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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

”She prowled the world again” : En undersökning av den mytologiska figuren Liliths gestaltning i Cradle of Filths musik / ”She prowled the world again” : An examination of the mythological figure Lilith in the music by Cradle of Filth

Brown Stridsberg, Rick January 2022 (has links)
This study is about the mythological figure Lilith, a female demon from Sumerian mythology who later became thename of Adam's first wife in some parts of Judaic faith. According to medieval folklore, she also appeared as aseductive demon who killed her lovers, a danger to women giving birth and eater of children. As a political symbol, shehas become known in some circles as the first feminist and a strong female character who has been demonized due toher independence and strong will. In popular culture, she has numerous incarnations in various media. The purpose ofthis study is to examine her portrayal in the lyrics of the metal band Cradle of Filth. The main material is the band'salbum Darkly, Darkly, Venus Aversa, its narrative follows the bands version of Lilith. To fulfill the purpose, a contentanalysis is used, with a gendered theory as perspective. This paper also examines the relationship between the theory ofocculture and contemporary music.The results show how Cradle of Filth takes inspiration from many myths about Lilith, but mainly conveys the image ofLilith as a succubus, the demonic temptress that kills her partners. She is described as the perfect woman, and thisincludes being violent, hypersexual and ambitious.
2

Le Sale comme ressort d'une éthique de l'altérité dans les romans de Radclyffe Hall / Filth as Leverage for an Ethics of Alterity in Radclyffe Hall's novels

Terradillos, Tina 07 December 2018 (has links)
Montrer comment Radclyffe Hall construit la notion de Sale dans ses romans et comment cette notion affecte la relation aux autres et à soi des personnages. Proposer une réhabilitation de Radclyffe Hall et de son oeuvre. Voir comment Radclyffe Hall propose une éthique de l'altérité qui s'appuie sur le Sale. / Show how Radclyffe Hall expresses the notion of Filth in her novels and how this notion affects her characters' relationships to their selves and to the others. Offer a new vision of Radclyffe Hall and her novels. See how Radclyffe Hall suggests an ethics of alterity based on the notion of Filth.
3

L'analyse des paramètres narrato-musicologiques dans l'élaboration du récit phonographique transgressif : le cas du metal extrême

St-Laurent, Mei-Ra 19 April 2018 (has links)
Le metal extrême, tiré du heavy metal, demeure souvent pointé du doigt en raison de la musique et des sujets transgressifs le caractérisant et qui, a priori, ne communiquent qu’une violence décousue. Or, ces dernières années, plusieurs musicologues se sont intéressés au potentiel de la narratologie pour l’analyse de la musique populaire; la chanson est alors considérée comme un véritable récit, où les musiciens transmettent leur propre vision du monde. Dans ce mémoire, je propose donc une analyse musicologique et narratologique de quatre chansons dites transgressives tirées du metal extrême, soit « Mad Architect » (Septicflesh), « Her Ghost in the Fog » (Cradle of Filth), « When the Joyful Dead are Dancing » (Unexpect) et « Puritania » (Dimmu Borgir). Ces analyses permettront donc de mieux comprendre la structure narrative et musicale interne, ainsi que les différents codes esthétiques régissant ce répertoire. / Extreme metal, derived from heavy metal, remains often singled out because of the music and subjects viewed as transgressive and which, a priori, communicate a disjointed violence. However, in recent years, several musicologists have been interested in the potiential of narratology for the analysis of popular music; the song is then considered as a true narrative, where musicians communicate their own conception of the world. In this thesis, I propose to perform a musicological and narratological analysis of four songs known as transgressive and derived from extreme metal, namely “Mad Architect” (Septicflesh), “Her Ghost in the Fog” (Cradle of Filth) “When the Joyful Dead are Dancing” (Unexpect) and “Puritania” (Dimmu Borgir). These analyses will enable a better understanding of the internal musical structure and narrative, and the different aesthetic codes governing this repertoire.
4

I like it dirty

Pontén, Stina January 2018 (has links)
Using dirt and cleaning as a point of departure, I have examined how categorization and intentionality affects our perception of value. The work is partly performative in its nature where this performativity sets the limelight on the transition between categories: From dirt to craft, from irrational behaviour to art. In the artistic process, I have used coffee rings on table cloths, shoeprints on wallpapers and  the act of mopping as a means of questioning. Through this, I also reveal and question hierarchies in society. The essay discusses and theoretically relates to the artistic work. / Med utgångspunkt i smuts har jag underökt hur kategorisering och intentionalitet påverkar vår uppfattning av värde. Arbetet är delvis performativt till sin natur, där denna performativitet sätter fokus på övergången från en kategori till en annan: Från smuts till konsthantverk, från irrationellt beteende till konst. I den konstnärliga processen har jag använt mig av kafferingar på dukar, skoavtryck på tapeter och moppande av golv som medel för ifrågasättande. PÅ detta vis blottlägger och ifrågasätter jag hierarkier i samhället. I uppsatsen diskuterar jag och relaterar teoretiskt till det konstnärliga arbetet.

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