published_or_final_version / abstract / Social Work and Administration / Doctoral / Doctor of Philosophy

丁毓玲. / "2000年2月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 (leaves 106-112) / 附中英文摘要. / "2000 nian 2 yue" / Ding Yuling. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000. / Can kao wen xian (leaves 106-112) / Fu Zhong Ying wen zhai yao. / 致謝 --- p.vi / 摘要 --- p.viii / 地圖 --- p.x / Chapter 第一章 --- 導論 --- p.1 / 福建的人類學研究 --- p.3 / 中國人類學的婦女研究 --- p.6 / 人類學的性别研究與本文的理論架構 --- p.11 / 研究方法 --- p.17 / 本文章節安排 --- p.19 / Chapter 第二章 --- 潯埔村的現狀與歷史背景 --- p.21 / 潯埔村現狀 --- p.21 / 潯埔村的村落歷史 --- p.23 / 從裝束看潯埔人的族屬 --- p.27 / Chapter 第三章 --- 經濟活動與性别 --- p.33 / 1949年以前：女性經濟地位的奠定時期 --- p.34 / 1949´ؤ1980年：女性生産組織確立了她們獨立的經濟身份 --- p.43 / 1980年以後：女性經濟實力的提高和社會性别的認同 --- p.48 / 經濟與性别角色 --- p.52 / Chapter 第四章 --- 家庭、村落文化和女性 --- p.59 / 家庭的角色分配 --- p.60 / 女性文化氛圍的營造 --- p.64 / 中國傳統文化和潯埔地方文化的關係 --- p.70 / Chapter 第五章 --- 宗教活動 --- p.78 / 潯埔的神明 --- p.79 / 佛教會及其組織者 --- p.84 / 從佛教會到媽祖宮董事會 --- p.90 / 佛教會和其他地方組織的關係 --- p.94 / Chapter 第六章 --- 結語 --- p.101 / 參考書目 --- p.106

by Iu Ho Tsz Carmen & Tam Suk Yan Tammy. / Thesis (M.B.A.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 124-132). / abstract --- p.ii / TABLE OF CONTENTS --- p.iii / LIST OF TABLES --- p.v / ACKNOWLEDGEMENTS --- p.viii / CHAPTER / Chapter I. --- Introduction --- p.1 / Chapter II. --- Literature Review --- p.5 / Chapter III. --- Background --- p.11 / Chapter IV. --- Hypotheses --- p.18 / Chapter V. --- Methodology --- p.25 / Content Analysis --- p.26 / Information Content --- p.26 / Emotional Appeal --- p.26 / Sex Appeal --- p.27 / Selection of Magazines --- p.28 / Selection of Advertisements --- p.29 / Evaluation of Advertisements --- p.29 / Survey --- p.30 / Chapter VI. --- Results --- p.32 / Content Analysis --- p.32 / General Magazine Profile --- p.32 / General Presentation of Advertisements --- p.33 / Proportion of Advertising Product Category in Women's Magazines --- p.33 / Color and Size --- p.34 / lmage Model --- p.35 / Contact Methods --- p.36 / Information Content --- p.37 / Emotional Appeal --- p.42 / Use of Sex Appeal --- p.44 / Survey --- p.46 / Reading Habit --- p.46 / Advertising Effectiveness --- p.49 / Information Content --- p.49 / Emotional Appeal --- p.52 / Perception Towards Sex Appeal --- p.56 / Definition of Sex Appeal --- p.56 / Impression on Sex Appeal --- p.58 / Comparison of Feelings --- p.59 / Chapter VII. --- Discussions And Implications --- p.61 / General --- p.61 / Advertisers' Selection of Magazines --- p.61 / Necessities of Contact Modes --- p.62 / Information Content --- p.63 / Text Level vs. Information Level --- p.66 / Usefulness vs. Attractiveness of Advertisements --- p.66 / Emotional Appeal --- p.66 / Sex Appeal --- p.67 / Women's Perceptions of Sex Appealin Print Advertisements --- p.67 / Appropriateness/Acceptance Level of the Use of Sex Appeal --- p.68 / Acceptance Level of Sex Appeal vs. Age --- p.69 / Sex Appeal vs. Nudity --- p.69 / Limitations --- p.70 / APPENDIX --- p.72 / bibliography --- p.124

In the past 30 years, China's economic reforms have forced many state-owned factories (SOEs) to collapse, and both men and women workers were dismissed. In urban Northeast China many laid-off women were able to find employment in the service industry and small-scale private businesses, while their husbands had difficulty finding a satisfactory job. As such, the wives became breadwinners of the families. Based on fieldwork data collected through face-to-face interviews, focus group interviews and participant observation, this study examines resultant spousal relationships in the aspects of family finance, domestic division of labor, power relations, and foundation of marriage, as the husband and wife swapped their economic roles at home. This study finds that when women control more economic capital than men in the nuclear family, domestic division of labor, power relations and affection between couples all tend to be more egalitarian. However, the concept of a male-breadwinner family and the gender segregation of space are still popular on material and social levels. Thus without corresponding changes on the ideological level regarding gender, patriarchy will remain dominant on the community and national levels. Analysis on spousal relationships shows that the economic, political and emotional aspects of marriage are interconnected and interactive, and they work together to decide how spousal relationships may be altered in times of rapid social transformation. In the era of market economy, family and marriage values are diversified, and marriage tends to be less stable. However, this study finds that the integrity of family and marriage has been kept in the laid-off workers' families even when spousal relationships face serious challenges caused by unemployment. The reason is that these laid-off workers have formed their gender identities during the socialist era which emphasized the integrity of family and marriage. In the market era, laid off workers have maintained these values and upheld the integrity of marriage and family as the fundamental standard for being a good man or good woman. In this process, spousal relationship becomes a mechanism of governance by making individuals gendered subjects. / Lu, Ming. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 161-176). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract --- p.i / Acknowledgements --- p.iii / Chapter Chapter 1 --- Introduction --- p.1 / Background --- p.1 / Literature review --- p.11 / Methodology --- p.25 / Structure of thesis --- p.28 / Chapter Chapter 2 --- Family & Marriage in China --- p.31 / The patricentric Chinese family as ideology and praxis --- p.31 / The family and marriage under state feminism --- p.39 / The family in Post-Mao China --- p.47 / Chapter Chapter 3 --- Dealing with Financial Crisis at Home --- p.56 / Xiagang as a gradual process --- p.56 / The genderedness of re-employment & wives as breadwinners --- p.69 / Besieged masculinity --- p.75 / Women’s success in small-scale private businesses --- p.79 / Chapter Chapter 4 --- Whose Work Is It? --- p.86 / State feminism vs. housework --- p.86 / Childcare: work and authority --- p.96 / The praxis of family authority --- p.100 / Chapter Chapter 5 --- Changing Foundation of marriage --- p.113 / Obliged freedom: Match-making and marriage in the 1970-80s --- p.114 / Marriage and unemployment --- p.122 / Companionship in marriage vs. obliged couples --- p.136 / Chapter Chapter 6 --- Conclusion --- p.144 / References Cited --- p.161

Chau, Tsz Kin. / "December 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter 1 --- Who's Pan Yuliang? Whose Pan Yuliang? --- p.7 / Who's Pan Yuliang? --- p.7 / Life and Art of Pan Yuliang: Existing Account --- p.12 / Whose Pan Yuliang? --- p.22 / "Summary of Existing Accounts: Biography, Oedipus complex and Narcissism" --- p.30 / Chapter Chapter 2 --- Reconsidering Pan Yuliang --- p.33 / Academic works in Mainland China and Taiwan since 2000 --- p.33 / Theorizing the Woman Painter --- p.42 / Background I: Modern Art in Republican China --- p.54 / Background II: Paris Modernism --- p.60 / Chapter Chapter 3 --- Expanding Biography into History --- p.63 / Chapter Chapter 4 --- The Political Xiesheng and its Gender Politics --- p.82 / "Pan Yuliang: from Shanghai (1928-32, 36-37) to Nanjing (1933-35)" --- p.83 / The Mission ofNanjang: National Administering of Modernism --- p.86 / Pan Yuliang and the Chinese Arts Association --- p.97 / Xiesheng and a New Woman/painter Subject --- p.113 / Conclusion: a Different Modern for a Woman Painter --- p.123 / Chapter Chapter 5 --- Differencing the Modern and Women's Culture --- p.127 / Theorizing Women's Culture --- p.130 / Pan Yuliang and Women's Community --- p.134 / Contextualizing Women's Community: Republican Modernity and Post-war / Pacifism --- p.137 / Conclusion: Women's Art and Modernism --- p.145 / Conclusion Rethinking Republican and Women's Art --- p.146 / Appendix --- p.150 / Glossary --- p.158 / Graphical Materials --- p.165 / Bibliography --- p.251

林萬儀. / 論文(哲學碩士) -- 香港中文大學硏究院音樂學部, 1996. / 參考文献 : leaves 116-127. / Lin Wanyi. / 目錄 --- p.i / 撮要 --- p.iii / Chapter 第1章 --- 導論 --- p.1 / Chapter 1.1 --- 「粤曲女伶」的槪念 / Chapter 1.2 --- 粤曲女伶的硏究槪況 / Chapter 1.3 --- 硏究範圍 / Chapter 1.4 --- 考查工作及資料 / Chapter 1.5 --- 硏究目的 / Chapter 第2章 --- 粤曲女伶的出現及發展 --- p.10 / Chapter 2.1 --- 第一階段：出現及初期發展(1862-1923) / Chapter 2.2 --- 第二階段：二、三十年代的發展(1923-1937) / Chapter 2.3 --- 第三階段：戰時的發展(1937-1945) / Chapter 2.4 --- 第四階段：戰後十五年內的發展(1945-1959) / Chapter 2.5 --- 第五階段：六十年代的發展(1960-1969) / Chapter 2.6 --- 第六階段：七十及八十年代前半期的發展(1970-1985) / Chapter 2.7 --- 第七階段：近十年的發展(1986-1996) / Chapter 第3章 --- 香港當代粤曲女伶槪述 --- p.34 / Chapter 3.1 --- 人數與活躍程度 / Chapter 3.2 --- 年齡與年資 / Chapter 3.3 --- 演唱粤曲以外的有關事業 / Chapter 3.4 --- 組織及聯繫 / Chapter 第4章 --- 女伶的演出場合 --- p.52 / Chapter 4.1 --- 歌壇 / Chapter 4.2 --- 地檔 / Chapter 4.3 --- 會堂 / Chapter 4.4 --- 宴會 / Chapter 4.5 --- 歌台 / Chapter 第5章 --- 女伶的演出 --- p.66 / Chapter 5.1 --- 演出的準備及過程 / Chapter 5.2 --- 演出所用的曲本 / Chapter 5.3 --- 觀眾的參與及影響 / Chapter 5.4 --- 演唱與侍奉：女伶的雙重角色 / Chapter 第6章 --- 女伶的唱腔風格及流派 --- p.90 / Chapter 6.1 --- 唱腔及唱腔流派的含意 / Chapter 6.2 --- 粤劇、粤曲的唱腔流派 / Chapter 6.3 --- 當代女伶所屬唱腔流派 / Chapter 6.4 --- 「女伶腔」的繼承及槪念的演變 / Chapter 第7章 --- 結論 --- p.105 / Chapter 7.1 --- 總結 / Chapter 7.2 --- 粤曲女伶與中國優伶文化 / Chapter 7.3 --- 粤曲女伶與中國樂妓文化 / Chapter 7.4 --- 女伶現象與香港文化 / Chapter 7.5 --- 未來硏究的方向：音樂與性別 / 參考著作目錄 --- p.116

published_or_final_version / Social Work / Master / Master of Social Sciences

published_or_final_version / Social Work / Master / Master of Social Work

published_or_final_version / Social Work / Master / Master of Social Work

University of Macau / Faculty of Social Sciences. / Department of Communication