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silvercodes and paperpixelsRodriguez Bastias, Maritza January 2018 (has links)
My journey starts off using photography as a tool to investigate materiality, body, object and space. During my trip I constructed a photo, or as I see it, translated a 2D photo into a 3D form. I travel through material values and the relationship between material and form, encountering questions on legitimacy and hierarchy: Why does some material become more real? What charachterizes these material and gives them more credibility? Why do we value material differently? The path I follow consist of fused material: digital, traditional and unknown. My expedition challenges craft, the definition of the handmade, and the concept of the final piece.
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Images of the crucifixion in late antiquity : the testimony of engraved gems /Harley, Felicity. January 2001 (has links) (PDF)
Thesis (Ph.D.) -- University of Adelaide, Centre for European Studies and General Linguistics, 2001. / Bibliography: leaves 289-313.
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A personal exploration of the creative process /Bader, Angela. January 2006 (has links)
Thesis (MA)--University of Stellenbosch, 2006. / Bibliography. Also available via the Internet.
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If I forget you, it doesn't mean I didn't love youDavis, Rachel Andrea 17 August 2017 (has links)
No description available.
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(Ware)withalCamera-Smith, Maria C. 17 June 2021 (has links)
No description available.
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Musings of a Sad Fag/ Lonely DykeReid, Bee 23 June 2023 (has links)
No description available.
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I like it dirtyPontén, Stina January 2018 (has links)
Using dirt and cleaning as a point of departure, I have examined how categorization and intentionality affects our perception of value. The work is partly performative in its nature where this performativity sets the limelight on the transition between categories: From dirt to craft, from irrational behaviour to art. In the artistic process, I have used coffee rings on table cloths, shoeprints on wallpapers and the act of mopping as a means of questioning. Through this, I also reveal and question hierarchies in society. The essay discusses and theoretically relates to the artistic work. / Med utgångspunkt i smuts har jag underökt hur kategorisering och intentionalitet påverkar vår uppfattning av värde. Arbetet är delvis performativt till sin natur, där denna performativitet sätter fokus på övergången från en kategori till en annan: Från smuts till konsthantverk, från irrationellt beteende till konst. I den konstnärliga processen har jag använt mig av kafferingar på dukar, skoavtryck på tapeter och moppande av golv som medel för ifrågasättande. PÅ detta vis blottlägger och ifrågasätter jag hierarkier i samhället. I uppsatsen diskuterar jag och relaterar teoretiskt till det konstnärliga arbetet.
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