Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho discute a interdependência entre religião e política no âmbito da ação pastoral da Diocese de Nova Iguaçu no bispado de Dom Adriano Hypólito, que foi nomeado em 1966 bispo diocesano. No discurso e práticas sociais realizados por Dom Adriano Hypólito observa-se a base dessa interdependência. Por isso, a pesquisa procura analisar os discursos proferidos pelo bispo em documentos como A Folha e o Boletim Diocesano para mensurar seu posicionamento em relação à fé e política. Através das entrevistas concedidas por padres e leigos engajados busca-se regatar a memória do Bispo de Nova Iguaçu, que em decorrência de sua postura e opção preferencial pelos pobres sofre perseguições e é torturado no âmbito da Ditadura Civil-Militar no Brasil. Para corroborar tais elementos, procura-se fazer uma análise antropológica do memorial, construído um ano após de seu falecimento. Salienta-se que os objetos que se encontram nesse memorial se materializam como lugar-memória, e que se traduzem numa linguagem político-religiosa. Dessa forma, procura-se localizar nesse espaço como a memória de Dom Adriano está sendo transmitida e de que forma seu trabalho pastoral é recuperado nessa construção. A pesquisa também procura recuperar os discursos do Bispo Dom Adriano e a contribuição dos mesmos para a formação do laicato que através da conscientização e formação nas bases da Igreja engajar-se-ão em movimentos sociais, em partidos políticos e em sindicatos. / In this thesis I discuss the interdependence between religion and politics in the context of the pastoral action of Nova Iguacu Diocese in the bishopric of Don Adriano Hypólito. In 1966 he was chosen diocesan bishop. In the discourse and social practices performed by Don Adriano Hypólito we observes the basis of this interdependence. The aim of this research is to analyze the speeches given by the bishop in documents as "A Folha" and "Boletim Diocesano" to measure its position in relation to faith and politics. Through interviews with priests and engaged laity we seek to rescue the memory of the Bishop of Nova Iguaçu, which in function to their posture and "preferential option for the poor, suffers persecution and was tortured under the Civil-Military Dictatorship in Brazil. To corroborate these elements, we try to make an anthropological analysis of the memorial, which was built a year after his death. Note that the objects that are on this memorial, materialize as a place-memory, is translated into a politico-religious language. Thus, we try to find that space as Don Adriano memorial is being transmitted and how his pastoral work is recovered. The research also seeks to recover the speeches of Bishop Adriano and contribution thereof to the formation of the laity that through awareness and training bases in the Church will engagein social movements, political parties and trade unions

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O presente trabalho discute a interdependência entre religião e política no âmbito da ação pastoral da Diocese de Nova Iguaçu no bispado de Dom Adriano Hypólito, que foi nomeado em 1966 bispo diocesano. No discurso e práticas sociais realizados por Dom Adriano Hypólito observa-se a base dessa interdependência. Por isso, a pesquisa procura analisar os discursos proferidos pelo bispo em documentos como A Folha e o Boletim Diocesano para mensurar seu posicionamento em relação à fé e política. Através das entrevistas concedidas por padres e leigos engajados busca-se regatar a memória do Bispo de Nova Iguaçu, que em decorrência de sua postura e opção preferencial pelos pobres sofre perseguições e é torturado no âmbito da Ditadura Civil-Militar no Brasil. Para corroborar tais elementos, procura-se fazer uma análise antropológica do memorial, construído um ano após de seu falecimento. Salienta-se que os objetos que se encontram nesse memorial se materializam como lugar-memória, e que se traduzem numa linguagem político-religiosa. Dessa forma, procura-se localizar nesse espaço como a memória de Dom Adriano está sendo transmitida e de que forma seu trabalho pastoral é recuperado nessa construção. A pesquisa também procura recuperar os discursos do Bispo Dom Adriano e a contribuição dos mesmos para a formação do laicato que através da conscientização e formação nas bases da Igreja engajar-se-ão em movimentos sociais, em partidos políticos e em sindicatos. / In this thesis I discuss the interdependence between religion and politics in the context of the pastoral action of Nova Iguacu Diocese in the bishopric of Don Adriano Hypólito. In 1966 he was chosen diocesan bishop. In the discourse and social practices performed by Don Adriano Hypólito we observes the basis of this interdependence. The aim of this research is to analyze the speeches given by the bishop in documents as "A Folha" and "Boletim Diocesano" to measure its position in relation to faith and politics. Through interviews with priests and engaged laity we seek to rescue the memory of the Bishop of Nova Iguaçu, which in function to their posture and "preferential option for the poor, suffers persecution and was tortured under the Civil-Military Dictatorship in Brazil. To corroborate these elements, we try to make an anthropological analysis of the memorial, which was built a year after his death. Note that the objects that are on this memorial, materialize as a place-memory, is translated into a politico-religious language. Thus, we try to find that space as Don Adriano memorial is being transmitted and how his pastoral work is recovered. The research also seeks to recover the speeches of Bishop Adriano and contribution thereof to the formation of the laity that through awareness and training bases in the Church will engagein social movements, political parties and trade unions

Entrepreneur, urbaniste, homme politique, éditeur et intellectuel italien, Adriano Olivetti (1901-1960) a proposé une lecture singulière de la modernité et a démontré qu'une voie alternative, complexe et désintéressée vers le bien collectif était praticable. S'appuyant sur des recherches peu connues, sur la consultation de la bibliothèque d'Olivetti et des fonds d'archives auparavant peu exploités, cette biographie intellectuelle reconstruit les parcours qu'Adriano Olivetti a tracé à travers son territoire, sa famille, l'organisation scientifique du travail, l'urbanisme, l'antifascisme, l'activité entrepreneuriale et la politique, permettant ainsi une interprétation globale et fondée historiquement de cet homme et de sa pensée. Adriano Olivetti est né à Ivrée, dans le Canavais. Entre Aoste et Turin, cette petite ville était peu industrialisée au début du XXème siècle, lorsque son père Camillo y a fondé une entreprise de machines à écrire. Etudiant en ingénierie, Adriano soutenait les principes de l'autonomie et du socialisme fédéraliste avant de se concentrer sur l'organisation scientifique du travail observée aux Etats-Unis. Au début des années 30 il a pris la direction de l'entreprise où il a inauguré une gestion rationnelle d'une production désormais de masse. Olivetti a ainsi observé que la modernisation de l'industrie, conçue comme le seul moyen pour généraliser le bien-être, créait de graves problèmes sociaux et urbanistiques. Ainsi, lorsque l'entreprise grandissait et conquérait les marchés internationaux, il a coordonné un plan urbanistique du Val d'Aoste. Antifasciste, il a conspiré avec les Alliés et a contribué à la chute de Mussolini. Pendant son exile en Suisse il a élaboré un plan de réforme des institutions italiennes qui aurait mis au centre de la chose publique les territoires, les «Communautés» qui auraient permis aux citoyens de participer de façon immédiate à la gestion de la vie politique, économique, urbanistique et sociale. Après son retour en Italie, en 1945 Olivetti a décidé de se consacrer à la politique et s'est inscrit au Parti Socialiste. Déçu par la partitocratie, il est rentré à Ivrée et a mis l'entreprise sur une voie où se rencontraient la préoccupation pour le bien-être matériel et spirituel des travailleurs, l'esthétique, la recherche technologique et le succès au niveau global. Entre 1946 et 1948 Olivetti a fondé la revue «Comunità», la maison d'édition Edizioni di Comunità et le Mouvement Comunità, qui dans les années 50 avait administré plusieurs communes du Canaveis et du Sud d'Italie par des pratiques de gestion du territoire inspirées par la rationalité scientifique à la base du dessein d'Olivetti. Un projet qui vers la fin des années 50 a dû se heurter à un insuccès double : celui du Mouvement, qui n'obtenait pas de consensus en dehors du Canaveis, et celui de l'entreprise, où l'alliance de succès et de redistribution des profits gênait les capitalistes italiens qui s'opposaient aux principes socialistes, keynésiens et fordistes d'Olivetti. Qui est mort en 1960, avant de terminer ses projets réformistes. Cette recherche reconstruit le contexte historique-culturel où Adriano Olivetti a développé et appliqué une conception innovante de la gestion de l'entreprise, de la culture et de la société, dont le centre était la personne et sa Communauté. Tout en évitant d'actualiser cet entrepreneur «modèle», cette thèse considère qu'Olivetti peut donner des réponses alternatives à des problématiques de la cohabitation sociale qui en Europe sont encore à l'ordre du jour, par son affirmation de la centralité du travail, de la valeur de la solidarité et de la liberté, par sa tension vers la juste reconnaissance de la personne au-delà des limites socio-économiques et vers des formes politiques qui prennent en compte la complexité sociale tout en permettant sa représentation dans les institutions. / Entrepreneur, urban planner, politician, editor, the Italian intellectual Adriano Olivetti (1901-1960) proposed a novel reading view of modernity and demonstrated that an alternative way, one that was complex and disinterested in the common good, was possible. Relying on previously unexploited research drawn from Olivetti's library and various archives, this intellectual biography reconstructs the life of Adriano Olivetti looking through the lens of the specifics of his territory and his family, the scientific management, urban planning, anti-fascism, entrepreneurial activity and politics, thereby providing a global and historically-based interpretation of the man and his thought. Adriano Olivetti was born in Ivrea, in the Canavese. Situated between Aosta and Turin, this small rural town had little industry when, in the early twentieth century, his father Camillo Olivetti founded a typewriters' factory. Camillo was a socialist of Jewish origin, whose wife was Waldensian, and his son was educated in religious freedom and would become a Catholic. As an engineering student, Adriano Olivetti supported the principles of autonomy and of federalist socialism, before focusing on scientific management which he had observed in the USA. In the early '30s he became the director of the company, where he inaugurated the scientific management of mass production. He subsequently noticed that the modernization of industry, conceived as the only means to generalize the well-being, generated serious social and urban problems. As a result, as the company grew larger and conquered foreign markets, he coordinated an urban plan of the Val d'Aosta. An antifascist, he contributed to the fall of Mussolini by working with the Allies. While exiled in Switzerland, he developed a plan for the reform of Italian institutions which would set the territories at the center of politics, the "Communities" that would allow the citizens to participate more directly in the management of politics, economics, urban and social development. When in 1945 he returned in Italy, Olivetti decided to dedicate himself to politics and joined the Socialist Party and its Center for Socialist Studies. Disappointed by the party system, he returned to Ivrea and introduced a new direction for the company, one which combined a concern for the material and spiritual welfare of workers with aesthetics, technological research and global success. Between 1946 and 1948 Olivetti founded the magazine “Comunità”, the Edizioni di Comunità and the Community Movement, which in the '50s administered several municipalities in Canavese by management practices inspired by scientific rationality which was based on the Olivettian design, a project that in the late '50s collided with a double political failure: of the Movement, which could not achieve consensus out of the Canavese, and that of the company, where the idea of success equated with the redistribution of profits bothered Italian capitalists, who opposed the Socialist, Keynesian and Fordist principles of Olivetti. Olivetti died in 1960, before finishing his reformist projects. This thesis reconstructs the historical and cultural context in which Adriano Olivetti developed and applied his innovative concepts of company management, culture and society, centered on the person and his community. While avoiding to update this "model" entrepreneur, this thesis considers that Olivetti may provide alternative answers to some problems of social cohabitation that in Europe are still current, drawn from his affirmation of the centrality of work , the value of solidarity and freedom, its tension with the proper recognition of the person beyond the socio-economic boundaries, and with political forms that consider social complexity and allow its representation in the institutions.

Why write music theory and publish it? In the thesis I investigate the reasons for a seeming over-abundance of practically oriented music treatises in early seventeenth-century Italy. Throughout I challenge our conventional assessment of the study of music theory: I suggest that we can define a music-theoretical text in terms of its material form in addition to its content. Adriano Banchieri (1568-1634) was the most prolific theorist in early seventeenth-century Italy. His music-theory books exemplify contemporary printing patterns, an overt practical focus, and a synthesis of contemporary theoretical innovations. In Chapter 1, after considering the meaning of 'music theory' and how it is typically classified, I discuss the process of and purposes for writing and publishing music theory. In Chapter 2 I explore Banchieri's practical and philosophical motives for writing music theory, and thus introduce the reader to his music-theoretical corpus. The focus of the thesis then broadens: in Chapter 3 I survey the typical authors, publishing houses, content, material form, function and readers of the various kinds of theoretical texts printed in Italy between 1600 and 1630. In Chapter 4 I examine the widespread practice of publishing second and revised editions of music-theory books in order to establish the extent to which a new edition corresponds to a seeming demand for a particular text. The case study of the paratext of Banchieri's Conclusiones de musica (Bologna, 1627) in Chapter 5 demonstrates the great extent to which the preliminary matter of an early Seicento music-theory book is embedded in its socio-cultural context and how a paratext projects ideas contained in the text proper. Lastly, in Chapter 6 I explore to whom and in which particular forums theoretical writings circulated. Here I focus principally on Banchieri's printed letters, which provide evidence of how an author circulated his music books.

Esta pesquisa tem como objetivo entendermos os processos históricos e geográficos pelo qual a dimensão espacial da Igreja Católica no atual município de Nova Iguaçu, na Baixada Fluminense, foi estruturada, assim como interpretar as ações desenvolvidas pela Igreja Católica mostrando o seu papel de gestor no desenvolvimento de várias ações sociais e religiosas. Nesta localidade, carente de políticas públicas favoreceu inicialmente nas comunidades eclesiais de base a construção de importantes espaços religiosos, assim como, posteriormente foram desenvolvidos movimentos populares que auxiliaram na sociabilidade e trocas de saberes e fazeres. As ações conduzidas pela Teologia da Libertação e dirigidas pela Diocese de Nova Iguaçu e pelo líder religioso Dom Adriano Hypólito possibilitou a expansão da conscientização da população em relação a seus direitos e deveres expressos principalmente nas inúmeras reivindicações por serviços públicos e sociais. Busca-se então, o entendimento na estruturação social de algumas áreas da Baixada Fluminense assim como desvendar as estratégias utilizadas pela Diocese de Nova Iguaçu durante a fim de promover a organização de seu território religioso, através da disseminação de suas estratégias religiosas. Tais ações auxiliaram no fortalecimento das ações coletivas da localidade, marcando a história do município de Nova Iguaçu e da instituição religiosa católica brasileira. / This research aims to understand the historical and geographical processes by which the spatial dimension of the Catholic Church in the current municipality of Nova Iguaçu, in the Baixada Fluminense, was structured as well as interpret the actions taken by the Catholic Church showing her managerial role in the development various social activities and religious.In this location, lacking in public policies initially favored in basic ecclesial communities to build important religious spaces, and subsequently were developed popular movements that helped in sociability and exchange of knowledge and practices. The actions carried out by the Liberation Theology and directed by the Diocese of Nova Iguaçu and the religious leader Don Adriano Hypólito enabled the expansion of public awareness regarding their rights and duties mainly expressed in the numerous claims for public and social services. The aim is then to understand the social structure of some areas of the Lowlands as well as uncover the strategies used by the Diocese of Nova Iguaçu in order to promote religious organization of its territory, through the dissemination of religious strategies. Such actions helped in strengthening the collective actions of the town, marking the history of the municipality of Nova Iguaçu and the Brazilian Catholic religious institution.

Esta pesquisa tem como objetivo entendermos os processos históricos e geográficos pelo qual a dimensão espacial da Igreja Católica no atual município de Nova Iguaçu, na Baixada Fluminense, foi estruturada, assim como interpretar as ações desenvolvidas pela Igreja Católica mostrando o seu papel de gestor no desenvolvimento de várias ações sociais e religiosas. Nesta localidade, carente de políticas públicas favoreceu inicialmente nas comunidades eclesiais de base a construção de importantes espaços religiosos, assim como, posteriormente foram desenvolvidos movimentos populares que auxiliaram na sociabilidade e trocas de saberes e fazeres. As ações conduzidas pela Teologia da Libertação e dirigidas pela Diocese de Nova Iguaçu e pelo líder religioso Dom Adriano Hypólito possibilitou a expansão da conscientização da população em relação a seus direitos e deveres expressos principalmente nas inúmeras reivindicações por serviços públicos e sociais. Busca-se então, o entendimento na estruturação social de algumas áreas da Baixada Fluminense assim como desvendar as estratégias utilizadas pela Diocese de Nova Iguaçu durante a fim de promover a organização de seu território religioso, através da disseminação de suas estratégias religiosas. Tais ações auxiliaram no fortalecimento das ações coletivas da localidade, marcando a história do município de Nova Iguaçu e da instituição religiosa católica brasileira. / This research aims to understand the historical and geographical processes by which the spatial dimension of the Catholic Church in the current municipality of Nova Iguaçu, in the Baixada Fluminense, was structured as well as interpret the actions taken by the Catholic Church showing her managerial role in the development various social activities and religious.In this location, lacking in public policies initially favored in basic ecclesial communities to build important religious spaces, and subsequently were developed popular movements that helped in sociability and exchange of knowledge and practices. The actions carried out by the Liberation Theology and directed by the Diocese of Nova Iguaçu and the religious leader Don Adriano Hypólito enabled the expansion of public awareness regarding their rights and duties mainly expressed in the numerous claims for public and social services. The aim is then to understand the social structure of some areas of the Lowlands as well as uncover the strategies used by the Diocese of Nova Iguaçu in order to promote religious organization of its territory, through the dissemination of religious strategies. Such actions helped in strengthening the collective actions of the town, marking the history of the municipality of Nova Iguaçu and the Brazilian Catholic religious institution.

[pt] Baseado no conceito de angústia da influência desenvolvido por Harold Bloom em sua tetralogia da influência (1973-76) e, posteriormente, reformulado em The anatomy of influence (2011), o presente estudo busca analisar as obras de Adriano Espínola e Eucanaã Ferraz como desleituras da obra de João Cabral de Melo Neto. Enquanto poeta tardio no âmbito do movimento modernista (Geração de 45), João Cabral precisou lidar não só com o fardo do Cânone Ocidental mas também com a tradição modernista que já havia se estabelecido à altura de sua estreia com Pedra do Sono (1942) — dentre seus pais poéticos encontram-se Willy Lewin, Joaquim Cardozo, Murilo Mendes e, sobretudo, Carlos Drummond de Andrade. Nosso objetivo é demonstrar que justamente o poeta modernista que mais sofreu da angústia da influência veio a se tornar, senão o mais influente, decerto aquele cujo legado é o mais problemático — constituindo, conforme a previsão de J. G. Merquior, verdadeiro obstáculo para poetas estreantes desde a década de 60 até poucos anos após a sua morte em 1999. Nossa hipótese central é que tanto Adriano Espínola quanto Eucanaã Ferraz — ambos estreantes nesse período — se tornam poetas forte” à medida que erigem suas respectivas obras contra a obra cabralina. O corpus deste estudo consiste num recorte da obra de Eucanaã que abrange poemas desde o primeiro ao último livro (1990-2017) e, de Adriano Espínola, no recorte feito pelo próprio poeta quando da organização de sua antologia pessoal Escritos ao Sol (2015). / [en] Based on the concept of anxiety of influence developed by Harold Bloom in his tetralogy of influence (1973-1976) and later reformulated in The anatomy of influence (2011), this study aims to analyze the works of the Brazilian contemporary poets Adriano Espínola and Eucanaã Ferraz as creative misreadings of João Cabral de Melo Neto s poetry. As a latecomer in the Brazilian Modernist Movement (Generation of 45), João Cabral had to put tremendous effort into defending himself against the modernist tradition already established by the time he started his career — among his poetic fathers are Willy Lewin, Joaquim Cardozo, Murilo Mendes and, above all, Carlos Drummond de Andrade. We intend to demonstrate that precisely he, the modernist who suffered the most from the anxiety of influence, produced a poetry so strong that it came to be the most difficult influence to overcome for all generations of Brazilian poets from the early 1960s to his death in 1999. The central part of our hypothesis is that Adriano Espínola and Eucanaã Ferraz, both debuting poets within that period, constructed their works against Cabral s, whether by appropriation or repression. For that purpose, the corpus under study consists of poems by Eucanaã Ferraz from his first book to the most recent (1990-2017) and of Adriano Espínola s personal anthology Escritos ao Sol (2015).

Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-09-29T18:54:06Z No. of bitstreams: 1 2015 - Peter Sana.pdf: 2426905 bytes, checksum: 4886ee552c348aa742f8706df208997b (MD5) / Made available in DSpace on 2017-09-29T18:54:06Z (GMT). No. of bitstreams: 1 2015 - Peter Sana.pdf: 2426905 bytes, checksum: 4886ee552c348aa742f8706df208997b (MD5) Previous issue date: 2015-04-27 / The work titled as "The educational dimension of the thought and the action D. Adriano Hyp?lito in the social struggles of the Baixada Fluminense during the military dictatorship (1964-1985)", investigated since the formation of the thought of the Catholic Church in Brazil, it's share the colonial, imperial and republican education to date that corresponds to the decision-making by senior ecclesiastical hierarchy, depending on the situation which was driven to coexist in opting for the poorest in society. During the first half of the twentieth century Church, with its conservative nature, seeks the most influential means to ally and so take him a role in active participation of society, whether in the case of formal education means such as schools and seminars, even in the informal means such as the press, radio and television media. The political education now has an importance for the Church in as observing situation in Latin America, it is noticed that the less affluent classes of society suffered from injustice and social inequality. It was in this way that there were some sectors of the Catholic Church, strengthened by the Vatican Council and the Medellin and Puebla conferences, sought more active forms of political activity in the mobilization and politicization of the masses, uniting faith to fight for social justice. In this context that the figure of the Bishop Adriano Mandarino Hyp?lito in the Baixada Fluminense, when in 1966, already observing the political structure set up after the 1964 coup, took over the Nova Igua?u Diocese and joined the movement called Liberation Theology and spent to take a leadership attitude toward the union, social movements, and lay and religious who sought social equality and improvements in the most important sectors of society such as education, health, sanitation, land reform and policy, etc. The participation of Nova Igua?u bishop made the conservative sectors of the Church reacted against his bishopric, as well as the current military government and the economic elite, seeking to end the wave of political awareness of the people, exploited by organizations such as the Christian Communities Base and Neighborhood Friends Movement, these who had the guidance and funding for the Church proposed by Don Adriano de bishopric in line with the situation of struggle and resistance against the military regime and social inequalities and injustices caused by the current system. / No trabalho intitulado como "A dimens?o educativa do pensamento e da a??o de D. Adriano Hyp?lito nas lutas sociais da Baixada Fluminense no per?odo da ditadura militar (1964-1985)", investigamos desde a forma??o do pensamento da Igreja Cat?lica no Brasil, sua participa??o na educa??o colonial, imperial e republicana at? o momento que corresponde ? tomada de decis?o por parte da alta hierarquia eclesi?stica, em fun??o da conjuntura a qual foi impulsionada a coexistir, em optar pelos mais pobres da sociedade. Durante a primeira metade do s?culo XX a Igreja com seu car?ter conservador busca os meios mais influentes para aliar-se e assim tomar para si uma import?ncia na participa??o ativa da sociedade, quer seja no ?mbito dos meios formais de educa??o como escolas e semin?rios, at? nos meios informais como a m?dia impressa, radiof?nica e televisiva. A forma??o pol?tica passou a ter uma import?ncia para a Igreja na medida que observando conjuntura da Am?rica Latina, percebe-se que as classes menos abastadas da sociedade sofriam com a injusti?a e desigualdade social. Foi desta maneira que surgiram alguns setores da Igreja Cat?lica que, fortalecidos pelo Conc?lio Vaticano e as Confer?ncias de Medell?n e Puebla, buscaram formas mais ativas de atua??o pol?tica na mobiliza??o e politiza??o das massas, unindo f? ? luta por justi?a social. Neste contexto que surgiu a figura do Bispo Dom Adriano Mandarino Hyp?lito na Baixada Fluminense, quando no ano de 1966, j? observando a estrutura pol?tica montada ap?s o golpe de 1964, assumiu a Diocese de Nova Igua?u e aderiu o movimento denominado Teologia da Liberta??o e passou a ter uma postura de lideran?a diante dos movimentos sindicais, sociais, e dos leigos e religiosos que buscavam igualdade social e melhorias nos setores mais importantes da sociedade como a educa??o, sa?de, saneamento b?sico, reforma agr?ria e pol?tica, etc. A participa??o do bispo de Nova Igua?u fez com que os setores conservadores da pr?pria Igreja reagissem contra seu bispado, assim como o governo militar vigente e a elite econ?mica, buscando terminar com a onda de conscientiza??o pol?tica do povo, instrumentalizada por organiza??es como as Comunidades Eclesiais de Base e Movimento Amigos de Bairro, estes que tiveram a orienta??o e financiamento pela Igreja proposta pelo bispado de Dom Adriano em conson?ncia com a conjuntura de luta e resist?ncia contra o regime militar e as desigualdades e injusti?as sociais provocadas pelo sistema vigente.

Made available in DSpace on 2016-12-08T16:18:54Z (GMT). No. of bitstreams: 1 120354.pdf: 3872646 bytes, checksum: 56da6913a3973fd0c5c52ff8e9f1e773 (MD5) Previous issue date: 2014-07-30 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The text investigates how the 31st PANORAMA DA ARTE BRASILEIRA held in 2009, a periodical exposition host by São Paulo Museum of Modern Art was an singular edition for giving an overview of the so-called Brazilian art, when a minimum number of the artists were actually born in Brazil. Therefore, to find the uniqueness of the 31st edition and its curator Adriano Pedrosa, three fundamental reasons involving the exhibition were observed. Such reasons points to the title of this research: Expositive Scene, Expographic Matter and Curatorial Gesture. Through these general issues, the main idea is to answer questions about the authorship on exposition, on the organization of the art pieces at the exhibition physical space and find hints and the metamorphoses surroundings the exhibit. The academic motivation came from the lack of Portuguese publications about curatorial and exhibitions. The final dissertation in the long run can contribute to a research on curatorship field with a meticulous analysis of a curatorial process and a well recognized curator with major exhibitions on his résumé. / O texto investiga como o 31º Panorama da Arte Brasileira 2009, exposição periódica do Museu de Arte Moderna de São Paulo, foi uma edição singular por traçar um panorama de arte dita brasileira com minoria de artistas nascidos no Brasil. Para encontrar o ineditismo da 31ª edição e do seu curador, Adriano Pedrosa, foram mapeados três motivos fundamentais que envolvem a exibição. Estes motivos dão título a pesquisa: a cena expositiva, a matéria expográfica e o gesto curatorial. Busca-se nestes temas mais gerais responder a questões sobre a autoria em exposição, sobre a organização das obras no espaço expositivo e encontrar rastros e devires que cercam a exibição. O incentivo acadêmico surgiu da raridade de publicações em língua portuguesa sobre curadoria e exposições. A dissertação, ao final, pode contribuir no campo investigativo da curadoria como uma análise detalhada de um processo curatorial e um curador reconhecido com importantes exposições.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-18T11:33:29Z No. of bitstreams: 1 Adriana Bastos Kronemberger.pdf: 1479460 bytes, checksum: d3663f863da748cf577646173359248c (MD5) / Made available in DSpace on 2018-04-18T11:33:30Z (GMT). No. of bitstreams: 1 Adriana Bastos Kronemberger.pdf: 1479460 bytes, checksum: d3663f863da748cf577646173359248c (MD5) Previous issue date: 2018-03-16 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / During the civil and military dictatorship in Brazil (1964-1985) there was a violence increase in the Baixada Fluminense. During this period, a Catholic movement inspired by Liberation Theology was developed in the city of Nova Iguaçu, which was easily spreaded alongside the poor people, against the will of the dictatorship and in defense of Human Rights. This movement had as central figure the bishop of that city: Dom Adriano Hypólito. The objective of this work is to analyze and discuss the ideas of this Catholic bishop with other authors and researchers who have dedicated themselves to the question of religiosity and social formation in Brazil, paying special attention to the issue of violence in the 1970s and 1980s, pointing out that the words of Dom Adriano can help in the understanding that Violence is linked to historical factors, misguided public policies and neglection. The sources of this work are from the diocesan newspaper of Nova Iguaçu called A Folha, interviews given by Dom Adriano, some articles of the period and two documentaries: Nova Iguaçu, the city of my eyes (2003) and Diocese of New Iguaçu: 50 years of mission (2013). In order to deal with my sources, I used the method of reading and analyzing Dom Adriano's speeches with works that refer to the social, spatial and ideological formations of the Catholic Church, Brazil and the Baixada Fluminense. An analysis was then made of the pastoral work of the Church of Nova Iguaçu in the 1970s and 1980s, when the bishop assumed a political position of resistance to the dictatorship and denunciations of the actions of the death squads in the region. The reason behind this work was produced lies in the proposal of discussing on the role of religiosity in brazilian society, since it is important to rediscuss a Church that, at a certain historical moment, has positioned Itself between the collectivity and individualism, sought to strengthen community ties and fought against the violence covered and often undertaken by the State / Durante a ditadura civil e militar no Brasil (1964-1985) ocorreu um agravamento da violência na Baixada Fluminense. Neste mesmo período desenvolveu-se na cidade de Nova Iguaçu um movimento católico inspirado pela Teologia da libertação, que se posicionava ao lado do povo pobre, contra as arbitrariedades da ditadura e em defesa dos Direitos Humanos. Este movimento teve como figura central o bispo dessa cidade: Dom Adriano Hypólito. Objetivo deste trabalho é analisar e discutir as ideias desse bispo católico com outros autores e pesquisadores que se dedicaram à questão da religiosidade e à formação social do Brasil, dando especial atenção à questão da violência na Baixada Fluminense nas décadas de 1970 e 1980, apontando que as palavras de Dom Adriano podem ajudar na compreensão de que a violência está vinculada a fatores históricos, políticas públicas equivocadas e descaso. As fontes deste trabalho são exemplares do jornal diocesano de Nova Iguaçu denominado A Folha, entrevistas concedidas por Dom Adriano a jornais e revistas, algumas matérias de jornais do período e dois documentários: Nova Iguaçu, a cidade dos meus olhos (2003) e Diocese de Nova Iguaçu: 50 anos de missão (2013). Para lidar com as minhas fontes utilizei o método de leitura e análise dos discursos de Dom Adriano em diálogo com obras que se referenciam às formações social, espacial e ideológica da Igreja Católica, do Brasil e da Baixada Fluminense. Então foi feita uma análise do trabalho pastoral da Igreja de Nova Iguaçu nas décadas de 1970 e 1980, quando o referido bispo assumiu uma posição política de resistência à ditadura e de denúncias das ações dos Esquadrões da Morte na região. A justificativa para este trabalho está na proposta de reflexão acerca do papel da religiosidade na sociedade brasileira, pois em tempos de multiplicação de ideias intolerantes e excludentes se faz importante rediscutir uma Igreja que, em certo momento histórico, se posicionou entre a coletividade e o individualismo, buscou fortalecer os laços de comunidade e lutou contra a violência acobertada e, muitas vezes, empreendida pelo Estado