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1	Soziale Ausgrenzung : die Darstellung Parzivals als Aussenseiter bei Wolfram von Eschenbach / Laszczewska, Edyta. January 1900 (has links) Thesis (M.A.)--McGill University, 1999. / Written for the Dept. of German Studies. Includes bibliographical references.
2	Biografische und religionsdidaktische Aussenseiterperspektiven des Jugendalters : eine empirische Studie / Berwig, Julia. January 2004 (has links) Thesis (doctoral)--Universität, München, 2003/2004. / Includes bibliographical references (p. 281-294).
3	Der Tarifvertrag als exklusives Gut : die rechtliche Zulässigkeit und Erstreikbarkeit von Differenzierungsklauseln / Leydecker, Philipp, January 1900 (has links) Originally presented as the author's dissertation--Universität Hannover, Wintersemester 2004/2005. / Includes bibliographical references (p. [376]-409) and index.
4	Döblins Franz Biberkopf: Die erzählerische Gestaltung eines Außenseiters Moldrickx, Christopher January 2009 (has links) <p><strong>Abstract</strong></p><p>The novel <em>Berlin Alexanderplatz</em> by Alfred Döblin was published in 1929. It has subsequently been widely recognized as an important part of German Modernism due to its new conception of the hero, as well as its innovative narrative structure. The aim of this essay is both to determine the innovatory details in the concept of the hero and to describe the narrative structure, which is essential for a comprehensive understanding of the hero Franz Biberkopf. Hence, not only direct utterances by the hero and other narrative techniques are dealt with in the analysis, but also a wider context, including social interaction and the impact of the metropolis. In <em>Berlin Alexanderplatz</em> the concept of the hero is based on a fundamental criticism of the bourgeois view of the human being, a view which derives from the classical Homeric epic, stretching over the Enlightenment and into Döblin's time. However, the narrative innovation in <em>Berlin Alexanderplatz</em> is not only to be seen as the personal result of Döblin's critical reflections on the narrative tradition of the ʻbourgeois epicʼ, but also as one manifestation among others within the framework of Modernist criticism.</p> Döblin Franz Biberkopf underdog reality narrative techniques concept of the hero bourgeois epic Döblin Franz Biberkopf Außenseiter Erzähltechnik Montagetechnik Authentizitätsillusion Verfremdung Wirklichkeit German language Tyska språket
5	Wider das System: Gesellschaftliche Aussteiger bei Genazino, Kleist und Kafka Fischer, Alexander January 2010 (has links) This thesis deals with the sociological conception of the dropout (Aussteiger) figure in Wilhelm Genazino’s Ein Regenschirm für diesen Tag (2001) and, in terms of the history of ideas, his predecessors in Heinrich von Kleist’s Michael Kohlhaas (1808) and Franz Kafka’s Die Verwandlung (1913). It discusses if and how Genazino’s protagonist represents a new contemporary dropout model, and discusses the extent to which such figures can be read as dropouts, how their individual dropout characteristics are designed and motivated, and which factors connect these central characters to each other. According to Christian Schüle and his “21 Fragmente über die Identität des Aussteigers” no one can better provide a picture of the state of a society than someone who intentionally exits from it. Thus, the essential process of dropping out is described. If someone is dropping out, he is reacting to circumstances; to what extent he reacts is, however, uneven. There is no prototype of a dropout. To grasp this highly complex and little investigated phenomenon, several sociological concepts are employed, such as assimilation, deviant behaviour, alienation, individualism and the aspect of self-realization. Niklas Luhmann’s Protest serves as another theoretical basis for the concept of dropping-out (Aussteigertum). His book focuses on how protesters choose themes that none of society’s systems would recognize as their own and thereby mirror the state of things in the society as they really are. The thesis then shows how the action of all three protagonists can be associated with these sociological concepts and how Genazino’s character in Ein Regenschirm für diesen Tag is related to previous protagonists such as Kohlhaas and Samsa. Kleist’s “gebrechliche Einrichtung der Welt” becomes the alienated world of Gregor Samsa and turns into Genazino’s “Gesamtmerkwürdigkeit des Lebens” in which melancholia and succussion bring the protagonist near to failing. The experimental setting all three authors use brings to mind the philosophical stream of Existentialism, on which they all seem to verge. Under societal pressure, all three figures begin to protest against their related situations in different ways. Because of having to submit himself to the exigencies of the society, Genazino’s protagonist feels as if he has to degenerate. To escape from these feelings he continuously walks physically through his environment and at the same time applies a philosophy of sight: as a reflective observer in the river of everyday life, as a swimmer against the tide of boredom, he drops out of society in his own way, different from the way Kohlhaas and Samsa did, but still related to them. Aussteiger Außenseiter Kafka Kleist Genazino Luhmann Parsons Drop out Protest Entfremdung Gesellschaft Selbstverwirklichung Individualität Anpassung Alienation Abweichung Kohlhaas Gregor Samsa Die Verwandlung Ein Regenschirm für diesen Tag German
6	Wider das System: Gesellschaftliche Aussteiger bei Genazino, Kleist und Kafka Fischer, Alexander January 2010 (has links) This thesis deals with the sociological conception of the dropout (Aussteiger) figure in Wilhelm Genazino’s Ein Regenschirm für diesen Tag (2001) and, in terms of the history of ideas, his predecessors in Heinrich von Kleist’s Michael Kohlhaas (1808) and Franz Kafka’s Die Verwandlung (1913). It discusses if and how Genazino’s protagonist represents a new contemporary dropout model, and discusses the extent to which such figures can be read as dropouts, how their individual dropout characteristics are designed and motivated, and which factors connect these central characters to each other. According to Christian Schüle and his “21 Fragmente über die Identität des Aussteigers” no one can better provide a picture of the state of a society than someone who intentionally exits from it. Thus, the essential process of dropping out is described. If someone is dropping out, he is reacting to circumstances; to what extent he reacts is, however, uneven. There is no prototype of a dropout. To grasp this highly complex and little investigated phenomenon, several sociological concepts are employed, such as assimilation, deviant behaviour, alienation, individualism and the aspect of self-realization. Niklas Luhmann’s Protest serves as another theoretical basis for the concept of dropping-out (Aussteigertum). His book focuses on how protesters choose themes that none of society’s systems would recognize as their own and thereby mirror the state of things in the society as they really are. The thesis then shows how the action of all three protagonists can be associated with these sociological concepts and how Genazino’s character in Ein Regenschirm für diesen Tag is related to previous protagonists such as Kohlhaas and Samsa. Kleist’s “gebrechliche Einrichtung der Welt” becomes the alienated world of Gregor Samsa and turns into Genazino’s “Gesamtmerkwürdigkeit des Lebens” in which melancholia and succussion bring the protagonist near to failing. The experimental setting all three authors use brings to mind the philosophical stream of Existentialism, on which they all seem to verge. Under societal pressure, all three figures begin to protest against their related situations in different ways. Because of having to submit himself to the exigencies of the society, Genazino’s protagonist feels as if he has to degenerate. To escape from these feelings he continuously walks physically through his environment and at the same time applies a philosophy of sight: as a reflective observer in the river of everyday life, as a swimmer against the tide of boredom, he drops out of society in his own way, different from the way Kohlhaas and Samsa did, but still related to them. Aussteiger Außenseiter Kafka Kleist Genazino Luhmann Parsons Drop out Protest Entfremdung Gesellschaft Selbstverwirklichung Individualität Anpassung Alienation Abweichung Kohlhaas Gregor Samsa Die Verwandlung Ein Regenschirm für diesen Tag German
7	Döblins Franz Biberkopf: Die erzählerische Gestaltung eines Außenseiters Moldrickx, Christopher January 2009 (has links) Abstract The novel Berlin Alexanderplatz by Alfred Döblin was published in 1929. It has subsequently been widely recognized as an important part of German Modernism due to its new conception of the hero, as well as its innovative narrative structure. The aim of this essay is both to determine the innovatory details in the concept of the hero and to describe the narrative structure, which is essential for a comprehensive understanding of the hero Franz Biberkopf. Hence, not only direct utterances by the hero and other narrative techniques are dealt with in the analysis, but also a wider context, including social interaction and the impact of the metropolis. In Berlin Alexanderplatz the concept of the hero is based on a fundamental criticism of the bourgeois view of the human being, a view which derives from the classical Homeric epic, stretching over the Enlightenment and into Döblin's time. However, the narrative innovation in Berlin Alexanderplatz is not only to be seen as the personal result of Döblin's critical reflections on the narrative tradition of the ʻbourgeois epicʼ, but also as one manifestation among others within the framework of Modernist criticism. Döblin Franz Biberkopf underdog reality narrative techniques concept of the hero bourgeois epic Döblin Franz Biberkopf Außenseiter Erzähltechnik Montagetechnik Authentizitätsillusion Verfremdung Wirklichkeit Specific Languages Studier av enskilda språk
8	Ambition und Leibdistanz. / Sozialer Aufstieg als Indikator eines ambivalenten Zivilisierungsprozesses zwischen 1800 und 2000 / Ambition and distance from the body. / Social mobility as an indicator of an ambivalent civilising process between 1800 and 2000 Schömer, Frank 12 July 2006 (has links) No description available. 300 Sozialwissenschaften Soziologie Social Sciences soziale Mobilität soziale Ungleichheit Aufsteiger Sozialstruktur Partizipation Exklusion soziale Reproduktion Gender Habitus Leib/Körper Körpergeschichte Bildungschancen Außenseiter Randgruppe Biografie Autobiografie Unterschicht Kleinbürger Figuration Formalität Informalität Pierre Bourdieu Norbert Elias social mobility inequality social climber social stratification partcipation exclusion social reproduction gender habitus body body history educational opportunities outcast disadvantage group biography autobiography lower class petty bourgeois figuration formality informality Pierre Bourdieu Norbert Elias 71.12 Soziale Stratifikation soziale Mobilität 71.59 Kultursoziologie: Sonstiges 15.07 Kulturgeschichte 15.08 Sozialgeschichte LEM 760: Mobilität {Soziologie}

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