This paper considers two purposes for actor training—textual interpretation and devising original works—through the teaching of a class based on contemporary theatrical clown and physical theatre exercises which are then applied to Samuel Beckett’s Waiting for Godot. Devised work can be used to interpret a script, and a script can be used as a jumping-off point to devise new works. Beginning with an explanation of the teaching methods for the class, the paper then gives a background of clowns who performed in Beckett’s plays, and analyzes various productions' use of games to enliven text. Exercises from the class are used as examples of exploring the uncovering of clown personas and the application of games to both Beckett scene-work and invented theatre pieces. The students’ final performances are examined to demonstrate the effectiveness of the classwork, confirming that textual interpretation and devising are complementary instead of opposing practices.

Psychology and theatre have a remarkable amount in common. In using the basic concepts and theories of psychology, actors can develop more concrete, logical approaches to characters. This thesis is a summation of the course I developed, "Psychology and the Theatre," which was an attempt to teach students introductory psychology and then experiment with translating those concepts to character analysis and stage performance. Students were taught eight units of psychology: Sensation, Perception, and Memory; Learning; Motivation and Emotion; Development; Freud and Psychodynamic Approaches to Personality; Adlerian Individual Psychology; Love and Social Cognition; and Psychological Disorders. Students were given reading quizzes and written tests on the material from the psychology texts. In addition, students wrote journals and papers to help work through potential uses of the material. They also performed contemporary scenes, attempting to put the material into practice. This course was an overall success; most students felt that this was a unique and helpful set of tools they could use to analyze and perform characters. Students found uses for each unit of the material, allowing more depth and logic to their character choices. With further development, this material has the potential to enhance the techniques of many actors.

Professional learning, commonly referred to in policy and practice as continuing professional development, is presented to teachers as both a requirement and an entitlement in current education policy (Gewirtz, 2002; Ball, 2003). This work explores the ways in which professional learning is experienced by three teachers, and the meanings they attribute to those experiences. The study adopts a narrative approach to these accounts (Clandinin, 2013; Clandinin and Connelly, 1996; 1998; 2004) and is underpinned by the recognition of the complexity in the interplay between the individual teacher and their social context specifically focusing on “the relationship between the state, the ideologies of professionalism, and lived interiority” (Hey and Bradford, 2004: 693). The methodology was developed to overcome the problem of policy and aspects of practice that fail to focus on the effective involvement and engagement of teachers in professional learning: the teachers have become “missing persons” (Evans, 1999: i). The research process placed the meaning made by the teachers of their past experiences, and the way they understood them in the present, at the centre of the research (Kelchtermans, 2009; MacLure, 1993). Data were collected as part of a collaborative process with teachers who shared and analysed their narratives of professional learning through a series of research conversations. The teachers gave accounts of the people and incidents that they understood to be significant in influencing their professional learning, in relation to their expectations of themselves and of professionals and people more generally. In doing so they drew on both professional and personal contexts (Makopoulou and Armour, 2011). There were significant challenges in relation to ethics, analysis and re-presentation. This study illustrates the complexity and contingency of teachers’ professional learning through their understanding of themselves and their interaction with, and response to, significant people and incidents (Kelchtermans and Vandenberghe, 1994). Their “stories to live by” (Clandinin and Connelly, 1998: 149) illuminate the ways in which teachers explain the complexities and contingencies underpinning their experiences of professional learning. The data illustrate the crucial role that context plays in understanding professional learning (Clandinin and Connelly, 2000: 27) and the challenges teachers face in balancing their roles as policy subjects and policy actors (Ball, Maguire, Braun and Hoskins, 2011a and b). This work makes a unique contribution to the field of professional learning by using the detailed individual cases of each teacher to illustrate general concerns for the development of effective policy and practice. It also contributes to the methodological debates around the use of narratives as a means of understanding the “human condition” (Arendt, 1958). The data challenge us to consider the possibilities that narrative accounts and analyses offer for the generation of knowledge in this area with implications for both teachers and other professionals, and policy and practice.

Cette thèse étudie les relations entre contrôle et stratégie. Elle vise à enrichir le cadre théorique des quatre leviers du contrôle de Simons (1995) en s’intéressant aux interactions entre les acteurs de l’organisation, autour des dispositifs de contrôle, pour élaborer et mettre en œuvre la stratégie. Mobilisant le cadre théorique de la sociologie de l’acteur-réseau (ANT), ce travail, basé sur une étude de cas, met en évidence un double processus de traduction de la stratégie. D’une part, les dirigeants conçoivent les systèmes de contrôle pour intéresser les cadres intermédiaires à la stratégie globale, d’autre part les cadres intermédiaires utilisent ces mêmes systèmes pour intéresser la direction à leurs propres propositions de stratégie locale. Dans ce double processus de traduction, le levier interactif de contrôle, basé sur des interactions en face-à-face, joue un rôle central. La recherche permet d’identifier deux usages différents du levier interactif : un usage ouvert, permettant l’émergence de stratégie et un usage plus fermé permettant la mise en œuvre de stratégies délibérées. Cette mise en évidence de deux usages différents du levier interactif permet d’expliquer les contradictions apparentes des recherches mobilisant le cadre théorique de Simons et ouvre la voie à de futures recherches sur les liens entre contrôle et innovation / This thesis analyses the relationship between strategy and management control systems. Its aim is to refine Simons’ four levers of control framework in studying the interactions between top and middle managers around management control tools in order to form and implement the strategy of the organization. Using the actor-network theory (ANT) in a case study, this thesis reveals a double process of translation. On the one hand, top managers design management control systems in order to interest their subordinates to the global intended strategy. On the other hand, middle managers use the same control systems to translate their own local strategic intentions. This double translation process is made possible by two different uses of the interactive lever of control, based on face to face discussions. The first one is non invasive, inspirational and allows strategy emergence, the second one is invasive and allows top managers to implement the intended strategy in involving themselves in the decisions of their subordinates. The evidence of two different uses open ways of research on the relationship between management control systems and strategy or management control and innovation

Research on existing actor-networks has focused traditionally on outcomes, achievements and success at the expense of a detailed consideration of their formation and ability to function. In recognition of this lacuna, this study examined the formation and functioning of tourism-related actor-networks involved in environmental protection and the management of tourism in the coastal city of Hurghada, Egypt. More specifically, it applied the actor-network theory (ANT). In particular, the study applied its four moments of translation – problematization, interessement, enrolment and mobilization – and used Structural Equation Modelling (SEM) to analyse the influencing factors, whether positively or negatively, and the degree to which the creation and operations of such collaborations were successful. This study employed a sequential, explanatory mixed-methods design, integrating both quantitative and qualitative data. A questionnaire was used to collect data from 510 employees of tourism-related organizations involved in managing tourism’s environmental impacts on Hurghada. Also, the researcher conducted fourteen semi-structured interviews with the managers and assistant managers of tourism-related organizations involved in environmental protection and the management of tourism. The SEM’s findings revealed the existence of a number of tourism-related actor-networks which were attempting to safeguard local community livelihoods through environmental protection, and of four key factors – trust, coordination, commitment, and communication – which were damaging their formation, functioning and outcomes. This study contributed to theory since it enhanced our knowledge and understanding of the relationships between four previously unconnected bodies of literature. These were, namely, ANT, tourism-related organizations, environmental governance, collaboration, and environmental protection. The study highlighted, also, the factors, both positive and negative, which influenced the formation and functioning of tourism actor-networks involved in managing tourism’s environmental impacts on Hurghada. In practical terms, this study analysed the role of tourism-related organizations in order to identify their main strengths and weaknesses In addition, the researcher considered how partnership networks could consolidate the strengths and overcome the weaknesses of the tourism-related organizations involved in environmental protection and the management of tourism in Hurghada. Also, this study will help these tourism-related organizations, through such networks, to adopt suitable activities, policies, strategies and laws for protecting the assets relating to the local community’s livelihoods. Therefore, knowing the key success factors of collaborative networks and good governance will help these networks of tourism-related organizations to improve their performance in terms of assisting Hurghada’s local community and the poor people in particular.

Doctor of Philosophy / Department of Psychological Sciences / Laura A. Brannon / Two common types of advertisement avoidance behaviors in digital domains are skipping and zipping. Skipping involves pressing a “skip ad” button when viewing television content online, and zipping involves pressing a fast-forward button when viewing the same content through some type of recording device (e.g. Digital Video Recording device). The purpose of these studies was to examine if specific factors regarding the content of the advertisement, the persuasion context, and characteristics of the viewer reduce occurrences of skipping and zipping behavior. Participants in these two studies saw a combination of television shows and advertisements. One target advertisement marketed a fictional MP3 player while another discussed the dangers of binge drinking. One version each of the MP3 and binge drinking advertisements contained average-looking (i.e. normal) actors, and the other half contained above-average-looking (i.e. attractive) actors. Half of the viewers were allowed to choose which type of advertisements they would watch while the other half were forced to watch a particular type. The results of one study showed that participants were more likely to skip the MP3 advertisement than the binge drinking advertisement after making an advertisement choice when both contained normally attractive actors. These findings demonstrate that the effect of advertisement choice may be more complicated than previously found. Instead of acting as a means to improve avoidance rates, advertisement choice may make the content more salient to participants. Thus, viewers’ perceptions of the advertisement after making an advertisement choice may determine whether avoidance occurs.

This thesis explores the notion of professionalism in pharmacy from a pharmacy education viewpoint, specifically the process of becoming a ‘professional’ as experienced by pharmacy students as they undertake the educational programme required for registration as a pharmacist. Registration as a pharmacist is commonly understood as an end-point in becoming a professional, portraying the educational programme as an acquisitional endeavour where upon completion, an individual has become a professional. Such understandings are problematic as they disguise the complex, uncertain and individual journeys that students experience as they undertake an educational programme that portrays becoming a professional as a static, linear process rather than an on-going negotiation and emergence of professional selves. This study adopts a social constructionist framework to explore the experiences of pharmacy students at one Higher Education Institution (HEI) in the United Kingdom. Rejecting positivistic notions of control, prediction and generalisability this study uses an interpretive approach to the generation and analysis of interview data to gain understandings of the individual and local experiences of pharmacy students at this particular HEI. Interviews were conducted with nineteen students who prepared a repertory grid to describe their own constructions of an ‘ideal’ pharmacist and the grids were used as a catalyst for discussion in individual participant interviews. Using the repertory grid approach afforded an insight into pharmacy students’ experiences of ‘becoming’ a pharmacist, revealing themes and patterns emerging from analysis of student narratives. Drawing on Actor Network Theory (ANT) as a theoretical lens to explore these themes and patterns from a socio-material perspective, the micro-interactions and exchanges that emerged from these networks exposed the innumerable realisations of ‘becoming’ a pharmacist. Tracing some of these networks in this thesis revealed a number of powerful actors in these micro-interactions and exchanges. When considered individually these actors appear inconsequential, however, collectively these micro-interactions and exchanges reveal the highly individualised, complex and uncertain experience of ‘becoming’ a pharmacist. In coming together these non-human and human actors emerge as a driving force in the emergence of student identities as a pharmacist. This study makes an original contribution to pharmacy education by revealing the uncertainty that pharmacy students experience in ‘becoming’ a pharmacist. It identifies that this experience is highly individualised and personal to each student and argues for embracing uncertainty as a helpful and essential experience of ‘becoming’ a pharmacist.

Instead of state governments, rebel groups have become the most prolific landmine users. However, rebels display significant variation in the way they restrict the use of landmines. While some armed groups seek to limit their effects to government forces, some indiscriminately lay mines irrespective of collateral damage, and others directly target civilians with landmines. Furthermore, some rebels have renounced the use of anti-personnel mines and engage in mine action. In this thesis, I seek to explain this empirical variation. I argue that civilian victimisation caused by landmines creates significant legitimacy costs to rebels, thus increasing incentives to exercise restraint. It follows that the more legitimacy-seeking behaviour rebels display, the more likely they are to exercise restraint on landmine use. I test this hypothesis in a structured focused comparison of three rebel groups from the Philippines. The case studies support the hypothesis, as legitimacy-seeking behaviour had a positive effect on restraint on landmine use in the selected groups. This thesis contributes to the field mainly in two ways. First, I conceptualise and measure restraint on landmine use, which had been neglected in previous studies. Second, I develop a theoretical argument specifically explaining variation in restraint on landmine use.

A presente pesquisa tem como objeto de estudo as técnicas, princípios e filosofia da Arte Marcial Japonesa chamada Aikido, em diálogo com princípios e métodos desenvolvidos por Meyerhold, Rudolf Laban, Eugênio Barba e Grotowski, objetivando criar procedimentos que auxiliem a preparação corporal do ator e sua criação artística. Busca-se, portanto, o corpo cênico, seus movimentos e sua continua (re) organização. Este trabalho foi elaborado a partir de pesquisa bibliográfica e de freqüência em treinos de Aikido, de onde foram extraídos elementos importantes para o estabelecimento dos alicerces que permitiram a conexão entre esta arte marcial e o trabalho do ator. A parte prática constou de exercícios que tiveram como objetivo a busca de formas de transposição do corpo-cotidiano para o corpo em Estado Cênico. Nesses treinamentos foram desenvolvidos conceitos e práticas visando o auto-conhecimento corporal, a preparação para a cena e a criação de ações físicas extracotidianas ancoradas na prática do Aikido. Como principal resultado prático preparou-se a montagem teatral Separação de Corpos, monólogo composto de ações físicas criadas a partir das técnicas pesquisadas durante o treinamento e que tem como personagem uma mulher que, abandonada pela pessoa amada, busca compreender sua situação e superar a perda, recomeçando a vida de outra forma. A presença de uma ferramenta como o Aikido configurou-se como de grande utilidade para o trabalho do ator em cena, pois auxilia na disponibilização do corpo em cena, favorecendo, também, a concentração do ator no ato de representar. / This research has, as its object of study, the techniques, principles and philosophy of Japanese martial art called Aikido, in a dialogue with principles and methods developed by Meyerhold, Rudolf Laban, Grotowski and Eugenio Barba, in order to create procedures that provide assistance to the actord body preparation and their artistic creation. We search, therefore, the scenic body, its movement and its continuing (re) organization. This work was based on bibliographic research and frequency in Aikido training, from where important elements were extracted to establish the foundations that enabled the connection between this martial art and the actor´s work. The practice consisted of exercises that aimed at the search of ways of transposition from the daily-body to the scenic body. In these trainings concepts and practices were developed aiming at body self-knowledge, preparation for the scene and the creation of extra-daily physical actions anchored in the practice of Aikido. The main practical result was the preparation of the play \"Separação de Corpos\", a monologue composed of physical actions created from the studied techniques during the training and that has as character a woman who was abandoned by his lover and seeks to understand her situation and overcome the loss, starting a new life in a different way. The presence of a tool such as Aikido, configured to be a great benefit to the work of the actor on stage, since it helps flexibility of the body on stage, encouraging concentration in the act of play as well.

Desde meados dos anos 1960 novos temas tornaram-se cada vez mais caros a sociedade de forma global. Dentre esses temas, o relacionamento entre as ações humanas com o meio ambiente passou a ser visto e discutido nos mais diferentes setores da sociedade, o que fez formatar uma nova dimensão de desenvolvimento, que abarcasse outras variáveis além do crescimento econômico, tais como as advindas da área social e ambiental (SACHS, 2009a e 2009b; VEIGA, 2010). Apesar disso, as discussões acadêmicas levantam o fato de que tal termo carece de um quadro conciso de significados, adquirindo um caráter pluridimensional. Dentre deste debate, o Brasil e sua proeminência de caráter mundial no setor de produção de combustíveis alternativos, se constrói enquanto a base desta pesquisa, que teve como propósito tecer relações mais sólidas entre estes dois temas, especificamente, a sustentabilidade e o etanol de cana-deaçúcar. Para isso, procurou-se entender quais são as traduções de sustentabilidade no setor sucroenergético, ou seja, de que forma o tema da sustentabilidade está sendo estrategicamente definido pelos atores que se relacionam de forma direta com o etanol de cana-de-açúcar, e assim realizar um cruzamento com os principais aspectos de sustentabilidade presentes na literatura sobre a questão. Para a consecução dos objetivos foi utilizada a Teoria Ator-Rede como ferramenta metodológica. Nesse sentido, a sustentabilidade se encaixou como o ator principal da pesquisa, pois causa transformações nos mais diversos atores aos quais se associa. Os resultados se destacam pelo fato de que a interdisciplinaridade é incipiente no setor, muito devido às falhas e dificuldades na divulgação de informação e dados e à baixa participação dos diferentes setores nas discussões. Uma das consequências do pouco diálogo entre as áreas se encontra no fato de que o setor traduz a sustentabilidade baseada na abordagem chamada de Tripé da Sustentabilidade. Nesse sentido, a visão mais integrativa, tão importante para este tema, perde relevância, havendo ênfase prático e teórico para uma das três dimensões da abordagem, qual seja, a econômica, que é operacionalizada através de investimentos em inovações tecnológicas. Apesar desta contestação, para o setor tal carência de paradigmas integrativos se assinala de forma negativa. Para que um estado mais desejável deste setor seja alcançado é fundamental que o seu estado atual seja aclarado em seus meandros, permitindo a formulação de ferramentas de sustentabilidade. / Since the mid-1960s new themes have become increasingly matters of concern in global society. Among these subjects, the relation between human actions with the environment came to be seen and discussed in many different sectors of society, which arranged a new dimension of development that would encompass other variables than economic growth, such as those regarding social and environmental areas (Sachs, 2009a and 2009b; Veiga, 2010). Nevertheless, academic discussions highlight the fact that this term lacks a concise framework of meanings, what acquires a multidimensional characteristic. Within this debate, the prominence of Brazil in the production of alternative fuels builds the basis of this research, which aimed to weave stronger relations between these two issues, specifically, sustainability and sugarcane ethanol. Thus, this dissertation tried to understand what are the translations of sustainability in sugarcane industry, ie how the topic of sustainability is being strategically defined by the actors that relate directly to the sugarcane ethanol and, therefore, achieve a junction between this and the main aspects of sustainability in the literature on the issue. To achieve the goals, Actor-Network Theory has been used as a methodological tool. In this sense, sustainability is embedded as the main actor of the research, because it causes changes in several actors to which it associates. The resultsemphasise the fact that interdisciplinarity is incipient in the sector, largely due to failures and difficulties in disseminating information and data and the low participation of different sectors in the discussions. One consequence of the lack of dialogue between the areas is the fact that the sector translates sustainability based approach called Triple Botton Line. In this sense, a more integrative susteinability view loses relevance, as it\'s clear a practical and theoretical emphasis in one of the three dimensions of the approach, namely, the economic, which is operationalized through investments in technological innovations. Despite this challenge the sugarcane sector itself, points this lack of integrative paradgms in a negative way. For a more desirable state of this sector , it is essential that your current state is cleared in its intricacies, allowing the formulation of sustainability tools.