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51	Ministry in the psychiatric unit healing through forgiveness / Kim, Sung Nam. January 2008 (has links) Thesis (D. Min.)--Erskine Theological Seminary, 2008. / Abstract. Includes bibliographical references (leaves 131-134).
52	Ministry in the psychiatric unit healing through forgiveness / Kim, Sung Nam. January 2008 (has links) Thesis (D. Min.)--Erskine Theological Seminary, 2008. / Abstract. Includes bibliographical references (leaves 131-134).
53	Accepting the Failure of Human and State Bodies: Interactions of Syphilis and Space in "Hamlet" and "The Knight of the Burning Pestle" Radford, Laura E. 15 November 2013 (has links) The purpose of this thesis is, first, to explore the presence and meaning of Foucault’s heterotopia within William Shakespeare’s “Hamlet”and Beaumont and Fletcher’s “The Knight of the Burning Pestle.” The heterotopia is a privileged space of self-reflection created by individuals or societies in crisis. In each play, the presence of crisis is explained though the metaphor of syphilis; to which individual characters respond by entering the reflective space of the heterotopia in order to countenance and “cure” their afflictions. The second purpose of this thesis is to examine the ways in which the crises acted upon the stage reflect pressing social anxieties of late – Elizabethan and early- Jacobean England: succession to the throne and shifting market structure. Both playwrights create heterotopic space for their audience through the structure of their dramatic work, and ask their audience to enter this reflective space, and consider –and learn from – their remarks upon the state of society. Shakespeare Beaumont Fletcher disease syphilis Foucault heterotopia Elizabeth I economics capital structures Literature in English, British Isles Modern Literature
54	The Erotics of Excrement in Early Modern English Drama Frazier, Heather Dawn January 2021 (has links) No description available. Literature Gender Studies British and Irish Literature excrement erotics sexuality studies gender Early Modern English drama drama Renaissance literature Shakespeare, William Middleton, Thomas Webster, John Beaumont, Francis Fletcher, John
55	Le conte merveilleux en classe de français langue étrangère : Approches didactiques pour les collégiens et lycéens chinois / The marvelous tale in class of French : teaching methods for the Chinese pupils of the secondary school Peng, Mei 15 February 2011 (has links) Le conte merveilleux, par ses caractéristiques et sa structure narrative universellement identique, peut constituer un support privilégié de la classe de langue. Son utilisation adéquate permet à l’enseignant de guider l’apprenant vers une acquisition de toutes les compétences : linguistiques, culturelles, interculturelles et fonctionnelles. Le présent travail s’appuie sur les notions théoriques associées à l’étude de ce genre littéraire. Les activités proposées sont destinées aux élèves chinois de français dans le secondaire, par lesquelles, les enseignants peuvent amener leurs élèves à partir dans le voyage merveilleux des contes français et chinois. Ainsi les élèves peuvent apprendre à aimer lire en français et découvrir le plaisir de vivre le conte dans la classe. / The marvelous tale, with his characteristics and his narrative structure universally similar, forms a privileged support in language class. The use of tale allows the teachers to guide their pupils to acquire all the competences: the linguistic, the cultural and the functional competences. Our work includes many theories that have a link with this literary kind. We suggest some activities for the Chinese pupils of secondary school. With these activities, the teachers may lead their students to go to a marvelous travel in the world of French and Chinese marvelous tales. The students learn to love reading in French and discover the pleasure to live the tales in the class. Collégiens et lycéens chinois Structure du conte merveilleux Lecture A moralité du conte Le plaisir de lire Mme Leprince de Beaumont Daudet Aymé Gripari Chinese pupils French studies by the tales Structure of marvelous tales Linguistic and cultural competence Reading Morality of tales Pleasure of reading Mme Leprince de Beaumont Daudet Aymé Gripari
56	Once Upon a Time, Again: Exploring the Function of Fairy Tale Retellings Parsons, Mackenzie A. 08 December 2023 (has links) (PDF) With the invention of the printing press, fairy tales became limited by the idea of an "original" (Pettitt, 2009; Blamires, 2003). However, in the past century, the retelling and changing of fairy tales has become incredibly popular in all forms of media, such as print, film, ballet, musicals, etc. Despite Western populations' familiarity with these tales, the demand for such retellings continues to rise, with the storytellers finding great financial success with each "new" version they provide. Researchers have many varying opinions on the reasons for such intense responses to retold fairy tales, but there is a gap of research on the actual changes made to the retold tales and what they mean. Through the use of Narrative Criticism, three of the most popularly retold fairy tales (Cinderella, Beauty and the Beast, and Snow White) were analyzed for the biggest alterations, and what those alterations are meant to convey to consumers. Findings revealed that the biggest changes across all three retellings were those of character, narrator, audience, and setting. These changes indicate a switch from the authoritative nature of the first printed versions to an inferential nature with the subsequent retellings, with authors leaning into the Narrative Paradigm and forcing audiences to instead ruminate on the changes made in the familiar tales, and to decide for themselves what those changes mean for their personal lives. fairy tale gutenberg parenthesis fairy tale retellings cinderella snow white beauty and the beast jeanne-marie leprince de beaumont perrault charles perrault gail carson levine robin mckinley mckinley ella enchanted disney snow white and the huntsman narrative criticism narrative paradigm Communication
57	The Ophelia versions : representations of a dramatic type, 1600-1633 Benson, Fiona January 2008 (has links) ‘The Ophelia Versions: Representations of a Dramatic Type from 1600-1633’ interrogates early modern drama’s use of the Ophelia type, which is defined in reference to Hamlet’s Ophelia and the behavioural patterns she exhibits: abandonment, derangement and suicide. Chapter one investigates Shakespeare’s Ophelia in Hamlet, finding that Ophelia is strongly identified with the ballad corpus. I argue that the popular ballad medium that Shakespeare imports into the play via Ophelia is a subversive force that contends with and destabilizes the linear trajectory of Hamlet’s revenge tragedy narrative. The alternative space of Ophelia’s ballad narrative is, however, shut down by her suicide which, I argue, is influenced by the models of classical theatre. This ending conspires with the repressive legal and social restrictions placed upon early modern unmarried women and sets up a dangerous precedent by killing off the unassimilated abandoned woman. Chapter two argues that Shakespeare and Fletcher’s The Two Noble Kinsmen amplifies Ophelia’s folk and ballad associations in their portrayal of the Jailer’s Daughter. Her comedic marital ending is enabled by a collaborative, communal, folk-cure. The play nevertheless registers a proto-feminist awareness of the peculiar losses suffered by early modern women in marriage and this knowledge deeply troubles the Jailer’s Daughter’s happy ending. Chapter three explores the role of Lucibella in The Tragedy of Hoffman arguing that the play is a direct response to Hamlet’s treatment of revenge and that Lucibella is caught up in an authorial project of disambiguation which attempts to return the revenge plot to its morality roots. Chapters four and five explore the narratives of Aspatia in The Maid’s Tragedy and Penthea in The Broken Heart, finding in their very conformism to the behaviours prescribed for them, both by the Ophelia type itself and by early modern society in general, a radical protest against the limitations and repressions of those roles. This thesis is consistently invested in the competing dialectics and authorities of oral and textual mediums in these plays. The Ophelia type, perhaps because of Hamlet’s Ophelia’s identification with the ballad corpus, proves an interesting gauge of each play’s engagement with emergent notions of textual authority in the early modern period. 820.9003
58	The impact of social disorganization and public school characteristics in explaining suspensions and expulsions Liabeuf, Amanda De Vries 01 January 2004 (has links) The purpose of this study is to examine if school or community characteristics correlate with suspensions and expulsions. The data examined in this study were drawn from Riverside County schools. The schools were examined to determine if school or social disorganization characteristics correlate with suspension and expulsion rates. Alvord Unified School District Beaumont School District Coachella Valley School District Desert Sands School District Moreno Valley School District Temecula Valley School District Single mothers Fatherless families Community and school School Psychology
59	The King, the Prince, and Shakespeare: Competing for Control of the Stuart Court Stage Gabriel R Lonsberry (9039344) 29 June 2020 (has links) <div>When, each holiday season, William Shakespeare’s newest plays were presented for King James I of England and his court, they shared the stage with propagandistic performances and ceremonies intended to glorify the monarch and legitimate his political ideals. Between 1608 and 1613, however, the King’s son, Prince Henry Frederick, sought to use the court stage to advance his own, oppositional ideology. By examining the entertainments through which James and Henry openly competed to control this crucial mythmaking mechanism, the present investigation recreates the increasingly unstable conditions surrounding and transforming each of Shakespeare’s last plays as they were first performed at court. I demonstrate that, once read in their original courtly contexts, these plays speak directly to each stage of that escalating rivalry and interrogate the power of ceremonial display, the relationship between fiction and statecraft, and the destabilization of monarchically imposed meaning, just as they would have then.<br></div> Literature History Drama British and Irish Literature Other European Literature British History shakespeare king james henry frederick coriolanus pericles cymbeline the tempest the winter's tale henry viii two noble kinsmen ben jonson masque inigo jones oberon masque of queens tethys' festival barriers king's men love restored beaumont john fletcher Chivalry Protestantism george chapman thomas campion memorable masque masque of truth the lord's masque

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