d’une voix chorale désireuse de se joindre notamment aux nouvelles tendances du Nouveau Roman. Elle se manifestera plutôt comme une voix solitaire, une voix qui s’exprime à travers la confidence privée. Cette voix murmure dans son œuvre ses critères conceptuels personnels qui accompagneront néanmoins la modernité littéraire. La voix de la tentation théorique se confondra enfin à la voix poétique de l’auteur qui révélera, à travers un jeu réflexif, la force productive de son écriture. Vouée sans cesse à faire résonner le mouvement du dernier mot, dépassant les cloisons génériques, la puissance créatrice prodigieuse de Marguerite Duras ira nourrir le paysage à plusieurs facettes de son œuvre ainsi que celui de l’Ecriture moderne. / For sure Marguerite Duras always thought about literature by comparing herself to the rest of literature and the artistic production of her time. Indeed, literature, cinema and theater are the reflexive centers of a constant thinking which shows how much theory is a main issue for the writer herself. Her apparent and negative odds against theory in general are all because of the wanderings of the dogmatic way of the theoretical spirit. Being an active member of the French Communist Party (PCF), sharing its ideological point of view and then quitting it made way for a severe criticism and gave to her literary works a doctrinal trial. Others theoretical and political commitments may decidedly show in contrast her intellectual attraction of the writer for her age which, between the 1960s and the 1980s, made theory and literary modernity look forward. This essay will show how theory is always on Duras’s Mind as it is for her such a temptation that she never totally succumbs to, and that came back as an obsession to haunt and question her works. This temptation marks at first place her life that went through a harsh political generation that also dealt with criticism and thinking. This temptation would also be an important part of her creativity process and made her way unto literary and artistic technicals. The Theoretical temptation she dealt with went on two different ways. She went on a public adventure but without never belonging to the chorus of her times or explicitly belonging to the New Novel too. She stood as a solitary voice, a voice of her that expressed herself as a intimate confidence. This voice whispered in her writings her personal and conceptual thoughts that escorted modernity in literature. Her voice made of theoretical temptation would mingle at last with her poetical voice which reveals, through a reflexive game, the productive strengh of her writing. Vowed to a never-ending movment unto the last word, beyond the walls of all genres, the tremendous creativity of Marguerite Duras will give birth to a mesmerizing landscape in her works that goes unto the modern writing.

The thesis of this study is that both Pentecostal and non-Pentecostal churches can grow at a time when only the Pentecostal churches have grown. The stagnation that has occurred in many ''mainline" churches.need not be allowed to increase or continue. In Venda (Northern Province) both the Lutherans and the Pentecostals have enjoyed visible growth. Chapter 1 introduces the thesis, the choice of the study area, the objectives of the study, and the typology, methodology and relevance of the study. Chapter 2 looks at the history and socio-economic backgrowtd of the Vhavenda. Chapter 3 describes traditional Vhavenda beliefs and rituals. The Vhavenda world-view is different from that of the West but closer to that of the East and the Bible. Chapter 4 concentrates on missionary Christianity in Venda and briefly discusses the missionary methods adopted by the Berlin Missionary Society. Chapter 5 discusses the coming of Pentecostalism to South Africa and Venda. Chapter 6 examines how the Lutherans and the Apostolic Faith Mission church conducted their mission during the "maturation of Apartheid'' in Venda. Major events in the collision between apartheid and the Vhavenda are highlighted. Chapter 7 discusses the unfinished work of the church in Venda. Chapter 8 examines the challenge for Christian mission in the twenty-first century. / Christian Spirituality, Church History and Missiology / D.Th (Missiology)

The thesis of this study is that both Pentecostal and non-Pentecostal churches can grow at a time when only the Pentecostal churches have grown. The stagnation that has occurred in many ''mainline" churches.need not be allowed to increase or continue. In Venda (Northern Province) both the Lutherans and the Pentecostals have enjoyed visible growth. Chapter 1 introduces the thesis, the choice of the study area, the objectives of the study, and the typology, methodology and relevance of the study. Chapter 2 looks at the history and socio-economic backgrowtd of the Vhavenda. Chapter 3 describes traditional Vhavenda beliefs and rituals. The Vhavenda world-view is different from that of the West but closer to that of the East and the Bible. Chapter 4 concentrates on missionary Christianity in Venda and briefly discusses the missionary methods adopted by the Berlin Missionary Society. Chapter 5 discusses the coming of Pentecostalism to South Africa and Venda. Chapter 6 examines how the Lutherans and the Apostolic Faith Mission church conducted their mission during the "maturation of Apartheid'' in Venda. Major events in the collision between apartheid and the Vhavenda are highlighted. Chapter 7 discusses the unfinished work of the church in Venda. Chapter 8 examines the challenge for Christian mission in the twenty-first century. / Christian Spirituality, Church History and Missiology / D.Th (Missiology)