This thesis focuses on Nepalis living in Oslo and Ås, Norway, and ethnographically explores their food perceptions, habits and practices in relation to health and maternal health. With pre-existing experience of both biomedical and other understandings of health and wellbeing, the majority of my respondents could and did move between paradigms, on an individual basis deciding which to apply and when. Consequently, several demonstrated certain reasoned divergences from Norwegian state-endorsed dietary norms and expectations; differences that were, however, not simply reducible to ‘culture’. ‘Culture’ is shown here to be a favoured strategy of explanation within Norwegian public health research, which has dominated state health perceptions of all South Asians. Overall, four key arguments are advanced. Firstly, the need to disaggregate the category of ‘South Asian’, currently readily employed within public health research and policies worldwide to describe and problematise the foodways of highly diverse diaspora populations. The middle-class status of my Nepali respondents is delineated as a central example exposing the inaccuracy of such a homogenising generalisation. Secondly, that despite the hegemony of biomedical models of nutrition within health and ante-/postnatal wellbeing in Norway, my interlocutors moved between these and other ideas and practices of health and wellbeing. Describing their dietary habits and practices makes plain the narrowness of applying purely biomedically-predicated thinking to understanding these Nepalis’ foodways. Thirdly, that in ante-/postnatal care the biomedical model overprivileges the individual mother’s responsibility for her own health in order to benefit her child, ignoring the potential for alternative distributions of responsibility for, as well as emphasis on, both offspring and mother: the Nepalis I encountered showed a notable commitment to the mother’s wellbeing and also sense of pregnancy and postnatal care as a collective enterprise, relationally shaped. Fourthly, my Nepali respondents’ accounts provide a useful example demonstrating limitations to the perceived authority of Norwegian state advice on health in general. Well-informed and often highly educated, these Nepalis engaged only selectively with the state-endorsed guidance and services, instead drawing on other (re)sources – Nepali family and friends especially – to maintain health and wellbeing.

This thesis aims to shed light on the cultural and aesthetic implications of the relationship between Italy and India on and off the screens of Italy, following the expansion of Bollywood in Europe during the 90s. Bollywood's propagation abroad affected the identity of the South Asian diaspora, urban spaces and aesthetics which generated what Le Guellec - describing the arrival of Indians and Bollywood cinema to Paris - named as Bollywood/India mania. The study began with the exploration of the historical meaning of the term aesthetic in order to offer a contextualization on the sense of the aesthetic as a philosophy of art; furthermore, it established a background for further theoretical debate on South Asian diasporic identity formations within the entertainment industry of Italy. The research methods that predominated throughout this work were those of textual argumentation, aesthetic analysis, quantitative and qualitative questionnaires and interview data. The reasons for using different and interdisciplinary methods and approaches to offer an account on diasporic cultures, resided in the attempt to reveal the multiplicities of the "cultural and social" visible. The theoretical frame that this research intends to follow is through two quite distinct disciplines: aesthetic and cultural studies. The aim is to capitalise on the productive intersection of these two disciplines to analyse parts of the South Asian cultural text on the screen and beyond it as producers of transnational images imbued with melancholic memories and melancholically conceived spaces. This work will attempt to individuate the existence of representational patterns based on the aesthetic of melancholy with its nuances and metamorphoses, which represents, narrates and constructs South Asian and/or fused identities socially and culturally on the screens of Italy. The notion of semiosphere as elaborated by Jury Lotman, was utilised to define the cultural and dialogic dynamics of mainstream products that move constantly closer to each other generating original "formats" characterised by novel transnational and multiple identities. Throughout this thesis, the emphasis was placed on the "encounters", the "journeys" and the "sharing" of cultures, hence highlighting the possible conditions of belonging contemporaneously through multiple modalities: mentally, psychologically and experientially to multiplicities of cultures. In addition, the notion of "world culture" was contemplated in an attempt to practically support what Gilroy, in Black Atlantic, shaped as "inter-cultural" and translational formations.

This study analyzes the reactions of interracial relationships within the South Asian Diaspora via film and literature focused on the United States and England. The films examined are Mississippi Masala (1992) and Bend It Like Beckham (2002), and the literature-utilized focuses on cultural identity, interracial dating, the importance of marriage, the Indian community, and gender roles focused on women within the diaspora. The films used encourage the idea of interracial relationships as acceptable and give South Asian women the confidence to be more independent. The intention of this research is to analyze the importance of cultural blending, independence, heritage, and traditional values. The focus behind this research is to understand the battle of traditional versus modern roles for women in the South Asian diaspora, and how independence can be viewed as a form of dishonoring and humiliating their families when they step outside of the cultural box. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

Thesis (Ph. D.)--University of Texas at Austin, 2007. / Vita. Includes bibliographical references.

Through an ethnographic examination of two New York City South Asian organizations, Worker's Awaaz and the Global Organization of People of Indian Origin (GOPIO), this study attends to the classed subjects produced at the different points of convergence of neoliberal policy in India and the United States. The project is concerned with the workings of South Asian organizations as the demographic profile of this population changes due to new migration patterns marked by gender, class, nationality and status, and new subjectivities borne of organizing and activism that have emerged around these. With attention to the nexus of capital, labor and rights, I argue that each organization represents two sides of neoliberal tendencies, and that this materializes in the subjects of worker and diasporic entrepreneur that are mobilized in Worker's Awaaz and GOPIO, respectively. Structural adjustment programs (SAPs) in South Asia compelled the migration of the low-wage female membership Worker's Awaaz. Once in the United States, where carework has become increasingly privatized, many of these women find employment as domestic workers whose labor is necessary to the households of upper-middle class and wealthy South Asians. SAPs also opened up South Asian markets to direct foreign investment. Needing outside capital for schemes of privatization and deregulation, the government of India turned to the diaspora, and deployed financial investment by overseas Indians as diasporic duty. This is a role that GOPIO has been at the forefront of organizing. I specifically explore how economic beings constructed through neoliberal discourse of human capital inhabit, rework, and contest these very discourses and practices. In Worker's Awaaz debates regarding who constituted a worker were contestations over the meanings of class and labor rooted in global migration flows. Within GOPIO the class inflected subjectivity of entrepreneur found nationalist luster as the articulation of entrepreneurialism was cast as a trait of Indian diasporic culture. The subject positions borne from these activities produced different struggles over the terms of national belonging and rights. The dissertation understands these positions as generated from the disjunctive tendencies of neoliberalism, and as sites that give insight into the workings of current capital regimes. / text

No description available.

A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, to fulfil the requirements for the degree of Doctor of Philosophy. Johannesburg 2016 / Fordsburg, in central Johannesburg (Joburg) is a globally connected locality hosting 15-20 thousand visitors every month from all over the world. Fordsburg is a microcosm of Johannesburg’s cosmopolitanism and bears a distinctly South Asian flavour. With a growing south Asian and Indian presence, it has assumed the name ‘Indian market of Johannesburg’. The dedication of the shopkeepers to keep prices low and the options of good bargains for consumers has helped the area to develop its own identity. The passion to rise upwards among newly arrived south Asian migrants marks the mood throughout Fordsburg market.1 This thesis will provide insights on Fordsburg as an area for Indian businesses deriving stories of businessmen, and labourers from various backgrounds, professions and nationalities. [No abstract provided. Information taken from introduction] / MT2017

No description available.

This project provides a coalitional reading of Chinese Canadian literature, film, and history based on an allegorical framework of Asian-Indigenous relationalities. It tracks how Chinese labour stories set during the period of Chinese exclusion can not only leverage national belonging for Chinese settlers but also be reread for a different sense of belonging that remains attentive to other exclusions made natural by settler colonial discourses and institutional structures, that is, the disavowal of Indigenous presence and claims to sovereignty and autochthony. It contributes to important discussions about the experiences of racism and oppression that typically privilege the relations and tensions of diasporic and Indigenous communities but hardly with each other. What is more, this study aligns with a recent surge of interest in investigating Asian-Indigenous relations in Asian Canadian, Asian American, and Asian diaspora studies. The political investments driving this project show a deep commitment to anti-racist and decolonial advocacy. By examining how Chinese cultural workers in Canada have tried to do justice to the Head Tax generation’s experiences of racial exclusion and intersectional oppressions in fiction, non-fiction, graphic non-fiction, and documentaries, it asks whether there are ways to ethically assert an excluded and marginalized Chinese presence in the context of the settler colonial state. By doing justice to the exclusion of Chinese settlers in the national imaginary, do Chinese cultural workers as a result perform an injustice to the originary presence of Indigenous peoples? This thesis re-examines the anti-racist imperative that frames Chinese labour stories set during the period of Chinese exclusion in Canada: by exploring whether social justice projects by racially marginalized communities can simultaneously re-assert an excluded racialized presence and honour their treaty rights and responsibilities, it works to apprehend the colonial positionality of the Chinese diaspora within the Canadian settler state. / Dissertation / Doctor of Philosophy (PhD) / This project examines representations of Chinese labour and Asian-Indigenous relations in Chinese Canadian literature and film. By focusing on how Chinese Canadian writers and artists honour and remember the nation-building contributions and sacrifices of Chinese labourers in stories set in Canada during the period of anti-Chinese legislation policies such as the Chinese Head Tax and the 1923 Chinese Immigration Act, this thesis provides a critical look at the values and ideologies that these narratives may draw upon. It asks whether it is possible for writers and artists to commemorate Chinese labour stories without also extending the colonization of Indigenous peoples, forgetting the history of Asian-Indigenous relationships, or promoting work ethic values that may hinder community building with Indigenous peoples and respecting Indigenous ways of living and working off the land. This study explores questions of history, memory, national belonging, social justice, decolonization, and relationship building.