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The Global ETD Search service is a free service for researchers
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Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 5 of 5 (0.032 seconds)Spelling suggestions: "subject:"bernadette"" "subject:"bernadete""
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Rätt kunskaper för en blivande statschef : Samhällsfostran av svenska tronföljare under 200 årNyström, Linnea January 2020 (has links)
The Right knowledge for a future head of state. The Societal fostering of Swedish successors to the throne during 200 years. The purpose of this study has been to compile and analyse the general educational demands on Swedish successors to the throne in the Bernadotte dynasty; it also strives to analyse how the constitutional context has affected these demands during the 200 years that were examined. The study has a subject didactic approach focusing on the successors to the throne’s education in social science, more particularly on the subject’s fostering aspect. In this context, societal fostering, or “samhällsfostran” in Swedish, is defined as education that strives to foster individuals that understand their position in society and can act accordingly. The principal thesis is that the didactics will be reflected in the politics; the fostering of the successors to the throne will be reflected in how they act in society. The theoretical framework is based on the three didactic questions What, Why and How together with the didactic triangle. The study was conducted by a qualitative text analysis on a rich quantity of sources like biographies, memoirs and encyclopaedias and showed that the successors to the throne in the 19th century to a high degree were fostered to become societal monarchs that ruled over a society they themselves were not a part of; Much, in some cases all, of their education was private with few or no classmates, and thus protecting them from political matters and criticism. Despite this, their fostering emphasized competence and merit; they should never take their position for granted, and always work hard to protect the crown. During the 20th century, after the breakthrough of parliamentarism, the successors’ fostering became more common, following a normal curriculum and having them attend public schools. Their special education towards their future duty is now after their matriculation.
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The Rules of the Game : A qualitative study on the informal gender power structures of Folke Bernadotte AcademyHansson, Pontus, Holgersson, Anja January 2021 (has links)
Development organisations are generally believed to be fairly gender equal workplaces, with gender related issues seen as something external or foreign to the organisation. However, all organisations exist within gendered structures, and should not be considered as gender neutral or separate. Building on the theory of feminist institutionalism, this paper aims to study how informal gender power structures are experienced by employees in a development organisation, namely the Folke Bernadotte Academy. To research this, in-depth semi-structured interviews were conducted to study the experiences and opinions of the respondents. A feminist institutionalist framework identified three areas of particular interest, “Tasks and assignments”, “Support norms” and “Interactions between employees”. After conducting interviews the information was analysed. The conclusions drawn are that FBAs employees describe experiences of some gender power structures. Most notably relating to parenting norms and logic of appropriateness. Seconded employees in general seemed to experience more gender power structures than internal employees. Additionally FBA and its employees seem to express the view that gender inequality is an external problem or that they are unaffected because their workforce is made up of a majority of women.
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Quadriga bei der Retourkutsche in Cochstedt: Welch ein Ereignis für die Stadt CochstedtBarth, Edgar, Bartzack, Harald, Müller, Kurt 25 October 2023 (has links)
No description available.
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Diadem och identitet : En studie kring identiteter i kejsarinnan Josephines pärl- och kamédiadem / Diadem and Identity : A Study on Identities in Empress Josephine's Pearl and Cameo Diademaf Klinteberg, Kristina January 2020 (has links)
This paper, on the identities shown in one of the cameos in Empress Josephine’s pearl and cameo diadem, has first of all focused on the mythological characters, and thereafter raised the question if these are to be seen as an allegory for people from the time. The process of identi-fication has followed the three levels in Panofsky’s method for analysing art, where the first and second levels consist of already known material from the Bernadotte Library, Royal Palace in Stockholm and the jeweller house of Chaumet (former Nitot et Fils) in Paris. To decipher both the mythological individuals and the possible allegories, that is the third level, the iconology itself, the thoughts and methods of Göran Hermerén on the rise and fall of allegories along with Leora Auslander’s solutions using visuals comparisons, when no written material is available, have provided the academic framework for the study. When comparing the cameo with pieces of art from the time, the subject fits the description of the Roman mythology’s love goddess Venus and her son Cupid, the lovechild fathered by Mars. Moving on to allegories, well-known material shows that Emperor Napoleon was keen to be portrayed as the god of war Mars and Empress Josephine as Venus. A portrait of special interest to the study, a rather private painting by Parent from 1807, which is probably still unknown to most people, shows how Josephine is depicted with a recently deceased grandchild, a young boy how was also the nephew of Napoleon’s, a close relative to them both, and in the line of succession to the throne, while Napoleon still was Emperor. This picture has an expression which is close to the one of Venus and Cupid, and it is also made to look like a cameo. These portraits were known at the time when Napoleon gave the diadem to Josephine in 1809. Among portraits from the Napoleonic era, there has earlier only been one known painting, even if in two examples, where the diadem is shown. It is a miniature of Empress Josephine, a work from her final period at Malmaison, 1814. However, another miniature picturing the daughter Hortense in the very same piece of jewellery, from 1812, has now become known. In both these examples, the depicted cameo has a hight measuring only millimetres, why a discussion on the execution and the rendering has to be done with restraint. But in the daughter´s portrait there is a certain attempt to show the outlines of the central cameo that differs from the later painting of the Empress. This may be an indication of how much more important it was for the daughter to relay the picture of her mother and the memory of her son, in 1812, than it was for Josephine in 1814, after the divorce, probably after the fall of Napoleon too, when she was no longer his Venus, and there was no longer a throne for any of her grandsons to inherit. Therefore, in short, the chosen methods give the answer that the mythology depicted is a scene of Venus and her son Cupid, and the allegorical interpretation of Venus is the Empress herself. The child in shape of Cupid here, may well be read as one of her daughter’s sons, at the time a much longed-for heir to the throne of Napoleon I.
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Ett diadem och dess ikonografi : En studie av kejsarinnan Josephines pärl- och kamédiadem i porträtt mellan 1812 och 2010 / A Diadem and its Iconography : A Study of Empress Josephine’s Pearl and Cameo Diadem in Portraits between 1812 and 2010af Klinteberg, Kristina January 2021 (has links)
The main purpose of this study of a pearl and cameo diadem, given by Napoleon to his first wife Josephine in 1809, is to follow its representation in portraiture from Paris in 1812 to Stockholm in 2010, and explore how the iconography develops during these 200 years. From the earlier years, the diadem is found only in miniatures, then after coming to the new royal family in Sweden, the Bernadottes, it is given a role of an heirloom representing history and families in grand paintings, arriving to the present well-known wedding hairpiece, covered by modern media, where the diadem is more of a crown than the open, forehead-covering piece of fashion jewellery it was during the Napoleonic era in France. The portraits from 1812, 1814, 1836, 1837, 1877, 1976, 2000/2003 and 2010 also portray a development of the female role model of its time. Just like the hair piece attains an iconography which comprises not only the highest dress codes but also a possibility of status transformation for the people involved in ceremony, the role of the country’s First Lady is about to change into a higher, more egalitarian position of present days.
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