There is a great diversity of initiatives furthering unity among christians. Probably the most important ones are those of the World Council of Churches (WCC), the Roman Catholic Church as such and the Lausanne Movement of the Evangelicals. The "Runde Tisch" (=Round Table) brings together Austrian christians from all parts of the christian scenario as a new initiative towards unity. To find out, which of these initiatives is the most efficient, from a mission-strategical standpoint, this thesis develops the New Testament findings on the question of unity. Then, the 4 models are presented to finally be compared, to find out, where each one has its strengths and weaknesses. The Round Table Austria with its great width of christians involved, its theological profoundness and its leadership structure with proportional engagement of members from all present parts of the christian body is indeed quite close to the New Testament picture of unity. / Initiativen, die die Einheit unter Christen fördern gibt es sehr viele. Mit zu den wichtigsten zählen die des Weltkirchenrates (WCC), die Römisch-katholische Kirche als solche und die Lausanner Bewegung der Evangelikalen. Der Runde Tisch bringt in Österreich Christen aus allen Richtungen der Christenheit in eine neue Einheitsinitiative zusammen. Um nun herauszufinden, welche dieser Initiativen missionsstrategisch effizient ist, entfaltet diese Arbeit zunächst den neutestamentlichen Befund zur Frage der Einheit unter Christen. Dann werden die vier Modelle dargestellt und abschließend mit dem Ziel verglichen, herauszuarbeiten, wo die Stärken und Schwächen eines jeden Ansatzes liegen. Hierbei dient als Maßstab der Befund der neutestamentlichen Analyse. Der Runde Tisch Österreich liegt mit seinem breiten Spektrum an vertretenen Christen, seiner theologischen Tiefe und richtungsparitätischen Leitungsstruktur sehr nahe bei den neutestamentlichen Vorgaben zur Einheit unter Christen. / Christian Spirituality, Church History & Missiology / M. Th. (Missiology)

The aim of this study was to investigate the management of in-service education and training (INSET) conducted for teachers, in particular in rural secondary schools in the Zoutpansberg West Circuit, Limpopo Province. The problem was conducted by a literature study and empirical investigation. The literature review explored various definitions of INSET and related concepts and dealt with the provision of in-service training for teachers in developing countries such as Kenya and South Africa and a developed country such as Britain. The empirical study investigated the management of INSET for secondary school educators in rural areas using a questionnaire administered to educators in eleven secondary schools in the Zoutpansberg West Circuit. Findings indicated strengths and weaknesses of INSET. Based on the literature and the empirical investigation, recommendations are made for the Department of Education with regard to the provision of INSET. / Educational Studies / M. Ed (Education Management)

Thesis (MMus) -- Stellenbosch University, 1997. / AFRIKAANSE OPSOMMING:Hierdie tesif ondersoek die estetiese begrip nai"witeit met spesifieke verwysing na die Wunderllc:-n-t...;•r.••:ngs van Gustav Mahler. Die term nai'witr .L kom dikwels in die vroee literatwJr : '1r Mahler voor, trouens, Mahler het die term ook self gebruik. Vir die hedendaagse waarnemer is dit nie meer onmiddellik duidelik wat met hierdie term bedoel word nie. Die bekende aanwending daarvan op die terrein van die beeldende kuns is in die verband van beperkte waarde. Daarom word daar in hierdie tesis gepoog om die term in sy historiese konteks tot so ver terug as die sewentiende en agtiende eeu te verstaan. Dit blyk dat Schiller die belangrikste bydrae tot die onderwerp gelewer het, trouens, hy het die term tot 'n belangrike estetiese begrip ontwikkel in sy Ober naive und sentimentalische Dichtung. Verder word Des Knaben Wunderhorn, die belangrikste versameling van Duitse volkspoesie, in die konteks van die intellektuele klimaat van die vroee Duitse Romantiek geplaas. Mahler se "ontdekking" van die versameling en sy groot belangstelling in volksmusiek word ook ondr die loep geneem. Die hoofdeel van die tesis ondersoek die vraag in watter mate die begrip, soos deur Schiller ontwikkel, op die musiek en dan spesifiek op Mahler se toonsettings van Wunderhorn-tekste toegepas kan word. Dit word aangetoon dat die begrip in 'n algemene sin aangewend kan word op voorbeelde van natuurklanke, kindermusiek en volksmusiek. Hierdie voorbeelde het alma! 'n sterk invloed op Mahler en word in sy Wunderhorn-styl ge'integreer saam met 'n baie persoonlike benadering tot realisme, insluitende sulke middele soos die nabootsing van nie-musikale klanke, ruimtelike beweging, spraakintonasie en emosies of "innerlike natuur". Mahler se idee van musiek as 'n atbeeld van die natuur of van die struktuur van die wereld as geheel word ook bespreek. Vervolgens word hierdie kenmerke op uitgebreide wyse aan die hand van voorbeelde uit die toonsettings self gei'llustreer. Laastens word al die bevindings tot 'n omvangryke reeks gevolgtrekkings saamgevoeg. / ENGLISH ABSTRACT:This thesis sets out to investigate the aesthetic concept of naivety with specific reference to the Wunderhom Songs of Gustav Mahler. The term naivety is found frequently in the early literature on Mahler, in fact Mahler even used it himself. To the present-day observer, however, it is not immediately obvious what the full meaning of the term is as used by these authors. The well known use of the term in the field of visual art proves to be of only limited help. Therefore the thesb. ...ttempts to trace the historical context of the term as far back as the seventeenth and eighteenth centuries. Schiller is shown to be the most important author on the subject, he in fact develops the term to an aesthetic concept of great significance in his Uber naive und sentimentalische Dichtung. Besides, the thesis examines the context in which Des Knaben Wunderhorn, the most important anthology of German folk poetry, should be seen, placing it in the intellectual climate of early German Romanticism. Mahler's "discovery" of the anthology and his passionate interest in folk music are also investigated. The main body of the thesis concerns itself with the question of the applicability of the concept, as developed by Schiller, to music and specifically to Mahler's composition of Wunderhorn texts, which occupied the composer for the best part of his early career. It is shown that, in a general sense, the concept can be applied to instances of natural sound, children's music and folk music. These instances all have a strong influence on Mahler and are intergrated into his Wunderhorn style together with a very personal kind of realism, including such devices as the imitation of non-musical sounds, spatial movement, speech intonations and emotions or "inner nature". Mahler's idea of music as an image of nature or the structure of the world as a whole is also discussed. Subsequently, these characteristics are illustrated extensively by examples from the songs themselves. Finally, all the findings are drawn together in a lengthy concluding section.

<p>Much of our understanding of Schoenberg and his music today is colored by early responses to his so-called free-atonal work from the first part of the twentieth century, especially in his birthplace, Vienna. This early, crucial reception history has been incredibly significant and subversive; the details of the personal and political motivations behind deeply negative or manically positive responses to Schoenberg's music have not been preserved with the same fidelity as the scandalous reactions themselves. We know that Schoenberg was feared, despised, lauded, and imitated early in his career, but much of the explanation as to why has been forgotten or overlooked. As a result our own reception of Schoenberg's music is built upon inherited fears, hopes, and insecurities that are now nearly a century old. In order to more fully approach these musical works and their composer it is necessary to attempt to separate his reputation from the sound of the music.</p><p>This dissertation, which studies Schoenberg's reception from 1908 through 1924 in the United States, Britain, and Austria and German through select works (Opp. 10, 15, 16, 17), contributes to the field by uncovering additional primary sources, including previously unknown performances and reviews. My work interacts with larger trends in musicology, including questioning the narrative of atonality, assessing the value of social and artistic movements (i.e. expressionism) as applied to music, and examining how the reception of a work is the combination of many factors - from the aural to the political - which intertwine to form our idea of a musical text. Ultimately, through a study based on close musical analysis employing elements of set-class theory, the methodology of Rezeptionsästhetik, and a focus on historical context, I present an interpretation in which Schoenberg's reception is strongly determined by early critical responses from Vienna, where conservative views of music's role in society combined with undercurrents of anti-Semitic thought to brand Schoenberg as mentally unstable and his music as socially detrimental.</p> / Dissertation

This thesis sets out to re-locate and redefine the historical arguments around the development of the Modern Movement in architecture. It investigates the development of architectural modernism in Central Europe from 1895-1939 in the towns and cities of the multinational Habsburg Empire, in a creative milieu in which opposition, contrast and difference were the norm. It argues that the evolution of the Modern Movement through the independent nations that arose from the Empire constituted an early and significant engagement with urbanisation, planning and architectural modernism that has been largely overlooked by western scholarship. By reviewing the extant literature in discussion with Central European authorities and by drawing upon a little known range of sources, this thesis brings into focus the role of key individuals such as Plečnik, Fabiani and Kotěra and it explores the significance of developments in town planning in places like Zagreb and Ljubljana. In restoring some of this missing detail and revisiting some of the key sites, the thesis reveals how Central European individuals made early and significant contributions to the development of architectural modernism and the Modern Movement that have hitherto received little critical acknowledgement. What this research reveals is how these figures developed what can be seen as local solutions, rooted in the context and culture of individual towns and cities and their unique histories. However more significantly, this thesis also demonstrates that these independent initiatives were formed with an understanding of - and in response to - wider national and international developments in the field of architectural modernism. In this connection, the thesis can be regarded as part of an emerging academic effort to redress the history of the Modern Movement and an attempt to set in motion a raft of suggestion for further research into this rich field of cultural endeavour.

This thesis presents results obtained during 2007/08 in the course of doctoral research into attitudes towards linguistic variation in England and Austria and is based in part on a study by Lees (2000). In this project attitudes amongst British and Austrian informants towards low-prestige ('dialect') and high-prestige varieties are investigated on the basis of assumptions made about speakers of these varieties. The data are collected by means of the 'matched-guise technique', whereby informants listen to a number of recordings of low and high-prestige varieties and note their reactions on the basis of a selection of traits using a semantic differential. In this way the research aims to ascertain whether a pattern emerges, where the informants' perception of the guises is influenced by the prestige of the spoken variety. The results in England and in Austria are compared in order to determine similarities and differences in language attitudes towards low and high-prestige varieties in the two countries. Some results presented here correspond to certain social expectations, with high-prestige speakers being associated with better-paid employment and a better education. Other results, though, are less predictable, as where, for example, the female informants in England and in Austria judge the speakers more positively than the male informants, regardless of the prestige of the speaker's variety. In any case, there is evidence from both countries of the informants' evaluations of the speaker being influenced by their associations of the speaker's variety with that speaker's social status. The data also indicate that the social status of speakers in England is judged to a greater extent on the basis of their spoken variety than is the case in Austria, where speakers are more used to switching freely between points on the standard-dialect continuum and are consequently less judgemental in their perception of a speaker based purely on the evidence of their spoken variety.

This thesis explores organizational features, which facilitate counterinsurgency operations on a company level. The framework used is the infantry company. Two factors were found through literature studies to be extra important for conducting successful counterinsurgency operations: intelligence and presence. Regarding intelligence, the results show beneficial effects from organizing a company level intelligence cell. The recommended size is three individuals. The next factor, presence, originates from the concept of maintaining a persistent presence as opposed to conducting raids in the assigned area of operations. Here, a force structure of four subordinates at both company and platoon level was found to be effective. Further, a Swedish and an Austrian European Union Battlegroup company was studied and compared to each other from the previously found aspects. Next, the two companies receive suggestions for how to reorganize themselves with the already existing personnel and equipment available. In the final part, the thesis discusses the structural rigidity of military organizations evident in the lack of organizational adaption to counterinsurgency even though such operations have been conducted in the past, present and most certainly will be a part of the future. / <p>Erasmus</p><p>Received award for best thesis.</p>

This study analyzes the link between cause assessment, corporate philanthropy, and dimensions of corporate reputation from different stakeholders' perspectives, using balance theory as a conceptual framework and the telecommunications industry in Austria and Egypt as the empirical setting. Findings show that corporate philanthropy can improve perceptions of the corporate reputation dimensions, but the results vary between customers and non-customers and depend on the country setting. (authors' abstract)

Throughout the 16th and 17th centuries, both Austria and Persia were each repeatedly at war with the Ottoman Turks. Diplomats travelled between the two countries in an attempt to forge an alliance against their common enemy. Although the alliance never materialized the relationship broadened to cover other concerns. Despite cultural differences, both countries tried to work together and approached each-other as equals. Contact between the countries exposed both cultures to wider influences. Their changing relationship illustrates the priorities of both parties. This thesis, for the first time, uses primary sources to view the evolution of the relationship over the two century reign of the Safavid dynasty. It charts the course of their diplomatic relationship, examines the turning point in this relationship, and explores why the alliance both sides wanted never materialized. By examining Austria's diplomatic initiatives to the east this thesis helps correct the historiographical imbalance in central European history of concentration on only European affairs, and shows that their understanding of the east was more nuanced than is often credited.

The thesis is concentrated on a research based on turbofolk music in diaspora from the former Yugoslav countries. When speaking about turbofolk, the term can be explained as a type of popular music combined with folk elements. It originates in the former Yugoslav countries, but similar pop-folk genres can be found in other European and non- European countries as well. People with immigration background living in diaspora can possess different types of relations towards this type of music than their counterparts in the ex-Yugoslav countries. Especially, certain common tendencies can be observed among the diaspora youth cosuming turbofolk. This work will primarily give answers to the basic questions including attitudes towards turbofolk in the ex-Yugoslav diaspora. It will describe turbofolk scene in the diaspora and show its extensiveness. In particular it will be focused on the Austrian case (concerning practising turbofolk etc.). Nevertheless, it will also investigate contemporary tendencies in identification with turbofolk. Key words turbofolk, diaspora, Yugoslavia, identity, Austria